Exit Right

Gabriel Winant in Dissent:

The most important image of the 2024 election, to my eye, was generated one evening of the Democratic National Convention, when delegates had to file past protesters chanting the names and ages of dead Palestinian children. The attendees did not simply ignore the demonstration, as one might have expected; rather, they exaggeratedly plugged their ears, made mocking faces, and, in one notable case, sarcastically mimicked the chant: “Eighteen years old!” Witnessing video of this event, my heart sank, not just at the moral grotesqueness of the display, but also in its sickening confirmation of the solipsism and complacency of Democratic Party officialdom. The conventiongoers offered a literal enactment of their lack of interest in the experiences of those outside their circle of concern. La-la, I can’t hear you—or, as Kamala Harris herself put it when challenged at a rally, “I am speaking now.” Not for long, as it turned out.

The best moment of the Harris campaign was the very beginning, when she got a chance to embody the collective sigh of relief at Joe Biden’s decision to bow out, and to offer something new. From there, it was all downhill. She and those around her seemed to think that purely superficial changes would prove sufficient. Harris pointedly refused to offer any criticism of the incumbent administration, or even suggest any way in which she differed from it.

More here.

Enjoying the content on 3QD? Help keep us going by donating now.



Morning and Evening – the Nobel laureate’s mystical account of where we begin and end

Yagnishsing Dawoor in The Guardian:

The second part, chiefly told from Johannes’s point of view, chronicles the eerie hours after he wakes up one morning, late in his old age. Johannes is a now retired fisherman. His wife, Erna, is long dead. His mornings are “sad and lonely”. Johannes makes coffee. He steps out of the house and everything he beholds seems different somehow. He meets his dead neighbour, and good friend Peter, and they go fishing. Johannes later bumps into his daughter Signe and “is seized with deep despair, because Signe cannot see him or hear him”. At the tale’s close, Peter accompanies Johannes to a place where nothing hurts and “everything you love is there”.

Fosse has a precious ear for the muted whimpers of grief; there are such depths of ache contained in this brief novel. That we begin the journey of dying as soon as we are born may be one of this book’s most effectively dramatised insights, but it succeeds, no less brilliantly, in conveying late-life pain and melancholia; what the days feel like once friends and lovers are gone and we have but our own vanishing selves for company.

More here.

Enjoying the content on 3QD? Help keep us going by donating now.

Sunday Poem

Pollen of Life

—poem for Jack Micheline

He was the high note of a wailing saxophone
The spark that ignites a fire
He was a fifth of Jack Daniel’s
A glass of imported beer
A shaman
A vagabond poet shuffling words
Like a river-boat gambler

Ravished by illness
Ravished by time
He painted his visions on canvass
In parks in bars and coffee houses
His poems singing out across the
Streets of America
Pure innocence
Pure genius
Spinning words that hung in the air
Like a hummingbird drunk on the
Pollen of life

by A.D. Winan
from Poetic Outlaws

On Jack Micheline here also

 

Enjoying the content on 3QD? Help keep us going by donating now.

Friday, November 8, 2024

A Social Media Site For The Dead

Tony Ho Tran in Slate:

It’s a good way to spend a Saturday morning—if, admittedly, a strange one. I wake up and pack a tote bag with leather gardening gloves, a water bottle, a towel, and headphones. Then I drive to one of Chicago’s 272 cemeteries and spend hours taking pictures of the dead.

I do this once a month or so. Alongside shots of my dog and gym selfies, my phone’s camera roll is filled with photos of gravestones of all shapes, sizes, and materials: massive granite monuments fit for the Chicago industrialists buried underneath them, humble flat markers that I’m prone to tripping over, and sandstone slabs so worn down by centuries of sun, rain, and snow that there’s no telling who’s buried there.

I should say: It’s not just me. The photos I take end up on a website called FindaGrave.com, a repository of cemeteries around the world. Created in 1995 by a Salt Lake City resident named Jim Tipton, the website began as a place to catalog his hobby of visiting and documenting celebrity graves. In the late 1990s, Tipton began to allow other users to contribute their own photos and memorials for famous people as well. In 2010, Find a Grave finally allowed non-celebrities to be included. Since then, volunteers—also known as “gravers”—have stalwartly photographed and recorded tombstones, mausoleums, crosses, statues, and all other manner of graves for posterity.

More here.

