Mustafa Akyol in The New York Times:
Is Allah, the God of Muslims, a different deity from the one worshiped by Jews and Christians? Is he even perhaps a strange “moon god,” a relic from Arab paganism, as some anti-Islamic polemicists have argued? What about Allah’s apostle, Muhammad? Was he a militant prophet who imposed his new religion by the sword, leaving a bellicose legacy that still drives today’s Muslim terrorists? Two new books may help answer such questions, and also give a deeper understanding of Islam’s theology and history.
Jack Miles, a professor of religion at the University of California and the author of the Pulitzer-winning book “God: A Biography,” has written “God in the Qur’an.” It is a highly readable, unbiasedly comparative and elegantly insightful study of the Quran, in which he sets out to show that the three great monotheistic religions do indeed believe in the same deity — although they have “different emphases” when it comes to this God, which accounts for their divergent theologies. To begin with, one should not doubt that Allah is Yahweh, the God of the Bible, because that is what he himself says. The Quran’s “divine speaker,” Miles writes, “does identify himself as the God whom Jews and Christians worship and the author of their Scriptures.” That is also why Allah reiterates, often with much less detail, many of the same stories we read in the Bible about Yahweh and his interventions in human history. The little nuances between these stories, however, are distinctions with major implications.
Take, for example, the story of Abraham, which is so central to both the Bible and the Quran. Miles examines Abraham in both and highlights a key difference: In the Bible, Abraham is presented as the father of a great nation that will multiply and inherit a holy land. “To your descendants I give this country,” Yahweh vows, “from the River of Egypt to the Great River.” In the Quran, however, the stress is on Abraham as the great champion of monotheism against idolatry: His biggest mission is smashing the idols — a story foretold not in the Bible, but in an ancient rabbinical exegesis of it, a midrash. “Yahweh is a fertility god,” Miles provocatively suggests, whereas “Allah is a theolatry god” — theolatry meaning the worshiping of God alone.
More here.

In his classic 1923 essay, “
Every time we look at a face, we take in a flood of information effortlessly: age, gender, race, expression, the direction of our subject’s gaze, perhaps even their mood. Faces draw us in and help us navigate relationships and the world around us.
Hugh Ryan in The Boston Review:
James McAuley and Greil Marcus, and a reply by Mark Lilla in the New York Review of Books:
WHEN
Just a few years ago Yuval Noah Harari was an obscure Israeli historian with a knack for playing with big ideas. Then he wrote Sapiens, a sweeping, cross-disciplinary account of human history that landed on the bestseller list and remains there four years later. Like Jared Diamond’s Guns, Germs and Steel, Sapiens proposed a dazzling historical synthesis, and Harari’s own quirky pronouncements—“modern industrial agriculture might well be the greatest crime in history”— made for compulsive reading. The book also won him a slew of high-profile admirers, including Barack Obama, Bill Gates, and Mark Zuckerberg.
But Einstein’s was a God of philosophy, not religion. When asked many years later whether he believed in God, he replied: ‘I believe in Spinoza’s God, who reveals himself in the lawful harmony of all that exists, but not in a God who concerns himself with the fate and the doings of mankind.’ Baruch Spinoza, a contemporary of Isaac Newton and Gottfried Leibniz, had conceived of God as identical with nature. For this, he was considered a dangerous
Vienna as a bourgeois, democratic city was never a stable entity. The liberal bourgeoisie came to municipal power in Vienna in the 1860s, yet the authority of the monarchy and aristocracy persisted, though in a weakened form, and, unlike the partial integration of the bourgeoisie into the social world of the British and French aristocracy, it kept its doors barred to the newcomers. And almost as soon as the liberals gained a foothold, a third element asserted itself, a gathering din of nationalist agitations from the patchwork of ethnicities that constituted the Habsburg Empire, each growing restless in the dilapidating imperium. The Liberals, never fully in control, saw their influence hedged and threatened almost immediately.
Anglo-Saxon London suffers from an image problem, or more precisely from the problem that we have no image of it at all. In contrast to the showy glamour of Roman Britain, with its amphitheatres, temples and abundance of literature, or the vibrant cultural melting pot of the Tudor era, the Anglo-Saxon metropolis has almost no remaining visible architecture, a dearth of written sources and a patchy archaeological presence.
Steven Strogatz in the NYT:

Richard Marshall interviews Sander Verhaegh in 3:AM Magazine: