‘Tis the Season of Stale Bread and Sad Circuses

Circusby Akim Reinhardt

Every time of year is ripe for bread and circuses in America. There is nary a day when you can't eat cheap fast food and indulge in aimless distractions. There are all the holidays, like Christmas, Memorial Day, and Labor Day, which used to mean something but now are little more than convenient excuses for shopping sprees and drunkenness. There's the endless streams of Netflix, Hulu, and Amazon to complement the more traditional time wasters of cable TV and the broadcast networks. There's the Friday happy hours capping off a miserable week of work with shallow social relationships and cheap booze and finger food. And of course there's always your phone. Angry Birds, Candy Crush, Snapchat, Twitter, Facebook, Tumblr, Instagram, Reddit, WhatsApp, QQ, all those photos you took, all those photos people are sending you, GIFs galore, and tic-toc, tic-toc, text, text, text.

It never ends.

And perhaps it never did. Perhaps it's simply that society is wealthier than it's ever been before, leaving people with more leisure time, cheap food, and expendable income than prior generations could have imagined. Perhaps our ancestors pined for the chance to wile away their lives but simply lacked the time and resources to do so. Perhaps they were too busy laboring in factories and on farms, trudging and hustling, to become so thoroughly absorbed in nothingness as we do today. If our great-great grandparents could see us now, maybe they'd scold us for paying insufficient attention to the republic's affairs, or spending too much time on food and drink and idle entertainment, but not enough time in the House of the Lord, improving our souls and making amends for our sins.

Or maybe they'd just be jealous. Maybe whatever criticisms they lobbed at us would be born of anxiety and envy, designed to hide the sad yearning within them, the hopeless desire that they too could have so easily filled their bellies and wasted their lives.

Because maybe floating upon a lost cloud of minor hedonism is the best we can hope for.

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The Miracle of Chartres Cathedral

by Leanne Ogasawara

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Once upon a time, the world was full of miracles.

And oh, that was the miracle of those two spires of Chartres Cathedral! Separated in time by some four hundred years, the spires can still be glimpsed past fields of wheat, rising up over the low town; a town which itself has somehow retained its old medieval quality. Very much like the legendary first view of Mont Saint-Michel one gets from a distance, it is the unexpected vision of those cathedral spires arising out of the clear blue sky that makes arriving at Chartres so emotionally stirring an experience.

We were following in the footsteps of Henry Adams.

The son of Abraham Lincoln's ambassador to London, it wasn't just his father who was a great man; for Henry Adams' grandfather and great-grandfather were US presidents. A historian and man of letters, I had never realized until I stumbled on his book about Chartres that Henry Adams was a Harvard-trained medievalist. And an excellent one at that. His book, Mont Saint-Michel and Chartres is written in the finest 19th century classical essay style. Engaging and filled with all manner of playful and dazzlingly-told medievalisms, the book became the blueprint for our own journey in Northern France this past summer.

So, since Adams begins his travelogue with Mont Saint-Michel–so did we.

I've already written about our stay on the Mont in my July post Benedictine Dreams. Even now, I cannot get the sound of the seagulls and church bells out of my mind: or of walking across the bridge of dreams toward that fairy palace shimmering in the summertime air. It was utterly otherworldly. Its infamous mudflats and quicksand, which pilgrims of old had to cross in order to reach the Mont, were known in the Middle Ages as the "path to paradise." And it's true. The Mont is, as they say, one of the great wonders of the western world. Everyone should try and go see it someday. Henry Adams was also much beguiled by the vision of the great fortress abbey, perched on top of a granite rock in the middle of the strongest tidal currents in Europe. He describes it as a monument to the masculine. And in his book, he sets up Mont Saint-Michel as a kind of "yin" to Chartres' "yang."

He has a point; for if the massively fortified Mont was dedicated to the archangel Michael, commander of the army of God and weigher of human souls; Chartres, by contrast, has always been dedicated to the Virgin Queen.

Indeed, even before there was a cathedral at Chartres, this place had already been known as a holy place in the Druid cult of the divine feminine.

[Joan Sutherland "Casta diva" from "Norma"]

But how did this cathedral survive intact for so long?

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The Damage Done To Our Democracy By Trump And The GOP

by Evert Cilliers

Baby trump angryHitler and Mussolini came to power because they were freely elected by their people, with the complicity of many in the established political class.

Can the same thing happen in America with the freely elected President Trump, who is being coddled by our established political class in the GOP?

After all, in true authoritarian fashion, Trump attacks the free press, attacks our courts, attacks the FBI and the Justice Department, and tells half a dozen lies a day.