Enjoying the content on 3QD? Help keep us going by donating now.

A Rock-Star Researcher Spun a Web of Lies—and Nearly Got Away with It

Sarah Treleaven at The Walrus:

Laskowski revealed that her ambition had drawn her into the web of prolific spider researcher Jonathan Pruitt, a behavioural ecologist at McMaster University in Hamilton, Ontario. Pruitt was a superstar in his field and, in 2018, was named a Canada 150 Research Chair, becoming one of the younger recipients of the prestigious federal one-time grant with funding of $350,000 per year for seven years. He amassed a huge number of publications, many with surprising and influential results. He turned out to be an equally prolific fraud.

When Pruitt’s other colleagues and co-authors became aware of misrepresentations and outright falsifications in his body of work, they pushed for their own papers co-authored with him to be retracted one by one. But as they would soon learn, making an honest man of Pruitt would be an impossible task.

More here.

Enjoying the content on 3QD? Help keep us going by donating now.

It’s time for sobriety, not denial

Damon Linker in Persuasion:

The results this time weren’t, to put it in poker terms, a rare inside straight easily manipulable by nefarious forces. Trump gained ground in nearly every corner of the country, among nearly every segment of the electorate.

Which means Trump has real and broad-based support. Does some of that support come from fervent racists and xenophobes and sexists? I’m sure it does. Just as undoubtedly the outright fascists and neo-Nazis are thrilled by his win. But there are many more Americans who voted for him for other reasons.

It is a fallacy to believe that the thing you see in and hate about a politician is inevitably reflected in those who vote for him or her. That’s why I was so critical of Harris for closing her campaign by pushing the line that Trump is a fascist—because it implied that those entertaining a vote for him were fascists themselves. Some small number of people might have responded to that by thinking, “why yes, I am, and thanks for noticing.” But far more probably found the suggestion outrageous, condescending, and insulting.

It’s time for the political and intellectual opposition to Trumpism to move forward—soberly, intelligently, with a level head, and in full awareness of just how big Donald Trump’s achievement really is.

More here.

Enjoying the content on 3QD? Help keep us going by donating now.

The Story of Handel’s Messiah

Freya Johnston at Literary Review:

Does anything ever truly happen in the Messiah? This extraordinarily popular tripartite choral work, first performed in Dublin in 1742, consists almost entirely of saying rather than of doing. Circling around the redemptive power of Christ, it combines declarations with questions, prophecies, injunctions and exhortations (‘Who is this King of Glory?’, ‘Behold, I tell you a Mystery’, ‘Daughter of Sion, shout’, ‘He shall speak’). Full of urgency, tribulation and momentum, the Messiah nevertheless lacks a plot – unless we class the perennial human emotions of hope and fear, and the movement between the two, as dramatic action. 

The oratorio is sometimes described as a commentary, but it is a compilation of sources rather than a work of analysis, its text splicing words (along with the occasional paraphrase) from the King James Bible. The passage with which it begins comes from the fortieth chapter of the Book of Isaiah, where the prophet – who has been denouncing the greed and moral turpitude of Hezekiah, king of Judaea – suddenly moves into a different register entirely.

more here.

Enjoying the content on 3QD? Help keep us going by donating now.

Friday Poem

How I Read Gertrude Stein

—for Joseph Kepecs

The poem is not the heart’s cry
(Though it seems to be if you have craft enough)
The poem is made to carry the heart’s cry

And only to carry it. And the cry is always the
Same . . . for all times and every place the
Same perceptions met a hundred times, or once.

The rest is exuberance.
The force left over after dealing with
An undemanding planet in a square time . . .

No more or less mysterious than the juicing
Of the glands. The need to skip a stone
Across that pond. To yell among high mountains.

You think you read for the heart’s cry
But you do not. You read because no stone
Ever skips perfectly. Because that mountain

Always lets you down. Because no matter
How you yell the voice bounced back
Is flat. The words are puny.

The need for another world that always works right
Is the heart’s exuberance.
We don’t hide there. We spill over and

Make it.

by Lew Welch
from Ring of Bone
Grey Fox Press, 1960

Enjoying the content on 3QD? Help keep us going by donating now.

Biomedical Scientists Struggle to Replicate Their Own Findings

Patrick Jack in Inside Higher Ed:

Large numbers of biomedical scientists have tried and failed to replicate their own studies, with many not publishing their findings, a survey suggests.

