by Brooks Riley

Looking back at the year gone by is the tedious task of news editors who aim to make sense of the senseless, find connections where none exist, and leave us with a neat package of nostalgia to file away in our collective memory. I’ve never been partial to such wrap-ups, with their facile interpretations of events, their mining for relevance where none exists.

Another thing that makes such year-end assessments so difficult, is the necessary conjunction of events of varying levels of gravitas: Imagine talking about Twitter king Elon Musk in the same breath as Vladimir Putin, mentally blending images of a digital town meeting with a security council meeting at the Kremlin. One shudders at the juxtaposition of wounded infants in Ukraine with the trivial issue of buccal fat surgery. After a while, all newsworthy events in a given year begin to appear surreal, existing side by side inside separate vacuums that bump into each other like bumper cars at an amusement park.

Part of me doesn’t care much for the immediate past. Part of me wants to get on with it, whatever ‘it’ is. Slowly but surely, I’ve evolved from being a participant in life to being an observer of it. From my modest command center I gaze out at the world through a digital lens and try to understand what’s going on. It’s becoming much harder to do that.

As an observer now, I am less tolerant of the rampant vanities let loose on social media. I find many more public figures ridiculous, and many viral trends simply absurd. (Is it me, or is it them?) My inner curmudgeon stretches its limbs like a newborn, even as it is forced to coexist with my inner teenager who, for some reason, is still alive and kicking. Read more »

Jupiter rising above a mountain in Brixen, South Tyrol.

by Ethan Seavey

It’s halfway through the month of December and New York is filled with pine boughs and small yellow bells and horse-drawn carriages and scarves. We are seated on the edge of the fountain in Washington Square Park, though this time of year the water has been shut off. A group of five skateboarders are practicing jumps in the large basin. We just bought a pre-rolled joint from one of the stands in the park, of which there are many. But we only buy from one of them. Weed is legal in the city now, but it’s not legally sold, so it can be questionable, and you never want “questionable” when you’re prone to paranoia. We trust the woman who runs this stand, though, because we know where she buys it and she has a rainbow flag on the front of her table. 

So we sit queerly on the edge of a queer fountain smoking some queer weed. We talk about something, I don’t know, maybe how Halloween is a gay holiday but Christmas is a straight one and we have fatigue. A New York Christmas is not one of comfort or much joy. Starting in November, there’s a pressure in the air that pushes you to believe you need to do a long checklist of items. You need to see Rockefeller Center, you need to go to this small pop-up and that department store extravaganza. You need to go to the holiday markets at Union Square, where people shuffle by long lines of other people waiting to shop at little stands, and the ones at Bryant Park, which you never see because Union Square was such a nightmare. A New York Christmas is hearing tinny bells played on speakers for weeks and drunk Santas racing from bar to bar. A New York Christmas is one where you can only find silence and darkness when you’re tucked away into your tiny apartment. 

Certainly there is magic in the season as well and I am rarely as gleeful as when I have a quiet Christmas moment with friends. But it is finals week and I can’t see past a devastating head cold.  Read more »

by Eric Bies

There I sat (or stood (or, who knows, hovered )), trying to read Osip Mandelstam…

(…not, to be sure, the early Stone poems; not the later Poems poems; not the Egyptian Stamp, not even the essay on Dante, but his final literary effort: cobbled together from the vantage of that characteristically Soviet brand of exile-cum-vacation, about 500 klicks south of Moscow), in this case, the Andrew Davis translation of the Voronezh Notebooks.

As I sat, etc., and perused the table of contents, I noticed that the book contained—in addition to its eighty-nine numbered poems and introduction—an index of first lines.

I remembered the first time I’d noticed such an index. The memory of the encounter was fresh enough—not quite far enough back to not resound so readily with the powerful shame of my nervousness in the company of poems. I remembered how, once, attempting to temper this skittishness, I’d picked out a couple of battered volumes of Auden and Coleridge, friendly clothbound entries into the Everyman’s Library Pocket Poets Series that are with me still. Now as then they remain neat, tidy, approachable: they were, for a reader who’d made the frosty acquaintance of Eliot and Pound, poetry on training wheels. And instrumentally, at the back of them, one could and still can make alphabetical reference to each poem by the words with which it starts. So, too, I remember noticing this then: that that Auden began with “A cloudless night like this” and ended up “Wrapped in a yielding air, beside.”

