Ukraine and the Global Economic War

Prabir Purkayastha in CounterPunch:

Do the Ukraine war and the action of the United States, the EU and the UK spell the end of the dollar as the world’s reserve currency? Even with the peace talks recently held in Turkey or the proposed 15-point peace plan, as the Financial Times had reported earlier, the fallout for the dollar still remains. For the first time, Russia, a major nuclear power and economy, was treated as a vassal state, with the United States, the EU and the UK seizing its $300 billion foreign exchange reserves. Where does this leave other countries, who also hold their foreign exchange reserves largely in dollars or euros?

The threat to the dollar hegemony is only one part of the fallout. The complex supply chains, built on the premise of a stable trading regime of the World Trade Organization principles, are also threatening to unravel. The United States is discovering that Russia is not simply a petrostate as they thought but that it also supplies many of the critical materials that the U.S. needs for several industries as well as its military. This is apart from the fact that Russia is also a major supplier of wheat and fertilizers.

More here.

Super-Infinite: The Transformations Of John Donne

Joe Moshenska at Literary Review:

The agility of Donne’s imagination and the sheer pyrotechnic weirdness of his writings have made him both irresistibly attractive to biographers – who wouldn’t want to understand the man behind poems like this? – and particularly elusive of biographical scrutiny: what set of facts could possibly help to explain such a person? Katherine Rundell’s excellent Super-Infinite approaches Donne with keen and frank awareness of these temptations and the pitfalls they conceal. She recognises the double bind in which Donne’s works place his readers: they are conspicuously difficult and erudite, demanding depth of knowledge, intensity of attention and speed of thought from those who would follow them, but bringing knowledge to bear upon their quicksilver shifts and spurts of imagination can feel like ramming a pin through the body of a particularly beautiful butterfly in order to taxonomise it. Rundell is scrupulously polite about R C Bald’s ‘spectacularly detailed’ life of Donne, the standard scholarly biography, calling it ‘the bedrock of this book’ in a footnote, but there has surely never been a duller life of a more exciting poet. Knowledge may be necessary, but it can be like an anvil dropped on the head of a mischievous cartoon character, stunning it briefly into passive silence.

more here.

Remembering Richard Howard

Craig Morgan Teicher at The Paris Review:

Reading was Richard’s primary occupation. His New York apartment was covered in books, floor to ceiling, interrupted only by a desk, a few places to sit, a bed in a book-lined alcove (which was also home to Mildred, Richard’s life-size stuffed gorilla), and the bathroom, adorned with dozens of small portraits of famous writers, glaring at anyone who dared use the toilet. The kitchen was an afterthought—mostly a place to store kibble for Gide, his eccentric French bulldog, since Richard almost always ate out. I used to care for Gide when Richard traveled, so I was once there on his return from a trip to Europe with his husband, the artist David Alexander; the souvenir Richard was most excited to show off was a gargantuan copy—I think in French, though perhaps in the original Italian—of Leopardi’s Zibaldone, which had not yet been translated into English in its entirety. Finally he could read it! New books were among the major events of his life. By his door was always a growing stack of books to sell to the Strand; at some point David had introduced the rule that for every new book that came in, one had to go out.

more here.

Tuesday Poem

If You’ve Met One Autistic Person You’ve Met One Autistic Person

…..—popular saying within the ASD support community

My son’s the only person that I know
who thinks this way, who acts this way.
The boy eats three potatoes every day.
He says he wants to gain weight, wants to grow

his waist. To keep from melting down, he’ll throw
ice cubes across our yard. A game. Who plays?
My son’s the only person. That I know.
Who thinks this way? Who acts this way?

Who asks how much you weigh? How fast you’ll grow?
Who says whatever their heart says to say?
Don’t let him bend to suit the world, I pray.
Who dreams up paths where no one else can go?
My son’s the only person that I know.

by Tom C. Hunley
—from Rattle #74, Winter 2021

The Car – freedom on four wheels

Andrew Anthony in The Guardian:

“Within a few years owning a car,” writes Bryan Appleyard in this entertainingly forthright history, “might seem as eccentric as owning a train or a bus. Or perhaps it will simply be illegal.” Although Appleyard’s intention is to document a way of life that he believes is passing, his book is not a lament or a eulogy, nor really a celebration, but instead an acknowledgment of the extraordinary cultural and environmental impact the car has had on this planet in the last 135-plus years.

We have shaped our lives, our cities, our worlds around the needs and possibilities of internal combustion engine vehicles. And nowhere has this global trend been more conspicuously evident than in the US, a nation whose rise, supremacy and incipient decline closely match the fortunes of the motorcar. In a book that almost delights in the contradictions wreaked by the automobile, one of the more glaring paradoxes is that while the author focuses on America, he is no fan of the cars it has produced – with very few exceptions.

With that discrimination established, it is thankfully not a work specifically aimed at petrolheads and is thus largely free of discussions of camshafts and torque. Instead Appleyard approaches cars through the people who made them – not the assembly-line workers, but the factory owners and designers.

More here.

