by Katie Poore
It feels impossible this week not to talk about George Floyd, and yet it feels as if talk has become egregiously cheap, less a mechanism for change than a means of resting in paralyses of complacency, disbelief, or comfort. When rage, grief, frustration, and loss take over communities, states, and entire countries as they have this week, words feel at once like our most important tool and a frantic means of filling what could otherwise be a devastating silence. How do we address a racism so deeply ingrained in society that it feels woven into every fiber of our country’s foundation—and, indeed, was there at the United States’ genesis, when black bodies bolstered a white economy at the expense of their lives, health, and humanity, and in the process built what we so misguidedly call the land of the free, the world’s first great democracy?
The United States is a country built on the willful acceptance of and blindness toward the paradoxes and hypocrisies that constitute our beginnings, a society rife with beautiful buzzwords that serve more as ornamentation than gospel: Justice. Equality. Freedom. Opportunity. The People. Life, liberty, and the pursuit of happiness.
Deaths like George Floyd’s—unprovoked, delivered by a police officer with his knee on a defenseless man’s neck and his hands in his pockets—fly in the face of this American mythology. We are not a country of justice if black people fear always for their lives, and if black words go largely ignored, disregarded, rendered impotent in the face of white disbelief, or white denial. We are not a country of equality if some lives matter more than others. We are not a country of opportunity if opportunity’s promise only applies to those who have grown up with a wealth of it already. We are not a country run by and for the People until all people can walk safely down a sidewalk, can feel heard by and advocated for by their political leaders and communities. Read more »

My father had an immensely fat friend whom I often glimpsed filling a plate alone at the buffet table of the King Eddie’s restaurant as I walked past that grand hotel. This man himself had a father even then in those days a nonagenarian, whom he saw daily, devotedly, taking him to the pool for a swim. It turned out that, obesity or no obesity, the friend would outlive my own father by twenty years. Because I liked the man very much, his longevity does not strike me as an injustice. He had a snuffling voice, small but piercing eyes, a gigantic nose and a fund of forgiving affection, the kind dispensed even in the awareness that what was being forgiven might have been awful. He preferred not to know, though his ignorance was (if I may venture a paradox) well informed. My mother played matchmaker for decades in his behalf, possibly because she found him appealing. Her stratagems did not avail. His marvellous acquitting heart remained unpaired.



There is a statue of Daniel Webster in Central Park. It is tucked in at the intersection of West and Bethesda Drives, massive and unmoving, implacable and forbidding. Despite its size, it goes largely unnoticed, except as a meeting point.
I’ve taught shittily these last two months. That’s nothing a teacher ever wants to admit and normally has no excuse for, but these are not normal times.






Two months ago, COVID lockdown was still new; in the US it was horrific that
Today will mark the death of at least one hundred thousand Americans because of COVID. The science was clear. Lockdown. Stop movement. Distance. This would have stopped large numbers of people dying. In short, stopping the virus from becoming a pandemic meant pausing the profit principle.

Jon Hassell is one of America’s musical treasures, and I’ve been listening to his music for forty years, so when I heard he needed help for his medical care, I decided to make a mix of his music. This mix actually grew into two mixes, so look for another one next month. This one features Jon playing with other musicians, and part two will feature other musicians whom Jon has influenced (and a bit more from Jon himself).