Later, but not too much later, I took notice (if not any interest in the real utility) of similar indices appended as yet more backmatter to yet other editions of bound selections, collections, and completions of the poetry that continued to unman me. Read more »

by John Allen Paulos

Numerology can easily result from free association and, given its assertions, it certainly seems like it has been. In any case, I thought I’d try my hand at it.

In particular, the date 9-11 and the destruction of the WTC twin towers have together given rise to all sorts of numerological claims. Here are a few more.

The twin towers were destroyed, so to the numerologist this might suggest the number 11, since 11 has twin digits and looks like the twin towers. The Pentagon was also damaged, suggesting the number 111.

Combining the omens implicit in the date of the attack and the three buildings involved yields 9111, which can be viewed as suggesting the product 91 x 11.

But the number 91 x 11 itself has a twinning property. What do I mean? Well, take any 3 digit number and multiply it by 91 x 11 and note that 643 x 91 x 11 = 643,643 and 819 x 91 x 11 = 819,819, and 547 x 91 x 11 = 547,547, and so on.

Moreover, 91 = 7 x 13, and 13 is widely considered to be a most unlucky number, easily outweighing the good luck that 7 often indicates.

Conclusion: 9111, the exact date of the destruction of the twin towers and the damaging of the Pentagon were numerologically foretold. After all, what is the probability that a 4-digit number would become so relevant to these tragic circumstances? It would seem the chances are a minuscule 1 in 10,000. Read more »

I learn to reap without violence
listen without taking; I yield —Lauren Turner, Poet

Learning How to Write a Poem

A time ago I thought, and
something said, Get out of the way, Jim
you’re occluding the sun
you make a mess of things
with your insistence
how do you expect a poem to come?
how do you expect a song to come?
how do you expect anything good to come?
how do you expect anything to breach
the dikes of yourself, to spin the hinges
of your gates, to split the mortar joints
you’ve pointed up so assiduously
laying brick upon brick year upon year?
Are you waiting for something else to come and
shatter or clean the panes of your casements
crusted with dust?

You stand there, a dumb dolomite, still
in a stream of love & pain which merely
splits itself, surging round, moving on
as if to say, you fool, come along,
this is the only stream there is with all its
joys and bereavements,

the only one there is—

come, learn, wait,
then speak

©Jim Culleny, 11/17/22

by Charlie Huenemann

Vasco da Gama was the first person we can name who successfully commandeered a voyage around Africa’s southernmost point, the Cape of Good Hope. It is a treacherous passage, where warm currents from the southern part of the Indian Ocean clash against the icy currents of the south Atlantic, leading to dangerous waves that have swallowed many ships. (Indeed, at the time it was known as “the Cape of Storms”.) Da Gama gave the cape wide berth, sailing far the sight of land, before turning northward and poking his way along the eastern coast of Africa, where many hijinks ensued.

This was in 1497, and Europeans were keen to find some route to Indian spices that didn’t involve crossing lands controlled by some sultan or other. Da Gama showed everyone the way, and the Dutch and the English rushed through and established colonies along the coasts of the Indian Ocean. Da Gama’s fellow Portuguese established colonies as well, of course, but not with equal success. Part of the reason was that Portuguese sailors as a whole were not very interested in following da Gama’s Cape Route because they knew damned well there was a monster down there that ate ships like snacks.

