Co-opt & Corrupt: How Trump Bent and Broke the GOP

Ruth Ben-Ghiat in the New York Review of Books:

“As time went on, it became clear that the sickness was a feature, that anyone who entered the building became a little sick themselves,” wrote the journalist Olivia Nuzzi in March 2018 of the Donald J. Trump White House and those who serve it. For a century, those who have worked closely with authoritarian rulers have shown the symptoms of this malady: a compulsion to praise the head of state and a willingness to sacrifice one’s own ideals, principles, and dignity to remain in his good graces, at the center of power.

In his relationship with Republican political elites, as in other areas of endeavor, President Trump has followed the model of “personalist rule” used by leaders like Hungarian Prime Minister Viktor Orbán. Some of these rulers destroy democracy, and others, like the Italian politician Silvio Berlusconi, govern nominally open societies in undemocratic ways. Yet personalist rule always concentrates power in one individual whose own political and financial interests and private relationships with other despots often prevail over national interests in shaping domestic and foreign policy. Loyalty to this head of state and his allies, rather than expertise, is a primary qualification for serving him, whether as ministers or bureaucrats, as is participation in his corruption schemes.

While some authoritarians have political parties of their own creation at their disposal, Trump had no ready-made vehicle for his political ambitions before 2016. He had to win over the Grand Old Party to gain credibility and access to its machine and gain the collaboration of its elites.

More here.

Hydroxychloroquine: A Morality Tale

Norman Doidge in Tablet:

Early in the coronavirus pandemic, a survey of the world’s frontline physicians showed hydroxychloroquine to be the drug they considered the most effective at treating COVID-19 patients. That was in early April, shortly after a French study showed it was safe and effective in lowering the virus count, at times in combination with azithromycin. Next we were told hydroxychloroquine was likely ineffective, and also dangerous, and that that French study was flawed and the scientist behind it worthy of mockery. More studies followed, with contradictory results, and then out came what was hailed by some as a definitive study of 96,000 patients showing the drug was most certainly dangerous and ineffective, and indeed that it killed 30% more people than those who didn’t take it. Within days, that study was retracted, with the editor of one of the two most respected medical journals in the Western world conceding it was “a monumental fraud.” And on it went.

Not only are lay people confused; professionals are. All that seems certain is that there is something disturbing going on in our science, and that if and when the “perfect study” were to ever come along, many won’t know what to believe.

More here.

Wednesday Poem

Acquainted With the Night

I have been one acquainted with the night.
I have walked out in rain—and back in rain.
I have outwalked the furthest city light.

I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.

I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,

But not to call me back or say good-bye;
And further still at an unearthly height,
One luminary clock against the sky

Proclaimed the time was neither wrong nor right.
I have been one acquainted with the night.

by Robert Frost
from
Robert Frost Collected Poems

The Lying Life of Adults – a girl’s own story

Lara Feigel in The Guardian:

Elena Ferrante is so good on the bodily feelings of female adolescence: the sweaty, clotted skin, the sudden bulges as breasts form, the awkwardly exciting transformations. She is good, also, on the way that childhood friendships change, becoming infused with desire and longing. Her characters startle themselves with their readiness to betray their friends for the newly discovered opposite sex, but they startle themselves too when they jettison their heavy, often rather insulting male suitors and return to their nimbler companions.

Her latest novel, The Lying Life of Adults, is set over the protracted years of adolescence, from 12 to 17. The confusion of bodily change provides a murky backdrop for the lucid mental clarity this period of life can bring. These are years when you are an outsider to yourself, unable fully to recognise the person you are becoming, and an outsider to the once familiar figures who surround you. So it’s not surprising that these are often the years when the novelist is born. In this case, Giovanna becomes a novelist through observing the lies of adults , and through learning to tell her own. Giovanna has grown up in Naples, the familiar territory of Ferrante’s quartet. She lives high in the rarefied boulevards of the upper city, but has grown up knowing that there’s another city down below, where her father spent his childhood and his family still live. “To visit them you had to go down, and down, keep going down, into the depths of the depths of Naples.” She is the beloved daughter of two teacher parents, nurtured by the admiration of a father whose violence she nonetheless fears, because periodically he mashes up “sophisticated arguments and uncontrolled emotions”.

