Home, Identity, Exploitation, and Appropriation: A Conversation with David Krippendorff

by Andrea Scrima

David Krippendorff is a US/German interdisciplinary artist and experimental filmmaker. Based in Berlin, he grew up in Rome, Italy, and studied art at the University of Fine Arts in Berlin, Germany, where he graduated with an MFA. His paintings, drawings, prints, films, and videos have been shown internationally, including at the New Museum (New York), ICA (London), Hamburger Kunsthalle (Hamburg), and the Museum on the Seam (Jerusalem). He has participated in three biennials (Prague, Poznan, Tel Aviv).

Krippendorff’s short film Nothing Escapes My Eyes is currently part of the group exhibition “The Women Behind” at the Museum on the Seam; it was also shown at the Belgrade City Museum for the 56th October Salon in 2016 and has been screened at numerous international film festivals, winning twice as Best Short Film. Kali, a short film based on Brecht’s Threepenny Opera, also features Palestinian actress Hiam Abbass; it premiered at the Braunschweig International Film Festival in 2017.

Scene from the video “There’s No Place Like Home,” 1999

Andrea Scrima: David, I’d like to begin with a question about your previous work. For decades now, you’ve been incorporating imagery from popular culture; earlier works, particularly There’s No Place Like Home, Sleeping Beauty, and The Beautiful Island, drew on the hidden subtexts in well-known American movies, such as The Wizard of Oz and Gilda. What was the motivating force behind this line of inquiry?

David Krippendorff: I grew up on classic American movies. The Wizard of Oz was an intrinsic part of my childhood, so it felt very natural to work with these films, because I had a personal relationship to them. My interest was in uncovering the ideologies and desires present in these films, but hidden beneath a polished layer of glamour and storytelling. I’m also fascinated by how thin the boundaries have become between the personal and the mediated experience, and films—with their almost mythological function—are the perfect material for this inquiry. Read more »

Wonderful Rainbow Aesthetics: The Song of Israel Kamakawiwo’ole

by Bill Benzon

Sometime in 1993 Israel Kamakawiwo’ole, known as IZ to his many fans, calls his producer at 2AM and sets up a recording session ASAP. He records a handful of tunes, just his voice and ukulele, one tune after the other, all single takes, and goes home. One of those takes was a medley that inserted “What a Wonderful World” into “Over the Rainbow.” The medley was issued on Kamakawiwo’ole’s 1993 CD, Facing Future. In 1998 the medley was on the soundtrack of Meet Joe Black. In 2005 Facing Future went platinum (1 million or more units sold), the first Hawaiian album to do so. (Record label site for Kamakawiwo’ole.)

In this post I want to take a look at that medley and its subsequent history. The two songs in the medley are standards – a term of art in discussing pop music of the Big Band era and more recent music of that kind. Judy Garland recorded “Rainbow” for The Wizard of Oz at the height of the big band era, 1938. It became an instant hit and has been recorded hundreds of times. Armstrong recorded “Wonderful” in 1967, when big bands had been thoroughly eclipsed by rock and roll. It became a hit in the UK, but not in the USA. Armstrong’s recording got a second chance when it was used on the soundtrack of Good Morning, Vietnam in 1987. Though not the first, Kamakawiwo’ole’s cover of the song was one of the earliest.

Read more »

On the Road: In a Tough Neighborhood

by Bill Murray

In the middle of the night of March 24, 1992, a pressure seal failed in the number three unit of the Leningradskaya Nuclear Power Plant at Sosnoviy Bor, Russia, releasing radioactive gases. With a friend, I had train tickets from Tallinn, in newly independent Estonia, to St. Petersburg the next day. That would take us within twenty kilometers of the plant. The legacy of Soviet management at Chernobyl a few years before set up a fraught decision whether or not to take the train.

Monitoring stations in Finland detected higher than normal readings. The level of iodine-131 at Lovisa, Finland, just across the gulf, was 1,000 times higher than before the accident, according to the German Institute for Applied Ecology.