Sailors spend their lives and meet their deaths in the middle of huge and violent systems they don’t understand and can’t control (well now, who doesn’t?) and so they make up stories to pretend to make sense of them. Unsurprisingly, many of these stories feature ill-tempered monsters with gaping mouths. The nautical disasters clustered around the Cape of Good Hope was pretty clear evidence of some beastly demon, and in 1572 the great Portuguese epic poet Luís de Camões gave the dreadful beast a name: Adamastor. Read more »

by Brooks Riley

by Mary Hrovat

In 1995, I made two Christmas mixtapes that I labeled A Very Mary Christmas. I had recently gone through a period of wondering whether it made sense to go on celebrating Christmas, given that I’d stopped believing in the Christian story years earlier. In particular, I’d thought about whether I wanted to go on listening to Christmas music—especially the old traditional carols I love, many of which have explicitly religious lyrics. In the end, I decided that there were other good reasons to celebrate the time around the winter solstice. I made the mixtapes in a spirit of enjoying winter and celebrating both the darkness and the light to be found in family and friends. I kept some of the traditional carols (some only in instrumental versions) and religious music—Handel’s Messiah, for example. In addition, I included music that’s not traditionally considered Christmas music or even winter music; hence the now mildly embarrassing substitution of Mary for Merry.

I put together four 45-minute playlists that covered two 90-minutes cassettes. The first playlist was essentially my very own greatest hits for December. I opened with Jethro Tull’s “Ring Out, Solstice Bells” and followed that up with Canzona per sonare No. 2 by Giovanni Gabrieli, which has always seemed particularly jubilant to me. This playlist included my favorite songs from two albums I remembered from my childhood: one of the Robert Shaw Chorale singing traditional carols a cappella, and a 1963 album called The Spirit of Christmas with the Living Strings. I’m not sure I’d like that one if I heard it for the first time now, but musical taste doesn’t have much to do with it. That album calls up my childhood Christmases as no other music does—a mixed blessing, but it’s too deeply embedded in my memories to ignore. Read more »

by Mindy Clegg

Why should history be a part of our core curriculum in high schools and colleges? A variety of arguments have been put forth to support a historical education. Most notably is how history can inculcate a better understanding of the world. It can help us become more empathetic people, and better citizens, too. The kind of history we teach is also up for debate. A post-colonialist urges people to focus on more inclusive narratives that highlights the subaltern. A feminist lobbies for more women’s voices, while an anti-racist argues for the importance of racism in understanding the modern world. All this matters, but I’d also argue that understanding history as made by people, and as such complicated and contingent, can helps us to shape our future more effectively.

None of us can predict that future. However, a deep familiarity of history can give us a general idea of how change over time happens and how we can make better choices than those made in the past. But given that more and more, our educational system has become captured by corporations seeking to build a better employee and by individuals looking to indoctrinate rather than educate (see the anti-trans and anti-CRT bent of the MAGA movement), this is becoming increasingly difficult. Even some well-meaning progressives tend to focus on objectifying history and making it seem like something that happened, or at best, a celebration of “great men” rather than events that everyday people made happen. Our love of heroic stories of individuals and our distaste of subjectivity and complexity has blinded us to just how critical it is that we understand how we got here. But by ensuring that our students have a better understanding of how people make the arc of history bend, we can learn to chart a better, more humane path into that unknown future. Read more »

Shadow self-portrait at the train station in Bruneck, South Tyrol.

by David Greer

My property on Pender Island is just a postage stamp of a lot by rural standards, but the immensity of the surrounding stillness of the Pacific rainforest feels more precious to me than the numbers representing its square footage. With no other human dwellings within sight or hearing, the stillness is the silence of a cathedral in these weeks before Christmas, with the murmurs of devoted parishioners replaced by the soft chatter of Pacific wrens among the sword ferns, the nasal queries of a red-breasted nuthatch marching down a fir trunk, the gravelly chuckle of a raven passing overhead, and the slow creaking of an antique carriage clock being rewound deep in a cedar—the winder being a Pacific chorus frog perilously close to dormancy on a day threatening a hard frost. Much less audible, high in the canopy, are the whisperings of the tiny insect-hunters and seed-eaters that depend on the treetops for food: chestnut-backed chickadees, golden-crowned kinglets, pine siskins.

In this part of the world, on this island in the Salish Sea, the trees grow very large indeed. The aptly named grand firs may reach 250 feet and Douglas-firs are frequently taller, over 300 feet in some cases. In height though not in majesty they overshadow the western red cedars and bigleaf maples that dominate the glade in which my cabin stands, a quarter mile from the Canadian edge of Haro Strait and within hearing of the largest of the massive container ships struggling against the incoming tide.

