Wenesday Poem

At Sea

talking with Perschke on the fantail. I ask him
“What time do you go on lookout?”
—”When the sun sets. But I can’t tell tonight, it’s
cloudy.”
—”In Japan in the Buddhist temples they ring the evening
bell when it gets so dark you can’t see the lines in
your hand while sitting in your room.”
—”Full length or up close?”
—”Full length I guess.”
—”Suppose you got a long arm. Maybe you’re late. Are the
windows open?”
—”Don’t have any windows. The walls are open.”
—”Always?”
—”Sometimes they’re closed.”
—”Can’t always ring it at the right time, huh. What do
they ring it for anyway?”
—”Wake people up.”
—”But that’s in the evening.”
—”They ring it in the morning too.”

by Gary Snyder
from Earth House Hold


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Scientists Just Made ‘Biological Qubits’ That Act as Quantum Sensors Inside Cells

Edd Gent in Singularity Hub:

Fragile quantum states might seem incompatible with the messy world of biology. But researchers have now coaxed cells to produce quantum sensors made of proteins. Quantum states are incredibly sensitive to changes in the environment. This is a double-edged sword. On the one hand, they can sense physical properties with unprecedented precision. At the same time, they’re extremely delicate and hard to work with. This sensitivity makes it challenging to create quantum sensors that work in living systems, which are warm, biochemically active, and in constant motion. Scientists have tried to integrate various kinds of synthetic quantum sensors into biology, but they’ve been bedeviled by problems related to targeting, efficiency, and durability.

More here.

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Stressors affect systemic inflammation, tumor aggressiveness in breast cancer

Elana Gotkine in Medical X Press:

For women with breast cancer, stressors are associated with deleterious alterations to the systemic and tumor immune environment, according to a study published online Feb. 14 in JAMA Network Open.

…More favorable immune-stimulatory changes were seen in association with greater perceived social support (e.g., increased serum interleukin-5 and activated natural killer cells in noncancerous breast tissue of Black women). Associations were seen for higher levels of perceived stress, exposure to discrimination, and neighborhood deprivation with systemic inflammation, deleterious immune cell profiles, and aggressive tumor biologic characteristics. Distinct immunologic features associated with stressors were identified in Black women, including chemotaxis with stress and immune suppression with stress at the systemic level and increased tumor-associated myeloid cells at the tissue level. An association was seen for perceived stress with elevated tumor mutational burden.

More here.

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Tuesday, September 2, 2025

Dante’s success was far from guaranteed

Richard Hughes Gibson in The Hedgehog Review:

“Now he is scattered among a hundred cities,” W.H. Auden wrote in 1939, “And wholly given over to unfamiliar affections.” Auden was ruminating on the recent death of the Irish poet W.B. Yeats, but the words could serve as an epitaph for any great author. Poets like to imagine that their creations confer afterlives—for themselves and their subjects—impervious to the assaults of “wasteful war” and “sluttish time” so ruinous to monuments of marble or metal (see Horace’s Ode 3.30 and Shakespeare’s Sonnet 55). But as Auden recognized, the moment an author dies, his or her legacy is on the loose. Any chance those poems have of a future depends on what readers make of them: “The words of a dead man,” Auden continues, “Are modified in the guts of the living.”

In Dante’s Divine Comedy: A Biography, Joseph Luzzi, literature professor at Bard College, offers a vivid account of this process of cultural digestion, and, at times, indigestion, from the Middle Ages to the present day. At first glance, such a slim book—little more than two hundred pages, including notes—would hardly seem adequate to the task, given the number, ardor, and productivity of Dante’s devotees over the centuries. Yet, as Luzzi argues in the introduction, those are exactly the reasons against attempting a truly comprehensive reception history of the Comedy (as Dante called it—Divine was added later by a Venetian printer). Such a study’s girth would be measured in hundreds of thousands of pages. No one would read it.

Instead, across ten chapters, Luzzi mixes passage analysis and brief case studies to illustrate the major trends in the Comedy’s reception.

