Ta-Nehisi Coates on Tony Judt

Eyal Press in Public Books:

Ta-Nehisi Coates is best known for his writing about racism in America—in particular, his 2014 essay “The Case for Reparations,” and his 2015 book, Between the World and Me. Ta-Nehisi’s readers know that the toll racism has inflicted on the bodies of Black people, and the enduring power of white supremacy, have long preoccupied him. On this show, however, he’ll be talking about a subject—or rather an influence—that few people associate with his work.

That influence is the late Tony Judt, a British historian. In 2005, Judt published his magnum opus, Postwar, a sweeping, 933-page history of modern Europe.

In this conversation, which was recorded last fall, Ta-Nehisi talks about why Postwar had such a profound impact on him. He explores the preface he wrote to Ill Fares the Land, another of Judt’s books, which has just been reissued by Penguin. He also talks about the power of language to help us imagine a better world, whether he identifies as an Afro-pessimist, and what it’s like to grow up in a nationalist household.

From here.



Michelangelo Frammartino’s Il Buco

Anthony Hawley at Artforum:

Throughout Il Buco, most human speech—apart from that in a television feature on the Pirelli palace and the old man’s cattle calls—is only ever heard at a distance, both standard Italian and Calabrian dialects disappearing into the acoustic fabric of the film. Cinematographer Renato Berta’s camera, either suffocatingly close or slightly afield from its subjects, hastens this sensorial defamiliarization. So does the rarity of subtitles. That these only appear under two brief archival segments—the aforementioned scientific report and the Pirelli doc, viewed, in a beguiling crepuscular scene, by a mesmerized group of townspeople motionlessly watching a television plopped outside on the dirt—is to insist upon a certain incommunicability. Despite our best efforts to dominate the heavens and the underworld, some places evade epistemic capture. Murmurous soundscapes, both infinitesimal and grandiose, perplex and disorient, causing human agents and their endeavors to appear more like incidental elements in the greater chasm of time.

more here.

After Christendom

Frederick Christian Bauerschmidt at Commonweal:

Jean-Luc Marion (b. 1946) and Chantal Delsol (b. 1947) are both prominent French philosophers who are very public about their Roman Catholicism. This alone would put them, in the minds of many of their fellow citizens, into “conservative” political and cultural camps, though the truth is considerably more complicated. This past year saw the appearance in English translation of Marion’s 2017 book, A Brief Apology for a Catholic Moment, and the publication of Delsol’s La Fin de la Chrétienté. Both of these short works grapple with the role of the Church in a dechristianized culture; both show the complex negotiations required to steer between what Marion calls the “twin and rival disasters” of integralism, which seeks to establish a Christian social order, and progressivism, which risks letting any distinctively Christian identity evaporate.

more here.

 

Wednesday Poem

Helping With Math Homework

In the beginning
there were polynomials

differences of squares
trial and error

and the sum of two cubes.
X2 minus Y2

has always had
the same meaning

whatever it is.
But when Pythagoras

looked into
the eye of a triangle

and saw the solution
I wasn’t there.

Nor have I ever found
anything more

than safety in numbers.
This is the new math

these are your problems
and I was born

before the back of the book.
What I have been saying is this:

I can lead you
only so far into wisdom.

Soon
you must begin to learn

how to be ignorant
on your own.

by John Stone
from
In All This Rain

 

The Lost Art of Staying Put

Lucy Ellmann in The Baffler:

NOT ALL THAT LONG AGO, air travel was a clear badge of elite cultural distinction, from the “jet set” to the Sinatra-mangling ad slogan, “Come Fly With Me.” Droit-de-seigneur sexual fantasies of stewardess life were memorialized in that elegantly titled sixties tell-all Coffee, Tea, or Me? People actually used to dress up to take a plane. But that’s all over. Now you need a bulletproof vest when dealing with the cabin crew.

Airlines seem to be competing for Jerk of the Year awards. When they’re not bumping people off, figuratively or literally, they’re frighteningly “reaching out” to the customers they abused, customers with “issues.” (The language is patronizing and predatory.) We’re all sorry United’s planes are so attractive to terrorists. The staff must be under constant strain. But so are the passengers, with whom these tin-pot dictators are increasingly strict, banning leggings on ten-year-olds and bodily removing people from the passenger manifests.

Delta recruited airport police to threaten a couple with jail and the confiscation of their children, all for refusing to give up seats they’d paid for on a flight from Hawaii to LA. An American Airlines flight attendant bullied a tired mother of twin babies over her stroller, and then readied himself to punch a passenger who rose to her defense. These companies seem very exacting about how their customers behave—while apparently giving staff (or airport-based security officials) full license to unleash their inner demons. In airplane disaster movies, the pilot’s always wrestling with the yoke, trying to get full throttle; now these exertions are directed towards throttling the yokels.

More here.

“I Have to Admit, I Have a Very Low Opinion of Human Beings”

Benjamin Ehrlich in Nautilus:

In 1914, when World War I broke out, Santiago Ramón y Cajal, the most influential neuroscientist in the world—the man who discovered brain cells, later termed neurons— published only one article, by far his lowest output ever. “The horrendous European war of 1914 was for my scientific activity a very rude blow,” Cajal recalled. “It altered my health, already somewhat disturbed, and it cooled, for the first time, my enthusiasm for investigation.” Cajal’s tertulia, or café social circle, was “overwhelmed with horror and abomination, erasing the last relics of our youthful optimism.” Science was supposed to be universal, but now, as mail became unreliable, telegraph lines were cut, trenches were dug, and borders were almost constantly closed, scientists could not even share their work internationally.

…“I have to admit,” Cajal wrote in a new weekly newspaper, founded so that prominent intellectuals could share their views on the war, “I have a very low opinion of human beings.” As the “last hunter animal,” he wrote, we retain the “foul instincts” of beasts. “Our nerve cells continue to react in the same way as in the Neolithic Age,” he lamented. Because of “evolutionary resistance,” an “excruciating biological fact,” Cajal claimed that war will never be eradicated. All that civilization can hope to do is prolong the intervals of peace, but the “destructive phase” will always return, with each war becoming more horrifying. “In about twenty or thirty years, when the orphans of the present war will be men, the same stupendous massacre will be repeated,” he predicted with chilling accuracy. Suddenly, Cajal realized that the brain was not perfecting itself by evolution, as he had once believed. “Our descendants will be as putrid as we are,” he concluded.

More here.

Tuesday, May 17, 2022

Hernan Diaz: “I Wouldn’t Be the Person I am Without Borges.”

Jane Ciabattari at Literary Hub:

When his first novel, In the Distance, was published, Hernán Diaz described the sense of “foreignness” he gained from his formative years. He was born in Argentina; his family moved to Stockholm when he was two, and he grew up with Swedish as his first language, then relocated to Argentina when he was nine. In his twenties, he lived in London, then settled in New York.

“Foreignness” is central to In the Distance, published by Coffee House Press in 2017, which follows Håkan Söderström as he leaves Sweden with his brother for New York during the Gold Rush. The brothers lose touch before sailing; Håkan ends up in San Francisco, and becomes determined to make his way east to find his brother. In this dangerous and challenging new land, Håkan becomes known as “The Hawk.” He is a massive fellow, apt, adventurous, solitary, ultimately legendary, able to survive no matter what threats he encounters in the frontier. Diaz’s eerie reinvention of the “Western”  was a finalist for the Pulitzer Prize and the PEN/Faulkner Award for Fiction, and winner of the William Saroyan International Prize, the Cabell Award, the Prix Page America, and the New American Voices Award.

More here.

The New Science of Alt Intelligence

Gary Marcus in his Substack newsletter:

For many decades, part of the premise behind AI was that artificial intelligence should take inspiration from natural intelligence. John McCarthy, one of the co-founders of AI, wrote groundbreaking papers on why AI needed common sense; Marvin Minsky, another of the field’s co-founders of AI wrote a book scouring the human mind for inspiration, and clues for how to build a better AI. Herb Simon won a Nobel Prize for behavioral economics. One of his key books was called Models of Thought, which aimed to explain how “Newly developed computer languages express theories of mental processes, so that computers can then simulate the predicted human behavior.”

A large fraction of current AI researchers, or at least those currently in power, don’t (so far as I can tell) give a damn about any of this. Instead, the current focus is on what I will call (with thanks to Naveen Rao for the term) Alt Intelligence.

Alt Intelligence isn’t about building machines that solve problems in ways that have to do with human intelligence. It’s about using massive amounts of data – often derived from human behavior – as a substitute for intelligence.

More here.

American Restlessness: Why do good fortune and prosperity leave so many of us unhappy?

Matt Dinan in The Hedgehog Review:

I am trying, in reviewing Why We Are Restless, an excellent new book by Benjamin Storey and Jenna Silber Storey, to keep myself out of it. My usual essayistic approach, I fear, will lead a reader to think that I object to the book’s diagnosis of what went wrong with the modern world more than I do. Besides, the tendency of critics to involve themselves in their reviews is irritating, and surely an example of the type of Montaignean introspection that may well be making us restless. But Why We Are Restless stands out among other books like it by answering the question implied by its title with rigor and charity, by (mostly) succeeding in presenting the view it contests “in terms of the most decent human aspirations.” Cataloguing one’s own restlessness, or subjecting readers to one’s bargain-bin Tocquevillian observations about the United States of America, would veer dangerously into the Montaignean territory here scrutinized. I will make an attempt (essai), in other words, to share some thoughts (pensées) about this fine book.