Every tree has its own character. Outside the cabin stands a massive bigleaf maple (Acer macrophyllum) that has been through the wars but has risen again to defy the next winter storm. From time to time she drops branches as big as smaller trees (I have watched them fall) yet still carries on like some old limbless veteran, surviving by sheer will despite gaping holes in her trunk that delight children with supple imaginations. Read more »

by Mike Bendzela

Sleepless one Christmas Eve . . . monkey brain, coffee at 3 a.m. . . . then back to bed to stare at purple and green fireworks on the insides of my eyelids.

Meanwhile, my husband, the retired carpenter, saws wood loudly beside me. He is recovering from both cancer and stroke.

A chorus of human voices fills the room, no comprehension—it’s Latin—the words so swaddled in harmonic echoes they lift and disperse in the bedroom like smoke from a censer. The choir floats me to the edge of transcendence, sets me down like a feather. What is this?

From the radio turned down low, the announcer says: “This is what the season is all about—‘O Magnum Mysterium.’” No surprise here, the day before Christmas.

I think: This is what I should have heard at the Smithsonian a couple of years ago, at the Museum of Natural History, in the big, quiet room darkened but for spot-lit, black stone slabs, the Burgess Shale fossils, found a century ago in British Columbia by Charles D. Walcott, with his horses and pickaxes. These stones reveal life from half a billion years before present, give or take a few million.

This is my pilgrimage. But it’s sad to find myself alone in this exhibit, with this magnificent find. One must study the black slabs up close and judiciously, like the brush strokes of Old Masters, to appreciate the wonders there. Read more »

by Thomas R. Wells

When people take to the street to protest this is often supposed to be a sign of democracy in action. People who believe that their concerns about the climate change, Covid lockdowns, racism and so on are not being adequately addressed by the political system make a public display of how many of them care a lot about it so that we are all forced to hear about their complaint and our government is put under pressure to address it.

But what about this is democratic?

In a democracy we are supposed to accept the outcome of the democratic process, involving reasoned public debate and free electoral competition for positions of public power. The fact that people protest when they don’t accept the outcome of the democratic process is a rather clear sign that protests are a non-democratic activity at best, and at worst an attempt to override and undermine democracy itself. I have in mind particularly the recent climate change related protests in the UK which seem to be spreading and becoming increasingly aggressive, but also recent events like the farmers blocking roads in the Netherlands, the truck drivers blockading Canadian cities and borders, and so on.

At best public protest is non-democratic. It aims to get attention (primarily from the news media) and thus to get the protestors’ complaint higher up in the political agenda – the things the government is expected to have an answer to. Success depends on the quantity of attention the protestors can attract, and this is proportionate to the amount of drama they can cause rather than the quality of their complaint (i.e. its reasonableness). It is thus a kind of democracy hack, like the search engine optimisation companies engage in to get higher on Google’s search results and so get more attention from potential customers. Read more »

If you talk about it, it’s not Tao
If you name it, it’s something else
……………. —Lao Tzu, the Tao Te Ching

Lao Tzu’s Lament

At first I think, I’ve got it!
then I think, oh no, that’s not it,
I think, it’s more like a flaming arrow
shot into the marrow
of the bony part of everything

…. ah, but some summer nights
…. it’s hanging overhead so bright

then right there I lose it,
let geometry and time confuse it,
then it’s silent and won’t sing a thing,

…. but some summer nights
…. it’s croaking from a pond so right

then again, I lose it,
let theology and time confuse it
then it’s silent and won’t sing a thing

…….. I’m thinking I’ve been here before
…….. feet two inches off the floor,
…….. thinking, is this something true?

and sometimes I think, I’ve lost it!
though I never could exhaust it,
because it’s lower than low is
… and wider than wide is
……….and it deeper than deep is
…………….and higher than high is,

…. ah, but some fresh spring days
…. it’s cutting through the fog and the haze

…….. I’m thinking I’ve been here before
…….. feet two inches off the floor
…….. thinking, is this something true?

by Jim Culleny
© 2015

Rendering in song: Here

by Paul Braterman

In 1954, at the height of the McCarthyite Red Scare, the anti-evolution preacher John R. Rice asked his audience to whom Marx had dedicated The Communist Manifesto. The answer, he shouted out, was Charles Darwin. It is doubtful whether Marx had even heard of Darwin when he and Engels wrote the Manifesto in 1848, but that is the least of Rice’s errors.

