Suraj Yengde in The Baffler:
INDIAN CINEMA LOVES LOVE. It celebrates love between the poor and the rich; love across the lines of religion, region, and language; love that upends conventional notions of gender and sexuality. A foreign viewer of such films would be forgiven for concluding that India is a loving society. But nothing could be further from the truth. For what Bollywood does not honestly discuss is the brutal social reality that sits uncomfortably at the center of all romantic and marital relations in India: caste.
Consider, for example, the popular Bollywood genre known as “family movies.” They cater to the moneyed middle class but the audience is wider—I spent movie days at our neighbors because we couldn’t afford a cable connection and our black-and-white television set offered little pleasure. These films, which can go on for three hours, usually culminate in a marriage. But before getting there, the viewer is introduced to a wide cast of characters, usually the extended families of the romantic couple. Then there are seemingly endless subplots—each family’s business problems, bickering over inheritance, a scheming elder brother, celebration of Hindu festivals (usually accompanied by music)—which might threaten or aid the budding romance. Inevitably, by the end, bride and bridegroom are united in happiness.
It all seems innocuous on the surface. But look closer and you’ll see that the elaborate family subplots are just a way to hide, or at least sanitize or soften, the fact that this is an arranged marriage the film is tacitly endorsing.
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If anybody profited from the war, it was us: its children. Apart from having survived it, we were richly provided with stuff to romanticize or to fantasize about. In addition to the usual childhood diet of Dumas and Jules Verne, we had military paraphernalia, which always goes well with boys. With us, it went exceptionally well, since it was our country that won the war.
As scientists work to create a vaccine against COVID-19, a small but fervent anti-vaccination movement is marshalling against it. Campaigners are seeding outlandish narratives: they falsely say that coronavirus vaccines will be used to implant microchips into people, for instance, and falsely claim that a woman who took part in a UK vaccine trial died. In April, some carried placards with anti-vaccine slogans at rallies in California to protest against the lockdown. Last week, a now-deleted YouTube video promoting wild conspiracy theories about the pandemic and asserting (without evidence) that vaccines would “kill millions” received more than 8 million views.
When Dwight D. Eisenhower was planning the invasion of Normandy, he made sure to check with Walter Munk and his colleagues first. Munk had come to the United States from Austria-Hungary to work as a banker before switching to oceanography, eventually making major advances in the science of tidal and wave forecasting. He was a defense researcher at the Scripps Institution of Oceanography in 1944 when his team calculated that the seas on June 5 of that year would be so rough that a delay was in order. The invasion would happen on the following day.
Hutchins was coming off of an epic, exhausting week at Defcon, one of the world’s largest hacker conferences, where he had been celebrated as a hero. Less than three months earlier, Hutchins had saved the internet from what was, at the time, the worst cyberattack in history: a piece of
If you go to Wendy’s this week, there’s a good chance you
It’s not often that a paper attempts to take down an entire field. Yet, this past January, that’s precisely what University of New Hampshire assistant philosophy professor Subrena Smith’s
In Southern California, early health seekers embraced the sunshine, fresh air, and opportunity to sleep outdoors. To reap the benefits of particular microclimates, they often lived somewhat nomadically, circulating between various hotels, boarding houses, or crudely erected tent cities. Some traveled by horse-drawn house wagon, wandering the desert to take air and sun baths. A family in Pasadena pitched a carpet over tree branches and lived beneath the peaked shelter for six weeks. An ill Massachusetts man roamed the bucolic Ojai Valley with a cow, subsisting only on its raw milk until he claimed a miraculous recovery.
You will have seen art from the Edo Period—its most recognizable images are the ukiyo-e prints: mass-produced woodblock scenes of popular entertainment and Japanese landscapes, the most world-famous of which is Katushika Hokusai’s The Great Wave off Kanagawa from 1829. These prints were ubiquitous, disseminated through the city’s pleasure quarters, and sold, it’s colloquially said, as cheaply as a second helping of noodles. And before Edo Japan opened up to the world and these inexpensive prints were splashed all over Europe, they were bought almost exclusively as souvenirs by a growing Japanese middle class, a pictorial keepsake of insular pride. The Great Wave is itself an amalgam of some of Japan’s most distinctive characteristics, illustrating its relationship with the spiritual anchor of Mount Fuji, and with the sea itself, which is embodied in both the quotidian economics of the fishing industry, and in the Buddhist philosophy of a wave’s impermanence.
THE FIRST PERSON YOU MEET
Before
For centuries western culture has been permeated by the idea that humans are selfish creatures. That cynical image of humanity has been proclaimed in films and novels, history books and scientific research. But in the last 20 years, something extraordinary has happened. Scientists from all over the world have switched to a more hopeful view of mankind. This development is still so young that researchers in different fields often don’t even know about each other.
On a crisp afternoon, four cyclists pedaled mountain bikes along the serpentine two-lane byway on the southern shores of