Dwight Furrow is Professor of Philosophy at San Diego Mesa College in San Diego, California. He received his Ph.D. in Philosophy from University of California, Riverside in 1993 and specializes in the philosophy of food and wine, aesthetics, and ethics. Professor Furrow is the publisher and author of Edible Arts, a blog devoted to food and wine aesthetics. He is also the author of Ethics: Key Concepts in Philosophy, Reviving the Left: The Need to Restore Liberal Values in America, Against Theory: Continental and Analytic Challenges in Moral Philosophy and many professional journal articles, op-ed pieces, and magazine articles on issues in ethics and political philosophy. He can be reached through the Edible Arts blog. Email: dwightfurrow [at] gmail [dot] com
by Dwight Furrow Last month I argued that wine tasting notes don’t give us much information about how a wine tastes. Most tasting notes consist of a list of aromas that are typical for the kind of wine being described. But we can’t infer much about quality or distinctiveness from a list of typical aromas.…
by Dwight Furrow Look on the back label of most wine bottles and you will find a tasting note that reads like a fruit basket—a list of various fruit aromas along with a few herb and oak-derived aromas that consumers are likely to find with some more or less dedicated sniffing. You will find a…
by Dwight Furrow What did the wines that stimulated conversation in Plato’s Symposium taste like? Or the clam chowder in Moby Dick, or the “brown and yellow meats” served to Mr. Banks in To the Lighthouse? Or consider this repast from Joyce’s Ulysses: Mr. Leopold Bloom ate with relish the inner organs of beasts and…
by Dwight Furrow A life in which the pleasures of food and drink are not important is missing a crucial dimension of a good life. Food and drink are a constant presence in our lives. They can be a constant source of pleasure if we nurture our connection to them and don’t take them for…
by Dwight Furrow I often hear it said that, despite all the stories about family and cultural traditions, winemaking ideologies, and paeans to terroir, what matters is what’s in the glass. If a wine has flavor it’s good. Nothing else matters. And, of course, the whole idea of wine scores reflects the idea that there…
by Dwight Furrow Actress Cameron Diaz and her business partner, the entrepreneur Katherine Power, have been all over various media promoting their new product Avaline, a white wine and a rosé, which they bill as “clean wine”. This has stirred up a hornet’s nest of controversy. Here is how they describe this very sanitary liquid:…
by Dwight Furrow Beauty has long been associated with moments in life that cannot easily be spoken of—what is often called “the ineffable”. When astonished or transfixed by nature, a work or art, or a bottle of wine, words even when finely voiced seem inadequate. Are words destined to fail? Can we not share anything…
by Dwight Furrow In discourse about wine, we do not have a term that both denotes the highest quality level and indicates what that quality is that such wines possess. We often call wines “great”. But “great” refers to impact, not to the intrinsic qualities of the wine. Great wines are great because they are…
by Dwight Furrow I’m sitting in front of my window on the world sipping a disappointing Cabernet Sauvignon from Napa Valley and thinking about travel plans for next summer and fall. I’m proceeding as if everything were normal knowing full well they won’t be, especially not with our “leadership”. Every time I try to write…
by Dwight Furrow Research by linguists into wine metaphors have identified several source domains that help wine writers describe the faint and ephemeral features of poetry in a glass. “Wine is a building”, “wine is piece of cloth”, and especially “wine is a person” are a few of the rich diversity of potential likenesses that…
by Dwight Furrow The wine community is often accused of being snobby and elitist. The language used to describe wine is one source of this innuendo. Although most people have become accustomed to the fruit descriptors used in wine reviews, when wine writers wax poetic by describing wines as “graphite mixed with pâte de fruit”,…
by Dwight Furrow Wine writers, especially those who write wine reviews, are often derided for the flowery, overly imaginative language they use to describe wines. Some of the complainants are consumers baffled by what descriptors such as “brooding” or “flamboyant” might mean. Other complainants are experts who wish wine language had the precision of scientific…
by Dwight Furrow It’s the holiday season and time to think about presents for the budding wine lover in your life. Of course, any season is the right time to think about that. You should always support your local wine lover. One place to begin is this compelling book by long-time food critic Jon Palmer…
by Dwight Furrow Wine is a living, dynamically changing, energetic organism. Although it doesn’t quite satisfy strict biological criteria for life, wine exhibits constant, unpredictable variation. It has a developmental trajectory of its own that resists human intentions and an internal structure that facilitates exchange with the external environment thus maintaining a process similar to…
by Dwight Furrow Among the best books I’ve read about wine are the two by wine importer Terry Theise. Reading Between the Wines is a thoroughly enjoyable account of his life in wine and a passionate defense of artisanality. But it’s his most recent book What Makes a Wine Worth Drinking: In Praise of the…
by Dwight Furrow It’s fashionable to criticize wine critics for a variety of sins: they’re biased, their scores don’t mean anything, and their jargon is unintelligible according to the critics of critics. Shouldn’t we just drink what we like? Who cares what critics think? In fact, whether the object is literature, painting, film, music, or…
by Dwight Furrow Why do we value successful art works, symphonies, and good bottles of wine? One answer is that they give us an experience that lesser works or merely useful objects cannot provide—an aesthetic experience. But how does an aesthetic experience differ from an ordinary experience? This is one of the central questions in…
by Dwight Furrow If a rectangular canvas splashed with paint and lines can express freedom or joy, why not liquid poetry? Works of art are pleasing but they are also intended to communicate or express something. Something is shown or made manifest through a work of art. In many cases what is communicated is some…
by Dwight Furrow In giving an account of the aesthetic value of wine, the most important factor to keep in mind is that wine is an everyday affair. It is consumed by people in the course of their daily lives, and wine’s peculiar value and allure is that it infuses everyday life with an aura…
by Dwight Furrow Wine writers often observe that wine lovers today live in a world of unprecedented quality. What they usually mean by such claims is that advances in wine science and technology have made it possible to mass produce clean, consistent, flavorful wines at reasonable prices without the shoddy production practices and sharp bottle…