S’bu Zikode and Richard Pithouse in the Boston Review:
Richard Pithouse: Mandela was released from prison on February 11, 1990, suddenly opening up the field of political possibility after a long and exhausting stalemate between the progressive forces, which were largely organized in two groups: the United Democratic Front (UDF) and the trade unions, and the apartheid state. What did Mandela’s release mean to you?
S’bu Zikode: I was fourteen years old, and in school. At that time, we were divided. It was the time of the war between [the right-wing Zulu nationalist organization] Inkatha and the UDF. People could easily draw the line between the two sides along a river or a road. Everyone on one side was Inkatha; everyone on the other side was UDF. A lot of people were killed or had their homes burnt down just because they were living on this or that side of the line.
Some people had guns; we young people had sticks. If you turned back from a battle you would be shot. You had to face bullets from the front and the back. Terrible things happened, very painful things. We don’t talk about it.
More here.

In the years following American independence, many questions would be asked, in different spheres, of what it meant to be a citizen, and
Longevity and eternal youth have frequently been sought after down through the ages, and efforts to keep from dying and fight off age have a long and interesting history.
Butler is soft-spoken and gallant, often sheathed in a trim black blazer or a leather jacket, but, given the slightest encouragement, they turn goofy and sly, almost gratefully. When they were twelve years old, they identified two plausible professional paths: philosopher or clown. In ordinary life, Butler incorporates both.
The chorus of the theme song for the movie Fame, performed by the late actress Irene Cara, includes the line “I’m gonna live forever.” Cara was, of course, singing about the posthumous longevity that fame can confer. But a literal expression of this hubris resonates in some corners of the world—especially in the technology industry. In Silicon Valley, immortality is sometimes elevated to the status of a corporeal goal. Plenty of big names in big tech have sunk funding into ventures aiming to solve the problem of death as if it were just an upgrade to your smartphone’s operating system.
As the historian Nell Irvin Painter has learned over the course of her eight decades on this earth, inspiration can come from some unlikely places.
Since the 19th century, large numbers of villagers in the poorer parts of Italy have migrated to more prosperous regions and countries. The migration continues; in some places, populations have shrunk so dramatically that there are no longer enough patients to keep the local doctor in business, or enough children to fill the school. Young people who moved away to study or work didn’t want to return, and when their parents died, the family homes stood empty, sometimes for decades. Around 2010, the village of Salemi in western Sicily was one of the first towns to come up with an idea: What if you could fill them again by offering the properties for sale at a ridiculously low price?
Vaccination led to the global eradication of smallpox in 1980. Even today, the Bill and Melinda Gates Foundation lists one of the goals of its malaria program as “ending malaria for good.” In recent years, Tufts University launched its