by Mark R. DeLong

Avital Meshi says, “I don’t want to use it, I want to be it” “It” is generative AI, and Meshi is a performance artist and a PhD student at the University of California, Davis. In today’s fraught and conflicted world of artificial intelligence with its loud corporate hype and much anxious skepticism among onlookers, she’s a sojourner whose dived deeply and personally into the mess of generative AI. She’s attached ChatGPT to her arm and lets it speak through the Airpod in her left ear. She admits that she’s a “cyborg.”

Meshi visited Duke University in early September to perform “GPT-Me.” I took part in one of her performances and had dinner with her and a handful of faculty members from departments in art and engineering. Two performances made very long days for her—the one I attended was scheduled from noon to 8:00 pm. Participants came and went as they wished; I stayed about an hour. For the performances, which she has done several times, Meshi invites participants to talk with her “self” sans GPT or with her GPT-connected “self”; participants can choose to talk about anything they wish. When she adopts her GPT-Me self, she gives voice to the AI. “In essence, I speak GPT,” she said. “Rather than speaking what spontaneously comes to my mind, I say what GPT whispers to me. I become GPT’s body, and my intelligence becomes artificial.”

In effect, Meshi serves as a medium, and the performance itself resembles a séance—a likeness that she particularly emphasized in a “durational performance” at CURRENTS 2025 Art & Technology Festival in Santa Fe earlier this year. Read more »