‘Scientists will not be silenced’: thousands protest Trump research cuts

From Nature:

Washington DC. Boston, Massachusetts. Denver, Colorado. Seattle, Washington. Trenton, New Jersey

Thousands of researchers and supporters of science protested in more than 30 cities across the United States and Europe today against actions taken by the administration of US President Donald Trump to cut the US scientific workforce and slash spending on research worldwide. The mood was defiant at many of the rallies, where chants of “Scientists will not be silenced”, “Facts over fear” and “What do we want? Peer review! When do we want it? Now!” were heard.

Quoting musician Bob Marley, Rush Holt Jr, former chief executive of the American Association for the Advancement of Science, told the crowd in Trenton, New Jersey, “get up, stand up”. In the crowd at Boston’s rally, Ana-Maria Vranceanu, a psychologist at Harvard Medical School whose work helps people with dementia, chronic pain and other conditions, said: “This is the time to actually stop this, before things get really bad.” Over the past month, “I’ve been waiting for someone to do something,” said Abraham Flaxman, a global-health metrics researcher at the University of Washington who attended the Seattle rally. But “it’s dawned on me: nobody is coming to save us. We’re going to have to save ourselves.”

More here.

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Sunday, March 9, 2025

An Inescapable Past

Shehryar Fazli in The Ideas Letter:

“This was a destruction not of a house but of our history, of my history,” said a veteran of Bangladesh’s 1971 liberation war. He was speaking to me of the destruction on Feb. 5 of the Dhaka home of Sheikh Mujib ur Rahman, Bangladesh’s first leader.

The address, 32 Dhanmondi, is as well known in Bangladesh as 1600 Pennsylvania in the U.S. It is where, in March 1971, Mujib was apprehended by Pakistani troops as they began their violent crackdown in East Pakistan that culminated in a genocide, the third Pakistan-India war, and the birth of a new nation. And it is where, on Aug. 15, 1975, Bangladeshi soldiers slaughtered Prime Minister Mujib and several members of his family in the country’s first military coup. That it now stands in ruins is an indication of how much public anger had accumulated during the 15 years of the increasingly repressive rule under Mujib’s daughter, Sheikh Hasina Wajed, which ended dramatically on Aug. 5, 2024 after weeks of student-led protests.

Hasina had turned 32 Dhanmondi into a memorial for her father. Now exiled in India, where she fled after her fall from power, Hasina is plotting a political comeback. On Feb. 5, marking a gathering of her Awami League party, she planned to give a speech that would condemn Chief Adviser Muhammad Yunus’s interim government and announce her intentions to avenge her ouster. The youth leaders warned that if she spoke they would destroy her father’s house.

More here.

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American Strong Gods

An argument for closed societies from the new right… N.S. Lyons in their substack:

I believe Donald Trump marks the overdue end of the Long Twentieth Century.

The 125 years between the French Revolution in 1789 and the outbreak of WWI in 1914 was later described as the “Long Nineteenth Century.” The phrase recognized that to speak of “the nineteenth century” was to describe far more than a specific hundred-year span on the calendar; it was to capture the whole spirit of an age: a rapturous epoch of expansion, empire, and Enlightenment, characterized by a triumphalist faith in human reason and progress. That lingering historical spirit, distinct from any before or after, was extinguished in the trenches of the Great War. After the cataclysm, an interregnum that ended only with the conclusion of WWII, everything about how the people of Western civilization perceived and engaged with the world – politically, psychologically, artistically, spiritually – had changed.

R.R. Reno opens his 2019 book Return of the Strong Gods by quoting a young man who laments that “I am twenty-seven years old and hope to live to see the end of the twentieth century.” His paradoxical statement captures how the twentieth century has also extended well past its official sell-by date in the year 2000. Our Long Twentieth Century had a late start, fully solidifying only in 1945, but in the 80 years since its spirit has dominated our civilization’s whole understanding of how the world is and should be. It has set all of our society’s fears, values, and moral orthodoxies. And, through the globe-spanning power of the United States, it has shaped the political and cultural order of the rest of the world as well.

More here.

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The attention economy is devouring politics

Henry Farrell over at his substack, Programmable Mutter:

When Ezra Klein and Chris Hayes talked recently about Chris’s new book, The Siren’s Call: How Attention Became the World’s Most Endangered Resource, my friend John Sides took polite exception. His criticism doesn’t seem to be available online (it was in the newsletter for Good Authority) but his broad claim was that we should not pay too much attention to attention. Even if Trump and other Republicans are good at getting eyeballs, they may not win enough votes, and might even alienate people. Attracting attention may end up being a bad idea.

