by Maniza Naqvi
A woman, her cart of belongings next to her, sits on a park bench, feeding the pigeons, squirrels and ducks. She throws bread crumbs to them, and calls out in a voice, cured by cigarettes and gin: “Have a nice day working for the war! You know we all work for the war! Even these pigeons are eating off the war!” She must be seventy, she wears a string of pearls, a checkered white and blue gingham dress, her eyes are bright blue, her hair silver and long, her skin tanned and weathered. I stare at her, for a moment I think I know her and then I move on.
In front of the White House, another diaspora pleads and protests against a repressive regime, as if the White House were a temple, for such things. Helmeted curious tourists whoosh by on their Segways. A few days earlier, it was the Egyptian diaspora, here, demanding that the White House recognize the ouster of Morsi's government by the military as a coup d'etat. But this prime temple, the White House, has maintained a monumental Sphinx like silence on this term, surrounded as it is, perhaps, by so many edifices to Generals. Now over one thousand Egyptian protesters are dead at the hands of their military. Who manufactured the bullets, guns and gas? But there are balls and chains that stop the White House from breaking with its tradition of supporting the military in Egypt—weapons sales from US companies based on vouchers considered as aid to Egypt. This is the way the world is organized, trapped like insects in honey, unable to resist the viscosity of an elaborate system of commerce, war and aid: vouchers as aid to militaries overseas to purchase from the weapons industry —and subsidies to the food industry for surplus maize as aid to the impoverished citizenry of those places overseas.
I look at the sculpture of General Lafayette at the Southeast corner of the park, at whose base a statue of a woman, half crawling half naked, reaches up to him to hand him a sword: Lady Liberty, I presume.
Even so, there is another protest—a monumental piece de resistance —in fact, an act of supreme resistance installed, quite literally, in its own back yard.