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The Incalculable Costs of Corrupt Statistics

Diane Coyle at Project Syndicate:

The modern concept of GDP was developed in the 1930s and became firmly established during World War II, as it served a national purpose. While Germany was working on its own methods for gauging economic capacity, the United States and the United Kingdom gained a decisive strategic edge by being the first to define total output and compile reliable statistics. This enabled the Allies to maximize production and manage the sacrifices required of their citizens more effectively.

Greece’s 2012 debt crisis underscores the dangers of unreliable economic data. For years, the country relied on inflated GDP figures and understated debt levels to borrow cheaply on international markets. Eurostat, the European Union’s statistical arm, and others cautioned that Greece’s statistics were misleading, but their warnings were largely unheeded – not least because banks were eager to profit from loan commissions.

More here.

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The US really is unlike other rich countries when it comes to job insecurity – and AI could make it even more ‘exceptional’

Jeffrey C. Dixon in The Conversation:

How will AI affect American workers? There are two major narratives floating around. The “techno-optimist” view is that AI will free humans from boring tasks and create new jobs, while the “techno-pessimist” view is that AI will lead to widespread unemployment.

As a sociologist who studies job insecurity, I’m among the pessimists. And that’s not just because of AI itself. It’s about something deeper – what scholars call “American exceptionalism.” While people commonly use this phrase to refer to anything that makes the U.S. unique, I use it narrowly to refer to the country’s approach to work and social welfare, which is quite different from the systems in other rich countries.

I suspect AI will “turbocharge” American exceptionalism in ways that make workers more afraid of losing their jobs. When fused with organizations’ adoption of new types of AI, workers’ fears may soon become reality, if they haven’t already.

More here.

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Two Years of Doxxing at Harvard

Max Krupnick in Harvard Magazine:

On Wednesday, October 11, 2023, an unusual truck circled the streets surrounding Harvard Yard, pausing outside the bakery across from Widener Library. Three video screens on its sides showed the faces and names of Harvard students. Accompanying text, in newspaper typeface, labeled them “Harvard’s Leading Antisemites.”

By now, nearly everyone is familiar with how it happened. The day after the October 7, 2023, Hamas terrorist attacks on Israel, Harvard’s Palestine Solidarity Committee circulated a letter holding “the Israeli regime entirely responsible for all unfolding violence.” Representatives of 33 student organizations, from overtly political groups to a South Asian dance troupe, cosigned it. And amid the angry backlash, some prominent voices called out for a particular form of retribution. Investor Bill Ackman ’88, M.B.A. ’92, posted on X that Harvard should release the names of students who belonged to the signing groups “to insure [sic] none of us inadvertently hire any of their members.” If students support the letter, he continued, their views should be “publicly known.”

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How ageing changes our genes

Chris Simms in Nature:

The visible effects of ageing on our body are in part linked to invisible changes in gene activity. The epigenetic process of DNA methylation — the addition or removal of tags called methyl groups — becomes less precise as we age. The result is changes to gene expression that are linked to reduced organ function and increased susceptibility to disease as people age. Now, a meta-analysis of epigenetic changes in 17 types of human tissue throughout the entire adult lifespan provides the most comprehensive picture to date of how ageing modifies our genes.

The study assessed DNA methylation patterns in human tissue samples and revealed that some tissues seem to age faster than others. The retina and stomach, for example, accumulate more ageing-related DNA methylation changes than do the cervix or skin. The analysis also found universal epigenetic markers of ageing across different organs. This ‘epigenetic atlas’ might help researchers to study the link between DNA methylation and ageing and could aid the identification of molecular targets for anti-ageing treatments.

