From The New York Times:
Tom Wolfe was a fast talker. Eudora Welty had a musical Southern drawl. Kurt Vonnegut’s jokes got belly laughs.
Each of these authors once spoke to audiences at the 92nd Street Y Unterberg Poetry Center in New York City, which has hosted some of the most celebrated writers of the past several generations, from Isaac Asimov to Anaïs Nin and Kazuo Ishiguro to Margaret Atwood. Now, the Poetry Center has digitized audio recordings of its literary events stretching back to 1949 — hundreds of which have never been released before — in a collection that offers a glimpse into history and a taste of what the writers themselves were like in public.
In 1965, for example, the year before he became consultant in poetry to the Library of Congress, James Dickey complained that his 14-year-old son had acquired a taste for rock ’n’ roll and a transistor radio. The sound of electric guitars had taken over his house. He was joined onstage that night by the poet Theodore Weiss, but it could have been Truman Capote, Joseph Heller or Adrienne Rich, who also visited the Poetry Center over the years.
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Amitava Kumar has long occupied a distinctive place in contemporary English writing. His work resists easy classification, blurring the boundaries between fiction, memoir, reportage, history and critique.
How will artificial intelligence reshape the global economy? Some economists predict only a small boost — around a 0.9% increase in gross domestic product over the next ten years. Others foresee a revolution that might add between US$17 trillion and $26 trillion to annual global economic output and automate up to half of today’s jobs by 2045. But even before the full impacts materialize, beliefs about our AI future affect the economy today — steering young people’s career choices, guiding government policy and driving vast investment flows into semiconductors and other components of data centres.
More than international sanctions, more than its stifling theocracy, more than recent bombardment by Israel and the U.S. — Iran’s greatest current existential crisis is what hydrologists are calling its rapidly approaching “water bankruptcy.”
Jensen Huang needs a moment.
A 
The most widely endorsed reason productivity growth has faltered is that we are running out of good ideas. As this narrative has it, the many scientific and technology advances responsible for driving economic growth in the past were low-hanging fruit. Now the tree is more barren. Novel advances, we should expect, are harder to come by, and historical growth may thus be difficult to sustain. In the extreme, this may lead to the end of progress altogether.
In August, a team of mathematicians posted a paper claiming to solve a major problem in algebraic geometry — using entirely alien techniques. It instantly captivated the field, stoking excitement in some mathematicians and skepticism in others.
It is a rare book that combines rigorous argument, scientific fluency, and broad accessibility, but Owen Flanagan has managed that trifecta in his new monograph on the philosophy and science of addictions. What is it Like to Be an Addict? should serve as a standard reference-point for philosophers interested in the health sciences moving forward, as it clarifies and refines many of the basic questions in these fields. It is also a book that may be read with profit by anyone with even a passing interest in the science or ethics of addiction.
One side fears the shredding of safety nets, federal programs, and commitments to inclusion and honest history. The other side fears the destruction of traditional family mores, religion, and parental control.
Gertrude Stein had no doubt that she was a genius. “I have been the creative literary mind of the century,” she once boasted. “Think of the Bible and Homer think of Shakespeare and think of me.” Some years earlier, she informed a baffled magazine editor who had rejected her writing that she was producing “the only important literature that has come out of America since Henry James.” She knew her work was unconventional—repetitive, hermetic, its apparent crudeness belying immense psychological and literary sophistication—but was supremely confident that, in time, it would be recognized as something of enduring cultural value. “For a very long time everybody refuses and then almost without a pause everybody accepts,” she observed in 1926 about the reception of avant-garde art. There was no question in her mind that her own contribution would eventually be accepted: She simply had to wait.
From the time of Aristotle through to the 1500s, the dominant model of the universe had the sun, planets, and stars orbiting around the Earth. This simple model, however, did not match what could be seen in the skies. Venus appears in the evening or morning. It never crosses the night sky as we would expect if it were orbiting the Earth. Jupiter moves across the night sky but will abruptly turn around and go back the other way.
For a mouse several times its size, a sting from the “
On a leafy campus in eastern China, crews are working day and night to finish a mammoth round structure with two sweeping arms the length of aircraft carriers.