Never before has so much crap been dropped from the piehole of an American president.

It's something we've never seen in all of our history.

Unprecedented. Bizarro. Weird beyond weird.

We now have a presidential moron who, in between his intake of junk food and junk news, spends his days shitting on our democracy.

Ezra Klein wrote at Vox:

"This was a year in which Trump undermined the press, fired the director of the FBI, cozied up to Russia, baselessly alleged he was wiretapped, threatened to jail his political opponents, publicly humiliated his attorney general for recusing himself from an investigation, repeatedly claimed massive voter fraud against him, appointed a raft of unqualified and occasionally ridiculous candidates to key positions, mishandled the aftermath of the Puerto Rico hurricane, and threatened to use antitrust and libel laws against his enemies."

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A post-apocalyptic heist: Commentary on a passage from New York 2140

by Bill Benzon

Science fiction isn’t just thinking about the world out there. It’s also thinking about how that world might be—a particularly important exercise for those who are oppressed, because if they’re going to change the world we live in, they—and all of us—have to be able to think about a world that works differently.
–Samuel Delany

New York 2140, as many of you know, is Kim Stanley Robinson’s latest novel, a hefty doorstop of a book at a few pages over 600. The title tells the tale, well not all of it by any means, heck, not much of it at all, but it tips you to the central premise: this is a story set in New York City in the year 2140. After the flood. Actually, it’s after two floods, called pulses in the book, a term suggesting that they’re but inflections in the global climate system, though Robinson clearly believes that human activity ramped them up. Consequently, the sea in 2140 is much higher than it is now, fifty feet higher. Manhattan below 50th Street is under water, but most of the buildings remain. People live and work in them and get around by boat and by skybridges. And it’s like that all over the world. Coastal cities have flooded, but people remain.

It’s called the intertidal, this vast worldwide coastal boondocks. It’s not fully wild, but it’s no longer fully civilized, whatever that means. It’s legally ambiguous, lots of off-grid activity, lots of informal mutual-aid living.

The two pulses have weakened nation-states in favor of private institutions and the world remains split into a large sprawling 99+% and a much smaller (fraction of) 1%, who rule over everything by speculating in real estate and financial instruments. New York 2140 is about how a small handful of 99 percenters living in one building in lower Manhattan manage to put a monkey wrench into the whole shebang and bring it to its knees. It is thus a comedy, in the literary sense of the word (e.g. Dante’s Divine Comedy), with an optimistic outlook.

I’m going to take a longish passage from about two-thirds of the way through and use it as a prism – or a Leibnizian monad – to examine the whole. At this point three of our central characters are spinning out a scheme to save the building where they live and do a few other things as well.

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Sunday, February 4, 2018

Review of “The Strange Order of Things” by Antonio Damasio

John Banville in The Guardian:

4121Nietzsche would have given four cheers for this intricately argued book, which is at once scientifically rigorous and humanely accommodating, and, so far as this reviewer can judge, revolutionary. Antonio Damasio, a professor of neuroscience, psychology and philosophy, sets out to investigate “why and how we emote, feel, use feelings to construct our selves … and how brains interact with the body to support such functions”. We are not floating seraphim, he reminds us, but bodies that think – and all the better for it.

From Plato onwards, western philosophy has favoured mind over “mere” body, so that by the time we get to Descartes, the human has become hardly more than a brain stuck atop a stick, like a child’s hobbyhorse. This is the conception of humanness that Damasio wishes to dismantle. For him, as for Nietzsche, what the body feels is every bit as significant as what the mind thinks, and further, both functions are inextricably intertwined. Indeed, from the very start, among the earliest primitive life forms, affect – “the world of emotions and feelings” – was the force that drove unstoppably towards the flowering of human consciousness and the creation of cultures, Damasio insists.

The idea on which he bases his book is, he tells us, simple: “Feelings have not been given the credit they deserve as motives, monitors, and negotiators of human cultural endeavours.” In claiming simplicity, it is possible the author is being a mite disingenuous. The tone in which he sets out his argument is so carefully judged, so stylistically calm and scientifically collected, that most readers will be lulled into nodding agreement. Yet a moment’s thought will tell us that we conduct our lives largely in contradiction of his premise, and for the most part deal with each other, and even with ourselves, as if we were pure spirit accidentally and inconveniently shackled to half a hundredweight or so of forked flesh.

More here.

Scientific Theory And The Multiverse Madness

Sabine Hossenfelder at NPR:

Milkyway-d027c6aae956dbc7f064bd46724f00d282471d7b-s1600-c85Newton's law of gravity — remember that? The force between two massive bodies decreases with the inverse square of the distance and so on?