Authors of the study warn that researchers’ failure to approach their own work rigorously creates “major issues in bias” and hampers innovation in science.Their survey, of about 1,600 authors of biomedical science papers, found that 72 percent agreed there was a reproducibility crisis in their field. Participants suggested a variety of factors, but the leading cause that most participants indicated always contributes to irreproducible research was the pressure to publish. The study found that just half (54 percent) of participants had tried to replicate their own work previously. Of those, 43 percent failed. Of those who had tried to replicate one of their own studies, just over a third (36 percent) said they had published the results, according to findings published in PLOS Biology on Nov. 5.

More here.

Enjoying the content on 3QD? Help keep us going by donating now.

Thursday, November 7, 2024

Notable Novels of Fall 2024

Cal Flyn interviewed at Five Books:

What are the novels everyone is talking about in Fall 2024?

Well, the most obvious answer to this question is Sally Rooney’s latest novel, Intermezzo. Every Rooney book is a major publishing event, and this latest offering—which centres on the fraught relationship between two Irish brothers—has received rave reviews almost across the board. NPR called it “her most moving novel yet”; The Guardian said it was “perfect – truly wonderful – a tender, funny page-turner about the derangements of grief, and Rooney’s richest treatment yet of messy romantic entanglements.”

Intermezzo is set in Dublin, 2022, and unfolds over a period of around six months. Peter is a lawyer in his thirties; Ivan, his younger brother, is a chess player and data analyst in his twenties. Each has, as one might expect from a Rooney novel, a complicated love life. Peter’s unfolds as a triangle between himself, his former partner Sylvia, and a younger student, Naomi, who dabbles in sex work. Ivan falls for an older woman who fears the social repercussions of being seen together. “Is there a better novelist at work right now?” asked the Guardian reviewer, in exhausted admiration: “Rooney, author of four books in just seven years, has at this point already created more enduringly memorable characters than most novelists ever manage.”

Rooney fans may also be interested in her recent interview with The New York Times, a relatively rare opportunity to hear her discuss her work at length.

More here.

Enjoying the content on 3QD? Help keep us going by donating now.

Will AI’s huge energy demands spur a nuclear renaissance?

Davide Castelvecchi in Nature:

Last week, technology giants Google and Amazon both unveiled deals supporting ‘advanced’ nuclear energy, as part of their efforts to become carbon-neutral.

Google announced that it will buy electricity made with reactors developed by Kairos Power, based in Alameda, California. Meanwhile, Amazon is investing approximately US$500 million in the X-Energy Reactor Company, based in Rockville, Maryland, and has agreed to buy power produced by X-energy-designed reactors due to be built in Washington state.

Both moves are part of a larger green trend that has arisen as tech companies deal with the escalating energy requirements of the data centres and number-crunching farms that support artificial intelligence (AI). Last month, Microsoft said it would buy power from a utility company that is planning to restart a decommissioned 835-megawatt reactor at the Three Mile Island nuclear plant in Pennsylvania.

More here.

Enjoying the content on 3QD? Help keep us going by donating now.

India’s ongoing subjugation of Kashmir holds portentous lessons about the nature of contemporary colonialism

Hafsa Kanjwali in Aeon:

Even as Nehru proclaimed the moral superiority of India for taking a stance against colonialism in all forms, he oversaw India’s colonial occupation of Kashmir. In Kashmir, Nehru said, ‘democracy and morality can wait’.

In the middle of the 20th century, a wave of anticolonial and national liberation movements gained independence from European powers, by exercising their right to self-determination. Nationalist leaders of the former colonies, however, remained committed to the ideals of the nation-state and its territorial sovereignty that derived from European modernity. Independence, it was widely accepted, came in the form of the nation-state, which outshone other forms of political organisation or possibilities. The borders of the nation-state became contested, as European powers often imposed boundaries that ill suited visions of what constituted the political community. This would have deleterious consequences for places where geography, demographics, history or political aspirations posed serious challenges to nationality. In turn, newly formed nation-states asserted their newfound sovereignty through violence and coercion, which had implications for Indigenous and stateless peoples within their borders whose parallel movements for self-determination were depicted as illegitimate to the sovereign nation-state order. Mona Bhan and Haley Duschinski call this process ‘Third World imperialism’.

More here.

Enjoying the content on 3QD? Help keep us going by donating now.