Derek Neal lives in Hamilton, Ontario where he teaches English to international students as part of the English Language Development program at McMaster University. Prior to this he lived in Italy, France, and Montreal, where he also taught English in various capacities. He holds a B.A. in both English and French from the University of Vermont and wrote his honors thesis on Albert Camus (Grace, Play, and the Body in the Writings of Albert Camus). His other writing is available on Substack: https://derekneal.substack.com/ Email: drock1237 [at] gmail.com
by Derek Neal If Joan Didion were alive today, she might write an essay about Prince Harry and include it in an updated version of Slouching Towards Bethlehem. She might write a passage like the one she wrote about Howard Hughes: That we have made a hero of Howard Hughes tells us something interesting about…
by Derek Neal In 1965, John McPhee wrote an article for The New Yorker titled “A Sense of Where You Are.” The piece profiles the basketball player Bill Bradley, at the time a member of the Princeton basketball team. The subtitle of the essay is the question: What makes a truly great basketball player? McPhee…
by Derek Neal I write this essay as much for myself as for the reader. It is my conviction that one writes to find out what one thinks, not to put down fully formed thoughts that are floating inside one’s head. Some sort of alchemy occurs when I put pen to paper, or in this…
by Derek Neal The one regret of my life so far is never having seen Roger Federer play tennis in person. As Federer announced his retirement this year, I’ll never have the chance. The closest I came was the summer of 2017: I was in Italy and planned on flying to Stuttgart to see Federer…
by Derek Neal There are certain words that seem to take on a life of their own, words that spread imperceptibly, like a virus, replicating below the level of consciousness, latent in our environment and culture, until suddenly the word is everywhere, and we are afflicted with it. We may even use these words ourselves:…
by Derek Neal Friday, September 2, 3:24 pm I’m in a white Toyota Camry, practically brand new, and I’ve passed a spotted deer grazing outside the airport and a billboard with a picture of a baby and the words, “God doesn’t make mistakes.” Wyoming, I think to myself. The GPS on my phone tells me…
by Derek Neal Going back and reading one’s favorite authors is like seeing an old friend after a long absence: things fall into place, you remember why it is you get along with and like the other person, and their idiosyncrasies and unique character reappear and interact with your own, making old patterns reemerge and…
by Derek Neal “Paradiso” by Erlend Oye is a song I’ve heard many times in many different settings. This is largely a result of circumstance: it is one of the few songs I keep on my iPhone, and I return to it when I’m driving and my phone doesn’t have cellular service. Once upon…
by Derek Neal In last month’s column, I wrote about the opening pages of Philip Roth’s Nemesis, and how Roth creates the backdrop of 1940’s Newark upon which the events of the novel play out. I’m using the words “backdrop” and “play out” intentionally, as these pages really do function as a sort of stage…
by Derek Neal I recently read Philip Roth’s Nemesis, a novel that’s received renewed attention as it centers on a polio epidemic. This isn’t why I read it, although I’ll admit that reading about the slow build and then cascading avalanche of a virus, and the public’s nonchalance giving way to caution and then increased…
by Derek Neal I’m not sure anyone has ever figured out how to write about music. This is a dangerous statement to make, and I’m sure readers will be quick to point out writers who have been able to capture something as intangible as sound via the written word. This would be a happy result…
by Derek Neal The character of the American abroad is an archetype in American fiction. By placing the American outside of his native country (usually in Europe), writers such as Henry James and James Baldwin were able to explore what constitutes American identity. More often than not, this identity is revealed in their novels not…
by Derek Neal We have many choices when deciding what to eat. For most of human history, however, there has likely been little to no choice at all: people ate what was available to them or what their culture led them to eat. Now things are not so simple. As I mentioned in Part 1,…
by Derek Neal What to eat? A seemingly simple question, but one that has become increasingly difficult to answer. And why is that? My initial hypothesis is that as modern society becomes more and more distanced from traditional and local cuisines, people have less guidance as to what to eat; this puts increased pressure on…
by Derek Neal It’s the time of year end lists: Best Movies of 2021, Best TV Shows, Best Fiction. Unfortunately, I haven’t seen many movies that came out this past year, haven’t streamed many TV shows, haven’t read many books. I’m not saying I haven’t seen any movies, or watched any shows, or read any…
by Derek Neal One of those mysterious concepts that we use as a criterion for judging a novel or film is a “sense of place.” I call it mysterious because it’s so often poorly defined—we recognize it because we can feel it, but what goes into creating it? How can one go about transporting a…
by Derek Neal I’m a bit surprised to see that all my previous columns for this website are about language in some way. I didn’t set out for this to be the case, but a clear pattern has emerged, although through no design of my own. When planning this Monday’s column, I decided that I…
by Derek Neal I went to France to study abroad as a 20-year-old in my third year of university. At the time, I had been studying French for eight years, but when I arrived in France, I found I was unable to express myself beyond the most rudimentary statements, and I couldn’t understand the rapid-fire…
by Derek Neal According to the website Rotten Tomatoes, there are four types of movies: good-good movies, good-bad movies, bad-good movies, and bad-bad movies. These types can be identified using the Rotten Tomatoes score for each movie, particularly the relationship between the critics’ score and the audience’s score. Let me explain. Rotten Tomatoes is a…
by Derek Neal As far as I know, Bret Easton Ellis is the only person with the audacity to charge money for a podcast. Every other podcast I listen to is free or at least becomes free shortly after an exclusive period for subscribers. While Ellis’s podcast used to function in this way, a couple…