The Final Days of EMI

John Harris at The Guardian:

In the summer of 1965, the Rolling Stones released “(I Can’t Get No) Satisfaction”. On the US version, its B-side was a makeweight piece titled “The Under Assistant West Coast Promotion Man”, which directed sneering contempt on some poor unfortunate who worked for the group’s record label: “I promo groups when they come into town / Well they laugh at my toupee, they’re sure to put me down.”

Thus began a lineage of rock songs founded on the eternal contradiction between the artistic impulse and the hucksterish, often seedy ways of the music business. This reached a peak of fury and cynicism in the era of punk with the Sex Pistols’ gloriously incoherent classic “EMI”, in which John Lydon vents his rage at the company that put out the group’s first single in 1976, only to dump them. “It’s an unlimited supply,” he spits. “And there is no reason why / I tell you it was all a frame / They only did it ’cos of fame / Who? / EMI!”

more here.



Kitty Wenham at The Quarterly Conversation:

The beating heart of it all, Du Maurier’s estate Menabilly, remains a secret few have been allowed to penetrate. Nestled behind locked gates, a visitor would find it impossible to catch even a glimpse of its infamous facade from the roadside. Nearby is the town of Fowey. Another great love. Once referred to as Du Maurier’s ‘salvation’, it is the picture of gentle tranquillity. By a twinkling blue estuary lined with quaint white cottages, you can glance at her other famous home —Ferryside. The coves are full of families, the beaches always busy. Journey on for forty minutes more, and you might stumble across the infamous Jamaica Inn. Far from an isolated hub of menacing activity and excitement, it now stands on a busy motorway leading out of Cornwall — an impersonal, family stop on the way back from a typical summer road trip.

I first came to Cornwall searching for Daphne Du Maurier in August 2013, the first of many family trips to the coast. I imagined the high, thrashing waves of the sea, the ruined mansions, the wild landscape untamed, overrunning every bend in the road. Instead, I found Cornwall to be a place of solitude.

more here.

‘BlacKkKlansman’ Was The Most Frighteningly Accurate Movie Of 2018

Talia Lavin in Huffington Post:

2018 was a year overstuffed with culture. That’s just the way it is now, movies and TV and songs and memes and thoughtful features and endless, endless politics scrolling past our weary eyes at the speed of silicon and too-blue light. But in all the chaos there’s a moment where my hazy memories of frenetic consumption pause, for a piece of filmmaking that called on me to think hard and to remember. That movie was Spike Lee’s “BlacKkKlansman.” It’s currently raking in a modest haul of awards, but for me, it’s going to linger long past the last bottle of popped January 1st champagne, a remarkable slice of light to which I’ll return for years to come.

Much has been said about the film ― its ambition, historicity and panache have been amply noted. But I’ve elected to discuss it here because I admire it as a piece of artistry and as a salvo launched at the perfect cultural moment. he film is about a pioneering black cop who confronts the Ku Klux Klan, providing the voice of a would-be Klansman on the phone while his Jewish co-worker offers a white body to attend the meetings in person. Any summary would be a bare gesture at the substance of the movie, which deftly conjures up the early 1970s with both winking kitsch and careful verisimilitude. “BlacKkKlansman” delivers more than any blockbuster ever needs to, filling its slick packaging with layers of complexity that Hollywood rarely allows for. The film addresses the conditional whiteness of Jews in America; the ways in which the presumed fragility of white womanhood can provide a shield for those who would do violence; the vitality of student activism, and the way it forms an irresistible target for those who would silence dissent; and the role of music, rhetoric and film itself in shaping black and white identities. It does all this and so much more, wrapped in a compulsively watchable package.

There’s a bravura quality to it, a bracing reminder of the need to combat racism in both its most overt guises ― Klansmen burning crosses ― and its subtler incarnations, as when rookie black cop Ron Stallworth faces an array of racist behaviors at his new workplace, from skepticism to outright slurs.

More here.

Need a New Self-Help Guru? Try Aristotle

John Kaag in The New York Times:

Three years ago, New Year’s came and I promised to eat only organic. I lasted two weeks. A year ago, I resolved to run before dawn and take a cold shower every morning. That lasted two days. This year, I don’t have a resolution. Instead I read Edith Hall’s “Aristotle’s Way: How Ancient Wisdom Can Change Your Life,” and concluded I probably didn’t have to undergo some painful — and therefore temporary — transformation to remake my life. I just had to put some sustained effort into being properly happy.