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Salt Statues: Carhué Cemetery, Buenos Aires

Mariana Enríquez at the Paris Review:

The concrete Christ designed by Francisco Salamone, severe like all his works are, emerged some time ago from the ultrasalty waters of the flooded Epecuén Lagoon. Now people leave offerings to it, partly in thanksgiving that the flood didn’t reach the town of Carhué, partly to pray that the town of Villa Epecuén will once again become the successful tourist resort that it was for decades, before it turned into the ruin it is today, a town haunted by trees so dry and salt-coated they look like they’re made of ash. White trees, ghost trees, triffid trees with their roots exposed, trees that look like spiders on an endless march.

I remember photographs of that Christ on the cross. The water had risen to cover his feet, and all around him were dead, half-submerged trees. The trees are still there, but the crucifix was moved a few meters closer to the city; it’s now on a wooden platform that you access by a ladder from the beach in front of the lake.

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Tuesday Poem

September

September
and autumn creeps
into summer’s room

so many dresses
shade upon shade of green
too many

the young girl
wants something richer
to bring out

the cream of her skin
the sweep
of her dark hair

she fingers an oak leaf
imagining herself dancing
in that shape, but fiery, across the hills

smiles
yes
that will do

by Nils Peterson

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On Felix Shumba

Marissa Moorman at the LRB:

The female cabbage tree emperor moth (Bunaea alcinoe) is the size of a human hand. I saw one in 1992 in Zimbabwe’s Eastern Highlands, where the Vumba mountain range runs along the border with Mozambique; in the 1970s, ZANU guerrillas fighting for independence from white Rhodesia had hidden in the area. I snapped a shaky photo of the giant moth, beneath a dull outdoor light, with a pocket camera. I don’t know whether I still have the print, but it doesn’t matter. The image stayed with me. The moth was alone. Still. Unbothered. She seemed to own the night.

I remembered the moth when I visited the artist Felix Shumba at the International Studio and Curatorial Programme in Williamsburg, Brooklyn in March this year. Shumba, an artist from Zimbabwe, spent three months in the converted industrial space of the ISCP. Charcoal drawings hung on the walls. File folders were arranged on the floor in neat rows. Shumba had drawn oversized bugs on them in charcoal, including a moth. He makes the charcoal himself. It is light in the hand but his images are full of gravity. The human and animal figures sometimes seem to lift from the paper, as if they could step into the room.

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Monday, September 1, 2025

John Updike was that rarest of things: a writer who wrote much the same in private as he did in public

Peter Tonguette at The American Conservative:

Few American authors of the past century churned out as many words. Even peers who matched or exceeded Updike’s productivity when it came to novels, such as Philip Roth, could not keep pace when factoring in the numerous other modes in which he regularly put pen to paper: short stories, poems, book reviews, essays, a play, a memoir, and even five books for children. Multiple books appeared after his death, including a final volume of short stories, My Father’s Tears.

It should come as no surprise, then, that Updike was as expansive, candid, and prolix in his personal correspondence as he was in his writing for publication and for pay. The superb, revelatory Selected Letters of John Updike gives an indication of the eagerness with which Updike wrote to friends, family members, both his wives, countless editors, and even the occasional critic. By the same token, the stuff and substance of these letters is much like that of his much-honored fiction, including “The Music School”: ordinary life, up to and including churchgoing. “Updike was able to bestow vibrancy and meaning upon that which would otherwise seem ordinary, so that it resonates and hums,” writes James Schiff, the editor of the present volume. “In so doing, he offers us a new way of seeing and knowing our daily lives.” We find here that Updike was that rarest of things: a writer who wrote much the same in private as he did in public.

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‘Ten Martini’ Proof Uses Number Theory to Explain Quantum Fractals

Lyndie Chiou and Joseph Howlett in Quanta:

In 1974, five years before he wrote his Pulitzer Prize–winning book Gödel, Escher, Bach: An Eternal Golden BraidDouglas Hofstadter(opens a new tab) was a graduate student in physics at the University of Oregon. When his doctoral adviser went on sabbatical to Regensburg, Germany, Hofstadter tagged along, hoping to practice his German. The pair joined a group of brilliant theoretical physicists who were agonizing over a particular problem in quantum theory. They wanted to determine the energy levels of an electron in a crystal grid placed near a magnet.

