AI systems out-persuade expert humans

Paper by Kobi Hackenburg, Caroline Wagner, Luke Hewitt, Ben M. Tappin, Ed Saunders, Hannah Rose Kirk, Helen Margetts, Christopher Summerfield:

Many societal decisions are settled by contests of persuasion. Conversational AI is a powerful new entrant in these contests, but whether it can out-persuade skilled and highly incentivized humans has remained unclear. Here, in a series of four preregistered experiments (n = 18,978 conversations from 6,923 people), we pitted AI systems against a range of human persuaders, including laypeople, winners of a separately preregistered four-round online persuasion tournament, professional canvassers, and world championship debaters. We found that AI systems were reliably more persuasive than expert humans, even when expert humans chose their issues, researched in advance, underwent hours of live, structured practice, and were incentivized with £1,000 cash bonuses. In a follow-up study, AI’s advantage persisted after experts received a coaching tool that let them practice against the AI that beat them, review their performance history, and see what AI would have said at key moments. We found converging evidence that AI’s advantage stemmed from rapidly deploying larger quantities of information: after coaching, expert humans could tie an AI constrained to respond at human speeds and with human-length messages. In a final study, we show that AI’s advantage extends to consequential real-world behavior: AI was nearly 3x more effective than professional canvassers from a UK fundraising firm at raising real-money donations to Save the Children. Together, these results establish that frontier AI systems out-persuade expert humans in conversation, with significant implications for political communication.

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Thomas Demand’s Complicated Images

Jurriaan Benschop and Thomas Demand at the Brooklyn Rail:

Who is in control of the image? This question is at home in the work of Thomas Demand (b. 1964). The German artist pays meticulous attention to the execution of his sculptural and photographic work. But also as a viewer, while looking at the public images in news- and other feeds, he is interested in the decisions that have been made before we get to see a photo. The two worlds are not unrelated.

When Demand encounters an image that he wants to stage and reflect on, he first builds the scene as an abstracted model of paper. When this paper sculpture is finished, he photographs the result, finetuning the framing and lighting in the studio. The scenes relate to life, but with the absence of people, or explanations, there is just the abstracted scene, expressed in objects, as a kind of still life. Demand’s current exhibition in Berlin adds a new chapter to his work. The majority of works are printed on copper, a material he has not used before, but which obviously has a history in print making. As it is a heavy material the works on copper can only be small in size; they are intimate and iconic. The way they hold and reflect light is different from the support he has used in previous works.

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Edward Said, My Grandfather, and the Problem of Home

Jeffrey Herlihy-Mera at Public Books:

“Reflections on Exile” summoned to mind the only seven words my grandfather ever said to me about Ireland, where he had cousins he never knew: “I don’t think I’ll go back there,” he muttered one day in the 1990s, in response to my prodding. He had visited, seen family, kissed the stone, and got in a car accident (my parents said he was distracted). I wondered what Herlihys in Cork thought of how he pronounced our surname. What they thought of Puerto Rico and Martha’s Vineyard, the islands where he chose to live. The reaction in their eyes and in his, the confusion wrought by exile and empire, Americanization and the impossibility of return.

Seven words linger of his story—but maybe they comprise it.

Edward Said and my grandfather had different approaches to exile (one used words, the other silence). Both were fluent in the hollowness of relocation, the inconsequence of acculturation. They had new languages and accents, lived in different climates and cities; they were surrounded by the deception of success. The jealousy, depression, confusion, and misunderstandings wrought by diaspora and imperialism were shot through their very existence.

Part of Said’s genius was the knowledge that it’s too easy to blame empire for all of that.

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Young People Are Sounding the Alarm on AI. We Should Listen to Them

Tarika Barrett in Time Magazine:

Young people are pushing back on AI hype, and that is a good thing. Several commencement speakers this graduation season have been booed for saying AI is the next revolution. There have also been clapbacks against celebrities who say women should embrace AI or risk being left behind. Young people’s reactions might be seen as expressions of fear or naivety. But as the leader of an organization that has worked with hundreds of thousands of young people over the past decade, I see something different. Their skepticism toward AI signals that they want a voice in building the future.

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California Needs Water and Clean Power. It Might Have a Fix for Both

Quinn Glabicki in The New York Times:

In California, a sprawling 4,000-mile network of canals winds through citrus orchards and fields of tree nuts, delivering irrigation and drinking water to homes and farms across the state. The canals are critical in an increasingly arid part of the country. But what if they could help fulfill another urgent need: renewable energy? To test that idea, researchers, private enterprise and a public utility in the Central Valley are installing solar panels atop the man-made waterways.

The pilot program, called Project Nexus, is testing solar canopies that researchers say could generate gigawatts of power and save billions of gallons of water by providing shade that slows evaporation. It could be transformational if scaled up, researchers say, in helping the state to meet its ambitious climate and biodiversity goals.

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Tuesday Poem

……….Introduction to Poetry

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem’s room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author’s name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose
to find out what it really means.