More here.

Quantum paradox points to shaky foundations of reality

George Musser in Science:

Nearly 60 years ago, the Nobel Prize–winning physicist Eugene Wigner captured one of the many oddities of quantum mechanics in a thought experiment. He imagined a friend of his, sealed in a lab, measuring a particle such as an atom while Wigner stood outside. Quantum mechanics famously allows particles to occupy many locations at once—a so-called superposition—but the friend’s observation “collapses” the particle to just one spot. Yet for Wigner, the superposition remains: The collapse occurs only when he makes a measurement sometime later. Worse, Wigner also sees the friend in a superposition. Their experiences directly conflict.

Now, researchers in Australia and Taiwan offer perhaps the sharpest demonstration that Wigner’s paradox is real. In a study published this week in Nature Physics, they transform the thought experiment into a mathematical theorem that confirms the irreconcilable contradiction at the heart of the scenario. The team also tests the theorem with an experiment, using photons as proxies for the humans. Whereas Wigner believed resolving the paradox requires quantum mechanics to break down for large systems such as human observers, some of the new study’s authors believe something just as fundamental is on thin ice: objectivity. It could mean there is no such thing as an absolute fact, one that is as true for me as it is for you.

 “It’s a bit disconcerting,” says co-author Nora Tischler of Griffith University. “A measurement outcome is what science is based on. If somehow that’s not absolute, it’s hard to imagine.”

More here.

Tuesday, August 18, 2020

The Last of the Hedgehogs

Chris Fleming in the Los Angeles Review of Books:

IN 1953, ISAIAH BERLIN published his long essay “The Hedgehog and the Fox,” outlining his now-famous Oxbridge variant on there are two kinds of people in this world. He drew the title from an ambiguous fragment attributed to the ancient lyric poet Archilochus of Paros: “The fox knows many things, but the hedgehog one big thing.” Written with the aim of pointing out tensions between Tolstoy’s grand view of history and the artistic temperament that saw such a view as untenable, Berlin’s essay became an unlikely hit, although less for its argument about Russian literature than for its contention that two antithetical personae govern the world of ideas: hedgehogs, who view the world in terms of some all-embracing system, seeing all facts as fitting into a grand pattern; and foxes, those pluralists or particularists who refuse “big theory” for reasons either intellectual or temperamental.

Berlin’s typology is beautifully blunt: perhaps more a serious game than a scientific typology, it works wonderfully only when it does. With the French American literary and cultural theorist René Girard, it works very well.

More here.

Sean Carroll’s Mindscape Podcast: Neil Johnson on Complexity, Conflict, and Infodemiology

Sean Carroll in Preposterous Universe:

Physicists have traditionally simplified systems as much as possible, in order to shed light on fundamental properties. But small, simple parts build up into large, complex wholes. Are there new rules and laws of nature that apply specifically to the realm of complexity? This has been a popular question for a few decades now, and we have some answers but not as many as we would like. Neil Johnson is an expert on complex systems generally, and information networks in particular. We discuss how self-organization can arise from individual units following their own agendas, and how we can mathematically characterize such behavior. Then we talk about information networks in the modern world, including how they have been used to spread disinformation and find recruits for radical fringe groups.

More here.

British spy’s account sheds light on role in 1953 Iranian coup

Julian Borger in The Guardian:

A first-hand account of Britain’s role in the 1953 coup that overthrew the elected prime minister of Iran and restored the shah to power has been published for the first time.

The account by the MI6 officer who ran the operation describes how it took British intelligence years to persuade the US to take part in the coup. Meanwhile, MI6 recruited agents and bribed members of Iran’s parliament with banknotes transported in biscuit tins.

Together the MI6 and CIA even recruited Shah Reza Pahlavi’s sister in an effort to persuade the reluctant monarch to back the coup to overthrow Mohammad Mossadegh.

“The plan would have involved seizure of key points in the city by what units we thought were loyal to the shah … seizure of the radio station etc … the classical plan,” recalled Norman Darbyshire, the head of MI6’s Persia station in Cyprus at the time of the coup.

More here.

Titian’s Farts

Kelly Grovier at the BBC.

That the Latin name for the caper flower, Capparis spinosa, is related to the Italian word capriolare (meaning ‘to jump in the air’), is a droll enough visual/verbal play to suggest that Titian is intentionally teasing us with the placement of the prickly perennial plant directly under the bouncing Bacchus. But it is the plant’s medicinal use, since antiquity, as a natural carminative (or remedy for excessive flatulence) that reveals the artist is truly letting rip with some mischievous fun. In the context of Titian’s carefully deployed caper, Bacchus’s explosive propulsion from his seat appears more wittily, if crudely, choreographed by Titian, who demystifies the lovestruck levitation by providing us with a more down-to-earth explanation for the cheeky lift-off. In Titian’s retelling of Ovid’s myth, Bacchus has been hoisted by his own pungent petard, as Shakespeare, who likewise loved toilet humour, might have said.

more here.

Minimalisms

James Delbourgo at Literary Review:

The original Garden of Emptiness, Kyle Chayka explains in his pugnacious whistlestop tour of minimalism, is to be found in the 16th-century rock garden of the Kyoto Zen temple Ryoan-Ji. Chayka journeys to this sacred spot in search of the philosophical minimalism that has been obscured by today’s commodified decluttering. His book, which ranges from the Stoics and Buddhism to Mies van der Rohe, is a rebuke to the Shintoistic declutterer Marie Kondo, whose bestselling Netflix-powered KonMari method urges us to retain only those possessions that ‘spark joy’ and to practise such techniques as folding trousers vertically and not – heavens! – horizontally. Chayka warms to Donald Judd’s Plexiglas, Philip Johnson’s Glass House and Brian Eno’s ‘Discreet Music’. He is irked by minimalist hipsters’ all-grey uniforms and the solipsistic sensory deprivation of the Soulex company’s amniotic ‘float spas’. But such businesses are booming. In hard times, many go minimal by default, yet others pay handsomely for the ultimate postmodern lifestyle commodity, which, Kayla observes, they can of course never possess: nothing.

more here.

Tuesday Poem

Sheltered in Place

You watch your boy struggle with giving
up the turtle, returning it to the pond
where he’d found it on a walk—
first time you’d all been out in days.

How thoughtful he thought he’d been,
making it a home in the home
where the family sheltered in place.
How he cared for his armored friend.

Having picked flowers, knowing they’d die,
you understand the urge to pluck
the exotic, the beautiful—any diversion
from fear, which is in itself a disease.

That morning, you helped your boy
give up the idea of living forever.

by Richard Levine
from The Poetry Foundation

The Last Seduction: The greatest femme fatale ever?

Anna Smith in BBC:

In 1994, the term ‘straight to TV movie’ was used mostly as an insult. So when a small film called The Last Seduction premiered on HBO, nobody expected much. But those who caught it were floored by a darkly comic noir thriller with a knockout performance from Linda Fiorentino as Bridget Gregory. Bridget is a smart-talking New Yorker who hits ‘cow country’ with a suitcase of cash her husband Clay (Bill Pullman) had acquired in a drug deal. Advised to lie low for a while, Bridget shacks up with smitten local Mike (Peter Berg) and uses him to enact a devious plan. Directed by John Dahl and written by Steve Barancik, The Last Seduction is bitterly funny and deliciously clever – the razor-sharp dialogue is loaded with one-liners. It’s also sexy in a way that appeals to both women and men. With its manipulative femme fatale, it touches on similar themes to the big-budget Basic Instinct – but many believe it does it much better.

…Calculated tears are a move worthy of the film’s lead character Bridget, a quick-thinking profiler who knows exactly how to get results from the person in front of her. She issues orders to Mike in the manner of a dominatrix (in and out of bed), but she also knows when he needs to feel manly – so she feigns vulnerability. City slicker Bridget exploits everyone’s weaknesses and prejudices, even harnessing the casual racism of small-town cops to shake off a black private investigator on her tail. She is what lawyer Frank (JT Walsh) calls “a self-serving bitch” – a ruthless, superior psychologist who knows she’s smarter than everyone else in the room.

With brazen self-confidence, a knowing smile and a husky voice, Linda Fiorentino spoke to audiences seeking an unconventional heroine. It was a ‘dream role’ for the actress, according to a 1995 interview with Roger Ebert. “After I read that script, I was in Arizona and I got in a car and drove six hours to get to the meeting because I had never read anything so unique in terms of a female character. And I walked in the meeting with John Dahl, the director, and I said, ‘John, you are not allowed to hire anyone but me for this film.’ And I wasn’t kidding.”

More here.

Why India’s Pandemic Response Is Tipping Toward Pseudoscience

Vidya Krishnan in The Atlantic:

Soon after the Bollywood superstar Amitabh Bachchan tweeted that he had tested positive for COVID-19 and been admitted to a Mumbai hospital, the authorities declared his palatial residence in India’s business capital a “containment zone,” and several members of the Bachchan family were announced to have also tested positive. Bachchan is one of the world’s most recognizable actors, a celebrity with no peer in India, and his health was an issue of national concern. Ultimately, his case was a light one, and he was eventually discharged, allowed to quarantine at home.

Yet while the narrow facts of his case appear straightforward, the episode nevertheless spotlights a much broader problem in India: Its coronavirus caseload appears to only be worsening, hamstrung by decades of underinvestment in public health, poor medical infrastructure, and, more recently, a troubling official tolerance of pseudoscience, as well as a growing politicization of health care.

The mere fact that Bachchan tested positive—that he was tested at all—will focus minds in India on the coronavirus pandemic, which has been slowly but surely gathering pace in the country. More than 1.8 million people have so far tested positive, upwards of 48,000 are known to have died of COVID-19, and infections show little sign of abating. Arguably India’s most recognizable celebrity, Bachchan has starred in movies for decades, as have his wife, son, and daughter-in-law, and his high-profile announcement may spur many who were skeptical of getting tested to do so (if they are able) and to take greater precautions: He is quite literally cinematic royalty, some combination of Tom Hanks and Prince Charles (both of whose diagnoses made the virus very real for Americans and Britons, respectively).

More here.

Sunday, August 16, 2020

The Middlebrow Men: Clive James on Philip Larkin

Simon Petch in the Sydney Review of Books:

This, Clive James’s final book, is a collection of his writings on Larkin and his work. James takes his title from the final words of Larkin’s ‘The Whitsun Weddings’ (1959). The ninety four pages, which include copies of one manuscript letter and two typed letters from Larkin to James, don’t offer very much book for your money, but you do get Clive James, who’s always good value. His explanation of why Jack Nicholson is the only Hollywood actor appropriate to play Larkin onscreen justifies the price of admission.

The book consists of eleven reviews and two poems, all published between 1974 and 2018. There’s an introduction, dated 2019, and an undated coda. As a collection of occasional pieces, all of them short, this is anything but a sustained consideration of Larkin’s writing. It’s a bits-and-pieces book, and its critical reflections are hit-and-miss. The misses are few, the parade of hits is good, and James writes as well on Larkin’s prose as on his poetry. The best essay in the book (which is also the longest), ‘On Larkin’s Wit’, is reprinted from Anthony Thwaite’s 1982 collection Larkin at Sixty. Here, James maintains that the jazz reviews that Larkin wrote for the Daily Telegraph, collected in 1970 as All What Jazz, constitute ‘one of the great books of creative criticism in our language’. An extravagant claim, perhaps, but this essay remains a significant revaluation of what Larkin called ‘the one book of mine that no one ever bothers about’.

More here.

Margaret Mead, Ruth Benedict, and the relationship that changed social science

Charles King in Nautilus:

In July 1925, Margaret Mead, a doctoral student at Columbia University, set off on a cross-country train journey with a young faculty member, Ruth Benedict. Mead was bound for the west coast and then American Samoa, her first fieldwork expedition as a junior anthropologist. Benedict was stopping in New Mexico to study myth and ritual in the Zuni Pueblo. The journey took them through Ohio to Illinois, across the prairie, then south toward the deserts. It was the longest the two of them had ever spent together, certainly the longest without their husbands in tow.

They had become acquainted more than two years earlier, Mead as an undergraduate at Barnard College, Benedict as her teaching assistant. It had taken time for Mead to stop referring to “Mrs. Benedict,” but over the years, something had changed. “She rests me like a padded chair and a fireplace,” Benedict jotted in her diary. Now, on the train west, Mead would remember weeping in Benedict’s arms, parsing her troubled marriage and other romantic entanglements. Benedict would later lie awake thinking of the nights they spent on the train—making love, kissing Mead’s fingers, trailing her lips across the palm of her hand. “Tofa, my sweetheart,” Mead wrote in a letter once she got to Samoa, using the local term for goodbye. “In my dreams I bury my face in your hair.” She had long signed her notes to Benedict with “love,” as one might to an older sister. But now she could say it all plainly, outright. “And always I love you.”

More here.

Two studies reveal how far away we are from fully automated vehicles

Tyson Fisher in Land Line:

Recently, researchers at MIT published a study that looks into autonomous vehicle mobility, employment and policy. The research found that self-driving vehicles will happen later than sooner.

Despite optimism from several stakeholders, including Google and Tesla, that fully automated vehicles will be available soon, MIT researchers believe it may be at least another decade before that becomes a reality. Even then, self-driving cars may be limited to urban and suburban areas in warmer climates. Winter climates and rural areas will experience longer transitions, according to the study.

One study projects employment changes under the assumption all driving becomes fully automated by 2050. However, the MIT study states “this is extremely unlikely to occur.”

“Current best estimates show a slow shift toward Level 4 systems even in trucking, one of the easier use cases, with only limited use by 2030,” the study states. “Overall shifts in other modalities, including fleets and passenger cars, are likely to be no faster, and so disruption to taxi, rideshare, and bus driver jobs is likely to be limited in the near term.”

More here.

Sal Khan, founder of Khan Academy: We Can Still Avoid an Education Catastrophe

Sal Khan in the New York Times:

It is becoming clear that many of our nation’s children could be attending school from home for this school year and possibly longer. If educators and families aren’t empowered with the right support and tools, this will evolve from an education crisis to an education catastrophe.

As the founder of the philanthropically funded nonprofit Khan Academy, which provides free online exercises, videos and software to over 100 million users in 46 languages, I’m something of a poster child for online learning. It all started 16 years ago, when I was working as an analyst at a hedge fund in Boston and learned that my then-12-year-old cousin Nadia — who was visiting for my wedding — was struggling with math. She lived in New Orleans, so I offered to do distance tutoring with her every day. It helped her catch up with her class within a few months. Word soon spread in my family that free tutoring was available, and by 2006 I was working with 15 cousins and family friends in my limited spare time. I decided to make math practice software and videos to help even more. Before I knew it, people who were not my cousins started using those materials. Fast forward to today and that family side project has become my life’s mission: to provide a free, world-class education for anyone, anywhere.

More here.