Nana Kwame Adjei-Brenyah in the New York Times:
Good questions breathe life into the world. “We Cast a Shadow,” Maurice Carlos Ruffin’s debut novel, asks some of the most important questions fiction can ask, and it does so with energetic and acrobatic prose, hilarious wordplay and great heart.
“We Cast a Shadow” is the story of a black lawyer in a version of the American South. We are dropped into a future where the country is even more willing than now to follow its worst, most racist inclinations. The unnamed narrator describes how, in the next state over, black people must wear tracking devices.
The novel draws its power from this unnamed man’s love for his family, particularly for his biracial son, Nigel. The narrator loves his son so much it seems he can’t even see him. What he does see is the boy’s figure outlined and defined by all the lurking dangers to his person and his potential. Our narrator is especially worried because of the metastasizing birthmarks that cover his son’s body: differently sized tokens of color that remind the world that Nigel is black, a fate as unfortunate as any in the mind of his father.