Rebecca Brenner Graham in the Los Angeles Review of Books:
Although existentialist philosophers rarely labeled themselves as such or agreed on a definition of what they were doing, existentialism is a coherent and sound philosophy. It begins with the claim that “existence precedes essence,” meaning that people enter the world (they exist) before they can be said to have a fixed definition (or essence). They are free to create their own essence, and with this freedom comes responsibility. The contrast between how strange it is to exist and the reality that we are here is called “absurdity.” From absurdity, nihilists would avow that life is meaningless, and thus do whatever they want. Existentialists, however, typically reject nihilism and embrace authenticity. For Martin Heidegger, authenticity was related to our “being toward death.” For Friedrich Nietzsche, the “eternal return of the same” counsels us to live as if our life will repeat itself eternally.
Some French existentialists, however, posited more nuanced ideas of authenticity that engaged with other people, systems of oppression, and the world. Skye C. Cleary’s How to Be Authentic: Simone de Beauvoir and the Quest for Fulfillment explores Simone de Beauvoir’s ideas of existential authenticity and applies them to life today.
More here.


In my nine years of doing this work I have seen an increasing demonisation of the clients of sex workers, even while I’ve seen increasing support for sex workers themselves. Much of the discussion around sex-worker rights focuses on the workers, how often marginalised people enter the industry out of financial necessity, and how criminalising that only further marginalises them, by forcing them into more dangerous scenarios and punishing them for their need. All this is of course of pre-eminent importance. And I think that the rights of sex workers shouldn’t rely on the value or respectability of the work itself—it is simply a human rights and labour rights issue. Sex workers should be able to speak about exploitation and abuse in the industry without that being used against us to argue for the eradication of the industry itself—in the same way migrant workers are speaking about working conditions on Australian farms without it leading to a cry to shut down agriculture.
They span three continents, but a trio of researchers who’ve never met share a singular focus made vital by the still-raging pandemic: deciphering the causes of Long Covid and figuring out how to treat it.
On March 9, 1945, an armada of more than three hundred B-29s flew fifteen hundred miles across the Pacific to attack Tokyo from the air. The planes carried incendiary bombs to be dropped at low altitudes. Beginning shortly after midnight, sixteen hundred and sixty-five tons of bombs fell on the city.
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PAINTED IN THE 1950S on the walls of her sons’ bedroom and later collected in a children’s book called The Milk of Dreams, Leonora Carrington’s wicked fairy tales inspired the title and tenor of the Fifty-Ninth Venice Biennale. Filled with disobedient children, deviant friendships, orphaned monsters, evil crones, sentient meat, hungry furniture, misplaced heads, scatological warfare, and pharmacological magic, Carrington’s stories struck curator Cecilia Alemani for their construction of what she describes as “a world free of hierarchies, where everyone can become something else.” Alemani endeavored to create something like this world in her beautiful and perturbing exhibition, and to a great degree she has succeeded.
This example of calmness in the face of disaster didn’t really help. It was all very well for Dave Fearless to meet catastrophe with aplomb. He could count on Bob Vilett and Captain Broadbeam to haul him to the surface, while Pat Stoodles lent encouragement by bellowing “Heave-ho, bejabers!” I couldn’t count on anyone—except, perhaps, Edward Stratemeyer.
The COVID-19 pandemic was foreseen. Experts everywhere had long predicted a global viral outbreak and called for action to prevent it. World leaders, on the whole, did little. Now, with COVID-19 still raging, Bill Gates has produced a manifesto on what must be done to prevent the next pandemic. Written in accessible prose that even a busy world leader could not fail to grasp, the global-health philanthropist offers some life-saving ideas that are ambitious and achievable — if political leaders act.
A student once asked—after a classroom discussion of how 19th-century westward expansion connected to the ongoing injustices of American military bases in the Pacific—what she was supposed to do with this knowledge. Her question was as genuine as it was perceptive. It also felt like I had, again, failed.
But my interest, I clarified, while probably morbid, is not merely personal. It stems from a keenly felt, soul-sucking disillusionment. By accident of birth I am a modern, which means I will never know a charmed world. A world of consecrated hosts and faerie-haunted forests, where the line between individual agency and impersonal force is blurred at best. Gone is the idea of a porous human self, vulnerable to immaterial forces beyond his control. Significance has retreated from the outer world into our respective skulls, where, over time, it has stiffened, bloated, and finally decomposed into nothing, into dust.
Who are we? Where do we come from? Who or what were the people, the land, the gods who made us? These questions have perplexed and haunted us ever since human beings evolved.
On Salisbury Plain in Wiltshire, England, rests an extraordinary monument that has puzzled and inspired people for millennia: the circular set of rocks known as Stonehenge. The iconic scene, so precisely designed and constructed, provokes a litany of questions: What motivated the Neolithic people to create such a thing? Where did the huge, 20-ton stones come from? How was it built?
Juneteenth — a portmanteau of “June” and “nineteenth” — became a federal holiday just last year, but Black Americans, particularly Black Texans, have been celebrating it for generations. The first Juneteenth festivities took place in the late 19th century in Texas’s Emancipation Park, and combined