a little universe of big unknowns

Nanotech

AS WITH MANY THINGS that are invisible and difficult to understand—think subatomic particles such as the Higgs boson, muons, gluons, or quarks—any discussion of nanoparticles quickly shifts into the realm of metaphor and analogy. People working in nanoscience seem to try to outdo each other with folksy explanations: Looking for a nanoparticle is like looking for a needle in the Grand Canyon when the canyon is filled with straw. If a nanoparticle were the size of a football, an actual football would be the size of New Zealand. A million nanoparticles could squeeze onto the period at the end of this sentence. But what is a nanoparticle? The very simplest explanation is that a nanoparticle is a very small object. It can consist of any bit of matter—carbon, silver, gold, titanium dioxide, pretty much anything you can imagine—that exists on the scale of nanometers. One nanometer equals one-billionth of a meter.

more from Heather Millar at Orion Magazine here.

The Delights of Disgust

Justin E. H. Smith in the Chronicle of Higher Education:

5919-DisgustOf no small interest to Darwin and, after him, to Freud and all those working in his wide cultural shadow, disgust as a topic of theoretical inquiry would go into retreat for much of the latter part of the 20th century. Sartre's Nausea, published in 1938, seems to have identified and described what would come to be the defining passion of the 1950s and 60s, and the difference between it and disgust might serve as a good measure of how much the world has changed since then. Nausea, like melancholy or anomie, is generalized, diffuse, often without an object; disgust, by contrast, is generally set off by very specific triggers: a misplaced hair, for example, or an undercooked steak. It is a passion better suited to narrow research programs than to existential pondering.

It is also the subject of numerous recent works in widely different areas of philosophy, including moral and legal philosophy, aesthetics, and the new iteration of what is being called “experimental philosophy.” Perhaps because disgust is a focused passion, the most fruitful recent work on it has come from the sort of research that is of interest to the new experimental philosophers. Scholarly attention to disgust from the point of view of aesthetics trails behind, yet is not without interest. The recent treatment of disgust as a problem of moral and legal philosophy, finally, has been held back by a fundamental misunderstanding of the nature of the passion under discussion, and of the role it plays in the human experience of the social and natural worlds.

Take, for example, Martha Nussbaum's book From Disgust to Humanity: Sexual Orientation and Constitutional Law (Oxford University Press, 2010), which appears to have been written for a high-school civics course.

More here.

Women cause a species to become endangered

Jason Gale & Shannon Pettypiece at Bloomberg:

ScreenHunter_103 Jan. 15 14.15Pubic lice, the crab-shaped insects that have dwelled in human groins since the beginning of history, are disappearing. Doctors say bikini waxing may be the reason.

Waning infestations of the bloodsuckers have been linked by doctors to pubic depilation, especially a technique popularized in the 1990s by a Manhattan salon run by seven Brazilian sisters. More than 80 percent of college students in the U.S. remove all or some of their pubic hair — part of a trend that’s increasing in western countries. In Australia, Sydney’s main sexual health clinic hasn’t seen a woman with pubic lice since 2008 and male cases have fallen 80 percent from about 100 a decade ago.

“It used to be extremely common; it’s now rarely seen,” said Basil Donovan, head of sexual health at the University of New South Wales’s Kirby Institute and a physician at the Sydney Sexual Health Centre. “Without doubt, it’s better grooming.”

The trend suggests an alternative way of stemming one of the globe’s most contagious sexually transmitted infections. Pubic lice are usually treated with topical insecticides, which once included toxic ones developed before and during World War 2. While they aren’t known to spread disease, itchy skin reactions and subsequent infections make pubic lice a hazardous pest.

More here.

No, Seriously, Just Disable Java in Your Browser Right Now

NOTE: I have already acted on this advice.

Will Oremus in Slate:

Important_web_design2So while many media reports will direct you to the Oracle website to promptly install Java 7 update 11, there remains a far better option. Unless you’re one of the few Web users who regularly uses an important site that requires Java, take the advice of security experts like Adam Gowdiak of Security Explorations and H.D. Moore of Rapid7 and just disable it in your browser already.

As noted before, disabling the Java plug-in on your Web browser doesn’t require uninstalling it from your machine entirely, and it won’t prevent you from Java-based software outside of your Web browser. It just means that you’ll see an image like the screenshot above when you happen to visit one of the relatively few remaining websites that use Java applets. If you find you really need it for some sites, you can always disable it in your main browser but keep it enabled in a secondary browser that you use just for those sites.

Basic instructions for unplugging Java from your browser are below, and more comprehensive how-tos are available here and here. Note: Do not confuse Java with Javascript, which is unrelated and is essential to the proper functioning of far more websites. Disable Java, but leave Javascript enabled. If you have more questions, the blog Krebs on Security has an excellent FAQ here. (No, you aren’t necessarily safe just because you don’t visit sketchy websites, or because you’re using Linux or a Mac.)

More here.

Tuesday Poem

Silence
.
There is the sudden silence of the crowd
above a player not moving on the field,
and the silence of the orchid.
.
The silence of the falling vase
before it strikes the floor,
the silence of the belt when it is not striking the child.
.
The stillness of the cup and the water in it,
the silence of the moon
and the quiet of the day far from the roar of the sun.
.
The silence when I hold you to my chest,
the silence of the window above us,
and the silence when you rise and turn away.
.
And there is the silence of this morning
which I have broken with my pen,
a silence that had piled up all night
.
like snow falling in the darkness of the house—
the silence before I wrote a word
and the poorer silence now.
.
by Billy Collins

Rich Man, Poor Man: The radical visions of St. Francis

From The New Yorker:

Francis“Why you?” a man asked Francesco di Bernardone, known to us now as St. Francis of Assisi. Francis (1181/2-1226) was scrawny and plain-looking. He wore a filthy tunic, with a piece of rope as a belt, and no shoes. While preaching, he often would dance, weep, make animal sounds, strip to his underwear, or play the zither. His black eyes sparkled. Many people regarded him as mad, or dangerous. They threw dirt at him. Women locked themselves in their houses. Francis accepted all this serenely, and the qualities that at the beginning had marked him as an eccentric eventually made him seem holy. His words, one writer said, were “soothing, burning, and penetrating.” He had a way of “making his whole body a tongue.” Now, when he arrived in a town, church bells rang. People stole the water in which he had washed his feet; it was said to cure sick cows.

Years before he died, Francis was considered a saint, and in eight centuries he has lost none of his prestige. Apart from the Virgin Mary, he is the best known and the most honored of Catholic saints. In 1986, when Pope John Paul II organized a conference of world religious leaders to promote peace, he held it in Assisi. Francis is especially loved by partisans of leftist causes: the animal-rights movement, feminism, ecology, vegetarianism (though he was not a vegetarian). But you don’t have to be on the left to love Francis. He is the patron saint (with Catherine and Bernardino of Siena) of the nation of Italy.

More here.

Birds of a Feather

From Smithsonian:

Chris Maynard is obsessed with feathers. The artist, based in Olympia, Wash., thinks feathers show “life’s perfection,” in the way that they overlap and contour to a bird’s body. “Their complexity as a covering beats any clothing we make,” he writes on his Web site. Going back a few years, Maynard started by photographing feathers. Then, he arranged them in shadow boxes. But, in his experiments in showcasing feathers, Maynard eventually came up with his own unique art form. The artist creates fascinating, feather-light sculptures, by cutting the silhouettes of various types of birds from actual plumage.

Maynard collects molted feathers from generous zoos, private aviaries and nonprofit bird rescue organizations. “Sometimes finding the right feather is the hard part,” he says. The artist may go into a design with a particular color or size of feather in mind. He uses pheasant and parrot feathers mostly, and, from them, he has cut out a whole slew of birds—hummingbirds, woodpeckers, cranes, swans, cockatoos, macaws, peacocks, turkeys, grouse, bitterns, crows and pigeons. Maynard sketches possible designs in notebooks, but to really nail one, he says, “I need to have a feeling about the bird I am portraying.” Maynard, an active member of his local Audubon group and supporter of a land trust that buys property for conservation, balances work in his studio with quality time in the outdoors. “I go out and observe a woodpecker whacking away at a snag or watch crows relating to each other,” he says. Next comes the cutting. ”When I work, I put on big nerdy magnifying glasses to see the feathers’ details,” Maynard says on his Web site. He also uses fine eye surgery tools he inherited from his father, an ophthalmologist. The scalpels and forceps are not completely foreign to Maynard, whose academic background is in entomology–the study of insects.

More here.

Americans are Unbecoming

by Akim Reinhardt

E pluribus unumTo study American history is to chart the paradox of e pluribus unum.

From the outset, it is a story of conflict and compromise, of disparate and increasingly antagonistic regions that somehow formed the wealthiest and most powerful empire in human history. For even as North and South grew further apart, their yawning divide was bridged by a dynamic symbiosis that fed U.S. independence, enrichment, and expansion. The new empire at once grew rapaciously and tore itself apart. It strode from ocean to ocean and nearly consumed itself completely in the Civil War, which all these years later, remains the deadliest chapter in American history by far, two world wars not withstanding.

After the bloody crucible, a series of historical forces began to homogenize the American people, slowly drawing them together and developing a more cohesive national culture. As has been pointed out before, Americans began to say “the United States is” instead of “the United States are.”

But now, in the second decade of the 21st century, America is possibly coming apart once more. That hard won but ever tenuous inclusion and oneness is beginning to disintegrate. Yet there is no fear of returning to a bygone era of balkanized sectional divides, of North versus South. Instead, the increasingly polarized nation now seems to be fracturing along ideological lines.

In this essay I would like to briefly explore the history of how Americans came together under a common definition “America,” and how they may be coming apart again. I don’t wish to examine the rise and fall of an empire, but rather its citizens’ ever-shifting sense of who they are and what their nation should be.

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Eating God (随 筆)

by Leanne Ogasawara

3522_2_InstallationView2a-detailTalking about sacred music the other day, the Rabbi quite unexpectedly said, the name Bethlehem means the “house of bread,” or “the house of lambs for sacrifice.” Just think about *that* for a minute.

Sacrifice. Whether understood in the traditional ritual do ut des terms familiar throughout much of Asia; or in the liturgical terms of the Eucharist; or even in the grisly terms of ancient Mediterranean polytheism–I wonder whether these acts haven't served to help to lead us away from the dangers of self-deification (even if it leads to other perils).

Binding the individual in communion with others, ancestors, and gods: this call to transcendence was certainly what was behind Guru Dreyfus and Kelly's book, All Shining Things. For as Heidegger famously said, “Only a god can save us.”

Life is more sterile now, anyway.

My own interest in this topic goes back to Carthage. Always and forever dreaming of time-travel, ancient Carthage was for a long-time my top choice destination. Hannibal-obsessed, I thought Carthage would be an interesting place to see. That is, until a friend re-minded me that the Phoenician custom of child sacrifice was practiced notoriously in Carthage. (I only have one son, after all!)

Stanford University professor and archaeologist extraordinaire Patrick Hunt is also pretty obsessed with Carthage. He is yet another great man in a long line of great men in search of Hannibal's route across the Alps.(That is John Hoyte crossing on elephant in the picture below). In Hunt's Carthage lectures he talks about the Carthiginian god Ba'al Hammon. This Baal was the same Baal known in the Bible as Ba‘al Zəbûb. Translated as “Lord of the Flies,” Hunt says this word is a visual image depicting the innumerable flies attracted to the massive amount of offerings of raw meat that were sacrificed to the statues of Ba'al in Can'an. It was all so long ago, and yet no matter what sources you read, whether Biblical or Roman historical– it seems conclusive that the Canaanite religions centered around sacrifice –sometimes human. And this was notoriously so at Carthage.

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Sliced, Frozen and Lapsed

by Gautam Pemmaraju

The world about us is a set of ends to be reached or avoided, and the spatiotemporal distance of the ends is organized in perception as the means by which these ends may be so reached or avoided.

– George Mead in The Philosophy of the Act

Eadward Muybridge’s pioneering experiment Sally Gardner at a Gallop revealed more than just the gait of a galloping horse – it oracularly hinted at an entire range of spatiotemporal possibilities of cameras capturing motion. Subjects, objects, and phenomena move in time and space, but then so can cameras. How cameras and what they film are linked within time and space, and how technological variables can shape, refine and elevate this complex consanguinity is a fascinating area which has profoundly influenced science, art, cinema and popular culture in general, not to mention shaped our ideas of perception of the reality that envelops us, and the meta-realities that we thereby unfailingly, and unwittingly conjure up. The image can transform in a multitude of ways – from progressively slowing down to an intractable stasis, to accelerating at blinding speeds with iridescent blurs and light trails, achieving in some sense, cosmic values. The moving image can warp, slyly morph and shape shift as it travels; it can do so very many things that we can only see in our restive dreams. There exists a rich cosmology of how things move, how plants move, how we move, how friends, and lovers move, how indeed absolutely everything moves about within our minds; it is then our attempts to reframe these movements within, these feints and flights of our indefatigable, cunning minds, that is a human endeavour of significant creative proportions. This endeavour, an enriched (or impoverished) translation of what resides within, is tinctured with ‘an existential gloss’, as Iain Sinclair says on the English translations of WG Sebald’s work in the thoughtful, engaging film Patience (After Sebald).