There is a pernicious, but widely held, belief that turning over a new leaf always involves turning our worlds upside down, that living a happy, well-adjusted life entails acts of monkish discipline or heroic strength. The genre of self-help lives and dies on this fanaticism: We should eat like cave men, scale distant mountains, ingest live charcoal, walk across scalding stones, lift oversize tires, do yoga in a hothouse, run a marathon, run another. In our culture, virtuous moderation and prudence rarely sell but, taking her cues from Aristotle, Hall offers a set of reasons to explain why they should.

Hall’s new book clears a rare middle way for her reader to pursue happiness, what the ancient Greeks called eudaimonia, usually translated as well-being or prosperity. This prosperity has nothing to do with the modern obsession with material success but rather “finding a purpose in order to realize your potential and working on your behavior to become the best version of yourself.” It sounds platitudinous enough, but it isn’t, thanks to Hall’s tight yet modest prose. “Aristotle’s Way” carefully charts the arc of a virtuous life that springs from youthful talent, grows by way of responsible decisions and self-reflection, finds expression in mature relationships, and comes to rest in joyful retirement and a quietly reverent death. Easier said than done, but Aristotle, Hall explains, is there to help.

More here.

Friday, January 25, 2019

Memories of Irish Birdsong

Liam Heneghan in The Irish Times:

1. My mother once saw the chaffinch (Fringilla coelebs; in Irish: “Rí Rua”) take a shit on Grafton Street and she scolded him. He just kept repeating his distinctive call “pink, pink, pink, trup,” over and over again, but you could kinda tell that he was mortified. Good bird, really; had trouble later with the auld drugs, and got very stout. Died way too young. In the eighties, those birds had a string of great hits.

2. I worked one summer on the Cork Train on the food trolley. A young fella with me in the kitchen car was really into the skylark (Alauda arvensis, in Irish: “Fuiseog”). He could play skylark’s famous guitar riff on his knock-off Les Paul (you know the one, it goes “chirrup… chirrup, trrrp”). Claimed the skylark did not play a real Gibson either. I will never forget that little detail; I lost touch with that kid later on.

3. Back in the day, I’d hear corncrakes (Crex crex; in Irish: “Traonach”) along the Co Mayo coast all the time. They are a rare breed now, of course; almost extinct. Once when I was pushing my bike up a laneway I saw the corncrake standing with his sister outside a cottage. He must have thought I had looked at his sister funny, as he snarled “kerrx-kerrx” at me and started to fling his droppings. I was told afterwards that the whole family was mad. Brothers all musicians in America.

More here.

The Uncertain Future of Particle Physics

Sabine Hossenfelder in the New York Times:

The Large Hadron Collider is the world’s largest particle accelerator. It’s a 16-mile-long underground ring, located at CERN in Geneva, in which protons collide at almost the speed of light. With a $5 billion price tag and a $1 billion annual operation cost, the L.H.C. is the most expensive instrument ever built — and that’s even though it reuses the tunnel of an earlier collider.

The L.H.C. has collected data since September 2008. Last month, the second experimental run completed, and the collider will be shut down for the next two years for scheduled upgrades. With the L.H.C. on hiatus, particle physicists are already making plans to build an even larger collider. Last week, CERN unveiled plans to build an accelerator that is larger and far more powerful than the L.H.C. — and would cost over $10 billion.

I used to be a particle physicist. For my Ph.D. thesis, I did L.H.C. predictions, and while I have stopped working in the field, I still believe that slamming particles into one another is the most promising route to understanding what matter is made of and how it holds together. But $10 billion is a hefty price tag. And I’m not sure it’s worth it.

More here.

The Existential Englishman: Paris Among the Artists

Alexander Larman in The Guardian:

Michael Peppiatt’s memoir is subtitled Paris Among the Artists, but it could be called A Portrait of the Art Critic As an Older Man. Peppiatt, who is best known for his biography and memoirs of his friend Francis Bacon, has spent the greater part of his working life in Paris, and this book is a love letter to the city, although not an uncritical one. He writes in the preface that he will explore “my lifelong attachment to this bewitching, temperamental, exasperating city and the deep love-hate relationship that binds me to it”. Yet he is ultimately a romantic, and the scent that rises from these pages is a heady aroma of Gauloises and red wine. Peppiatt, as a young man, was rather fond of the bottle; this book, at its best, has a similarly intoxicating quality, if one allows for the inevitable moments of self-absorption.

