by Eric J. Weiner
In an ever-changing, incomprehensible world the masses had reached the point where they would, at the same time, believe everything and nothing, think that everything was possible and that nothing was true… The totalitarian mass leaders based their propaganda on the correct psychological assumption that…one could make people believe the most fantastic statements one day, and trust that if the next day they were given irrefutable proof of their falsehood, they would take refuge in cynicism; instead of deserting the leaders who had lied to them, they would protest that they had known all along that the statement was a lie and would admire the leaders for their superior tactical cleverness. –Hannah Arendt
In this oft-reprinted quote from Hannah Arendt’s seminal work The Origins of Totalitarianism, many 21st century readers, particularly those engaged in pro-democracy movements in the United States and abroad, see Donald Trump and the emergent totalitarian formation of Trumpism sewn piecemeal onto the template that she constructed whole cloth from Hitler and Stalin’s political regimes. Although Trump hasn’t yet matched the political power, penchant for violence, or historical significance of Hitler or Stalin, he has made clear his disdain for democracy and exhibits a desire and willingness to use his power and violence to undo its institutional structures. For readers who are encouraged by the emergence of Trumpism and excited by its promise to make America great again, which includes inciting nationalistic pride, putting America’s interests first ahead of global concerns, policing public school curriculum for progressive ideological biases, packing the courts with sympathetic ideologues, and using banal procedural rules to derail the spirit of democratic negotiation and compromise then her work may provide you a cautionary tale regarding the potential implications of delivering on those promises.
For its critics, Trumpism’s thrust is transparently dystopian, its trajectory violent and oppressive, its appeal to national greatness cynical, and its outcome always tragic and bloody. They have also consistently underestimated Trump’s capacity for violence and his ability, like Vladimir Putin, to “leverage inscrutability.” But for Trumpists, the ethos of totalitarianism and the future it promises is not oppressive or frightening, but is empowering and liberating. Read more »


My name is Sarah Firisen, and I’m 5ft 2 inches tall and work in software sales. But I’m also, or used to be, Bianca Zanetti, a 5ft 9 size 0 (which I’m also not), fashion designer and proprietor of a chain of stores, Fashion by B. No, I’m not bipolar. Bianca Zanetti is my Second Life avatar.


The Naxalite phase in Bengal was a short, tragic chapter in politics, but in Bengal’s cultural-emotional life its implications were deeper, and reflected in its literature (and films)—most poignantly yet forcefully captured by the writer Mahshweta Devi, one of Bengal’s most powerful political novelists. Again and again in the 20th century some of Bengali youth have been fascinated by the romanticism of revolutionary violence–as was the case in the early decades in the freedom struggle against the British (I have earlier mentioned about my maternal uncle caught in its vortex), then again in the 1940’s when the sharecroppers’ movement (called tebhaga) was soon followed by a period of communist insurgency in 1948-50, and then in the Naxalite movement of the late 60’s and early 70’s.


Whitfield Lovell. Kin XLV (Das Lied von der Erde), 2011.
Not long ago, having steeled myself for the read-through of yet another dry but informative assessment of the body’s immune response to Covid 19 and her variant offspring, I was pleasantly surprised to find myself being dragged into a barbaric tale of murder and mayhem, full of gory details and dire strategies.
We tell ourselves stories in order to live. 





Daniel Everett’s 2008 book, Don’t Sleep, There are Snakes (Life and Language in the Amazonian Jungle), threw what seemed to be a pebble into the world of linguistics – but it is a pebble whose ripples have continued to expand. This might be thought surprising, in view of its curious construction. It contains a detailed description of the writer’s encounters with a small, remote Amazonian tribe, whom he calls the Pirahã (pronounced something like ‘Pidahañ’), but who apparently call themselves the Hi’aiti’ihi, roughly translated as “the straight ones.” They live beside the Maici River, a tributary of a tributary of the Amazon, which is nonetheless two hundred metres wide at its mouth.