The Search for a Model Octopus That Won’t Die After Laying Its Eggs

Elizabeth Preston in The New York Times:

The tank looked empty, but turning over a shell revealed a hidden octopus no bigger than a Ping-Pong ball. She didn’t move. Then all at once, she stretched her ruffled arms as her skin changed from pearly beige to a pattern of vivid bronze stripes. “She’s trying to talk with us,” said Bret Grasse, manager of cephalopod operations at the Marine Biological Laboratory, an international research center in Woods Hole, Mass., in the southwestern corner of Cape Cod.

The tiny, striped octopus is part of an experimental colony at the lab where scientists are trying to turn cephalopods into model organisms: animals that can live and reproduce in research institutions and contribute to scientific study over many generations, like mice or fruit flies do. Cephalopods fascinate scientists for many reasons, including their advanced, camera-like eyes and large brains, which evolved independently from the eyes and brains of humans and our backboned relatives. An octopus, cuttlefish or squid is essentially a snail that swapped its shell for smarts. “They have the biggest brain of any invertebrate by far,” said Joshua Rosenthal, a neurobiologist at the Marine Biological Laboratory. “I mean, it’s not even close.”

More here.

Sunday, April 3, 2022

Christopher Hitchens and the Korean Tea-bowl

Leanne Ogasawara in Electrum Magazine:

A glance at Hobson-Jobson, the historical dictionary of Anglo-Indian words in use during the British rule in India, will show that the word “loot” comes into English from Hindi, ultimately deriving from Sanskrit. It entered the English language around the time of the Opium Wars, when the British were not just in India but also in China. This was when the 8th Earl of Elgin, James Bruce, was present at the sacking of the Summer Palace in Beijing. He was, incidentally, the son of the 7th Lord Elgin who removed the marbles from the Parthenon. James Bruce had this to say about loot:

There is a word called loot, which gives unfortunately a venial character to what would in common English be styled robbery.

Robbery or loot? Isn’t it all the same?

This winter, I took a postgraduate class at Stanford called Plundered Art: The History and Ethics of Art Collection. From Nebuchadnezzar, Nero and Napoleon to the Nazis and the present, we examined specific historic cases of art plundering and considered the ethics of such collections in museums to the present day as well as collecting in itself.

More here.

How the World’s Languages Evolved Over Time

Morten H. Christiansen and Nick Chater at Literary Hub:

Languages change continually and in wide variety of ways. New words and phrases appear, while others fall into disuse. Words subtly, or less subtly, shift their meanings or develop new meanings, while speech sounds and intonation change continually. Yet perhaps the most fundamental shift in language change is gradual conventionalization: patterns of communication are initially flexible, but over time they slowly become increasingly stable, conventionalized, and, in many cases, obligatory. This is spontaneous order in action: from an initial jumble increasingly specific patterns emerge over time.

The tendency toward increasing conventionalization occurs in all aspects of language, and it is largely a one-way street. Conventions become more rigid, not less. As in charades, when we face the same communicative challenge multiple times, our behavior becomes increasingly standardized. Once we’ve established a gesture for “Columbus” in one charade, we’ll stick with it in the unlikely event he comes up again, and the gesture will rapidly become simplified.

Yet when we face new communicative challenges, we retain the ability to be tremendously inventive—including the ability to rework and repurpose the conventions we’ve already established.

More here.

The Unlikely Persistence of Antonio Gramsci

Thomas Meaney in The New Republic:

Antonio Gramsci’s near-feral Sardinian childhood set him apart from most other leading communist revolutionaries of the interwar years, who tended to originate in cities. His father was imprisoned for petty embezzling as a state functionary in the Kingdom of Italy; his mother scraped by a living mending clothes. When Gramsci was four, a boil on his back began hemorrhaging, and he nearly bled to death. His mother bought a shroud and a small coffin, which stood in a corner of the house for the rest of his youth.

As Gramsci’s latest biographer, the French historian Jean-Yves Frétigné, reports in To Live Is to Resist: The Life of Antonio Gramsci, Gramsci was buckled for hours each day into a leather harness contraption that hung from the rafters, intended to repair his spine. He hardened himself with tests of endurance, such as hammering his fingers with a stone until they bled. He kept a pet hawk, and idolized the Sardinian bandit Giovanni Tolu, who outfoxed the local Carabinieri. At school he was rebellious and insolent. Once, he had a dispute with a teacher who did not believe Gramsci had found a monstrous, snakelike lizard with feet. (He had: It was an ocellated skink.)

More here.

In Memoriam: My Brilliant Friend Sara

Azra Raza in Dawn:

My friend Professor Tahira Naqvi wrote in her condolence note: “I don’t think there is a book cover that has ever made a place in popular consciousness as that of Meatless Days. I can’t remember a book from my early days here that had as much of an impact as that brilliantly written memoir.”

As recently as this January, Sharon Cameron — a beloved friend and an exacting professor of English — read Meatless Days and had this to say: “I so admire the complex way SS weaves together family and Pakistani history and the nuanced way in which the narrative moves in and out, and then back around and at an angle through subjects newly given contour and life. SS is a very gifted writer.”