Peppiatt was brought up to be bilingual, because his father believed that he stood a better chance of getting on in the world if he spoke French. His faith was rewarded when his son obtained a job at the culture magazine Réalités in 1964, from where he headed to the English-language version of Le Mondeand then to Art International, which he both published and edited. He accomplished this, as well as writing numerous books about art, with an air of cultured insouciance. Yet, as he notes, “the luxuries, the grandeurs, have no meaning without the drudgery and misères of the daily round”. It must be said that Peppiatt’s luxuries and grandeurs are rather more grand than the rest of us might expect. When he writes about drinking champagne at the Paris Ritz, or being led on grand bacchanals by famous chums, it is hard not to feel that Peppiatt has led an unusually gilded existence.

More here.

General Strikes, Explained

Kim Kelly in Teen Vogue:

The word strike seems to be on everyone’s lips these days. Workers across the world have been striking to protest poor working conditions, to speak out against sexual harassment, and to jumpstart stalled union negotiations. And as we just saw with the Los Angeles teachers’ successful large-scale strike, which spanned six school days, strikers have been winning. Despite the shot of energy that organized strikes have injected into the labor movement, many people aren’t content with run-of-the-mill work stoppages, or even with more militant wildcat strikes.

As President Donald Trump’s scandal-plagued government shutdown stretches into its fourth week and more than 800,000 federal workers struggle to survive sans paychecks, the words general strike have begun appearing with increasing frequency on social media and in a spate of articles. On January 20, Association of Flight Attendants-CWA President Sara Nelson suggested that a general strike could potentially end the government shutdown. The fact that a labor union official is speaking about such drastic action now is very significant, for one thing because there has not been a major U.S. general strike since the government cracked down on labor following 1946’s Oakland general strike. Also, a general strike is an incredibly massive undertaking; while many organized industry-specific strikes can comprise hundreds or even thousands of workers, a general strike could potentially involve millions.

So what does it all mean? How is a general strike different from a planned, industry-specific work stoppage; why are people interested in the idea now; and what would one look like in 2019?

More here.

Friday Poem

HyperTextTransferProtocol

BlogEarlyBlogOften LaughOutLoud!
ShortMessageService is so 2two0thousand0and7seven.
I prefer MicroSoftNetwork, OKay
but only when you’ve got WirelessFidelity.

Every1one of you’ll get
AcquiredImmuneDeficiencySyndrome from
social networking, I
prefer my MovingPicturesexpertsgrouphyphenoneaudiolayer3three
player, it’s so compact.

My headphones nestled
within curls
rectilinear, charred and static,
I always use my GoodHairDays;
I remain faithful to the new religion.

My pal Ryan and I fly airily
away across the wasteland;
earth’s got cheap.

I’ll pick up a souvenir on the
UniversalSerialBus, some
SevereAcuteRespiratorySyndrome, and when I’m

hospitalised, they’ll get in
some visitors: amiable
MethicillinResistantStaphylococcusAureus
to send me to zzzzzz

while my friend, Mister Brain
is being insouciantly fried
ears inwards;
by polyphonic microwaves with
toothy blue grins.

Editor’s Note: This poem was a winner of The Poetry Society’s
Foyle Young Poets of the Year award in 2009.

The Music of Éliane Radigue

Sasha Frere-Jones at Artforum:

HOW LONG did an hour feel in 1971? Was it like three 2018 hours? Ten minutes? The music of the eighty-six-year-old French composer Éliane Radigue forces these questions because as much as it’s about synthesizers and magnetic tape and silence and held notes and resonance, it is also about time. Her work cannot be excerpted or sliced into representative swatches or versified. The movement from a piece’s beginning to its end is the motif itself; to lose even a little of that adventure is to lose the music. Œuvres électroniques (Electronic Works), a new fourteen-CD box set recently released by Ina GRM, collects pieces recorded between 1971 and 2007. The shortest of them is a little over seventeen minutes long; most of them run closer to an hour. These days, Radigue composes largely for acoustic stringed instruments, but she remains as focused an artist as electronic music has ever had, possibly because she never needed the equipment to hear her sound, only a series of tools with which to render it.

more here.

