Elisa Wouk Almino at Hyperallergic:
As early as the mid-1950s, the art critic John Berger complained about the ways in which art was shown, taught, and written about. The art world — a term he deplored — was too insular, and the art historians and critics did very little to mitigate this. Perhaps most crucially, they failed to share art’s profound connections to human experience. It was no wonder that people expressed little interest in artworks, Berger said in a 1956 article for the New Statesman, because they’ve been led to believe “that such works as do exist have nothing to say to them.” Today, Berger’s demands appear more urgent and his criticisms only truer.
A new biography on Berger — the first published since his death in January of 2017 — reveals a writer who to this day speaks most eloquently and passionately to our frustrations, fears, hopes, and desires. The book, authored by Joshua Sperling and published by Verso, is titled A Writer of Our Time: The Life and Work of John Berger. At Sperling’s Los Angeles book launch, where I led a conversation with him, he explained that the title is a riff on Berger’s first novel, A Painter of Our Time. But the label of “a writer of our time” is also earned.
More here.

When was the last time you heard a seminar speaker claim there was ‘no difference’ between two groups because the difference was ‘statistically non-significant’?
There is a wonderful metaphor in Alastair Macintyre’s After Virtue, in which the philosopher asks us to imagine a world hit by some terrible calamity that caused scientific and technical knowledge to be almost destroyed. What was left was smashed into thousands upon thousands of disconnected pieces, and the inhabitants of this world had to piece together their understanding of science and technology from what was lost, trying to line up the remnants of the earlier age as best they could.
The Twice-Born,” a new memoir by Aatish Taseer, is troubled by a single plaintive question: Does a city steeped in tradition have a future in modern India? The setting is Benares, the spiritual capital of Hinduism, where more than five million pilgrims flock each year to worship, bathe, and burn their dead. Dying while in Benares, it is said, will release a Hindu from the cycle of reincarnation, and Taseer discovers an industry of death that’s alive and well in the city. He describes corpses that “sizzled away on funeral pyres,” as dinghies drifted on the Ganges amid smoke and marigolds. Taseer, to be clear, has not come to Benares to die. He’s in his thirties for most of the memoir, and, anyway, he’s not religious. His pilgrimage is secular; he seeks to filter the contradictions of present-day India through his life story. In the process, “
For all their pontificating and complex moral theories, ethicists are just as disappointingly flawed as the rest of humanity. A study of 417 professors
Imagine your response to picking up a copy of the leading scientific journal Nature and reading the headline: “The myth that evolution applies to humans.” Anyone even vaguely familiar with the advances in neuroscience over the past 15–20 years regarding sex influences on brain function might have a similar response to a recent headline in Nature: “
Boeing executives are offering a simple explanation for why the company’s best-selling plane in the world, the 737 MAX 8, crashed twice in the past several months, leaving Jakarta, Indonesia, in October and then Addis Ababa, Ethiopia, in March. Executives claimed Wednesday, March 27, that the cause was a software problem — and that a new software upgrade fixes it.
In 1886, Clark B
Something is happening in African literature: The women are coming. For decades now, a river of original and important writing by female authors has been flowing out of that continent — books by writers such as Marlene van Niekerk, of whose second novel Liesl Schillinger wrote in these pages, “books like ‘Agaat’ … are the reason people read novels”; Tsitsi Dangarembga (“Nervous Conditions”); and, of course, Chimamanda Ngozi Adichie. Now that river has burst its banks and become a flood. Namwali Serpell’s extraordinary, ambitious, evocative first novel, “The Old Drift,” contributes powerfully to this new wave.
Is confessional poetry still interesting in our age of oversharing? Is it even confessional? If my students are any indication, readers immersed in multiple platforms of never-ending self-disclosure might not find the poetry of Robert Lowell or Anne Sexton particularly exhibitionist. Lowell’s Life Studies is personal, certainly, but not nearly as personal as your average Instagram story, not as revealing as the anecdotes my students are apt to volunteer in and after class, maybe not as real as the Real Housewives. Lowell famously described his turn toward the personal as a movement away from a rarefied and bloodless commitment to craft, “a breakthrough back into life” that promised to reenergize the writers of an entire generation. A half-century on, the subversions of their self-exposure can be harder to recognize. In the full thrall of TMI, it might be that the strangeness of confessional poetry has more to do these days with its being poetry than its being confessional. This development is not necessarily a bad thing. Indeed, I often try to highlight something like this dynamic by playing for my classes a recording of Sylvia Plath reading “Daddy” a few months before her death. It is an electrifying performance that completely reconfigures the way my students approach her poems. Plath brings to the text a theatrical intensity far flung from the rhetoric of therapeutic unburdening that the “confessional” label seems to suggest. As Plath declaims it, “Daddy” sounds more like the soliloquy of an Elizabethan villain than a straightforward exercise in self-expression. It is not so clear that such words unearth any sort of inner truth about the speaker, but they are certainly dramatic.
All 4,500 named varieties of potatoes trace their ancestry to the Americas. Wild potatoes grow along the American cordillera, the mountains that run from the Andes to Alaska. People living on its slopes have been eating potatoes for time out of mind. Stone tools and preserved potato peels show that wild potatoes were being prepared for food in southern Utah and south-central Chile nearly 13,000 years ago; similar evidence dates their domestication from at least 7800 BCE on the northern coast of Peru. They formed an important part of the diet of many of the cultures inhabiting the 9000 kilometers between Utah and Chile.
Amid the uproar over the Ralph Northam blackface photograph, a Washington Post
Medicine has great hopes for personalised cancer immunotherapy. The idea is to have a vaccine prompt the immune system to fight a tumour. Scientists at ETH Zurich have developed a method that allows them to determine which molecules are suited to patient-specific immunisation. Cells belonging to the body’s own
“What the hell is wrong with Michael?” Chris Rock
Elephants have bigger brains than humans, so why aren’t they smarter than we are?