Russian authorities reported the accident in the media, and I think they felt self-satisfied for doing it, but Russian credibility had burned down with Chernobyl’s reactor 4. Any more, people thought the Soviets, as Seymour Hersh said about Henry Kissinger, lied like other people breathe. And as usual, solid information was hard to come by.

A news agency in St. Petersburg reported increased radiation, and the Swedish news reported panic in St. Petersburg. A lady in Tallinn that day told me her mother had called from St. Petersburg and they were closing the schools and sending children home to stay indoors. The Finnish Prime Minister fussed that seven hours passed before the Russians told him. It was frightening.

No one believed the plant spokesman when he said on TV, hey (big Soviet smile), no problem. No one trusted the Russians. Read more »

Sunday, December 9, 2018

Noam Chomsky at 90: On Orwell, Taxi Drivers, and Rejecting Indoctrination

John Nichols in The Nation:

Noam Chomsky was aptly described in a New York Times book review published almost four decades ago as “arguably the most important intellectual alive today.” He was 50 then. Now he is 90, and on the occasion of his December 7 birthday, the German international broadcasting service Deutsche Welle observed, again aptly, that Chomsky is “arguably the foremost political dissident of the last half a century.”

Chomsky reminds us that intellect and dissent go together, and that the vital challenge of our times is to maintain “an independent mind.” That’s not easy in an age of manufactured consent, but it is possible, as Chomsky so well reminds us—by continuing to speak, as consistently and as agilely as ever, about the lies of our times.

When I visited him the other day, he was as gracious, witty, and blunt as ever. He pulled no punches, decrying the flaws of capitalism and politics, sparing few politicians and no parties. The academic and activist, whose outspoken opposition to American imperialism earned him a place on former President Richard Nixon’s “enemies list,” answered a recent question (from Democracy Now!’s Amy Goodman) about the approach of the Republican Party of Donald Trump and Paul Ryan to climate change with a question: “Has there ever been an organization in human history that is dedicated, with such commitment, to the destruction of organized human life on Earth?” His answer: “Not that I’m aware of.”

More here.

No Sustainability Without Intensification

Ted Nordhaus in The Breakthrough:

In the spring of 2015, with my colleagues at the Breakthrough Institute, I helped to organize and publish An Ecomodernist Manifesto. The manifesto was controversial in many environmental circles because it laid down a marker in its first paragraphs. To mitigate climate change and preserve the natural world while meeting the needs of a growing and increasingly prosperous human population, environmentalism would need to recommit to one foundational concept, the idea that environmental protection requires shrinking the footprint of human activity, while abandoning another, the notion that ecological salvation requires tethering human societies ever more closely to natural flows of energy and nutrients.

Reconciling environmental preservation with human development as the global population grew from 7 to 10 billion people, we argued, would require producing more, most especially food and energy, with less, particularly land and greenhouse gas (GHG) emissions. Without draconian restrictions on population, which most environmentalists now disavow, or consumption, for a global population that is mostly much poorer than are most card-carrying environmentalists, the math simply didn’t add up otherwise.

Five years later, green NGOs, those on the more pragmatic and less ideological end of the spectrum at least, are recognizing this as well.

More here.

Ivan Krastev: The Iconoclast

From Politico:

Ivan Krastev’s last book landed like a warning shot on the desks of policymakers across the Continent. In his short 2017 volume, “After Europe,” the Bulgarian thinker warned that what had been until then widely regarded as a series of isolated shocks — the migration crisis, Brexit, the election of U.S. President Donald Trump, and the rise of European populism — are instead symptoms of a modern malaise, one with the potential to tear the European Union apart.

“People were still taking the European Union for granted,” he says, and assuming that while the status quo might be shaken, it would almost certainly remain unchanged. Krastev’s experience has taught him otherwise. As a university student in Sofia in 1989, he witnessed the Communist regime collapse and his country transform overnight. The experience, he says, impressed upon him the fact that “the unthinkable can very quickly become the inevitable.”

