
Michael Tomasky in the New York Review of Books:
It’s hard for any politician to make the mental admissions to oneself required to end a presidential campaign; for a candidate like Sanders, who called for political revolution and seemed to have victory so near that he was surely daydreaming about the list of speakers at his convention, I imagine it was particularly hard. The struggle to accept defeat extends to supporters—perhaps doubly so with some of Sanders’s strongest supporters, who vocally detest the Democratic Party, people who call themselves liberals, Joe Biden, Elizabeth Warren, Barack Obama, and basically anyone who isn’t Sanders (or Alexandria Ocasio-Cortez).
But even as some of his supporters were digging in their heels, scrambling to knock Biden out, Sanders himself was suing for peace. Faiz Shakir, Sanders’s well-regarded campaign manager, told me that, as the senator ended his campaign, he made clear that cooperation would be the order of the day. “Senator Sanders asked me and [longtime adviser Jeff] Weaver to reach out to our Biden friends and see what would be available if we were to bring these worlds together,” Shakir said.
More here.

James Brooke-Smith in Aeon:
One person who’s unlikely to fall ill at Donald Trump’s Tulsa rally is Donald Trump. When jubilant supporters peel off their masks and whoop their approval as he torches Joe Biden, rest assured that the president will be a safe distance from any pathogens spat into the air. It’s the crowd that’s at the most risk. Trump’s arrival at the BOK Center on Saturday plunks him into the safest of spaces. Security measures will minimize his exposure to the coronavirus. Adoring crowds will gratify a craving for recognition. Attention paid to his first rally in three months could give his flagging campaign a needed jolt. Tulsa, then, amounts to a salve for a president who needs one.
On Memorial Day, the police in Minneapolis killed George Floyd, a 46-year-old black man. Three officers stood by or assisted as a fourth, Derek Chauvin, pressed his knee into Floyd’s neck for more than eight minutes. Floyd said he could not breathe and then became unresponsive. His death has touched off the largest and most sustained round of protests the country has seen since the 1960s, as well as demonstrations around the world. The killing has also prompted renewed calls to address brutality, racial disparities and impunity in American policing — and beyond that, to change the conditions that burden black and Latino communities.
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Anonymity comes for us all soon enough, but it has encroached with mystifying speed upon the French writer Hervé Guibert, who died at 36 in 1991. His work has been strangely neglected in the Anglophone world, never mind its innovation and historical importance, its breathtaking indiscretion, tenderness and gore. How can an artist so original, so thrillingly indifferent to convention and the tyranny of good taste — let alone one so prescient — remain untranslated and unread?
For Hegel, the Greek miracle lay in the separating out of mythology and philosophy, so that the articulation of questions about, say, the nature of time, could be addressed in a universal idiom that would not presuppose the existence of Chronos as a divine personification of time. For the ancient Persians, by contrast, to use Hegel’s own example, reflection on the nature of time could only proceed through culturally embedded narratives inseparable from religion and lore.
Albert Einstein changed our view of the universe in 1915 when he published the general theory of relativity, in which he set forth the notion of a four-dimensional spacetime that warps and curves in response to mass or energy. The geometric foundation for his work was laid some 60 years earlier, with the work of a German mathematician named Georg Friedrich Bernhard Riemann.
In
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Elizaveta Sivak spent nearly a decade training as a sociologist. Then, in the middle of a research project, she realized that she needed to head back to school.
Two years ago, Chief Justice John Roberts gave the Trump administration a very important piece of advice: When you come to the Supreme Court, you need to do your homework. In his
Once upon a time, education was rhetorical training. Learning to think well, and thereby to negotiate all of life with responsible intelligence, was fundamentally about interacting with—drawing from and contributing to—a fund of powerful writing. But then, to make a long story short, things got complicated, “rhetoric” was demoted to one department among many, and that department was eventually rebranded as “Communication Studies.” In what could serve as a tragic epilogue to the history of Western education, young Mattie, son of the title character in Wendell Berry’s