Carl Weinberg, in his excellent Red Dynamite, an overview of the deep links between evolution denial and right-wing politics in America, points out that Rice had the wrong book; he should have been referring to Das Kapital. But as we now know, even if he had been he would still have been wrong. Wrong book, wrong date, wrong author, wrong about Darwin’s response to the request to dedicate.

The matter is well summarised by Richard Carter, reporting in The Friends of Charles Darwin on a paper by Margaret Fay in The Journal of the History of Ideas. The same conclusions had been reached, independently, by Lewis Feuer, and Fay’s paper has a long discussion regarding their relative priority, and describing differences of interpretation between them. As for the belief that Marx had wished to dedicate Das Kapital to Darwin, Fay traces this to Isaiah Berlin, probably misunderstanding what Darwin actually did say in a letter to Marx. Read more »

by Derek Neal

I write this essay as much for myself as for the reader. It is my conviction that one writes to find out what one thinks, not to put down fully formed thoughts that are floating inside one’s head.

Some sort of alchemy occurs when I put pen to paper, or in this case, pen to screen, as I set down the stuff knocking about my brain and give it a more solid, permanent form. But why do I insist that what I write comes from within me? To say that my words flow from my own head, down my arm, and into the writing instrument is simply the representation of a process I don’t fully understand. The bards who sang epic poems in ancient Greece did not view their creations in this way, as coming from within, but as being inspired from without, inspire in this case taking on its original meaning: to breathe into. The poets began their stories by invoking the gods, or muses, in the hope that the spirit might be blown into them, filling them up and allowing them to translate that spirit into words and music for the benefit of an audience. It may be that we could also think of writing in this way. Since I’m writing an essay, I might invoke the spirit of Montaigne, call upon him to breathe life into my pen and help shape my words, but it may also be that literacy itself precludes this, that literacy and the written mode of thought are fundamentally interior activities, a conversation with oneself, and that something about the written word lends itself to being thought of as coming from inside of oneself, whereas the spoken word seems to come from “out there,” with the speaker being a vessel giving form to something of which they are not the origin. Read more »

Loriel Beltran. P.S.W.  2007-2017  

Acrylic and latex paint on wood panel.

More here and here.

by Ada Bronowski

Why celebrate first times? If, admittedly, from the first time you have sex to the first time you taste escargots à la bourguignonne, hear Allegri’s Miserere or read Dostoevsky’s Demons, you, personally, undergo internal cataclysms which change you permanently, are not these moments blatant gulfs of ignorance and inexperience that you thankfully succeed in filling and should feel shame and embarrassment, if anything, about not having gotten done before? There always is a before, and the first time for you is the last for everyone else. So why do we nevertheless persist in sacralising first times both for ourselves and others?

One answer is that it is easier. It gives a fast-track meaning to our individual lives. First times map out each of our individual paths in life, fixes down memories and, with hindsight, provides us with explanations for our actions and more often than not, for our failings. But such doting smacks ultimately of self-indulgence, turning into meaningful exploits, essential steps required of us in order to realise our humanity – a task set upon all of us whether we like or not.

When Aristotle suggested that the way living beings are immortal is through the perpetuation of the species, he spelt out a hope and a burden. The hope that what individuals achieve in their short lives, lives on after them through the generations to come, like Archimedes’ eureka moment when he discovered the equal weight displacement in water of a solid body – no one after him can claim eureka about that: once discovered forever treasured. But it is also a burden: for every generation of the species has to catch up with everything that was done before, if it is to claim its right to the name of that species. And that is why the immortality of man is set apart from that of all other living species. For all other animals, the hope and the burden of immortality are one and the same: to survive, from sea turtles to sloths or canaries, animals must, but also cannot but, live up to all the promise of their species. Read more »