by Eric Byrd
Cyril Connolly was depressed by biographies of unlucky poets. Reading yet another life of Baudelaire “we know, with each move into a cheap hotel, exactly how many cheap hotels lie ahead of him.” Mr. Lincoln's Army (1951) made me feel that way about armies – in this case the Army of the Potomac, the shield of Washington and the main army in the highly politicized, closely-covered Virginia theater of the American Civil War, in which the national and rebel capitals lay 100 miles apart. Catton at his best puts you in the field –
the skirmish lines went down the slope, each man in the line separated from his fellows by half a dozen paces, holding his musket as if he were a quail hunter with a shotgun, moving ahead step by step, dropping to one knee to shoot when he found a target, pausing to reload, and then moving on again, feeling the army's way into the danger zone
– but he never allows you to forget that the battle being recounted – a perfect apocalypse while you're reading – is but one of the early clashes of a long war. There will more dying. This battle will decide nothing; that general will blunder; these men will die in vain. Mr. Lincoln's Army ends in November 1862. Eighteen months later, in spring 1864, Sherman wrote his wife: “the worst of the war is not yet begun.”
