…. Cedar Waxwing, Pyracantha II
Here are the ones I think will come: Wren, chestnut backed chickadee, hairy woodpecker, scrub jay. Words of a dream retold dissolve into pulp, into seed glue. Into chips of memory. This morning, I’ve a soft waxwing in hand. We are both stunned. His eye is cast beyond currents or cadence. He is shallow breath and a curled foot, tucked and gnarled. The purple stain I mistook for blood is rather three berries athroat bruised and slowly oozing. Berry juice tattoos his chin, small foot, my spring fingers. I remember thinking to hack down the pyracantha when all I could hear were thorns. If I listen long enough to form a new ear, I would press it low to the damp earth. There, the thrum of bacteria tickling roots might tap a rhythm I forgot to remember. Soft numb resilience, wing me a story. Scratch me a skin poem. Chase the sparrow’s tail, roll the boulder. Convince my hemoglobin. Take the spirit from the palm or cedar waxwing pluck the berry or hummingbird sip the nectar. Stillness and furious flight, one perfect circle. I dip thumb into water and droplet him back to consciousness. For a moment we are eye to eye—then we alight.
by Lehua M. Taitano
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Sometimes it pays to spend more time in the detours of art history—leaving behind the rigor mortis of the canon to follow new pathways—not necessarily toward an alternative canon, but to discover forgotten artists deserving of more attention.
In less than five years, we will have access to an error-free quantum supercomputer – so says IBM. The firm has presented a roadmap for building this machine, called Starling, slated to be available to researchers across academia and industry in 2029.
Consider the lessons of the Ukraine war so far. First, the impact of drones goes far beyond legacy weapons. Drones have indeed rendered tanks and armored personnel carriers extremely vulnerable, so Russian ground assaults now frequently use troops on foot, motorcycles, or all-terrain vehicles. But this hasn’t helped, because drones are terrifyingly effective against people as well. Casualties are as high as ever – but now, drones inflict 
Condensing the history of Marxist thought
The Wall is a story of an unnamed woman in her 40s who finds herself cut off from the rest of the world by the sudden appearance of the wall made of unknow material that separates a part of the forest from the rest of the world. This occurrence takes place during the narrator’s visit to her cousin, Luise’s and her husband, Hugo’s lodge in the Austrian Alps. She was unable to find an explanation for the appearance of the wall and was not sure if only the valley or the whole country had been affected by this disaster. Thanks to Hugo the narrator had provisions that would keep her through some time, and a lifetime’s supply of wood. that allowed her to survive. She also had their dog, Lynx who became an integral part of her new life along with two cats and the cow. They became her new family. At the time when the wall appeared the narrator was widowed for two years, and her two daughters were almost grown up.
Benson was acerbic and often hilarious about other authors. He describes Henry James’s talk as boring but ‘intricate, magniloquent, rhetorical, humorous’, and quotes him as saying that ‘the difference between being with [J M] Barrie & not being with him was infinitesimal’. Asked whether any of the actresses introduced to him by Ellen Terry were pretty, James replied, ‘I must not go so far as to deny that one poor wanton had some species of cadaverous charm.’ Immensely fat, G K Chesterton got so hot at a Magdalene dinner that the sweat ran down his cigar and ‘hissed at the point’. Hilaire Belloc was scintillating but frowsy and tipsy, living in something like a ‘gypsy encampment’, which, Benson thought, should be burned to the ground. Accompanied by Edmund Gosse, Benson visited Thomas Hardy, whose features were ‘curiously worn & blurred & ruinous’; they might have belonged to ‘a retired half-pay officer, from a not very smart regiment’. Although admiring H G Wells, Benson deprecated his ‘strong cockney accent’ and his ‘glorification of animalism’.
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In 2023, one out of 20 Canadians who died received a physician-assisted death, making Canada the No. 1 provider of medical assistance in dying (MAID) in the world, when measured in total figures. In one province, Quebec, there were more MAID deaths per capita than anywhere else. Canadians, by and large, have been supportive of this trend. A 2022 poll showed that a stunning 86 percent of Canadians supported MAID’s legalization.
From knowledge and expertise to planning, reasoning, creativity, and problem-solving, we could soon find ourselves 
In the early 2000s, political scientist Andreas Schedler coined the term “
Artificial intelligence
At midcentury, Marianne Moore emerged as a public personage, but not before a painful period of loss. Prefaced by a host of personal disasters—the death of her mother’s onetime partner Mary Norcross, her own hospitalization for digestive problems, her mother’s painful shingles and neuralgia—the decade of the 1940s brought sorrow. Moore had to deal with the rejection of her only attempt at a novel and the news that her Selected Poems had been remaindered at thirty cents a copy. Bouts of bursitis and bronchitis prompted her to hire a succession of nurses and helpers, one of whom—Gladys Berry—would work for Moore into her old age.
WHEN MARCEL DUCHAMP mounted a challenge to Constantin Brancusi during a joint visit to an exhibition of new airplane technologies in Paris in 1912—asking Brancusi whether he could ever sculpt anything as perfect as an airplane propeller—he figured a contradiction that haunted sculptural production for the remaining part of the twentieth century and into the first two decades of the twenty-first: the dialectics between traditional artisanal and artistic modes of sculptural production and the ever more compelling paradigm of the technologically produced readymade. Obviously, this dialectic has been constitutive of Gabriel Orozco’s work from the very beginning and determines it to this very day.