Good Authority is a political science publication* and John was making a case for the established wisdoms of political science. It was a good case, and one which, I am pretty sure that Chris would largely agree with (he says some pretty similar things in the book). But in the interests of good argument, I’d like to keep the dialectic going, counter-claiming that standard political science could greatly benefit from engaging with the ideas that Chris and Ezra batted around in their conversation, and that are discussed in greater depth in Chris’s book. Both podcast and book highlight problems that political scientists are bad at understanding. When political scientists think about attention, they usually rely on survey analysis and similar static means of capturing what citizens say about their attitudes. They do not, with occasional exceptions think much about the flows involved in therelationship between attention, technology and bandwidth.

More here.

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Sunday Poem

Pity the Nation

—After Khalil Gibran

Pity the nation whose people are sheep
And whose shepherds mislead them
Pity the nation whose leaders are liars
Whose sages are silenced
And whose bigots haunt the airwaves
Pity the nation that raises not its voice
Except to praise conquerors
And acclaim the bully as hero
And aims to rule the world
By force and by torture
Pity the nation that knows
No other language but its own
Pity the nation whose breath is money
And sleeps the sleep of the too well fed
Pity the nation oh pity the people
who allow their rights to erode
and their freedoms to be washed away
My country, tears of thee
Sweet land of Liberty!

by Lawrence Ferlinghetti, 2007

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Why EY Treats Loneliness as an Inclusion Issue

Michelle Peng in Time Magazine:

Engagement scores for US workers fell to a 10-year low in January, a dip that coincides with workers’ falling confidence that someone at work cares about them as a person or supports their development at work, according to Gallup. For Karyn Twaronite, global vice chair of diversity, equity, and inclusiveness at EY, this rising level of isolation and loneliness is fundamentally an inclusion issue.

“My job is to make sure that more of our people feel more included all the time,” she says, pointing out that the work also has a clear business case: “The lonelier people are at work, the less committed and less engaged they are.” Increase belonging and inclusion, on the other hand, and employers can also see productivity, engagement, and commitment rise.

More here.

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Friday, March 7, 2025

Modern Life Is Ruining Storytelling

Heather Parry at Persuasion:

Whoopi Goldberg on stage for Sister Act – the Musical, based on the 1992 film in which things actually happen. (Photo by Neil Mockford/Getty Images.)

Over the last few years, for various reasons (mentoring early career writers, being in a workshop group, chairing events, running a magazine, being asked to blurb books), I’ve had cause to read a lot of fiction—some of it by new writers, some of it by established writers.

When you get to the point of mentoring and editing emerging talent, you see a clear pattern of issues shared by most people’s early work. Mistakes like overwriting, being so desperate to make pretty sentences that you don’t actually describe what’s going on, failing to give basic information clearly. Writers are often so keen to be good at something, to be artistic, that we forget the basics. We forget that writing is a method of communication, and unless you’re being unclear for a very specific reason that will eventually reveal itself, in communication, clarity is key.

When it comes to first attempts at literary fiction, though, there’s often a different issue. That issue is that nothing fucking happens in it. When I started writing short stories I had excellent free mentoring from much-lauded Glasgow writer Kirsty Logan. The most irritating but insightful thing she would say to me, when I presented her with my stories, was this: “What is this story about?” And more often than not, I didn’t know.

More here.

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Read an unpublished excerpt from Carl Zimmer’s new book “Air-Borne”

Carl Zimmer in Sequencer Magazine:

Some of the microbes that rose from the ocean fell on land instead of water. Lying on the bare continents, they no longer had sea water to shield them from direct sunlight. Many likely died as the ultraviolet radiation ravaged their genes and proteins. Meanwhile, the atmosphere was sucking out the water from their interiors, causing their molecules to stick together and collapse into toxic shapes.

Over time, however, life adapted to land. The earliest signs of its spread are 3.2-billion-year-old fossils from South Africa. They preserve microbial mats that grew in a braidplain of streams woven across an arid landscape. The water in the streams would have periodically dried up, exposing the mats to dry air. Mutations that helped the microbes survive longer out of water would have allowed them to reproduce more, shaping future generations. Instead of relying on water to shield them, these microbes grew pigments that could absorb the deadly ultraviolet rays. They also relied on cooperation to survive in the air. Terrestrial microbes worked together to build rubbery films around themselves. These biofilms soaked up rain and water vapor from the air and held onto it during dry weather.

Three billion years later, these living films still exist. Known as biological soil crusts, they can be as thin as butter on toast, or as thick as the toast itself. Biological soil crusts today cover about 12 percent of dry land—roughly equivalent to the area of South America.

More here.

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Destroying Americans’ livelihoods and wealth to satisfy the whims of a crazy ideology

Noah Smith at Noahpinion:

Despite steady GDP growth, low inflation, low unemployment, and record high stock prices, Americans told pollsters in 2024 that they were deeply unhappy with how Joe Biden had handled the U.S. economy. So they elected Donald Trump, who promised to lower costs for average Americans, create a new era of U.S. manufacturing and domestic investment, and so on.