To use it, you need a constant, "Newton's constant," also called the "gravitational constant," usually denoted G. You can determine G to reasonable accuracy with a few simple measurements.

Once you have fixed the gravitational constant, you can apply Newton's law to all kinds of different situations: falling apples, orbiting planets, launching rockets, etc. All with only one constant!

This ability to explain many superficially different processes is what makes natural laws so powerful. Newton's contemporaries were suitably impressed.

After Newton came up with his equation, he could have reasoned: "Since I don't know this constant's value but have to measure it, the constant could have any value. So, there must be a universe for each different value. I conclude that we live in one of infinitely many universes – one for each value of the gravitational constant. I will call this collection of universes the "multiverse.""

But he didn't. Newton was famously minimalistic with his assumptions and even refused to speculate whether there were deeper reasons for his law of gravity, arguing this was unnecessary. "Hypotheses non fingo," he wrote, "I feign no hypotheses."

But that was then.

More here.

The Uses and Abuses of “Neoliberalism”

Daniel Rodgers in Dissent:

1515428481RodgersThatcheronTV666Neoliberalism is the linguistic omnivore of our times, a neologism that threatens to swallow up all the other words around it. Twenty years ago, the term “neoliberalism” barely registered in English-language debates. Now it is virtually inescapable, applied to everything from architecture, film, and feminism to the politics of both Donald Trump and Hillary Clinton. Search the ProQuest database for uses of “neoliberalism” between 1989 and 1999, and you turn up fewer than 2,000 hits. From the crash of 2008–9 to the present, that figure already exceeds 33,000.

On the left, the term “neoliberalism” is used to describe the resurgence of laissez-faire ideas in what is still called, in most quarters, “conservative” economic thought; to wage battle against the anti-tax, anti-government, and anti-labor union agenda that has swept from the Reagan and Thatcher projects into the Tea Party revolt and the Freedom Caucus; to describe the global market economy whose imperatives now dominate the world; to castigate the policies of Bill and Hillary Clinton’s centrist Democratic Party; and to name the very culture and sensibilities that saturate our minds and actions.

Vital material issues are at stake in all these debates. But the politics of words are in play as well. Naming matters. It focuses agendas and attention. It identifies causation and strategies of action. It collects (or rebuffs) allies. Is the overnight ubiquity of the term “neoliberalism” the sign of a new acuteness about the way the world operates? Or is it a caution that a word, accelerating through too many meanings, employed in too many debates, gluing too many phenomena together, and cannibalizing too many other words around it, may make it harder to see both the forces at loose in our times and where viable resistance can be found?

More here.

Why hiring the ‘best’ people produces the least creative results

Scott E Page in Aeon:

ScreenHunter_2955 Feb. 04 17.45While in graduate school in mathematics at the University of Wisconsin-Madison, I took a logic course from David Griffeath. The class was fun. Griffeath brought a playfulness and openness to problems. Much to my delight, about a decade later, I ran into him at a conference on traffic models. During a presentation on computational models of traffic jams, his hand went up. I wondered what Griffeath – a mathematical logician – would have to say about traffic jams. He did not disappoint. Without even a hint of excitement in his voice, he said: ‘If you are modelling a traffic jam, you should just keep track of the non-cars.’

The collective response followed the familiar pattern when someone drops an unexpected, but once stated, obvious idea: a puzzled silence, giving way to a roomful of nodding heads and smiles. Nothing else needed to be said.

Griffeath had made a brilliant observation. During a traffic jam, most of the spaces on the road are filled with cars. Modelling each car takes up an enormous amount of memory. Keeping track of the empty spaces instead would use less memory – in fact almost none. Furthermore, the dynamics of the non-cars might be more amenable to analysis.

More here.

In solitude what happiness?

Maggie Fergusson in More Intelligent Life:

LON_93X_inlineNothing about Rebecca’s life looks sad. She’s strikingly attractive and professionally successful. I met her in her comfortable split-level flat in Fulham, just after she had started a new job, another rung up the ladder of career and income. Four years ago, when she was 31, a long-term relationship that she had thought would lead to marriage came to a sudden end. She still looks wistfully over her shoulder, but at the same time desperately wants to settle down and have children before it’s too late. “Lots of people can’t understand why I’m lonely,” she says. “I’ve got a good job, a lovely family and lots of close friends. But most of them now are married and taken up with babies. I try to be happy for them, but there’s no one I can ring if I’ve had a bad day; there’s no one for whom I’m the most important one. Things like filling out forms make me feel acutely lonely. Who’s my next of kin? My dad.”

