Belén Fernández in the Washington Spectator:
Once upon a time in Italy, a prominent citizen declared: “It is unacceptable that sometimes in certain parts of Milan there is such a presence of non-Italians that instead of thinking you are in an Italian or European city, you think you are in an African city.”
In case the message was not crystal clear, he then spelled it out: “Some people want a multicolored and multiethnic society. We do not share this opinion.”
The citizen in question was none other than Silvio Berlusconi: billionaire three-time Italian prime minister, intermittent convict, and head of a superpowerful media empire, who, as the New York Times put it in January 2018, has now “cleverly nurtured a constituency of aging animal lovers—and potential voters—by frequently appearing on a show on one of his networks in which he pets his fluffy white dogs and bottle-feeds lambs.”
Panic over the devolving color-scape of the patria is, of course, of a piece with the greater right-wing narrative of Fortress Europe, which shuns the possibility that centuries of European plunder and devastation of the African continent might have any bearing on current migration patterns. But while history lessons may not be as entertaining as lamb-nursing sessions or bunga bunga parties, it’s worth noting that, in the not-so-distant past, Italians voluntarily found themselves in many African cities—and for purposes far less dignified than trying to survive.
More here.

The author of blueprint, Robert Plomin is an American psychologist, geneticist and neuroscientist and perhaps the most important voice, over many years, in the field of behavioral genetics. It is difficult today to imaging how scientifically taboo it was to study the genetics of human behavior after the racist horrors, bogus research and eugenics projects carried out by the Germans in the Nazi period. The field of behavioral genetics got off to a politically rocky beginning in the 1960s, but has gradually gained respectability, although some of its applications, particularly in the area of race, have been controversial (I would argue, misguided). The great achievement of the field is to show without any doubt that understanding human behavior must include the factor of genetic predispositions. Robert Plomin is to be admired for his contributions and his courage. What he writes deserves attention.
Is the deepening animosity between Democrats and Republicans based on genuine differences over policy and ideology or is it a form of tribal warfare rooted in an atavistic us-versus-them mentality?
Kerschen’s depiction of the on-the-ground historical conditions that produced the Romantics’ most radical poetry—Shelley’s “Epipsychidion” and “The Masque of Anarchy,” Byron’s Don Juan—is a major achievement. But the book also offers an appealingly intimate view into Keats’s more mundane realities. The convalescent poet is forced to reckon with his debts, both financial and emotional: his life in Italy is dependent on his friends’ charity, and he is pressured to honor his engagement to Fanny Brawne, back in London. The author’s research is impeccable: the fictional Keats’s traits are all supported by what manuscript evidence tells us about the poet’s character. Even so, his choices often come as a pleasant surprise.
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Halfway through Sorry We Missed You, Ken Loach’s latest excursion into breadline Britain and a companion piece to his career-rejuvenating I, Daniel Blake, Abby (Debbie Honeywood) is recounting a nightmare in which she and her husband Ricky (Kris Hitchen) are stuck in quicksand. Their children, 11-year-old Lisa Jane (Katie Proctor) and 15-year-old Seb (Rhys Stone), try to pull them out but the more the adults struggle, the deeper they sink. There’s not much point in Abby mulling over the meaning of this, and no need to run it past a therapist. She and Ricky are workers in the gig economy, the instability of employment eating away at their wellbeing. “It’ll be different in six months,” is their plaintive mantra as they pile more hours on to their working week.
There’s no Wuthering Heights, no Moby-Dick, no Ulysses, but there is Half of a Yellow Sun, Bridget Jones’s Diary and Discworld: so announced the panel of experts assembled by the
In the late 1940s, the physicists George Rochester and Clifford Butler
In 1666, the German polymath
The human brain contains roughly 85 billion neurons, wired together in an extraordinarily complex network of interconnected parts. It’s hardly surprising that we don’t understand the mind and how it works. But do we know enough about our experience of consciousness to suggest that consciousness cannot arise from nothing more than the physical interactions of bits of matter? Panpsychism is the idea that consciousness, or at least some mental aspect, is pervasive in the world, in atoms and rocks as well as in living creatures. Philosopher Philip Goff is one of the foremost modern advocates of this idea. We have a friendly and productive conversation, notwithstanding my own view that the laws of physics don’t need any augmenting to ultimately account for consciousness. If you’re not sympathetic toward panpsychism, this episode will at least help you understand why someone might be.
Incarceration gave Hitler a chance to read more widely and gather his thoughts. One of his main preoccupations in Landsberg was the United States, which he was coming to regard as the model state and society, perhaps even more so than the British Empire. He “devoured” the memoirs of a returned German emigrant to the United States. “One should take America as a model,” he proclaimed.
Thomas Mann’s reputation as a difficult, ponderous, heavyweight novelist, and the erudite allusions, serious subject matter, and philosophical themes of The Magic Mountain (1924) have led readers to ignore the comic and satiric tone that enlivens his morbid novel. His method is very different from the somber and solemn way most authors—like Tolstoy, Gide, and Solzhenitsyn—write about disease and death. Mann’s dark comedy, tinged with fear and disgust, takes place in the luxurious remote enclosed society of the International Sanatorium Berghof. He indicates the magic of the place with a witty game of recurring numbers. The young, naïve Hans Castorp, who leaves his ordinary life in Hamburg to visit his tubercular cousin Joachim Ziemssen, generates much of the comedy. Hans gradually progresses from incomprehension to knowledge and to eager acceptance of the distorted medical, social, and sexual customs on the magic mountain.

You will die, sooner or later. We all will. For everything that has a beginning has an end, an ineluctable consequence of the second law of thermodynamics. Few of us like to think about this troubling fact. But once birthed, the thought of oblivion can’t be completely erased. It lurks in the unconscious shadows, ready to burst forth. In my case, it was only as a mature man that I became fully mortal. I had wasted an entire evening playing an addictive, first-person shooter video game—running through subterranean halls, flooded corridors, nightmarishly turning tunnels, and empty plazas under a foreign sun, firing my weapons at hordes of aliens relentlessly pursuing me. I went to bed, easily falling asleep but awoke abruptly a few hours later. Abstract knowledge had turned to felt reality—I was going to die! Not right there and then but eventually.
In the summer of 2016, James and Becca Reed, a lower-income couple living in Austin, Texas, decided it was time to save their lives. The Reeds, married more than twenty-five years, had become morbidly obese, diabetic, and depressed. They were taking a combined thirty-two medications. Only in their early fifties, they had arrived at this condition via a well-trod path: They ate their way into it. They did no more than consume what the American food industry not only offers in abundance—salt, starch, and sweetness—but also encourages us to eat.