Krastev’s style is aphoristic and playful; in conversation, he will often tell a joke to illustrate a more serious political nuance. He doesn’t use social media, or even own a mobile phone. At public appearances, he rarely relies on prepared remarks, but seems to think through his arguments out loud. His often unorthodox analysis has established him as one of the more perceptive scholars of what he calls the “threatened majority” and “forgotten losers” of the age’s epochal shifts.

More here.

On the Origin of Cooperation

Kevin Laland in Atlantis:

You take a flight from New York to London. Thousands and perhaps millions of people — including ticket agents, baggage handlers, security personnel, air traffic controllers, pilots, and flight attendants, but behind the scenes also airline administrators, meteorologists, engineers, aircraft designers, and many others — cooperated to get you there safely. No one stole your luggage, no one ate your in-flight food, and no one tried to sit in your seat. In fact, the hundreds of people on the airplane, despite being mainly strangers, behaved in an entirely civilized and respectful manner throughout.

For most of us in the industrialized world, every aspect of our lives is utterly reliant on thousands of such cooperative interactions with millions of individuals from hundreds of countries, the vast majority of whom we never see, don’t know, and indeed never knew existed. Just how exceptional in nature such intricate coordination is — with many unrelated individuals performing many different roles — remains hard to appreciate. Notwithstanding the familiar examples of ants, bees, and other species known for coordinating their behavior, largely with relatives, nothing remotely as complex as human cooperation is found in any of the other millions of species on the planet. And although modern marvels like air travel are very striking examples of large-scale cooperation, human societies have engaged in impressive feats of organized cooperation for many thousands of years. Carving terraces out of mountains, planting and harvesting crops, building granaries, and managing city-states all involved extraordinary levels of cooperation among community members. Hunter-gatherers also coordinated their actions in cooperative endeavors such as group hunting and foraging, as well as through sharing food, labor, and childcare, and when hostility or disputes with other societies arose. How is it that humans came to be the most cooperative species on earth? And how can understanding our evolutionary history help to explain human cultural, cooperative achievements, whether technological or artistic, linguistic or moral?

More here.

Tears on the Bench

Bethany Schneider in Avidly:

Here’s a little lesson about crying – historical crying – from another class I teach, “Literatures of American Indian Removal.” Once upon a time, the State of New Hampshire tried to claim Dartmouth College as its state university. In 1818, the case went to the Supreme Court, where John Marshall, as chief justice, presided. Dartmouth was represented by Daniel Webster. . . . It is, Sir, as I have said, a small college, and yet, there are those who love it . . . In an impassioned speech, Webster cited love as the private passion that draws a fairy circle of protection around the small college, keeping away publics that cannot possibly feel correctly. Webster’s oratory was so moving that the great judge wept openly on the bench. John Marshall, who shaped the Supreme Court into the powerful third arm of government that we now rely on it to be, was moved to tears. Dartmouth was founded to educate Native men, but immediately abandoned that project. That abandonment was partly why New Hampshire felt it could be claimed as public. But Marshall’s court decided it would remain private. The decision is a cornerstone of the American corporation. The corporation, he wrote, “is chiefly for the purpose of clothing bodies of men, in succession, with these qualities and capacities that corporations were invented, and are in use. By these means, a perpetual succession of individuals are capable of acting for the promotion of the particular object like one immortal being.” Corporations are immortal bodies, made up of successive generations of white men clothed in the invisibility cloak of power.

I teach this decision alongside Marshall’s Cherokee cases, partly because “Dartmouth v. Woodward” is about Native Americans, and partly to enable a discussion about the emotions of immortal “fathers,” and the ways that the “body corporate,” as Marshall described it, disciplines and disperses the bodies, and the emotions, of those who do not fit. In 1831, Marshall rejected the Cherokee Nation’s case against the State of Georgia, which wanted to force them to remove. Marshall’s decision ends with these words; “If it be true that wrongs have been inflicted and that still greater are to be apprehended, this is not the tribunal which can redress the past or prevent the future.”

More here.

