by Humera Afridi
On a recent weekend morning, I spoke with eminent writer and intellectual Gündüz Vassaf at his home on the island of Sedef in Turkey. I was calling from Manhattan, New York, via Skype, and the distances of space and time between us collapsed to make way for a conversation that felt like a natural continuation of a felicitous meeting earlier in the summer.
Vassaf, the author of 14 critically acclaimed books of nonfiction, fiction, essays and poetry, had just returned from a brisk swim in the Sea of Marmara. It was a chilly 20 degrees Celsius on the island, the sun suspended low in the late October sky, but that did not deter him. I sense there is not much that can restrain Vassaf from following his heart. His is a quest for freedom—in work, in life, in mind, in body—a right that he asserts not just for himself, but, judiciously for all sentient beings, and does so with a rare ebullience, one balanced with wisdom.
In his 1987 bestseller, Prisoners of Ourselves, Vassaf writes:
“This book is about freedom. It's about freedom we avoid, freedom that we fear to have in our everyday lives. Even with our simple daily acts we subject ourselves to a totalitarian order of our creation and subservience.
My first idea was to write a book about our accommodation of totalitarian regimes. Throughout history, millions across the world have experienced changes in regimes from a relatively democratic state to a totalitarian order.
In the end and over time, we acquiesce to these regimes. We internalize the new norms. The very few who don't, become martyrs, unknown patients in mental hospitals, forgotten prisoners of conscience.
I did not write a book about the above because I realized that also in “democratic” regimes we can become prisoners of ourselves.”
Prisoners of Ourselves explores the psychology of totalitarianism in every day life and is a profound elucidation of human consciousness. It sold over 70,000 copies when it was published and quickly rose to the stature of a contemporary classic in Turkey. Vassaf has written many other works in between this astute and marvelously prescient book of lyrical essays—one which I find illuminates the present historical moment—and his most recent, What Can I Do? that was released, serendipitously, a week after the recent failed coup attempt in Turkey.
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