Rebecca has joined the 7m other people in Britain who are trying to find love through the internet. She reckons she’s been on at least 100 dates so far. Every time, she makes an effort – gets “frocked up” as Australians say – but it’s never yet been successful, and she travels home from each assignation feeling “more lonely than if I’d never tried”. Her distaste for the whole business is palpable. Still, faute de mieux, she bashes on. “How does it feel?” I ask, as she opens her page on the Guardian Soulmates website (which shows that, to date, 1,305 people have viewed her and 356 people liked her). “It feels pragmatic, and sad. I’m admitting, ‘I’m lonely, and I want to have a family’, and there’s a kind of shame in that.”

She takes me through the profiles of men who have recently joined the site, most with cheeky-chappy nick-names: Curbychup, FoodieGeoff, LieutenantGrey. She shows me how she’s built her own profile, presenting herself as a happy-go-lucky woman who’s well read and widely travelled. “There’s a loneliness in having to present yourself in a certain way, definitely. The distance between the image I give and the reality is getting wider and wider. But if I were to write the truth – that I’m lonely and worried I might not have a family – it would be just the most off-putting thing.”

“So people think of loneliness almost as an infectious disease?”

“Yup. Something like that. Most people find it very, very unattractive.”

“Does anyone on the Guardian site ever admit to loneliness in their profile?”

NEVER!”

More here.

Beyond the Slave Trade, the Cadaver Trade

Daina Ramey Berry in The New York Times:

BerryThe topic of slavery features prominently in each February’s reflections on African-American history. But when it comes to this darkest time in our country’s past, experts are still discovering horrors that have not yet made their way into history books. One shocking fact that’s recently come to light: Major medical schools used slave corpses, acquired through an underground market in dead bodies, for education and research. Yes, there was a robust body-snatching industry in which cadavers — mostly the bodies of black people, many of whom had been enslaved when they were alive — were used at Harvard, the Universities of Maryland, Pennsylvania and Virginia, and other institutions.

It is time to acknowledge this dark truth behind our understanding of human anatomy and modern medicine.

Over several years, I’ve studied what I call the domestic cadaver trade and its connection to 19th-century medical education. The body trade was as elaborate as the trans-Atlantic and domestic slave trade that transported Africans to the New World and resold African-Americans on our soil. But when enslaved people died, some were sold again and trafficked along the same roads and waterways they traveled while alive. The domestic cadaver trade was active, functional and profitable for much of the 19th century. Fueled by demand from medical schools’ need for specimens for anatomy classes, it was a booming business. Typically, the supply of bodies consisted of executed criminals and unclaimed corpses from almshouses and prisons. But when these sources fell short, physicians and students alike looked elsewhere. Some anatomy professors personally sent agents to work with professional body snatchers who stole bodies from pauper cemeteries. Body snatchers like Grandison Harris of Georgia and Chris Baker of Virginia collected specimens for dissection for the benefit of medical colleges. While they received room, board and modest wages for the bodies they collected, they were also enslaved African-American men themselves, listed as “janitors” or “porters” in the medical schools’ records.

More here. (Note: Throughout February, at least one post will be dedicated to honor Black History Month)

Saturday, February 3, 2018

200 Years Later, We’re Still Learning from Frankenstein: The 1818 Text

Lorraine Berry in Signature:

FrankensteinHow can I describe my emotions at this catastrophe, or how delineate the wretch whom with such infinite pains and care I had endeavoured to form? His limbs were in proportion, and I had selected his features as beautiful. Beautiful!—Great God! His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a pearly whiteness; but these luxuriance only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun white sockets in which they were set, his shriveled complexion, and straight black lips.

These are Victor Frankenstein’s words upon seeing his “child,” the Monster, who is never named by his father. The Monster is created early in the book’s narrative, in chapter four, and the rest of the novel’s action concerns itself with the consequences of Frankenstein’s ultimate sin as a parent: the abandonment of his newborn.

It’s the bicentennial of the publication of Mary Shelley’s first novel, a novel that has been translated to television and film more than any others – 177, as of October 2017. And yet, those who have not sat down with the original version, written by Mary Shelley when she was between sixteen and eighteen, and published when she was twenty, will have little idea of the real story of Frankenstein. The gothic novel was the product of a famous challenge among Lord Byron, Percy Bysshe Shelley, John William Polidori, and Mary Godwin, who was not yet married to Shelley. Byron challenged all of them over a weekend to write a scary tale. Out of that weekend, Polidori wrote The Vampyre, the original vampire novel, and Mary, unable to come up with anything over the weekend, worked on Frankenstein for a year.