More here.

Tuesday Poem

The Cupboard

broken glass is held together
with bits and pieces
of an old yellowed newspaper

each rectangle
of the doorframe
is an assemblage

insecure setsquares of glass
jagged slivers thrusting down
precarious trapeziums

the cupboard is full
of shelf upon shelf
of gold gods in tiny rows

you can see the golden gods
beyond the strips
of stock exchange quotations

they look out at you
from behind slashed editorials
and promises of eternal youth

you see a hand of gold
behind opinion
stiff with starch

as one would expect
there is naturally
a lock upon the door

by Arun Kolatkar
from
Jejuri
New York Review Books, 1974

Very Cold People – chilly legacy of abuse

Lauren Elkin in The Guardian:

Sarah MangusoWell into a career that encompasses poetry, memoir and projects such as her 2017 collection of quotable fragments 300 Arguments, the American author Sarah Manguso has turned to the novel. Very Cold People is also composed of short sections, compiled like witness testimony by a young girl called Ruthie, as she grows up in the fictional town of Waitsfield, Massachusetts, somewhere near Boston. Ruthie and her family don’t belong there, she tells us in the first sentence; it is a town for people whose ancestors came over with the pilgrims to settle in that violently snowy part of the new world.

The very cold people of the title refers not only to the inhabitants of this icy region, but to Ruthie’s own parents. At the outset they seem merely bohemian and thrifty, buying her toys secondhand and her clothes at factory outlets, but then we hear about Ruthie’s mother dredging a fancy wristwatch catalogue out of the dump, ironing its crumpled cover and displaying it on the coffee table, “just askew […] as if someone had been reading it and carelessly put it down, and she corrected its angle when she walked by”. This is something more than parsimony and closer to a pathological need, in the face of material want, to be perceived in a certain way – as offhandedly rich, casual. Her mother, the victim in her youth of some unspecified assault, “was the protagonist of everything”; Ruthie recalls being told of her own birth: “the doctor said Oh she’s beautiful […] and my mother had thought he was talking about her”.

More here.

Your Bosses Could Have a File on You, and They May Misinterpret It

Sarah Scoles in The New York Times:

Are you an “insider threat?”

The company you work for may want to know. Some corporate employers fear that employees could leak information, allow access to confidential files, contact clients inappropriately or, in the extreme, bring a gun to the office. To address these fears, some companies subject employees to semi-automated, near-constant assessments of perceived trustworthiness, at times using behavioral science tools like psychology. Many employers are now concerned about retaining workers in the face of what has been called the Great Resignation. But in spite of worries that workers might be, reasonably, put off by a feeling that technology and surveillance are invading yet another sphere of their lives, employers want to know which clock-punchers may harm their organizations.

The language around this sort of worker-watching often mirrors that which is used within the government, where public agencies assess workers who receive security clearances to handle sensitive information related to intelligence collection or national security. Organizations that produce monitoring software and behavioral analysis for the feds also may offer conceptually similar tools to private companies, either independently or packaged with broader cybersecurity tools.

“When you think about insider risk in general, it probably emerges out of the government, and then makes its way into the private sector and commercial industry,” said Tom Miller, chief executive of Clearforce, which sells insider threat services to private clients.

More here.

Sunday, May 15, 2022

Ramez Naam on how to beat Putin, solve climate change, and build the future

Noah Smith in Noahpinion:

When I want to know what the future is going to be like, I go ask Ramez Naam. Over the years, his spyglass has seemed to peer just a little farther into the future than other people’s.

My favorite example: In 2011 he wrote a guest post for Scientific American entitled “Smaller, cheaper, faster: Does Moore’s law apply to solar cells?” that alerted the world to the startling, consistent, and seemingly unstoppable cost declines for solar energy. This came at a time when almost everyone in public discourse still thought of solar as an unworkably expensive pipe dream. But Ramez (or “Mez”, to his friends) was right. Over the next decade, his prediction became conventional wisdom, not just for solar but for batteries as well. The resulting explosion in solar installation and electric vehicles has utterly changed scientists’ outlook for climate change — catastrophe may still strike, but the most apocalyptic scenarios now look distinctly unlikely. This isn’t Mez’ doing, of course, but he saw it before others did.

Why is Mez so good at predicting the future of technology?

More here.

Computer Scientists Prove That Certain Problems Are Truly Hard

Mordechai Rorvig in Quanta:

Last summer, three researchers took a small step toward answering one of the most important questions in theoretical computer science. To paraphrase Avi Wigderson of the Institute for Advanced Study, that question asks something simple but profound: Can we solve all the problems we hope to solve?

More precisely, computer scientists want to know whether all the problems we hope to solve can be solved efficiently, in a reasonable amount of time — before the end of the universe, say. If not, they are simply far too difficult.