How is that working out? Well, the Atlanta Fed now projects that the U.S. economy will shrink at an annualized rate of 2.8% in the first quarter of Trump’s presidency:

The forecast was fine until it became clear a few days ago that Trump’s tariffs on Canada and Mexico would actually go into effect.

Now, this is just one forecast; the real number might be less dramatically bad. The Federal Reserve’s Beige Book, a survey of current economic indicators, suggests that growth will stall out but not go negative. But it’s very clear that tariffs are the driving force behind the slowdown.

More here.

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Can Painting Alter Politics?

John Banville at the New Statesman:

In his introduction, Clark poses a more immediate question: “Shouldn’t we judge political art by its effects, not its beauty or truth?” Leaving aside the second clause, we find two questionable assertions implicit in the first: namely, that art can be political and that it can have an effect. In this context, he imagines the reader wondering why his book “makes room for Matisse and Jackson Pollock,” two artists who “reached the conclusion, in practice, that opinions had to be what art annihilated if it was to survive”. Their stance is one that Clark accepts: “The blankness was essential. It was reality as they lived it.”

And is not that blankness –“inutility” was the word Vladimir Nabokov favoured – the very essence of art? Surely we go to Velázquez’s Las Meninas, to Piero della Francesca’s Sansepolcro Resurrection, to Bonnard’s baigneuses series, not to be told things, not to be persuaded of this or that political solution to life’s problems, but to have an intensified sense of what it is to be alive in this exquisite and appalling world into which we have been thrown, and from which after a little interval we shall be summarily ejected.

more here.

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Joan Didion And The Manson Murders

Alissa Wilkinson at the NYT:

Somehow, this case keeps surprising us. But one person who regarded it without shock — as if it was the inevitable conclusion of a panicked era — was Joan Didion, who was living and working in Hollywood when the murders occurred. In her 1978 essay “The White Album,” regarded as a seminal account of the era, she writes about the ripples of terror the murders provoked. “These early reports were garbled and contradictory,” with differ­ent numbers of victims and explanations of what happened, Didion writes. “I remember all of the day’s misinformation very clearly, and I also remember this, and wish I did not: I remember that no one was surprised.”

Reality was barely tangible in the summer of 1969, with its highs and lows, its muddled impressions and half-understood head­lines. Cause and effect seemed to be breaking apart. In some respects this was simply the inevitable result of a country becoming saturated in images because they had a screen at home. A movie theater was a place to go if you wanted to see a whole story, beginning to end. But a TV you could turn on and off, and you never knew what would be there when you turned it on again.

more here.

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Inside the scientific quest to reverse human aging

Gretchen Reynolds in The Washington Post:

For those hoping to cure death, and they are legion, a 2016 experiment at the Salk Institute for Biological Studies in San Diego has become liminal — the moment that changed everything. The experiment involved mice born to live fast and die young, bred with a rodent version of progeria, a condition that causes premature aging. Left alone, the animals grow gray and frail and then die about seven months later, compared to a lifespan of about two years for typical lab mice.

But the Salk scientists had a plan to change the aging animals’ fate. They injected them with a virus carrying four genes that can reshape DNA and, in effect, make every cell in the rodents’ bodies young again. The scientists could even control the genes from outside the mice, turning them on and off to manage the safety and potency of the genetic changes.

More here.

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The great American classic we’ve been misreading for 100 years

Constance Grady in Vox:

The Great Gatsby is 100 years old this year, which feels right in a way. After all those years as a perennial mainstay of the American high school English curriculum, all those Gatsby-themed flapper parties, all those valiant but ham-fisted attempts to adapt it, we know the beats of it well: the parties, the glamour, the green lights, and the beautiful clothes. It might as well be a hundred.

On the other hand, there are parts of Gatsby that feel so fresh and modern that they could have been written yesterday. In our own moment, as the world’s richest man takes a hatchet to the federal government for sport, one of Gatsby’s most celebrated lines about the very wealthy feels resoundingly true: “They were careless people … They smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made.”

More here.

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Friday Poem

Loose on Earth

A tiny spark, or
the slow-moving glow on the fuse
creeping toward where
ergs held close

in petrol, saltpeter, mine gas,
buzzing minerals in the ground,
are waiting.

Held tight in a few hard words
in a dark mood,
in an old shame.

Humanity,
……….. said Jeffers, is like quick

explosion on the planet
we’re loose on earth
half a million years
our weird blast spreading—

and after,
rubble—millennia to weather,
soften, fragment,
sprout, and green again.

by Gary Snyder
from Danger on Peaks
Shoemaker Hoard, 2004

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