What Materialist Black Political History Actually Looks Like

Adolph Reed at nonsite:

As the argument has progressed, a de facto alliance between ostensibly progressive identitarians and Wall Street Democrats has come together around asserting, along with Paul Krugman and others, that “horizontal inequality”—i.e., inequality between statistically defined racial/ethnic groups—is a more important problem than “vertical inequality,” characterized as inequality between individuals and households. That distinction instructively makes class and class inequality disappear, which is consistent with the trajectory of American liberalism across the more than seven decades since the end of World War II. Moreover, in a sort of mission creep, opponents of what they decry as a “class-first” position increasingly have come to denounce any expressions of concern for economic inequality as in effect catering to white supremacy. This tendency, which Touré Reed has argued rests on a race-reductionism, has surfaced and spread within the newly revitalized Democratic Socialists of America (DSA), as even many among those who consider themselves socialists object to the organization’s selection of Medicare for All as its key political campaign on the ground that pursuit of decommodified health care for all is objectionable because doing so does not sufficiently center antiracist and anti-disparitarian agendas. I submit that there’s clearly a problem when anti-socialism is defined as socialism.

more here.

Pierre Huyghe’s Exploration of Consciousness

Matthew Bown at the TLS:

On entering Pierre Huyghe’s exhibition Uumwelt at the Serpentine Gallery, we first notice the large, square, digital screens which flash images in split-second succession. The images are not decipherable, although they seem to reference real things, often organic; one in particular appears to display some kind of cleavage or nudity. They were created in arcane contemporary fashion, with the assistance of researchers into human intelligence based in Japan: a person is presented with pictures and scenarios that he or she is then asked to re-create mentally; this brain activity is scanned, and artificial intelligence, on the basis of these scans, attempts to re-create the things envisaged. These flashing images, accompanied by an unobtrusive electronic soundtrack, also derived from brainwaves, stand out in the scarcely-illuminated gallery space. Soon after, you become aware of the flies: there are hundreds of them, unusually juicy and plump. They settle on the screens, around the light sources, and sometimes on you, the visitor. They form constellations on the ceiling and, in the digital-screen context, seem like demented black pixels.

more here.

Doomsday Clock stalls at two minutes to midnight ― but global threats increase

Emiliano Rodriguez Mega in Nature:

The world is as close to annihilation as it was last year, according to the Bulletin of the Atomic Scientists. The hands of the organization’s Doomsday Clock will stay at two minutes to midnight, it said, warning that the lack of progress on a host of global threats is a “new abnormal”. Stalled progress on addressing nuclear threatslack of action on climate change and a worsening cybersecurity and cyberwarfare situation were of particular concern, the group said. This is the third time in the Bulletin’s history that the clock has been set so close to a global catastrophe, said Rachel Bronson, president and executive director of the organization, at a press conference in Washington DC on 24 January. The first came in 1953 at the height of the Cold War, when the Soviet Union and the United States were testing their thermonuclear bombs. Then, in 2018, the group adjusted the clock‘s hands after news of North Korea’s nuclear tests and increasing concerns over climate threats.

“The fact that the clock did not change is bad news indeed,” said Robert Rosner, an astrophysicist at the University of Chicago in Illinois and chair of the Bulletin’s Science and Security Board. “Where we are is very close to disaster.” In the last year, for example, cyberattacks aimed at corrupting the flow of information have polarized populations and undermined trust in science, said Herb Lin, a cyber security and policy researcher at Stanford University in California and a member of the Bulletin’s group on cyber and disruptive technologies.

“These practices attack the very idea of rational discourse,” said Lin. “It’s a more insidious use of cyber tools to exploit weaknesses in human cognition and thinking.”

More here.

Thursday, January 24, 2019

How to Build a Bed

Stephen Elliott in Quillette:

I’m 47 and my apartment is 325 square feet. Of course, if you measure your life by the size of your apartment you’ve got bigger problems than squeezing between the door and the bed to go to the bathroom in the middle of the night. Bigger problems than spending too much time playing video games and an inability to love. If you’re going to judge your life by the size of your apartment then you’re better off not thinking of any of it. Just watch some docu-series on Showtime about prison breaks and plug into your twitter feed and let the time pass peacefully. Because the size of your apartment does not matter. Or it does, but it’s not a statement on whether or not you’re successful. But then how do we measure success? Or a better question might be, why?

