Jonathan Kirschner in Boston Review:
On September 9, 1938, John Maynard Keynes, fifty-five years old and the most famous economist in the world, read his essay “My Early Beliefs” to the Memoir Club, a circle of Bloomsbury Group friends who gathered occasionally to discuss the private reflections of its members. Keynes took the opportunity to revisit the philosophical principles of his confidants in the youthful exuberance of their twenties, “our mental history in the dozen years before” World War I. The rich, dazzling memoir, published posthumously at Keynes’s request (and subsequently included in his Essays in Biography), is well described by biographer Robert Skidelsky as “a key document for understanding his life’s work.”
The Keynes of “My Early Beliefs” was no longer a young man; recovering from a major heart attack, he read to the group reclining on a sofa to conserve his energy. Moreover, 1938 was not 1910; the intervening decades, shattering a long period of peace and prosperity, were characterized by war, disorder, and depression. Armed with this melancholy hindsight, Keynes would chastise his youthful cohort: “as the years wore on towards 1914, the thinness and superficiality, as well as the falsity of our view of man’s heart became, it now seems to me, more obvious.” And as the Memoir Club assembled that evening, German troops were massed on the Czechoslovakian border, and Neville Chamberlain would soon climb aboard an airplane for the first time in his life, that he might reason with Adolph Hitler. This context surely informed Keynes’s retrospective lament, “we were not aware that civilisation was a thin and precarious crust” layered atop a cauldron of horrors simmering just below the surface.
More here.

Herman Mark Schwartz in Phenomenal World:
John Altmann and Bryan W. Van Norden in the NYT:
Faisal Devji reviews Judith Butler’s The Force of Nonviolence, in the LA Review of Books:
John Robert Lewis was born in 1940 near the Black Belt town of Troy, Alabama. His parents were sharecroppers, and he grew up spending Sundays with a great-grandfather who was born into slavery, and hearing about the lynchings of Black men and women that were still a commonplace in the region. When Lewis was a few months old, the manager of a chicken farm named Jesse Thornton was lynched about twenty miles down the road, in the town of Luverne. His offense was referring to a police officer by his first name, not as “Mister.” A mob pursued Thornton, stoned and shot him, then dumped his body in a swamp; it was found, a week later, surrounded by vultures.
“Hamnet” is an exploration of marriage and grief written into the silent opacities of a life that is at once extremely famous and profoundly obscure. Countless scholars have combed through Elizabethan England’s parish and court records looking for traces of William Shakespeare. But what we know for sure, if set down unvarnished by learned and often fascinating speculation, would barely make a slender monograph. As William Styron once wrote, the historical novelist works best when fed on short rations. The rations at Maggie O’Farrell’s disposal are scant but tasty, just the kind of morsels to nourish an empathetic imagination. We know, for instance, that at the age of 18, Shakespeare married a woman named Anne or Agnes Hathaway, who was 26 and three months pregnant. (That condition wasn’t unusual for the time: Studies of marriage and baptism records reveal that as many as one-third of brides went to the altar pregnant.) Hathaway was the orphaned daughter of a farmer near Stratford-upon-Avon who had bequeathed her a dowry. This status gave her more latitude than many women of her time, who relied on paternal permission in choosing a mate.
One night in August 2005, just after I’d moved to Wilkes-Barre, Pennsylvania, for a job as a theology professor, I needed beer. To get to the distributor, I drove over a concrete bridge, its four pylons etched with words like “Perseverance” and “Industry” and topped by monumental eagles. Once there, I wandered through the pallets of warm cases trying to find a thirty-pack of PBR until the thin, gruff man behind the counter asked what I was looking for. I told him, he pointed to the right pallet, and I met him at the register.
Seven years ago
The thesis of Bjorn Lomborg’s “False Alarm” is simple and simplistic: Activists have been sounding a false alarm about the dangers of climate change. If we listen to them, Lomborg says, we will waste trillions of dollars, achieve little and the poor will suffer the most. Science has provided a way to carefully balance costs and benefits, if we would only listen to its clarion call. And, of course, the villain in this “false alarm,” the boogeyman for all of society’s ills, is the hyperventilating media. Lomborg doesn’t use the term “fake news,” but it’s there if you read between the lines.
T
This isn’t a style of the Church, Italy, a patron, or a doctrine. It’s a personal style, the work of a self-taught 40-something gay man who devised ways to dye one’s hair blond as well as build bridges. Art history has been going through regular stylistic shifts ever since. This is what a social revolution looks like.
In the summer of 1977, on a field trip in northern Patagonia, the American archaeologist Tom Dillehay made a stunning discovery. Digging by a creek in a nondescript scrubland called Monte Verde, in southern Chile, he came upon the remains of an ancient camp. A full excavation uncovered the trace wooden foundations of no fewer than 12 huts, plus one larger structure designed for tool manufacture and perhaps as an infirmary. In the large hut, Dillehay found gnawed bones, spear points, grinding tools and, hauntingly, a human footprint in the sand. The ancestral Patagonians—inhabitants of Tierra del Fuego and the Magellan Straits—had erected their domestic quarters using branches from the beech trees of a long-gone temperate forest, then covered them with the hides of vanished ice age species, including mastodons, saber-toothed cats, and giant sloths.
A breathalyzer designed to detect multiple cancers early is being tested in the UK. Several illnesses
Nusrat Fateh Ali Khan
In 1931, the Austrian logician Kurt Gödel pulled off arguably one of the most stunning intellectual achievements in history.
There are two boxes on a table, one red and one green. One contains a treasure. The red box is labelled “exactly one of the labels is true”. The green box is labelled “the treasure is in this box.”