Gina Kolata in The New York Times:
Millions of Americans who are at high risk for heart attacks and whose LDL cholesterol levels are disturbingly high have been told over and over again by their doctors to take a statin. These cheap generic drugs have been shown repeatedly to slash cholesterol levels and prevent heart attacks, strokes and deaths. But many people cannot or will not take the drugs, often reporting that statins make their muscles ache.
Now, a study with 14,000 patients of a drug that lowers LDL levels and was designed to avoid muscle aches was found to modestly reduce the risk of heart attacks, strokes and other complications from heart disease. It was published Saturday in The New England Journal of Medicine and presented at the annual meeting of the American College of Cardiology. The medication joins several statin alternatives that have been shown to reduce cardiac illnesses, and some experts say they doubt the drug is any more likely to be embraced by patients who are wary of statins and, often, other LDL-lowering drugs. The drug, bempedoic acid, is not new; the Food and Drug Administration approved it three years ago because it lowers LDL levels.
More here.

In memory we are standing in the kitchen of the Treman Cottage at Breadloaf. It is late afternoon in the summer of 1976 and I have brought my copies of Return to a Place Lit by a Glass of Milk and Dismantling the Silence for Charles Simic to sign. He is slouching a bit, leaning against the counter, and seems genuinely touched that I had carried the books, deeply penciled and dog-eared, all the way from home.
Painters have long struggled with the difficulties of depicting shadows, so much so that shadows — after a brief, spectacular showcase in ancient Roman paintings and mosaics — are almost absent from pictorial art up to the Renaissance and then are hardly present outside traditional Western art.
Earlier this month the CDC released the results of its Youth Risk Behavior Survey of American teenagers. The findings have been much discussed, with the focus largely and understandably on the fact that
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To get the inside story behind the chatbot—how it was made, how OpenAI has been updating it since release, and how its makers feel about its success—I talked to four people who helped build what has become
In this week’s New Yorker, the contributing writer Merve Emre
Devaka Gunawardena , Niyanthini Kadirgamar, and Ahilan Kadirgamar in Phenomenal World:
Perry Anderson in New Left Review:
Kenda Mutongi in Boston Review:
Dylan Saba in Jewish Currents:
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In the spring of 1954, Reinhard Müller stepped onto a stage in the German city of Wolfsburg as a volunteer in a magic show. His presence was captured in a small sepia photograph, where he can be seen in conversation with a tuxedoed magician holding the elegant pocket watch that Müller has just entrusted to him. The conjurer is Helmut Ewald Schreiber (1903–1963), better known by his stage name Kalanag. He is in the final stages of a trick called “The Devil’s Mail,” a popular feature of his world-touring magic revue, Simsalabim. A few moments before, Müller’s watch had been reduced to fragments in a mortar by sharp blows of the magician’s wand. In the photograph, Kalanag can be seen returning the now miraculously restored timepiece to its owner. But his watch is not all that Müller will take with him when he leaves the stage. To his delight, he will also carry this snapshot, delivered to him in an envelope by the magician within moments of the very scene that it depicts.
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