More here.

We may finally know what causes Alzheimer’s – and how to stop it

Debora MacKenzie in New Scientist:

If you bled when you brushed your teeth this morning, you might want to get that seen to. We may finally have found the long-elusive cause of Alzheimer’s disease: Porphyromonas gingivalis, the key bacteria in chronic gum disease.

That’s bad, as gum disease affects around a third of all people. But the good news is that a drug that blocks the main toxins of P. gingivalis is entering major clinical trials this year, and research published today shows it might stop and even reverse Alzheimer’s. There could even be a vaccine.

Alzheimer’s is one of the biggest mysteries in medicine. As populations have aged, dementia has skyrocketed to become the fifth biggest cause of death worldwide.

More here.  [Thanks to Ali Minai.]

The Unbelievable Story Of The Plot Against George Soros

Hannes Grassegger in Buzzfeed News:

The glass tower that houses George Soros’s office in Manhattan is overflowing with numbers on screens, tracking and predicting the directions of markets around the world. But there’s one that’s particularly hard to figure out — a basic orange chart on a screen analyzing sentiment on social media.

The data, updated regularly since 2017, projects the reactions on the internet to the name George Soros. He gets tens of thousands of mentions per week — almost always negative, some of it obviously driven by networks of bots. Soros is pure evil. A drug smuggler. Profiteer. Extremist. Conspiracist. Nazi. Jew. It’s a display of pure hate.

The demonization of Soros is one of the defining features of contemporary global politics, and it is, with a couple of exceptions, a pack of lies. Soros is indeed Jewish. He was an aggressive currency trader. He has backed Democrats in the US and Karl Popper’s notion of an “open society” in the former communist bloc. But the many wild and proliferating theories, which include the suggestion that he helped bring down the Soviet Union in order to clear a path to Europe for Africans and Arabs, are so crazy as to be laughable — if they weren’t so virulent.

Soros and his aides have spent long hours wondering: Where did this all come from?

Only a handful of people know the answer.

More here.

France and a New Class Conflict

Jon Henley at The Guardian:

Nearly a decade before the gilets jaunes rose up in their high-vis vests to shake France and grab global headlines, the French social geographer Christophe Guilluy foresaw their arrival in an essay called Fractures Françaises. In 2014 he developed his theory further in La France périphérique, or Peripheral France, earning himself national fame (Libération, the left-leaning daily, devoted its cover and two full pages to the work), unprecedented sales (13,000 copies in a fortnight) of a geography book and an audience with Elysée palace advisers. His argument is not especially complicated. France, an ostensibly unified country, is in fact divided in two, between globalised, culturally vibrant cities such as Paris, Bordeaux and Lyon – where careers, investment and wealth are concentrated – and all the rest.

This vast, depressed, “peripheral” France of small and medium-sized towns, un-chic suburbs, post-industrial wasteland and the all but forgotten countryside now encompasses, he reckons, roughly 60% of the country’s population.

more here.

The Prison Letters of Nelson Mandela

Howard W. French at the NYRB:

Nelson Mandela after his release from prison, Soweto, 1990; photograph by Inge Morath. It appears in Linda Gordon’s Inge Morath: An Illustrated Biography, just published by the Magnum Foundation and Prestel.

The cursory familiarity that many people today have with Mandela’s story of moral courage and triumph has produced a near-universal secular beatification. Mandela enjoys an image akin to that of Martin Luther King Jr. The late South African has, in other words, become an easy-to-claim hero. And in keeping with the often invoked King quote about the arc of the moral universe being long but bent inescapably toward justice—a particular favorite of Barack Obama—from the perspective of the present, Mandela’s ultimate triumph can feel deceptively predestined.

Mandela’s political journey, like that of his country, was far more complex. The black South Africa of the early 1960s did not yet have an obvious leader: it lacked not just a stirringly popular figure, but someone who possessed the tactical acumen and tenacity that would be needed to withstand the assaults of a ruthless racial tyranny, while channeling his society’s energies—and those of the world—in the direction of peaceful liberation. Mandela’s given name was Rolihlahla, which is commonly translated as “troublemaker,” and some of the people closest to him worried that this was a bit too fitting.

more here.