Freya Johnston at Literary Review:
Does anything ever truly happen in the Messiah? This extraordinarily popular tripartite choral work, first performed in Dublin in 1742, consists almost entirely of saying rather than of doing. Circling around the redemptive power of Christ, it combines declarations with questions, prophecies, injunctions and exhortations (‘Who is this King of Glory?’, ‘Behold, I tell you a Mystery’, ‘Daughter of Sion, shout’, ‘He shall speak’). Full of urgency, tribulation and momentum, the Messiah nevertheless lacks a plot – unless we class the perennial human emotions of hope and fear, and the movement between the two, as dramatic action.
The oratorio is sometimes described as a commentary, but it is a compilation of sources rather than a work of analysis, its text splicing words (along with the occasional paraphrase) from the King James Bible. The passage with which it begins comes from the fortieth chapter of the Book of Isaiah, where the prophet – who has been denouncing the greed and moral turpitude of Hezekiah, king of Judaea – suddenly moves into a different register entirely.
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Large numbers of
Well, the most obvious answer to this question is Sally Rooney’s latest novel, Intermezzo. Every Rooney book is a major publishing event, and this latest offering—which centres on the fraught relationship between two Irish brothers—has received rave reviews almost across the board. NPR
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Even as Nehru proclaimed the moral superiority of India for taking a stance against colonialism in all forms, he oversaw India’s colonial occupation of Kashmir. In Kashmir, Nehru said, ‘democracy and morality can wait’.
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LAST FALL, I was rereading Resentment: A Comedy (1997) on the train on the way to a screening of Sweet Smell of Success (1957), the most perverted Hays Code movie I know, and came upon a passage I knew was coming, where a man is, to put it mildly, fisted to death by the novel’s stuttering psychopath. I began to feel physically ill. I made it through an hour of Sweet Smell before having to head home because I was still feeling ill. Probably it was just something I ate, I told myself, willfully ignoring how deeply the viciousness, the casual cruelty Indiana put on display, had scared me.
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