More here.

You thought quantum mechanics was weird: check out entangled time

Elise Crull in Aeon:

Idea_sized-alan-levine-341932585_6cc21d70c1_oIn the summer of 1935, the physicists Albert Einstein and Erwin Schrödinger engaged in a rich, multifaceted and sometimes fretful correspondence about the implications of the new theory of quantum mechanics. The focus of their worry was what Schrödinger later dubbed entanglement: the inability to describe two quantum systems or particles independently, after they have interacted.

Until his death, Einstein remained convinced that entanglement showed how quantum mechanics was incomplete. Schrödinger thought that entanglement was the defining feature of the new physics, but this didn’t mean that he accepted it lightly. ‘I know of course how the hocus pocus works mathematically,’ he wrote to Einstein on 13 July 1935. ‘But I do not like such a theory.’ Schrödinger’s famous cat, suspended between life and death, first appeared in these letters, a byproduct of the struggle to articulate what bothered the pair.

The problem is that entanglement violates how the world ought to work. Information can’t travel faster than the speed of light, for one. But in a 1935 paper, Einstein and his co-authors showed how entanglement leads to what’s now called quantum nonlocality, the eerie link that appears to exist between entangled particles. If two quantum systems meet and then separate, even across a distance of thousands of lightyears, it becomes impossible to measure the features of one system (such as its position, momentum and polarity) without instantly steering the other into a corresponding state.

More here.

Fragments Were What I Had Available to Me: Talking to Danielle Allen

Andy Fitch in the Los Angeles Review of Books blog:

41ve+TsMSwL._SX333_BO1 204 203 200_How to address in catalyzing prose the policy ramifications of your family’s most intimate personal struggles? How (and why) to construct a poetics of prison reform? When I want to ask such questions, I pose them to Danielle Allen. This conversation, transcribed by Phoebe Kaufman, focuses on Allen’s Cuz, a kaleidoscopic account of her cousin Michael’s life before, during, and after incarceration.

ANDY FITCH: Before we get to anything like Michael’s legal case, or treat Michael’s circumstances as a case study of broader social concerns, could you just introduce him, and maybe introduce Cuz’s “I” at the same time? Readers of your book will be charmed to hear of Michael’s smile and playful exuberance. Here could you offer some scene maybe not in the book, but which exemplifies your relationship to each other as cuz?

DANIELLE ALLEN: My time with Michael divides into two phases: first from eight to 18 for me, and from birth to 10 for him. That phase was full of ordinary joys of cousinhood in Southern California: climbing trees, playing football in the street in front of our house, riding bikes, playing with Hotwheel cars. And family holidays: food, talk, lots of football on the television. Then I left for college and Michael, his mom, his siblings, and his mother’s new husband moved to Mississippi. This is when their lives exploded, which I experienced from a distance. Then my second time with Michael ran from about 1998 until his death in 2009, so for me from age 27 to 37. We had nearly weekly phone calls for eight years, and then the intensive period together when Michael got out of prison. Michael was my closest confidante during this period. He probably heard more of my griping about work and marital woes than anyone else.

More here.

Julian Barnes’ ‘THE ONLY STORY’

F899278c-0052-11e8-a2b0-4e5c7848ab024Ruth Scurr at the TLS:

Julian Barnes’s thirteenth novel, like many of its predecessors and his memoir, Levels of Life (TLS, May 3, 2013), is divided into three parts and concerned with love. In the first part, written in the first person, the character Paul, one in a long line of Barnes’s mildly unlikeable but refined male narrators, reminisces late in life about his early relationship with a much older married woman, Susan. Paul and Susan met in the 1960s in suburban Surrey at their local tennis club, when he was nineteen, and home from Sussex University for the summer, and she was forty-eight. Their affair was not a stereotypical “sweet summer interlude” but a romance that lasted over a decade, which, in retrospect, Paul recognizes as the defining, or only, story of his life.

The comic incongruousness of Continental sophistication transplanted to provincial England is evoked early in the novel when a delicatessen opens in the village: “some thought [it] subversive in its offerings of European goods: smoked cheeses, and knobbly sausages hanging like donkey cocks in their string webbing”. Paul rejects the French cliché of an older woman teaching “the arts of love” to a younger man, as in Colette’s novel Chéri (1920): “But there was nothing French about our relationship, or about us. We were English and so had only those morally laden English words to deal with: words like scarlet woman, and adulteress”.

more here.