I read this to Sara over the telephone. Pleased, she remarked that the only other person who understood her “narrative weaving” was her friend and author David Lelyveld who, upon reading Meatless Days, exclaimed: “It moves like a ghazal!”

More here.

Going After That Pound of Flesh

Maureen Dowd in The New York Times:

So, the slap.

Why do people at the top of their careers snap and make wildly self-destructive moves that rip apart everything they have been working to build? In a blink, Will Smith went from Mr. Nice Guy on the verge of winning an Oscar to a crazed assailant in Satan’s grip. “At your highest moment, be careful. That’s when the devil comes for you,” Smith said in his acceptance speech, quoting what Denzel Washington told him minutes earlier to calm him down.

Let’s start with the fact that academy officials bungled the whole ugly affair. David Rubin, the president of the academy, should have gone over to Smith during the break and insisted on talking with him backstage. Then, he should have explained the academy’s position and had security guards escort the actor out of the building.

Instead, Hollywood’s big and powerful chickened out and asked Smith’s publicist to talk to him about leaving. His publicist! She no doubt told Smith to sit tight, which was, from a publicity point of view, good guidance. No wonder she was the first one he hugged when he walked offstage with his Oscar. Smith also got good advice from his team when on Friday he admitted he had “betrayed” the academy and resigned from the group — before he could be suspended. “I am heartbroken,” he said in a statement.

More here.

Six Nuns Came to India to Start a Hospital. They Ended Up Changing a Country

Jyoti Thottam in The New York Times:

In the spring of 1947, nothing about the future of India, its identity as a nation or the kind of country it would be, was certain. India would soon be free from British colonial rule, but it could not fulfill the basic needs — let alone the hopes and ambitions — of most of its people. That would require new institutions, new ideas, and men and women who were willing to take a chance on building them.

India had been devastated by World War II and then partition, which split the country in two. By the end of 1948, two of India’s cities, Delhi and Mumbai, had each absorbed more than 500,000 refugees, and the country had endured violence, dislocation and food shortages on a mass scale. More than 20 million Indians lived under direct rationing, entitled to 10 ounces of grain a day. That was the period during which a handful of Catholic nuns from Kentucky chose to come to Mokama, a small town at a railroad junction in northern India on the southern banks of the Ganges River, to start a hospital.

More here.

Sunday Poem

How can we kill them—they look like us.
………………….…………—soldier in Ukraine

Calling Home

An old man, who limped like uncle Alexi, stumbled,
and we shot him. He had a gun, yes, but he wore a cap
like the one you knit for me. One wore a coat like father’s,
he tumbled off a bridge into the river. When I shot one running
into the forest, his hands flew up like brother Oleg, twitching.
I remember grandfather Sasha shouting when he was disturbed
too early, before his tea. Here a greybeard shouted as we passed,
and my commander shot him on his doorstep. One my age, when
he was hit, cried out “Arina!” Who will have to tell her? If I die,
who will tell you? I can’t sleep. I see these faces everywhere.
When my gun is cold, I am afraid. When it is hot, I am ashamed.
What will happen to children here, like our Slava, Vasyl, Ksenia?
And if I live, after I have a hero’s welcome, tell me, mother,
after you hold me in your arms, what will happen to me?

by Kim Stafford
from Rattle Magazine, Poets Respond, March 5, 2022

Saturday, April 2, 2022

‘Picasso Volume IV’ by John Richardson

Peter Conrad at The Guardian:

John Richardson’s serial biography of Picasso stalled when Richardson died three years ago at the age of 95. After this hiatus it now resumes, but in a different mood. The first three volumes were triumphalist, emphasising Picasso’s victorious advance from Barcelona to Paris and the X-ray vision that enabled him to fracture reality and modernise the visual world. In the fourth volume, with Europe caving in to fascism and Spain convulsed by civil war, the surrealist Michel Leiris sets the agenda with a baleful warning. “Picasso,” Leiris announced in 1937, “sends us our letter of doom.”

That declaration refers to Guernica, Picasso’s panorama of the bombed Basque town, where distraught civilians and gutted animals writhe under a radioactive monochrome sun while in the corner a villager’s emergency trip to empty her bowels in an outhouse exposes what Picasso called “the most primitive effect of fear”.

more here.

Joseph Roth’s 1924 novel “Rebellion” Reborn

John Williams at the NYT:

Roth’s most securely canonical work is “The Radetzky March,” a sweeping novel about the end of the Austro-Hungarian Empire. “Rebellion,” like his “Job,” another fable-inflected novel about faith and disillusionment, seems more modest at first glance but is profound and worthy of enduring. Andreas’s naïveté and eventual enlightenment might have been cartoonish in the hands of someone less ironic and wise than Roth. Instead, he is sympathetic as well as comical, and his closing cri de coeur against God is one for the ages.

“Rebellion,” which had regrettably been out of print, was recently reissued by Everyman’s Library, in time to coincide with the Irish writer Hugo Hamilton’s latest novel, “The Pages.” Hamilton’s book is narrated by a first edition of Roth’s novel.

more here.