The B-52 Victory Museum in Hanoi: How the Big Stick in the Sky Failed

by Daniel Gauss

When you walk through the gates to enter the B-52 Victory Museum in Hanoi, you immediately find the wreckage of what has been one of the most terrifying machines ever built: an American Boeing B-52 Stratofortress. Apparently, this wreckage largely came from Nixon and Kissinger’s “Christmas Bombings” of 1972.

The museum has the wreckage laid out to show the rough outline of a B-52, to give visitors some idea of how massive the plane was. It looks like a slain dragon lying there with gaping wounds. My friend Trang, a professor in Vietnam, marveled at the twisted gargantuan structure, wondering out loud what kind of country had the resources and will to make so many airplanes that were so large and destructive.

I witnessed visiting groups of Vietnamese who silently gathered around areas of the wreckage as there was an odd tranquility surrounding the dead beast. It had been dead for over 50 years and folks realized it would never rise again. Yet what lay mangled before us had once represented the apex of American power, when America unquestioningly thought it could win wars through sheer force and technological domination. This was the embodiment of what Theodore Roosevelt once called the “big stick” that we might sometimes use in our foreign policy.

The B-52 was never simply an airplane. It was a political instrument and a psychological weapon. Its very existence, capable of carrying nuclear weapons halfway across the world while being refueled in the air, gave the United States a terrifying aura during the Cold War.

Indeed, from 1961 to 1968, the U.S. Strategic Air Command (SAC) kept nuclear-armed B-52 bombers continuously airborne as part of Operation Chrome Dome. The B-52s flew routes over the Arctic, Atlantic and Mediterranean, staying within striking distance of Soviet targets. Crews flew 24-hour missions, with new crews taking over as others landed. Read more »

Monday, June 24, 2019

Up-River! The adventure of reality from Haggard to Conrad to Coppola to Bourdain

by Bill Benzon

How, then, do we get from H. Rider Haggard to Anthony Bourdain? Let’s start with the easy and straightforward. Both are white men, as are Joseph Conrad and Francis Ford Coppola for that matter. Haggard was British; he was born in the 19th century and died in the 20th (1856-1925). Bourdain was American, born in the 20th and died in the 21st, at his own hand (1956-2018). It’s easy enough to interpolate the other two: Joseph Conrad, Polish-British (1857-1924); Francis Ford Coppola, American (1939 and still living).

So much for bare biography. It’s the imaginative life that interests.

Haggard wrote a ton of novels, many of them well-known. The Allan Quatermain stories, starting with King Solomon’s Mines, are said to have inspired the character Indiana Jones. She: A History of Adventure marked the beginning of a different series and is one of Haggard’s best-known novels. If not exactly a high-culture masterpiece, it has been quite influential as one of the founding texts of “lost world” fiction. Wikipedia tells us that it’s been made into 11 films and sold over 83 million copies, making it an all-time fiction best seller, and has been translated into 44 languages.

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Monday, February 8, 2016

From Andrew Jackson to Donald Trump: Chasing the White Working Class

March 15by Akim Reinhardt

Progressives, moderates, and even many conservatives are aghast at Donald Trump's populist appeal. As this cantankerous oaf flashes ever brighter in the political pan, they fret that his demagoguery might land him the Republican presidential nomination, and perhaps even carry him all the to White House.

I'm not worried about the prospect of a Hail to the Trump scenario and never have been. As far back as August, I opined on this very website that he has virtually no chance of becoming president. I still believe that. He lost to Ted Cruz in Iowa, just like I said he would. And I'm sticking with my prediction that he'll be done by the Ides of March. Should Trump actually make it to the Oval Office, I'll buy you all plane tickets to Canada, as promised.

That being said, it's certainly worth investigating the Trump phenomenon. After all, how are we to explain the dramatic success of this heinous cretin? How could this man, who is not just a walking punch line, but also thoroughly repulsive in almost every way, be so popular, not just on a silly reality TV show with a dumb catch phrase, but also in the supposedly serious world of presidential politics?

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