Many problems seem to be this hard, but we won’t know for certain until we can mathematically prove their difficulty. And in a paper from last year, a trio of computer scientists showed that a broad category of problems are indeed too difficult to be solved efficiently, thereby providing one of the best examples yet of what the field has been seeking.

More here.

Are NFTs really art? A critic weighs in

Philippa Snow in The Guardian:

The upside of many NFTs having a uniform visual style is that, theoretically, as many of the medium’s biggest fans will stress, there is something inherently democratic about their design and their acquisition. If not every NFT creator makes the kind of money Bored Ape Yacht Club makes, they still have a fairly equal opportunity to share their work. Searching OpenSea for pieces is still easier by far than buying physical work from a gallery or an auction, and the only barrier to entry is a working knowledge of cryptocurrency. Buyers and artists who grew up on the internet of the 00s, meanwhile, may experience deja vu when given the opportunity to customise what is effectively an avatar, harking back to online cartoons like Blingees or Dollz Mania. When a rash of articles appeared in 2021 suggesting NFTs might be the Beanie Babies of the 2020s, the comparison was meant to be an insult; still, it is hard to overestimate the power of nostalgia when it comes to millennials on the web.

More here.

The Master of the Nuclear War Machine

Gerald Early in The Common Reader:

During his lifetime, there was a long line of people who thought Admiral Hyman Rickover was an insufferable son of a bitch, a contemptible ass, an overbearing, opinionated, power-hungry menace. Biographer Marc Wortman called him, “obstinate, egotistical, and abrasive…” (119)

Many in the upper echelons of the Navy command felt intense hatred for the Father of the Nuclear Navy, as he was called. They had endured his disdain for their authority, his “rebellion against the Navy’s chain of command, protocols, and culture.” (119) So did some corporate leaders who were tongue-lashed and bullied by Rickover’s insistence that they meet his deadlines on their contracts. Rickover felt that defense contractors were hustlers bloating themselves at the taxpayers’ trough and would sic his team of micro-managers on them to fulfill the terms of their contracts.

More here.

Sunday Poem

From Poem VI

Cruising back from 7-11
esta mañana
in my ’56 Chevy truckita,
beat up and rankled
farm tuck,
clanking between rows
of new shiny cars—

……………… “Hey fella! Trees need pruning
……………… and the grass needs trimming!”
A man yelled down to me
from his 3rd-story balcony.

……………… “sorry, I’m not the gardener,”
……………… I yelled up to him.

Funny how in the valley
an old truck symbolizes prestige
and in the Heights, poverty.

Worth is determined in the Valley
by age and durability,
and in the Heights, by newness
and impression.

In the Valley,
the atmosphere is soft and worn,
things are shared and passed down.
In the Heights,
the air is blistered with the glaze
of new cars and new homes.

How many days of my life
have I spent fixing up
rusty broken things,
charging up old batteries,
wiring pieces of odds and ends together!
Ah, those lovely bricks
and sticks I found in fields
and took home with me
to make flower boxes!
The old cars I’ve worked on
endlessly giving them tune-ups,
changing tires, tracing
electrical shorts,
cursing when I’ve been stranded
between Laguna pueblo and Burque.
It’s the process of making-do,
of the life I’ve lived between
breakdowns and breakups, that has made life
worth living.

I could not bear a life
with everything perfect.

by Jimmy Santiago Baca
from
Paper Dance- 55 Latino Poets
Persea Books, 1995

How Fame Fed on Edna St. Vincent Millay

Maggie Doherty in The New Yorker:

It was at a party in Greenwich Village, in the spring of 1920, that the critic Edmund Wilson first encountered Edna St. Vincent Millay in the flesh. Wilson, a well-bred graduate of Princeton, was a fan of the twenty-eight-year-old poet’s work—he’d taken to reciting one of her sonnets in the shower—but he was, in her physical presence, overcome. Years later, Wilson described the evening: “She was one of those women whose features are not perfect and who in their moments of dimness may not seem even pretty, but who, excited by the blood or the spirit, become almost supernaturally beautiful.” He remained in love with her for years, even after she’d refused his offer of marriage. It was as if he were enchanted, caught under the “spell” that she cast on “all ages and both sexes.”

This enchantress is the Millay whom many came to know. She was a siren, a seductress, a candle burning with a “lovely light” before being unceremoniously snuffed out. (Millay died at fifty-eight, of a heart attack, after falling down the stairs in her home.) Her appeal was legendary, as was her voice, which the poet Louis Untermeyer described as “the sound of the ax on fresh wood.” In her youth, she loved widely and shamelessly, and she was adored by a generation of young women for the verses she wrote about her transient attachments. Today, she is often remembered as the “poet-girl” of the Roaring Twenties, traipsing from bed to bed in downtown Manhattan, if she is remembered at all.

More here.