i sing of Olaf glad and big
i sing of Olaf glad and big
whose warmest heart recoiled at war:
a conscientious object-or
his wellbelovéd colonel (trig
westpointer most succinctly bred)
took erring Olaf soon in hand;
but–though an host of overjoyed
noncoms (first knocking on the head
him) do through icy waters roll
that helplessness which others stroke
with brushes recently employed
anent this muddy toiletbowl,
while kindred intellects evoke
allegiance per blunt instruments–
Olaf (being to all intents
a corpse and wanting any rag
upon what God unto him gave)
responds, without getting annoyed
“I will not kiss your fucking flag”
straightway the silver bird looked grave
(departing hurriedly to shave)
but–though all kinds of officers
(a yearning nation’s blueeyed pride)
their passive prey did kick and curse
until for wear their clarion
voices and boots were much the worse,
and egged the firstclassprivates on
his rectum wickedly to tease
by means of skilfully applied
bayonets roasted hot with heat–
Olaf (upon what were once knees)
does almost ceaselessly repeat
“there is some shit I will not eat”
our president, being of which
assertions duly notified
threw the yellowsonofabitch
into a dungeon, where he died
Christ (of His mercy infinite)
i pray to see; and Olaf, too
preponderatingly because
unless statistics lie he was
more brave than me:more blond than you.
by E. E. Cummings
from The Complete Poems: 1904-1962
Liveright Publishing Corporation

THE FINAL TALLY OF ECONOMIC DAMAGE
In a perfect world, we would learn from success and failure alike. Both hold instructive lessons and provide needed reality checks that may safeguard our decisions from bad information or biased advice. But, alas, our brain doesn’t work this way. Unlike an impartial outcome-weighing machine an engineer might design, it learns more from some experiences than others. A few of these biases may already sound familiar: A positivity bias causes us to weigh rewards more heavily than punishments. And a confirmation bias makes us take to heart outcomes that confirm what we thought was true to begin with but discount those that show we were wrong. A new study, however, peels away these biases to find a role for choice at their core. A bias related to the choices we make explains all the others, says Stefano Palminteri of the French National Institute for Health and Medical Research (INSERM), who conducted a study published in Nature Human Behaviour in August
Even
Jordi Vaquer in Idees:
Samantha Rose Hill in Aeon:
F
DeLillo’s new one is a pristine disaster novel with apocalyptic overtones. It’s a Stephen King novel scored by Philip Glass instead of Chuck Berry. A plane from Paris to Newark crash-lands. Two of the main characters are on this flight, and they survive. Power grids have gone down all over the world. Aliens? The Chinese? The Joker? QAnon?
Sometime in the coming months, our prayers will have been answered. The researchers will have pulled their all-nighters, mountains will have been moved, glass vials will have been shipped, and a vaccine that protects us from the novel coronavirus will be here. We will all clamber to get it so we can go back to school, work, restaurants, and life. All of us, that is, except for people like Marcus Nel-Jamal Hamm. Hamm, a Black actor and professional wrestler, is what some might call an “anti-vaxxer,” though he finds that term derogatory and reductive. Since about 2013, he’s been running a Facebook page called “Over Vaccination Nation,” which now has more than 3,000 followers. One recent post
David Byrne’s American Utopia begins with the sound of birds for close to a minute before revealing the singer, seated alone at a desk, holding a human brain. Otherwise, the stage is empty, save for a curtain composed of hundreds of thin metal chains that line the walls and shimmer like streaks of rain. As in Stop Making Sense, the 1984 Talking Heads concert film, band members emerge as the show progresses. They, like Byrne, are dressed in gray suits, with no shoes, no socks. It’s a stripped-down look for a show that is as cerebral and subtly political as it is raucous and joyful. Byrne wrote or cowrote almost every song in it—a few are from his 2018 album of the same name, and about half are familiar Talking Heads tunes, including a version of “Once in a Lifetime” that’s somehow even more poignant than the original. But it’s a cover of Janelle Monáe’s “Hell You Talmbout,” one of American Utopia’s last songs, that becomes its soul. In between, Byrne muses, philosophically and humorously, on whether babies are smarter than grown-ups and why people are more interesting to look at than, say, a bag of potato chips.
In just a few years, scientists at Vera C. Rubin Observatory in Chile will launch the Legacy Survey of Space and Time (LSST), using the world’s biggest digital camera for ground-based astronomy to take the most detailed pictures of the night sky ever made. When they do, two of the most important things they’ll look for are dark matter and dark energy, the mysterious, invisible substances that make up about 95% of our universe.