Hofstadter was the odd one out, unable to follow the others’ line of thought. In retrospect, he’s glad. “Part of my luck was that I couldn’t keep up with them,” he said. “They were proving theorems, but they had nothing to do with the essence of the situation.”

Hofstadter instead decided to test out a more down-to-earth approach. Rather than proving theorems, he was going to crunch some numbers using an HP 9820A(opens a new tab) desk calculator — a computerlike machine that weighed nearly 40 pounds and could be programmed to perform complex computations.

Hofstadter needed it to solve a particular formulation of the Schrödinger equation, which lies at the core of quantum mechanics.

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Gaza postwar plan envisions ‘voluntary’ relocation of entire population

Karen DeYoung and Cate Brown in The Washington Post:

A postwar plan for Gaza circulating within the Trump administration, modeled on President Donald Trump’s vow to “take over” the enclave, would turn it into a trusteeship administered by the United States for at least 10 years while it is transformed into a gleaming tourism resort and high-tech manufacturing and technology hub.

The 38-page prospectus seen by The Washington Post envisions at least a temporary relocation of all of Gaza’s more than 2 million population, either through what it calls “voluntary” departures to another country or into restricted, secured zones inside the enclave during reconstruction.

Those who own land would be offered a digital token by the trust in exchange for rights to redevelop their property, to be used to finance a new life elsewhere or eventually redeemed for an apartment in one of six to eight new “AI-powered, smart cities” to be built in Gaza. Each Palestinian who chooses to leave would be given a $5,000 cash payment and subsidies to cover four years of rent elsewhere, as well as a year of food.

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The Pictures Of Rosalind Fox Solomon

Christopher Bonanos at Vulture:

Rosalind Fox Solomon has almost never worked on assignment. When she first started taking photographs with an idea of making art, no one would have expected her to turn that into a career; she was heading into her 40s with two children, a woman learning to communicate as she hadn’t been able to before. She started out shooting close to her home in Chattanooga, Tennessee. Even after she started gaining recognition and traveling farther afield, she didn’t exactly have a long-term plan: She would, she says, just decide to go somewhere — occasionally because of a disruptive event, like an earthquake or a flood, but usually just because, hiring a guide and a translator if she needed one. In India, Guatemala, Brazil, or Missouri, she’d move around and look at people, engaging them but not saying much, and come back with pictures. That’s it.

Did she think about what collectors or publishers or editors might want, the way so many photographers do? “First of all, I’ve never been commercially viable,” Fox Solomon says now. “I never thought about that. Really, I just worked. Piled up my prints, year after year.”

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The Fatal Genius of Shakespeare’s Greatest Rival, Christopher Marlowe

Will Tosh at Literary Review:

Christopher Marlowe is having a moment. In London’s West End, the Royal Shakespeare Company is staging Born with Teeth, a new play by Liz Duffy Adams that imagines the erotic tension crackling between Marlowe and Shakespeare as they collaborate on Henry VI. And right on cue comes the first major biography of Marlowe in two decades, written by the unquestioned eminence of Shakespearean new historicism. This is in some ways a counterpoint to Will in the World, Stephen Greenblatt’s gloriously rich evocation of the early modern culture that nourished Shakespeare’s creative genius. It was Greenblatt more than anyone else who taught us to understand the writer by examining the society in which he or she lived, but in Dark Renaissance the Greenblattian method is turned on its head. He shows us an Eliz­abethan England altogether too small, bigoted and fearful to account for the emergence of a shooting star like Marlowe. 

This being Greenblatt, the assertion of inexplicability is a stance. In its sweep, pace and scholarship, the book vividly contextualises Marlowe’s brilliance as a dissident thinker and a wildly innovative writer. Like his exact contemporary Shakespeare, Marlowe’s origins were scrappy. His father was a shoemaker in Canterbury, England’s spiritual capital but a city on its uppers since the eradication of Catholic pilgrimage sites during the early years of the Reformation.

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