What Muybridge tantalizingly suggested were the possibilities inherent in the use of an array of cameras on a predetermined path. In effect, he presciently suggested timeslice photography, also known as ‘bullet time’ or ‘frozen moment’ photography, made popular by the film Matrix. What if, asks Mark.J.P.Wolf in Space, Time, Frame, Cinema (pdf), a schematic theorization of spatiotemporal possibilities, Muybridge had placed all his 24 cameras on a curve, and instead of tripwires at periodic distances setting them off, they were instead all triggered simultaneously? It’s a simple enough idea – a series of cameras in a straight-line, a curve, or an arc, photographing the same event at exactly the same time. Although Muybridge did set them in a semicircle for certain motion studies, Wolf writes, he did not simultaneously release them, and it would take another century for this filmic effect to be realised. This temp morts (see also this) is but one of the many intriguing possibilities, Wolf indicates, of how cameras can move in space and time.

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The Boys of Tondo

by Joy Icayan

250px-Ph_locator_albay_legazpiAfter a ten-hour land trip, the L300 parked in front of the Church. We had reached Legazpi, Albay, a province south of Manila just a year before ravaged by a deadly typhoon, which left hundreds dead. It was almost Christmas—Christmas lights hung from the trees around the plaza. In the center, a makeshift Nativity scene made of hay, and already disintegrating caught our eyes. We were sleepy, hungry, cooped in the boxlike vehicle for what seemed like forever. We had come in a convoy, a huge truck carrying our supplies—candies, junk food, foodstuffs, whatever we managed to get from donors back in Manila, and then the L300 carrying me, two clowns who offered their services free of charge and the boys from Tondo—our volunteers.

The boys were our lifeline: we were often tasked to bring relief goods to communities ravaged by typhoons, floods and with that frustrated, hungry people fucked over by weather changes as well as their own political fiascos. The staff was small: Paul who headed the program, a warehouse supervisor, an admin go-to person and me. It was those boys who packed and repacked, who helped organize the masses of people who came in droves, needing food, and water, and whatever assistance they could get. These kids (for I never saw them more than that, even if some of them were older than me) could hold a megaphone and get people lining up. They waded in floodwaters without a second thought.

And so they came to us to Bicol—Michael, ever trustworthy Michael who was twenty seven that time, the oldest and who was the closest to having it together, Alex, eighteen and who needed a way out of worrying over having his girlfriend pregnant, Ping, whom they all teased had some deficiency in the head and who managed to fall in love with every woman he talked to, Bryan, curly haired, ever fierce, who talked and cursed like a pirate, no, like a typical street kid from Tondo, who personified that place by heart.

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Zero Dark Thirty

by Hannah Green

ScreenHunter_111 Jan. 14 11.11Kathryn Bigelow’s new film Zero Dark Thirty claims a “journalistic” approach- this claim has been rightfully skewered from a number of angles. The film, some say, inaccurately portrays torture as leading to actionable information vital to Bin Laden’s discovery. It also shows only one perspective- the CIA’s- on the hunt for Bin Laden and the War on Terror itself. For me, though, one of the most problematic aspects of this film that claims not to judge is its main character. Maya, a fresh CIA agent, righteously pursues her goal of killing Bin Laden against all odds. Her conviction to the unlikely exists only in film. It is Maya and her conviction that leave viewers only one correct reaction to the hunt for Bin Laden and all the methods it involves- support.

I am willing to believe that there was one CIA agent who had an especially large role in finding Bin Laden, and I even think it’s possible that she was particularly committed to a lead that other people were ready to drop. But no person exists like Maya, who is portrayed as single handedly making the decisions that lead to Bin Laden’s assassination. Real people have doubts unless they are insane, and real people have lives outside their jobs. In a conversation with a colleague Maya admits to having no boyfriend, maybe no friends at all. Where others have feelings of uncertainty, Maya hints that she is receiving divine guidance. In one scene, she suggests God without invoking religion- she believes that she was spared from an attack that killed her colleagues because she was meant to finish her job. Her ability to see important links that others let slip adds credence to this belief.

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Will Saudi Arabia Ever Change?