…….. by Billy Collins
…….. from All Poetry

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Monday, June 22, 2026

Strong resistance to AI among writers is understandable but it obscures what we share with the machines: language itself

Martin Puchner at Aeon:

Since artificial intelligence went mainstream a few years ago, it has done double duty as a political personality test: tell me what you think about AI, and I’ll tell you who you are. Those worried about climate change focus on energy consumption. Those who denounce late capitalism see it as the ultimate example of corporate monopoly. Those concerned about racism have warned about AI biases. Those studying the effects of colonialism see it as yet another form of exploitation. And those tending toward doom have seen ChatGPT, Claude, Gemini and Grok as the four riders of the apocalypse.

People in the arts and culture have felt particularly threatened by AI because the technology seems to be coming for the things they cherish the most: the creative use of images, words, and ideas. The latter two, words and ideas, have been in the centre of the storm because generative AI is based on language and because ideas are closely associated with the words in which they are expressed. In response, writers have largely opted for resistance, defending the genuine creativity of humans against the machines. My social media feeds have been flooded with AI-slop gleefully produced and circulated by colleagues hoping to prove that AI can’t be creative. Let’s call this the Creative Resistance.

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Cervical cancer deaths have plummeted thanks to HPV vaccine

Michael Le Page at New Scientist:

No women in England aged 20 to 24 died of cervical cancer between 2020 and 2024. This is the first time that zero cervical-cancer deaths have been recorded for this age group, and it’s thanks to the introduction of a vaccine against the human papillomavirus, or HPV.

“The results are stunning,” says Peter Sasieni at Queen Mary University of London. “It’s an awful thing when somebody dies very young from cervical cancer. This is a real triumph for vaccination, a real triumph for science and a real triumph for public health to get that vaccine out there with very high uptake very rapidly.”

HPV is spread by several kinds of sexual activity, and many strains genetically modify cells in a way that is extremely likely to cause cancer. Women can get cervical cancer in their twenties because of the virus, and around the world many are still dying because of it.

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In Search of Lost Tunnels

Morley Musick at n+1:

Earlier this year, I interviewed a retired steelworker named Tom Wells, who had taken hundreds of color photographs of Chicago’s freight train tunnels in the late ’80s and early ’90s. At their peak, the tunnels encompassed sixty miles of track, forty feet below the sidewalk, extending from Superior Street south to 16th. Inside, small train cars—built and controlled by the Chicago Tunnel Company—carried coal, ash, mail, home goods, and newsprint from warehouses to ferry terminals along the river, making stops at buildings connected to the underground tracks by elevator shafts. The tunnels closed in 1954, by that time more of a curiosity than a financially viable operation. (I hadn’t heard of them until I started working on this piece.) Tom and his friends explored the network on their days off, documenting the train cars and the ephemera they found along the tracks: the signs, boots, and old telephone boxes left behind by workers.

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British Intellectuals from World War II to Thatcherism

William Whyte at Literary Review:

Arriving as an undergraduate at Cambridge in 1961, Terry Eagleton was both overawed and underwhelmed by his supervisor, a man he calls Greenway in his memoir. ‘Greenway was the first truly civilised man I had ever encountered,’ Eagleton recalls. ‘He knew all about cheeses, wisteria, Rubens’s brushwork, herbaceous borders, flying buttresses, gilt-edged securities, the bird-life of Venezuela, varieties of Malaysian fruit, Leibniz, Gregorian chant, brandy, the law of tort, the manufacture of saddles, 17th-century military strategy, breeds of North African dog, the vowel-sounds of Afrikaans, the vegetation of the Minho valley.’ But ‘he had no more ideas in his head than a hamster’ and his comments on English literature, the subject he was ostensibly responsible for teaching, ‘seemed the kind of thing that Princess Margaret might say’.

Eagleton was probably a little unfair to Theodore Redpath, the polymathic model for this caricature. Although the playwright Simon Gray also thought him insipid, others disagreed. Gazing at Redpath over coffee, Sylvia Plath was so attracted by his ‘rich, chastened, wide mind’ that she ‘practically ripped him up to beg him to be my father’.

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When it comes to total water use, AI data centers are a drop in the bucket

Kyle Orland at Ars Technica:

If you hang out in any even vaguely AI-skeptical parts of the Internet, you’ve probably stumbled on plenty of memes and posts premised on data centers’ insatiable thirst for water to power evaporative cooling. But a new report from Amazon highlights just how little water all these AI data centers are using in aggregate, on a relative basis, even as individual data centers can strain local water supplies.

In a Thursday blog post, Amazon claims its data centers withdrew “about 2.5 billion gallons” globally in 2025. That number sounds incredibly large at first glance, but it looks downright puny compared to the 117 trillion gallons of water withdrawn in the US alone in 2015. It’s also useful to compare Amazon’s number to stats from more water-intensive areas, from the 3.3 trillion gallons used annually on US lawns and landscaping to the 1.3 trillion gallons a year used in California almond orchards to the 531 billion gallons a year used just for US golf courses.

