Roy Datanielson in Medium:
Longevity and eternal youth have frequently been sought after down through the ages, and efforts to keep from dying and fight off age have a long and interesting history.
“Six days and seven nights I mourned over him, and I would not allow him to be buried until a maggot fell out of his nose. I was terrified. I began to fear death, and so roam the wilderness.”
-Gilgamesh
Written in Stone
History is the story of humanity’s quest for immortality. And anyone who examine it closely enough in a serious attempt to find the cultural roots and philosophical antecedents of modern immortalism, shall discover that mankind’s seemingly endless quest to conquer death has been expressed several times down through the ages. In fact, the earliest attested record of a mortal man’s pursuit of immortality can actually be found in what is considered to be the first great work of literature ever made: ‘The Epic of Gilgamesh’, an Akkadian poem about Gilgamesh, or Bilgamesh, a Sumerian king who reigned in the ancient Mesopotamian city of Uruk, somewhere between 2800 and 2500 BC. The epic most likely existed in oral form long before it was written down on stone tablets around 2200 BC, and the main character of the story, Gilgamesh, is widely considered by scholars to be the historical 5th king of Uruk.
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Butler is soft-spoken and gallant, often sheathed in a trim black blazer or a leather jacket, but, given the slightest encouragement, they turn goofy and sly, almost gratefully. When they were twelve years old, they identified two plausible professional paths: philosopher or clown. In ordinary life, Butler incorporates both.
The chorus of the theme song for the movie Fame, performed by the late actress Irene Cara, includes the line “I’m gonna live forever.” Cara was, of course, singing about the posthumous longevity that fame can confer. But a literal expression of this hubris resonates in some corners of the world—especially in the technology industry. In Silicon Valley, immortality is sometimes elevated to the status of a corporeal goal. Plenty of big names in big tech have sunk funding into ventures aiming to solve the problem of death as if it were just an upgrade to your smartphone’s operating system.
As the historian Nell Irvin Painter has learned over the course of her eight decades on this earth, inspiration can come from some unlikely places.
Since the 19th century, large numbers of villagers in the poorer parts of Italy have migrated to more prosperous regions and countries. The migration continues; in some places, populations have shrunk so dramatically that there are no longer enough patients to keep the local doctor in business, or enough children to fill the school. Young people who moved away to study or work didn’t want to return, and when their parents died, the family homes stood empty, sometimes for decades. Around 2010, the village of Salemi in western Sicily was one of the first towns to come up with an idea: What if you could fill them again by offering the properties for sale at a ridiculously low price?
Vaccination led to the global eradication of smallpox in 1980. Even today, the Bill and Melinda Gates Foundation lists one of the goals of its malaria program as “ending malaria for good.” In recent years, Tufts University launched its
YOU KNOW KEITH HARING. He drew breakdancers and mushroom clouds and triclops and dicks and death and he drew Warhol’s envy. He painted on the Berlin Wall and on Bill T. Jones and on Grace Jones. He painted CRACK IS WACK and SILENCE = DEATH. He smuggled SAMO into SVA to tag the school’s graffiti-blitzed stairwell. His chalk ikons perfused Ed Koch’s decrepit metro, scrawled on seemingly every empty ad space. They called him Chalkman and the Degas of the B-boys, they called him genius and sellout. Club 57, Danceteria, Area, the Roxy, the Pyramid, the Palladium, the Mudd Club, Paradise Garage. Uniqlo, Coach, Nike.
Indians tend to fetishize elections, which now wholly define their self-imagination as a democratic society, obscuring other institutional necessities. The