by David Oates
The soon-to-be famous ship is part-way around the world. It will eventually become only the second vessel in recorded history to achieve the complete circumnavigation – after Magellan. But the ship is poised over disaster. Somewhere in the seas off present-day Indonesia, the captain has ordered full sail and then retired to his cabin. The ship hits something – there’s an awful shudder and it stops dead in the water. A reef, probably.
There it stays for some twenty hours – “as its crew tries and tries to fathom the trouble they are in.”
The ship is the Golden Hinde, and the captain is thus, of course, Sir Francis Drake – hero to every British schoolchild for the following four hundred-some years. Four hundred years of “gloating,” as author Horatio Morpurgo puts it, as he uses this pivotal moment to put some questions to the glittering hero – to its crew – and to ourselves.
Is Drake’s triumphant return to Plymouth harbor in September 1580 – the ship loaded with treasure – really all there is of this tale? It makes for easy telling, with Drake cast as the swashbuckling old sea-dog, as if from an Errol Flynn movie of the thirties. But what has been left out of this version? Morpurgo uses this daylong pause to ask the question: this episode of doubt ended in bitter enmity between the captain and his ship’s chaplain, who apparently preached against the great man – upon his own ship! – during these hours of peril. Why? What other stories are buried beneath the blinding treasures and easy clichés of the Golden Hinde? Read more »





Everyone knows—or should know—how burdensome a pregnancy is on a woman. It’s especially hard now if you live in Texas where a fetal heartbeat detected at six weeks means by law the woman cannot terminate her pregnancy; she must carry it to term. The burden of having a child, whether planned for or forced, is made worse by the financial responsibility of raising that offspring, for parents and families, through childhood and adolescence, the next eighteen years. Would any man argue that such a load, for poor women in particular, is among the toughest things she’ll ever face?
When Robert Solow asked me in Cambridge if I’d like to join the faculty at MIT in the other Cambridge, I was taken aback, and asked for some time to think about it. Until then I never imagined living in the US, a country I had never visited before, and what I saw in Hollywood films was not always attractive. I was planning to go back to India where my aging parents, younger siblings, and the majority of my friends were.

Someone described the US Federal Government as a huge insurance company that has its own army. There’s real truth to that description. The vast majority of the federal budget goes to Social Security, Medicare, and Medicaid. Those entitlement programs take up about 65% of the federal budget, while the military takes up about 11% of the federal budget. The interest on the federal debt takes up another 8%, leaving only about 15% for “discretionary” spending. The money spent on the military is also considered discretionary but given our vast reach with hundreds of military bases in dozens of countries, voting to reduce the military budget much would be political suicide.
Last year the federal government took in $3.4 trillion of taxes and spent $6.6 trillion, nearly twice its revenues. A trillion dollars is a vast, almost inconceivable amount of money. And yet our government spends money in such cosmic sums that congresspeople and senators toss around the word trillion as if it’s the cost of a night’s stay in a Motel 8. Perhaps the two best quotes about casually spending and losing vast sums of money come from the late Texas oilman Nelson Bunker Hunt. When asked about his $1.7 billion losses after he tried to corner the silver market, he replied, “A billion dollars isn’t what it used to be.” Then at a congressional hearing when asked about his net worth, Hunt replied, “I don’t have the figures in my head. People who know how much they’re worth aren’t usually worth that much.”
Tanya Goel. Mechanisms 3, 2019.


Clairvoyant of the Small, Susan Bernofsky’s long-awaited biography of the Swiss modernist writer Robert Walser, is erudite, painstakingly thorough, and sensitively written. Readers of Walser finally have a volume that connects the development of the writer’s work and its publishing history to the various episodes of his peripatetic adult life in the cities of Biel, Bern, Zurich, Berlin, and finally the sanatoriums in Waldau and later Herisau, where Walser—revered by Franz Kafka and Max Brod, Walter Benjamin, W. G. Sebald, and many others—presumably ceased writing altogether.

Men have always wanted to fly to the moon and stars. We wanted to find out what was up there on the moon and planets? Was it heaven? Were there angels? Or were these worlds inhabited by strange creatures who built canals? We looked up, we used telescopes. We watched the stars and charted their movements. But we wanted to do more than look and imagine; we wanted to go up there and see for ourselves? The birds could fly, why couldn’t we?