Hugh Eakin in the New York Review of Books:

ScreenHunter_110 Jan. 13 20.17Indeed there are few signs that the Saudi monarchy is even contemplating serious reforms. During a recent visit to several parts of the country, I spoke to academics, journalists, members of the Shia minority, and young bloggers, as well as clerics and government officials, and many were outspoken in criticizing the government; one journalist who had worked for official media told me, within minutes of our acquaintance, “I can’t wait for this regime to collapse!” But almost without exception, no one seemed to think that would happen anytime soon. I asked one prominent women’s rights activist why more Saudis weren’t agitating for a full written constitution—a moderate reform that could provide a more rigorous legal frame for continued Al Saud rule and that was discussed publicly during a brief opening after the September 11 attacks. She replied: “No one’s talking about it anymore. All the constitutional monarchists have been jailed.”

Among the many enigmas about the increasingly elderly group of brothers who have ruled Saudi Arabia since 1953—the year in which their father, Abdul Aziz, the country’s modern founder, died—is how they have continually evaded the forces of change. Despite Saudi control of the largest petroleum reserves in the world, decades of rapid population growth have reduced per capita income to a fraction of that of smaller Persian Gulf neighbors. Even the people of Bahrain, a country with little oil that has roiled with unrest since early 2011, are wealthier. Having nearly doubled in twenty years to 28 million, the Saudi population includes over eight million registered foreign residents, many of them manual laborers or domestic workers. Illegal migrants, who enter on Hajj (pilgrimage) visas, or across the porous Yemeni border, may account for two million more.

With three quarters of its own citizens now under the age of thirty, Saudi Arabia faces many of the same social problems as Egypt and Yemen. By some estimates, nearly 40 percent of Saudis between the ages of twenty and twenty-four are unemployed, and quite apart from al-Qaeda, there is a long and troubled history of directionless young men drawn to radicalism. The country suffers from a housing crisis and chronic inflation, there have been recurring bouts of domestic terrorism, and the outskirts of Riyadh and Jeddah are plagued by poverty, drugs, and street violence—problems that are not acknowledged to exist in the Land of the Two Holy Mosques.

More here.

The Science of Why Comment Trolls Suck

Chris Mooney in Mother Jones:

Trolls-masterIn a recent study, a team of researchers from the George Mason University Center for Climate Change Communication and several other institutions employed a survey of 1,183 Americans to get at the negative consequences of vituperative online comments for the public understanding of science. Participants were asked to read a blog post containing a balanced discussion of the risks and benefits of nanotechnology (which is already all around us and supports a $91 billion US industry). The text of the post was the same for all participants, but the tone of the comments varied. Sometimes, they were “civil”—e.g., no name calling or flaming. But sometimes they were more like this: “If you don’t see the benefits of using nanotechnology in these products, you're an idiot.”

The researchers were trying to find out what effect exposure to such rudeness had on public perceptions of nanotech risks. They found that it wasn't a good one. Rather, it polarized the audience: Those who already thought nanorisks were low tended to become more sure of themselves when exposed to name-calling, while those who thought nanorisks are high were more likely to move in their own favored direction. In other words, it appeared that pushing people's emotional buttons, through derogatory comments, made them double down on their preexisting beliefs.

More here.

Happiness is…learning to live with TINA

From Spiked:

The politics of happiness encourages us to accept our lot, breathing life back into the patronising idea that you can be ‘poor but happy’.

Happiness-mind-map…There are many reasons why happiness, thus conceived, was widely embraced. Most significantly, many implicitly accept Margaret Thatcher’s famous mantra that ‘there is no alternative’ to capitalism (TINA). If we cannot hope to change society in real, material terms, then individual minds and behaviours become some of the few sites open to change. With the political outlook narrowed in this way, ideas like ‘rediscovering happiness’ as the ultimate goal of society can sound radical, utopian even. They also offer a way of bypassing uncertain political identities, connecting with people using the lowest common denominator. After all, who doesn’t want to be happy?

But constructing issues in such broadly agreeable terms makes it difficult to imagine how they might be challenged or opposed. Everyone seemingly agrees that ‘money can’t buy happiness’. The problem with the politics of happiness is that it abstracts this emotion from individual and social experience, and makes it into a flat, measurable policy objective. I have no idea what the future holds, in the same way that no one in 1800, if they had been handed a ‘happiness survey’, would have rated themselves less happy in the expectation of modern innovations like access to electricity. Each generation finds happiness in accordance with the world they take for granted. As a measure of ‘progress’, happiness defaults to an affirmation of the present as the best of all possible worlds.

More here.