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Buildings May Soon Have ‘Immune Systems’ That Fight Airborne Disease

Carl Zimmer in The New York Times:

Linsey Marr, an environmental engineer, stood next to a pair of clear plastic boxes packed with tubes, nozzles and electronics, an odd-looking prototype that one day might serve to protect children in day care from airborne pathogens.

A nozzle filled the right-hand box with a faint silvery mist. A pump pulled some of that air into the left-hand box, where a sampler trapped floating particles and droplets. Soon, a digital screen bolted to the box turned red: “Detected! Dust mite allergen Der f 1.” A protein shed by dust mites, Der f 1 can trigger asthma attacks when inhaled. Dr. Marr’s device had detected 843 picograms of Der f 1 per cubic meter. A single grain of salt is about 10 million times as heavy. “Before this instrument, it would have taken us two days to figure out how much was in the air,” Dr. Marr said. “Now we’re doing it almost in real time.”

Dust mite allergens are not the only threats that Dr. Marr’s team aims to fish from the air. The technology, still evolving, can already sniff out influenza, the coronavirus and E. coli. “We have 10 different things that we’re able to detect, and by the end of the program, there will be 25 different things,” she said.

More here.

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Happy Fucking Birthday An exhausted America turns two hundred and fifty

Christopher Hooks in Harper’s Magazine:

The imperial capital has many beautiful buildings, and they are always kept tidy and clean. They have a quality that grates, though. The landscape is didactic, insistent. Somebody is always trying to teach you something. This is true, of course, of the monuments and museums that are purpose-built to press a vague sense of republican tradition into generations of American schoolchildren on field trips, but there is hardly a pediment or lintel or courtyard in Washington that is not given over to instruction from some half-remembered ancestor. It is a shouty place, and to mixed effect.

A hallway in the Capitol Building preserves Daniel Webster’s immortal proclamation that when tillage begins other arts follow. Broadly unobjectionable stuff. But was it really necessary, beneath a statue of a wise-looking man at the National Archives, to leave an enjoinder to study the past? And having put that on record, was it also necessary to leave a complementary warning, under a wise-looking woman, that what is past is prologueAll this hectoring from the grandfathers—and very occasionally, from a grandmother—gets a little more tolerable once you clock how many of these admonitions, exhortations, and commemorations can carry unintended or ironic meanings.

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Sunday, June 21, 2026

We asked you to send us dad jokes. Here are 39 to delight and annoy you

Lindsey Bever in The Washington Post:

How do you catch a unique bird?

Unique up on it.

—Bill Davis

What do you call a camel with three humps?

Pregnant.

—Gabrielle Tillis

Where does the king keep his armies?

In his sleevies!

—Matt Rogers

Why do gorillas have big nostrils?

Because they have big fingers.

—Brian Davidson

Did you get your hair cut?

No, I got them all cut!

—Chip Snyder

How do you know it’s time to go to the dentist?

It’s tooth-hurty.

—Greg Trudeau

I was wondering why the Frisbee kept getting bigger and bigger.

Then it hit me.

—Stephen Dudzik

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Elon Musk and the Politics of Trillionaire Fascism

Henry Giroux in CounterPunch:

Elon Musk is less an aberration than the grotesque byproduct of a capitalist order that converts inequality into virtue, exploitation into spectacle, and mistakes its own deepest failures for its greatest successes. The media frenzy surrounding the prospect of Musk becoming the world’s first trillionaire is not a celebration of human progress or individual initiative. It is a symptom of a deeper social and political crisis, one that exposes the power of class privilege, the corrupting forces of gangster capitalism, and a culture increasingly incapable of distinguishing wealth from worth or exploitation from human flourishing.

Musk is symptomatic of the rot of a capitalist system that generates staggering inequalities while concentrating wealth and power in the hands of a tiny elite whose fortunes depend not simply on markets, but on public subsidies, collective labor, social institutions, and shared resources, all sustained by an authoritarian culture animated by white supremacy, ultranationalism, and the mobilizing passions of fascist politics, especially in the age of Trump.  As Dan Dinello argues, Musk has become an “avatar of chaos, cruelty, and death.” The description is difficult to dismiss. How else are we to understand his role as Trump’s chief enforcer?

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Will It Take Superpowers, Spirits and Reincarnation to Save the Planet?

Junot Diaz in The New York Times:

The term “one of a kind” gets bandied about in the arts quite a lot but the writer Amitav Ghosh not only deserves the encomium, he could function as a handy benchmark for assessing whether others merit it. Call it the Ghosh Minimum. If an artist is as arrestingly original and as bad-ass multivalent as Ghosh — sui generis. If not — ejusdem generis, like the rest of us.

Transnational and translingual, with a planet-spanning curiosity, Ghosh is a synthesist of the highest order, able to weave big, genre-bending ideas, vast sweeps of History and nuanced characterizations into compulsively readable narratives. He consistently centers voices and communities erased by Empire — that rare decolonial writer who grapples nimbly with small tender things and hyperobjects alike, without subducting either.

More here.

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