Raymond Geuss in The Point:
Is “discussion” really so wonderful? Does “communication” actually exist? What if I were to deny that it does?
The public discussion of exit from the European Union has already caused incalculable, probably irreversible and completely superfluous damage to Britain. Obviously, the “conditions of discussion” before the vote were not in any way “ideal.” There is no need to belabor that, but one should also recall that ten years ago no one, except a handful of fanatics, had any real interest in discussing relations with the EU; they were not on the table, and nothing was any the worse for that. It is only the discussion of the last four years, stoked by a few newspaper owners (many of them not domiciled in the U.K. at all), a small group of wealthy leftover Thatcherites and some opportunistic political chancers, that generated any interest in the subject at all. Dyed-in-the-wool Europhobes didn’t constitute more than 10 percent of the population. It was only the process of public discussion that permitted that hard-core to create conditions in which another 10 percent of the population articulated what was previously a merely latent mild discontent of the kind any population will be likely to have with any political regime, and express it as skepticism toward the Union. A number of further, highly contingent historical factors caused another 17 percent of the population to join the vote for Brexit. The most important of these factors was the ability of the Brexiteers to convince people (falsely) that harms they had in fact suffered at the hands of politicians in Westminster were actually the direct result of action by bureaucrats in Brussels. Structural features of the archaic and rather ridiculous first-past-the-post electoral system transformed the vote of 37 percent of the electorate into a politically effective, and constantly cited, 52 percent of votes cast (in one single election), and that has now been treated as the Irresistible Voice of the People for three years.
More here.

Cosmologists have a standard set of puzzles they think about: the nature of dark matter and dark energy, whether there was a period of inflation, the evolution of structure, and so on. But there are also even deeper questions, having to do with why there is a universe at all, and why the early universe had low entropy, that most working cosmologists don’t address. Today’s guest, Anthony Aguirre, is an exception. We talk about these deep issues, and how tackling them might lead to a very different way of thinking about our universe. At the end there’s an entertaining detour into AI and existential risk.
Debates about political correctness on college campuses can be extremely frustrating. On one side you have those, like New York magazine’s Jonathan Chait, who
In his new book, “Irrationality: A History of the Dark Side of Reason” philosopher Justin Smith presents a fascinating narrative that reveals the ways in which the pursuit of rationality often leads to an explosion of irrationality. Smith, a professor of the history and philosophy of science at the University of Paris, acknowledges that we are living in an era when nothing seems to make sense. Populism is on the rise, pseudoscience is still around and there is no shortage of of conspiracy theories. Smith discusses the core of the problem that the rational gives birth to the irrational and vice versa in an endless cycle, and any effort to permanently set things in order sooner or later ends in an explosion of unreason.
He notes that despite the fact logic and reason are well understood, methods and practises that were supposed to have been setup to counter irrationality, ended up mired in the very problem that they were meant to solve, and that is irrationality.
Simpson’s benevolent yet piercing approach to life is not far from how her art grasps us under the guise of beautiful images of models from magazine spreads. Her unassuming warmth and determination to always look into my eyes during our conversation melts the breeze emanating from her paintings of mountainous ice chunks gloriously standing at remote corners of the world. She blows up images culled from science publications and prints them onto gessoed fiberglass, after adding occasional cutouts of text. Then, the surface is hers to paint into blue, horizontally or on the floor, letting the blues build serpentine paths on the surface. In the far corner of her spacious studio, blown up images of women pulled from Ebony and Jet magazine ads stare in convincing perfection. Arguably her most extensively know works, her collages of women from vintage magazine ads have over the decades evolved into bridges between America’s past and present histories of race and visibility.
Madness is deep-rooted in the human imagination. The mad are unreachable, unfathomable, alarmingly other. They unsettle us. Yet we also romanticise madness. Great poetry and art spring from transcendent states at the edge of sanity, don’t they? And falling in love is a kind of madness, a stumbling into a dream world of irrationality and delusion. The lunatic, the lover and the poet are of imagination all compact. One line of thought is that madness is the price Homo sapiens has paid for the jewel of human consciousness. Perhaps it is.
There is so much sound, movement, and energy in Liz Johnson Artur’s first solo museum show, “Dusha,” at the Brooklyn Museum, that walking through the galleries feels like attending a party at a local Pan-African community center. The exhibit showcases Artur’s “Black Balloon Archive,” which consists of images of the global African diaspora captured in the course of decades. Here are two boys spinning each other on the sidewalk, surrounded by a crowd of onlookers. Nearby is Brother Michael, in a black suit and white tie, selling Nation of Islam newspapers. A group of women show off their matching head wraps, and precocious schoolgirls relax outside a classroom. A man wearing Ankara prints and sunglasses mugs for the camera. All that is missing is the line for jollof and the music of Fela Kuti.
With its gold-striped spine, crimson endpapers and silky leaves, My Seditious Heart is a handsome edition of previously published essays by Booker-winning writer
Precision medicine flips the script on conventional medicine, which typically offers blanket recommendations and prescribes treatments designed to help more people than they harm but that might not work for you. The approach recognizes that we each possess distinct molecular characteristics, and they have an outsize impact on our health. Around the world, researchers are creating precision tools unimaginable just a decade ago: superfast DNA sequencing, tissue engineering, cellular reprogramming, gene editing, and more. The science and technology soon will make it feasible to predict your risk of cancer, heart disease, and countless other ailments years before you get sick. The work also offers prospects—tantalizing or unnerving, depending on your point of view—for altering genes in embryos and eliminating inherited diseases.
President Trump is now calling for expanding the death penalty so it would apply to drug dealers and those who kill police officers, with an expedited trial and quick execution. A majority of Americans (56 percent,
Tumor cells that spread cancer via the bloodstream face a new foe: a laser beam, shined from outside the skin, that finds and kills these metastatic little demons on the spot.
On July
Across the continent, many had anticipated further gains for far-right parties that masquerade in populism but spit raw racism. Thankfully, the so-called populist surge has been halted for the moment.
I’m a comedy critic, so being a dad can seem like an occupational hazard. It may be professional suicide to admit, but since having children, I often find myself making lame puns as well as poop jokes. In subway stations, I have been known to silently mouth words to my daughters when a loud train goes by until the noise quiets and I add: “ … and that’s the secret to life.” Look, I’m not proud. The demise of a dad’s sense of humor begins in early parenthood while workshopping jokes in front of babies, tiny philistines who think peekaboo is a hilarious bit of misdirection. It isn’t long before these drooling rubes turn into trash-talking toddlers and fall in love with the scatological. Like so many lazy comics, we parents pander. If jokes work, they stay in the set. Gradually, we become hooked on cheap laughs. Some of us even delude ourselves into thinking we are actually funny.
Alice Whittenburg in 3:AM Magazine:
Evgeny Morozov in The Guardian:
Rana Foroohar in the FT: