Meet the Censored: Hitler

Matt Taibbi in his Substack Newsletter:

100 years ago yesterday — on July 29, 1921 — Adolph Hitler was elected leader of the Nationalist Socialist German Workers’ Party, later known as the Nazi Party. The combustible Army corporal succeeded the party’s original leader, Anton Drexler, whom Hitler originally been sent to spy on, but whose ideas he came to admire (he may even have shaved his mustache to emulate his predecessor). The 533-1 delegate vote set in motion a series of events that would dominate the next two and a half decades of world history.

A young Jewish Internet commentator named Manny Marotta wanted to call attention to the date, for educational purposes. Marotta has been maintaining popular accounts on both Twitter and Instagram called 100 Years Ago Live. His simple, clever, and enlightening mission is to describe history as an actual contemporary might have, in the language of modern social media tools. It’s popular, earning 26,000 followers on Twitter.

Marotta’s accounts remind us that the past was once news, that stories we now remember as ossified, fixed narratives captured in black and white were once fresh, suspenseful events, that filled contemporaries with excitement, and uncertainty.

More here.

Wednesday Poem

The Lesson of the Sugarcane

My mother opened her eyes wide
at the edge of the field
ready for cutting.
“Take a deep breath,”
… she whispered,
“There is nothing as sweet:
Nada más dulce.”
Father left the flat he was changing
in the road-warping sun,
and grabbing my arm, broke my sprint
toward a stalk:
“Cane can choke a little girl: snakes hide
where it grows over your head.”

And he led us back to the crippled car
where we sweated out our penitence,
for having craved more sweetness
then we were allowed,
more than we could handle.

by Judith Ortiz Cofer
from
Touching the Fire
Anchor Books, 1998

Why Satan should chair your meetings

James Surowiecki in 1843 Magazine:

We used to make things. Now we have meetings. On any given weekday some 50m meetings are held in American workplaces alone. The average executive now spends 23 hours in them each week, a figure that has more than doubled since the 1960s. The number of meetings proliferated in the 1980s as Western economies moved away from manufacturing towards “knowledge” industries that seemed to require a lot of talking. And while covid-19 may have shut down the office (at least temporarily), it magnified the importance of meetings, which now take place on our laptops. During the pandemic we’ve spent more time in them than we ever did in person.

Despite their centrality to modern life, few of us have a good word to say about meetings. Surveys suggest we consider at least half the ones we attend to be ineffective – the same bores drone on, the people with something useful to say don’t speak and nothing of importance gets decided. In many office cultures, a meeting is a byword for a tedious, time-wasting exercise.

Frustration with meetings has fuelled a mini-industry in management books – “How to Hold Successful Meetings”, “Meeting Design” and “Death by Meeting: A Leadership Fable” – dedicated to solving what one author labels “the most painful problem in business”.

More here.

Future Space Travel Might Require Mushrooms

Nick Hilden in Scientific American:

The list of mycologists whose names are known beyond their fungal field is short, and at its apex is Paul Stamets. Educated in, and a longtime resident of, the mossy, moldy, mushy Pacific Northwest region, Stamets has made numerous contributions over the past several decades— perhaps the best summation of which can be found in his 2005 book Mycelium Running: How Mushrooms Can Help Save the World. But now he is looking beyond Earth to discover new ways that mushrooms can help with the exploration of space.

In a new “astromycological” venture launched in conjunction with NASA, Stamets and various research teams are studying how fungi can be leveraged to build extraterrestrial habitats and perhaps someday even terraform planets. This is not the first time Stamets’s career has intersected with speculative space science. He also recently received an honor that many researchers would consider only slightly less hallowed than a Nobel Prize: the distinction of having a Star Trek character named after him.

Scientific American spoke with Stamets about the out-of-this-world implications for the emerging field of astromycology.

More here.

The “Log Lady” of the Quiet Zone

Stephen Kurczy at Lit Hub:

The Log Lady of the Quiet Zone lived a few miles away and had the mysterious power to “detect” WiFi, cell signals, and other forms of electromagnetic radiation. I was told I might find the Log Lady at church—perhaps the only church in America quiet enough for her to attend.

Pocahontas County had about three dozen active churches, approximately one for every 230 people, compared with a national average of one for every 1,000 people. The churches were community gathering places, and I’d found myself relying on them to better understand the area. Most were Methodist or Presbyterian. Some were Baptist and Brethren. Three were Catholic. And Wesley Chapel United Methodist Church, built in 1897 on a hillside about five miles from the observatory, seemed to be the designated church of the so-called electrosensitives.

Wesley Chapel was quiet both by law and by default.

more here.

Louise Bourgeois and Psychoanalysis

Jamieson Webster at Artforum:

I WONDER HOW people will think of psychoanalysis after they see the show “Louise Bourgeois, Freud’s Daughter,” currently at the Jewish Museum in New York. Will it rise in their esteem, having fallen to the level of a silly, obsolete science, a worn-out, clichéd set of interpretations? Bourgeois’s relationship to psychoanalysis is rich, layered, and, importantly, long, as psychoanalysis is wont to be: beginning in 1951 with her treatment following her father’s death, lasting until 1985 with her psychoanalyst’s death. She calls it “a jip,” “a duty,” “a joke,” “a love affair,” “a bad dream,” “a pain in the neck,” and “my field of study.”1 It is, indeed, all of these things and more. And it is, in ways I think have been neglected or rarely glimpsed, also sculptural.

more here.

Tuesday, August 3, 2021

Silent All These Years: On Annie Dillard

Bryan VanDyke in The Millions:

Some years ago, I attended a conference featuring boldface names and their thoughts on the topic of the essay as art. At 39, I’d written three failed novels, and essays felt like the last form left to me. I was desperate for tips, tricks, and whatever writerly chum they throw to audiences at events like these.

“An essay,” said Philip Lopate on the day of the conference, “is an invitation to think alongside me.”

I jotted his words in a Moleskine notebook and have been turning them over in my head and on the page ever since. The best essays are trips to terra nova, yes; but at heart, all essays depend on a simple sense of camaraderie. From the first word to the last, the writer of an essay is a guide, even if the piece never gets out of first gear. Each essay is a fellowship.

By Lopate’s definition, there’s no better essayist than Annie Dillard. Her thoughts go places no one else can see. Following in her path, you can sip the cold fire of eternity, cheat death in a stunt plane, or trace God’s name in sand, salt, or cloud. She didn’t invent the essay. Her most famous work isn’t classified as an essay. But in the cosmos of essayists, there’s Annie Dillard, and there’s everyone else.

More here.

Sean Carroll’s Mindscape Podcast: David Wallace on The Arrow of Time

Sean Carroll in Preposterous Universe:

The arrow of time — all the ways in which the past differs from the future — is a fascinating subject because it connects everyday phenomena (memory, aging, cause and effect) to deep questions in physics and philosophy. At its heart is the fact that entropy increases over time, which in turn can be traced to special conditions in the early universe. David Wallace is one of the world’s leading philosophers working on the foundations of physics, including space and time as well as quantum mechanics. We talk about how increasing entropy gives rise to the arrow of time, and what it is about the early universe that makes this happen. Then we cannot help but connecting this story to features of the Many-Worlds (Everett) interpretation of quantum mechanics.

More here.

A Big Step Forward for Global Tax Justice

Josep Borrell and Paolo Gentiloni in Project Syndicate:

Multilateralism has been on the defensive in recent years. In a global setting that is more multipolar than multilateral, competition between states seems to prevail over cooperation nowadays. However, the recent global agreement to reform international corporate taxation is welcome proof that multilateralism is not dead.

But it is not healthy, either. While globalization has continued during the COVID-19 pandemic – albeit more unevenly than before and despite people’s feelings of increased isolation – interdependence is ever more conflictual. Even soft power is being weaponized, with vaccines, data, and technology standards all becoming instruments of political competition.

The world is also becoming less free. Democracy itself is under attack, amid a pitched battle of narratives over which political and economic system can best deliver for its citizens.

More here.

Crash

Jesse Lee Kercheval at the New England Review:

It is 1966 and I am sitting on a stool at the Burger King on Merritt Island, Florida, eating French fries. My view is Highway 520 and the cars speeding up to the rare stoplight just beyond where I sit. My father, my sister, and I have been to Cocoa Beach to swim and are on our way home. I always beg to stop at the Burger King. I am always famished after swimming and there is nowhere to eat on the beach. Also, we are not a fast food family so this is a treat, something my mother, who never goes to the beach, does not know about. I love how, after being at the beach, the French fries taste doubly salty.

Then a station wagon with a surfboard on top smacks into the rear end of a long, low convertible with its top down, which is stopped for the red light. There is a tremendous noise. I feel it in my body, metal on metal, and the surfboard goes flying off the top of the station wagon, through the air. It decapitates the driver of the convertible. Just like that.

more here.

The Epic Style of Kerry James Marshall

Calvin Tomkins at The New Yorker:

For the first thirty years of his career, Kerry James Marshall was a successful but little known artist. His figurative paintings, drawings, sculptures, photographs, and videos appeared in gallery and museum shows here and abroad, and selling them was never a problem. He won awards, residencies, and grants, including a MacArthur Fellowship in 1997, but in the contemporary-art world, which started to look more closely at Black artists in the nineties, Marshall was an outlier, and happy to be one. He had an unshakable confidence in himself as an artist, and the undistracted solitude of his practice allowed him to spend most of his time in the studio. The curator Helen Molesworth told me that during the three years it took to put together “Mastry,” Marshall’s first major retrospective in the United States, which opened in 2016 at the Museum of Contemporary Art Chicago and travelled to the Metropolitan Museum of Art and the Museum of Contemporary Art, Los Angeles, “there were still people in the art world who didn’t know who he was.”

This is no longer the case. The exhibition outed Marshall as a great artist, a virtuoso of landscape, portraiture, still-life, history painting, and other genres of the Western canon since the Renaissance.

more here.

12 Bytes – engaging history of technological progress

Stephanie Merritt in The Guardian:

Jeanette Winterson is not usually considered a science-fiction writer, yet her novels have always been concerned with alternative realities, and for more than two decades she has drawn on the imaginative possibilities offered by technological and digital advances. Her 2000 novel, The Powerbook, was an early exploration of the fluid identities and connections offered by virtual personae; The Stone Gods (2007) combined history with interplanetary dystopias and featured a relationship between a robot and a human. Her most recent fiction, Frankisstein, reworked Mary Shelley’s story of an artificially created intelligence into a modern novel of ideas about the present and future limits of AI and the implications for art, love, sex and biology.

Now, in 12 Bytes, her first collection of essays since 1996’s Art Objects, Winterson examines all these preoccupations without the mediation of fiction, though the narrative style is as conversational and erudite as you’d expect from her, peppered with irreverent asides and mischievous flashes of wit (“Dry as dust I don’t do,” she has said of the previous collection). The 12 essays here are grouped into four “zones”, loosely covering the past, the imagination, relationships and the future, and together offer an eclectic odyssey through the history of technological progress – a history that for too long sidelined some of its most influential figures because they were inconveniently women or gay, and has only recently begun to restore their reputations. Winterson pays tribute here to the contributions of Ada Lovelace and Alan Turing, along with women such as Stephanie Shirley, the founder of all-female company Freelance Programmers, and the forgotten teams of female programmers during the second world war, their work unacknowledged for decades because it didn’t suit a narrative of male expertise.

Winterson explains in her introduction that the essays are the product of a longstanding fascination with advances in machine intelligence, and that she approaches the subject as “a storyteller” with a modest aim: “I want readers who imagine they are not much interested in AI, or bio-tech, or big tech, or data-tech, to find that the stories are engaging, sometimes frightening, always connected.” Her primary interest is in what she calls “the bigger picture”: the metaphysical implications of our transhuman future, about which she appears surprisingly optimistic.

More here.

How nanotechnology can flick the immunity switch

Bianca Nogrady in Nature:

Ever since 1796, when English scientist and physician Edward Jenner successfully inoculated an eight-year-old boy with cowpox to protect him from smallpox, vaccines have been a key tool for preventing disease. From smallpox to polio, diphtheria to COVID-19, vaccines have prevented more deaths from infectious disease than any other medical treatment.

But the concept of vaccinating against disease is evolving beyond the original goal of training the immune system to be ready to fight off infectious pathogens. Nanotechnology is helping to reinvent vaccines, and use them to target cancer, as well as a host of autoimmune conditions including multiple sclerosis, type 1 diabetes and even food allergies.