Sunday Poem

It Happens Like This

I was outside St. Cecelia’s Rectory
smoking a cigarette when a goat appeared beside me.
It was mostly black and white, with a little reddish
brown here and there. When I started to walk away,
it followed. I was amused and delighted, but wondered
what the laws were on this kind of thing. There’s
a leash law for dogs, but what about goats? People
smiled at me and admired the goat. “It’s not my goat,”
I explained. “It’s the town’s goat. I’m just taking
my turn caring for it.” “I didn’t know we had a goat,”
one of them said. “I wonder when my turn is.” “Soon,”
I said. “Be patient. Your time is coming.” The goat
stayed by my side. It stopped when I stopped. It looked
up at me and I stared into its eyes. I felt he knew
everything essential about me. We walked on. A police-
man on his beat looked us over. “That’s a mighty
fine goat you got there,” he said, stopping to admire.
“It’s the town’s goat,” I said. “His family goes back
three-hundred years with us,” I said, “from the beginning.”
The officer leaned forward to touch him, then stopped
and looked up at me. “Mind if I pat him?” he asked.
“Touching this goat will change your life,” I said.
“It’s your decision.” He thought real hard for a minute,
and then stood up and said, “What’s his name?” “He’s
called the Prince of Peace,” I said. “God! This town
is like a fairy tale. Everywhere you turn there’s mystery
and wonder. And I’m just a child playing cops and robbers
forever. Please forgive me if I cry.” “We forgive you,
Officer,” I said. “And we understand why you, more than
anybody, should never touch the Prince.” The goat and
I walked on. It was getting dark and we were beginning
to wonder where we would spend the night.

by James Tate
from Lost River
Sarabande Books, Inc. 2003

Saturday, December 8, 2018

Saturday Poem

Key

I straighten out my mother
attach her to the backrest
fold her hands
place them on the table.
Lift her head
turn it to me
tie the bib.

The spoon knocks on her teeth
like a key
I once turned inside a toy
and didn’t understand
how it suddenly moved
why it suddenly stopped.
.

translation: 2018, Linda Zisquit

At once tiny and huge: what is this feeling we call ‘sublime’?

Sandy Shapshay in Aeon:

Have you ever felt awe and exhilaration while contemplating a vista of jagged, snow-capped mountains? Or been fascinated but also a bit unsettled while beholding a thunderous waterfall such as Niagara? Or felt existentially insignificant but strangely exalted while gazing up at the clear, starry night sky? If so, then you’ve had an experience of what philosophers from the mid-18th century to the present call the sublime. It is an aesthetic experience that modern, Western philosophers often theorise about, as well as, more recently, experimental psychologists and neuroscientists in the field of neuroaesthetics.

Responses to the sublime are puzzling. While the 18th century saw ‘the beautiful’ as a wholly pleasurable experience of typically delicate, harmonious, balanced, smooth and polished objects, the sublime was understood largely as its opposite: a mix of pain and pleasure, experienced in the presence of typically vast, formless, threatening, overwhelming natural environments or phenomena. Thus the philosopher Edmund Burke in 1756 describes sublime pleasure in oxymoronic terms as a ‘delightful horror’ and a ‘sort of tranquility tinged with terror’. Immanuel Kant in 1790 describes it as a ‘negative’ rather than a ‘positive pleasure’, in which ‘the mind is not merely attracted by the object, but is also always reciprocally repelled by it’. It became a problem to explain why the sublime should be experienced overall with positive affect and valued so highly, given that it was seen to also involve an element of pain.

More here.

Is Green Growth Possible? A Debate

From the Institute for New Economic Thinking:

In this series, economists debate whether catastrophic global warming can be stopped while maintaining current levels of economic growth. Enno Schröder, Servaas Storm, Gregor Semieniuk, Lance Taylor, and Armon Rezai find there is a tradeoff between growth and decarbonization, while Michael Grubb responds with more optimism.

More here.