Ten years ago, Jeffrey Hubbell, a chemical engineer, was working with nanomaterials for cancer-drug delivery when he saw that these materials tended to get filtered into the lymph nodes, which contain immune cells. “We thought if these can drain to lymph nodes, we should be able to engineer them to be immunologically active to control what goes on in [the nodes],” says Hubbell, from the Pritzker School of Mechanical Engineering at the University of Chicago.

That started a shift from nanomaterials for drug delivery to nanomaterials for immune drug delivery, or nano immuno-engineering. The idea is that the nanomaterial itself is immunologically active. Rather than using a biologically inert nanoscale structure engineered to deliver a drug to a particular target in the body, the nanomaterial is biologically active and engineered to trigger an immune response to the payload it carries.

More here.

Tuesday Poem

Untitled

Were you born looking
or did you hone that ’cause you had to?
Did your eyes tire of all they saw,
from the center of beauty to the soul of hell?

Many of your words,
born by looking,
even more than by feeling
Looking, looking,
seeing, noting
looking harder,
over and under

Were you born with a single eye,
focused on everything being there
side-by-side with everything else?
You, ever on the inside,
often, always on the outside
looking

Poet, carrying the burden of vision
the chore of having to reveal
exhilaration or complication,
tragedy or imagination,
courage, irony, deep despair
everything out there
Poet, never without an assignment
never off the hook
from looking

But there’d be so much less to see
if you did not do what you certainly must
if you did not trust that what you saw
was so much more, so very much more
than any image your open eyes took
as you moved through life
having a look

Galen Kelly
8/1/2021

Sunday, August 1, 2021

“What is X?” Justin E. H. Smith has started a podcast

Justin E. H. Smith in his Substack Newsletter:

The show will be airing once a month, and I already have several episodes recorded. I am always interested in hearing pitches for new episodes, with guests who either have some weighty credentials in a given area (e.g., a biochemist who wants to address with me the question “What is life?”), or who have some demonstrable ability to speak about a topic in a compelling way (e.g., I’m recording an episode on friendship with someone whose credentials in this area are that he is my old old friend and I know him to be an excellent raconteur). [3QD Editor’s Note: the friend mentioned here happens to be yours truly—S. Abbas Raza]

I could say a great deal more about this project, but I think it’s enough to state that it is really fun and weird and a departure from the persona you might think you know through my writing. I’m not saying I can do anything like a good Terri Gross, but my goal in each of the dialogues is, to the extent possible, to “passer la parole”, to let the other person speak —ideally at least two-thirds of the time—, and otherwise just to enjoy the art of conversation while also leaving a record of it. The show will no doubt evolve in unexpected ways, and the first episodes will surely have a rough quality to them (that’s me playing the opening line on guitar, for example). But I gather no one listens to podcasts for their production value —if you want that you can listen to Rachel Maddow or whatever—, and I think I read somewhere that the number of “umms” and “uhhs” in a person’s speech is directly proportional to their intelligence. So I hope you will be generous in your listening. And please, do tell a friend. And please, again, listen to my first episode with the great Agnes Callard talking about philosophy!

More here.  [And click the link at the end of the paragraph above to listen to the first episode, “What is philosophy?”]

How the coronavirus infects cells

Megan Scudellari in Nature:

The coronavirus sports a luxurious sugar coat. “It’s striking,” thought Rommie Amaro, staring at her computer simulation of one of the trademark spike proteins of SARS-CoV-2, which stick out from the virus’s surface. It was swathed in sugar molecules, known as glycans.

“When you see it with all the glycans, it’s almost unrecognizable,” says Amaro, a computational biophysical chemist at the University of California, San Diego.

Many viruses have glycans covering their outer proteins, camouflaging them from the human immune system like a wolf in sheep’s clothing. But last year, Amaro’s laboratory group and collaborators created the most detailed visualization yet of this coat, based on structural and genetic data and rendered atom-by-atom by a supercomputer. On 22 March 2020, she posted the simulation to Twitter. Within an hour, one researcher asked in a comment: what was the naked, uncoated loop sticking out of the top of the protein?

Amaro had no idea. But ten minutes later, structural biologist Jason McLellan at the University of Texas at Austin chimed in: the uncoated loop was a receptor binding domain (RBD), one of three sections of the spike that bind to receptors on human cells (see ‘A hidden spike’).

More here.