Europe’s Political Economy: The Italy Debate

Adam Tooze at his own website:

Right now the greatest threat to the eurozone and one of the most significant tail risks for the world economy is the unresolved standoff over the Italian budget and its public debt running to 133% of GDP. If Italy were not a member of the eurozone, if it had its own central bank debt at this level would be a matter of concern rather than alarm. But Italy is tied to the euro, the response of the ECB in a crisis is unpredictable and speculation about Italy leaving the euro is idle. Both the political and economics costs are too vast to contemplate seriously.

Last week I contributed a New York Times op-ed about the stand off and its risks: How does the EU think this is going to end?

My main theme was that the Rome government, however unpalatable its politics, has to be taken seriously as an expression of the crisis of Italy’s political economy. There are even worse political constellations, some of which might offer a fiscal deal more amenable to the Commission, but would be disastrous for Europe in political terms. For the EU to offer only discipline risks a further turn for the worse.

More here.

It’s Time to Study Whether Eating Particular Diets Can Help Heal Us

Siddhartha Mukherjee in The New York Times:

In the 1920s, Otto Warburg, a German physiologist, demonstrated that tumor cells, unlike most normal cells, metabolize glucose using alternative pathways to sustain their rapid growth, provoking the idea that sugar might promote tumor growth. You might therefore expect the medical literature on “sugar feeding cancer” to be rich with deep randomized or prospective studies. Instead, when I searched, I could find only a handful of such trials. In 2012, a team at the Dana-Farber Cancer Institute in Boston divided patients with Stage 3 colon cancer into different groups based on their dietary consumption, and determined their survival and rate of relapse. The study generated provocative data — but far from an open-and-shut case. Patients whose diets consisted of foods with a high glycemic load (a measure of how much blood glucose rises after eating a typical portion of a food) generally had shorter survival than patients with lower glycemic load. But a higher glycemic index (a measure of how much 50 grams of carbohydrate from a food, which may require eating a huge portion, raises blood glucose) or total fructose intake had no significant association with overall survival or relapse.

While the effect of sugar on cancer was being explored in scattered studies, the so-called ketogenic diet, which consists of high fat, moderate protein and low carbohydrate, was also being promoted. It isn’t sugars that are feeding the tumor, the logic runs. It’s insulin — the hormone that is released when glucose enters the blood. By reducing carbohydrates and thus keeping a strong curb on insulin, the keto diet would decrease the insulin exposure of tumor cells, and so restrict tumor growth. Yet the search for “ketogenic diet, randomized study and cancer” in the National Library of Medicine database returned a mere 11 articles. Not one of them reported an effect on a patient’s survival, or relapse.

More here.

Kate Bush and Me

David Mitchell at The Guardian:

Aerial is Kate’s third masterpiece, along with The Dreaming and Hounds of Love. What constitutes a “masterpiece” is only established by the ultimate critic, time; but even producing three contenders for the title in a single career puts a songwriter in the most exclusive company. “Bertie” is a madrigal about her young son, whose birth and upbringing accounted in no small part for the 12-year hiatus. By now my wife and I had a small child of our own whose toothy grin was for us, too, “The most truly fantastic smile / I’ve ever seen”. “Mrs Bartolozzi”, surely the only song by a major artist whose lyrics include washing machine onomatopoeia, portrays a housekeeper of a certain age. The drudgery of her life smothers her own memories and desires, and puts me in mind of a 21st-century Miss Kenton from Kazuo Ishiguro’s The Remains of the Day. The song “How to Be Invisible” contains a Macbeth-esque recipe for invisibility that is, Kate-ishly, both quotidian and magical: “Eye of Braille / Hem of Anorak / Stem of Wallflower / Hair of Doormat.” Disc one’s last song is my desert island Kate song: “A Coral Room”. Musically, this ballad for piano and vocal is one of her sparsest. Lyrically, it’s one of her richest, describing an underwater city, dreamy and abandoned and swaying and recalling Debussy’s prelude La Cathédrale Engloutie. The city is deep memory, crawled over by the spider of time, perhaps from the hills of time in “Moments of Pleasure”. Speedboats fly above and planes – perhaps a black Spitfire or two – come crashing down.

more here.