The View from Hanoi

Brock Eldon at Salmagundi:

At dawn Hanoi is already awake. Motorbikes swarm beneath balconies before the light has quite broken, a mechanical chorus that carries the city into motion. From the window of my apartment overlooking Tây Hồ, the lake lies bruised with mist until the first glare of sun turns it to metal. On the street below, vendors set down baskets of fruit, incense burns outside a pagoda, and the smell of French bread mingles with diesel.

In the Vietnamese capital, even silence is crowded. Horns blare and drills hammer, and as, within the old, French-colonial styled cafés, students bend over notebooks, a young couple exchanges muted laughter, and one senses here a discipline of attention beneath the noise. Hanoi thrives on density, on each body finding rhythm within the mass of the whole.

This is not Ontario—not the Canada I was born into, where winter silences mean absence, where a child can walk for hours without encountering another soul, where a man can freeze to death just for being outside too long. Silence, in Hanoi, is suspension rather than vacancy: a pause inside intensity. To write and teach here is to live against a double register—abundance and estrangement, presence and dislocation.

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You and “You”: How delegation is quietly turning into replacement

Muhammad Aurangzeb Ahmad at Digital Dopplegangers:

With the arrival of AI agents, systems designed not merely to assist but to act, adapt, and persist, the line between delegation and substitution is quietly blurring. What we handed off for convenience is now capable of continuing without us. The most unsettling change in our digital lives is not that systems can act on our behalf, but that they increasingly do not need us to do so. Hear me out: At first, delegation feels harmless. Your email client drafts replies while you are in meetings. Your calendar assistant proposes times and resolves conflicts. You glance, approve, move on. Nothing is sent without you. You are still clearly in control.

Then one afternoon you miss a notification. The draft goes out anyway. It is polite, accurate, and entirely in your voice. The meeting gets scheduled. The thread moves forward. When you notice, there is nothing to fix. No harm done. A week later, it happens again. You are on a flight, offline for a few hours. When you land, there are new calendar holds, follow-up messages, and a decision that has already been acknowledged on your behalf. The system inferred what you would have wanted and acted accordingly. It did not ask because asking would have slowed things down.

From the outside, everything looks better than before. You are more responsive. You never miss a follow-up. Conversations progress smoothly. Colleagues remark that you are “on top of things,” even during weeks when you feel barely present. The transition from assistance to continuity is invisible, marked only by the absence of friction.

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Mexico: A History

Edward Shawcross at Literary Review:

In Mexico City on 27 September 1842, a man was delivering an unusual eulogy. Fixing his eyes on what he called ‘the mutilated remains of an illustrious leader of independence’, the speaker was so moved that he felt he must ‘shed ardent tears over the remains of the hero’ before him. The occasion, however, was not quite as sad as he made out. For the hero, Antonio López de Santa Anna, a general and many times president of Mexico, was listening to the speech. What was being buried, for the second time, was a leg the general had lost in battle years earlier. Santa Anna was attached to his leg, even if it was no longer attached to him. Now president, he had organised for it to be disinterred, brought to Mexico City in a glass case like a holy relic and then reburied with pomp and ceremony beneath a lavish monument. Two years later, after a revolt toppled Santa Anna from power, the leg was exhumed again and dragged through the streets while people shouted, ‘Kill the lame bastard!’ and ‘Death to the cripple!’ Less than two years after that, in 1846, Santa Anna was president once more, charged with defending Mexico against US invasion. He was not up to the task, and soon the Stars and Stripes was unfurled over the magnificent central square in the capital city. The occupying US troops left only after Mexico was forced to sign away half its national territory, including present-day California.

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Christmas Creep Has Left Us Confused

Jeannette Cooperman at The Common Reader:

Weeks ago, the sweet family across the street put up their festive holiday lights. The house on the corner followed, then three more houses, all before I had even managed to order a Thanksgiving turkey.

I curse the lights.

Typically American, I mutter, meaning of course U.S. American, where we are so arrogant we subsume all the countries to the north and south, and so profit-driven that revenue (read: greed) makes all our communal decisions.

But then I read that in Australia, the luxury department store David Jones Limited starts showcasing Christmas merchandise in September. Not to be outdone, Irish retailer Brown Thomas opens its Christmas store in mid-August. The U.K. has moved promotions to October so people can shop before Black Friday. Canadian retailers tried, too, but were met with hot protest at any suggestion of Christmas preceding Remembrance Day.

The alliterative, Dickensian term “Christmas creep” was coined in the mid-1980s, well before Black Friday showed up to rationalize it.

More here.

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This Meal Might Bring You to Tears

Kristen French in Nautilus:

Most of us would say we taste food with our tongues. Charles Spence has spent decades showing that we eat with our eyes, our ears, our fingertips, even our emotions. An experimental psychologist at Oxford University, Spence has learned that when we sit down for a meal, all of our senses come to the table, and some of them have unexpected effects. Heavier cutlery, for example, makes a meal more pleasurable, he has found, and flavors in space are often duller. Foods that sound better taste better, too: In his infamous “sonic chip” experiments, he found that the louder the crunch of your Pringles potato chip, the fresher it tastes, work that won him a 2008 Ig Nobel Prize (which celebrates real science with a side of humor).

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Single Injection Transforms the Immune System Into a Cancer-Killing Machine

Shelly Fan in Singularity Hub:

With just a single injection, a new treatment transforms immune cells in cancer patients into efficient tumor-killing machines. Now equipped with homing beacons, the cells rapidly track down and destroy their cancerous foes.

The shot is based on CAR T cell therapy, a breakthrough that uses genetic engineering to supercharge cancer-fighting T cells. Since its first FDA approval in 2017, CAR T has vanquished some deadly cancer cases with a one-and-done treatment.

But the technology is costly—for both body and wallet. CAR T cells are usually made outside the body in a lab. Patients undergo chemotherapy and other harsh treatments to make room for the enhanced immune cells, taxing an already ailing body with side effects. Making CAR T cells also takes precious time, and unfortunately, the clock often runs out.

More here.

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Wednesday, December 24, 2025

From ‘Mona’s Eyes’ to ‘Theo of Golden’: This Year’s Surprise Hit Novels

From The New York Times:

When Allen Levi, a musician who had written scores of songs over his career, began writing his first novel, his plan was to finish it and stick it in a drawer. “I just wanted to see if I had the muscle to write a piece of long fiction,” he said. The resulting book, “Theo of Golden,” is about an older man who moves to a city in Georgia and begins buying 92 pencil portraits off a coffee shop wall to return them to their subjects and “rightful owners.” After a group of Levi’s friends read the novel and encouraged him not to let the manuscript molder, he self-published it through Amazon in the fall of 2023.

“Theo of Golden” became a word-of-mouth smash hit. It sold 3,000 copies in 2023, then 24,000 in 2024. This year, sales exploded, prompting Atria to buy rights to the book. It has sold more than 300,000 copies this year. The book opens with a dedication to Levi’s friend Cubby Culbertson: “As a token of gratitude for our long friendship and a reminder, just between us, that you promised to buy a hundred copies of the book if I dedicated it to you. Will that be cash or charge?”

More here.

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One Battle After Another: Paul Thomas Anderson’s thrillingly helter-skelter counterculture caper

Peter Bradshaw in The Guardian:

One of the great creative bromances has flowered again: Paul Thomas Anderson and Thomas Pynchon. Having adapted Pynchon’s Inherent Vice for the screen in 2014, Anderson has now taken a freer rein with his 1990 novel Vineland, creating a bizarre action thriller driven by pulpy comic-book energy and transformed political indignation, keeping his pedal at all times welded to the metal.

It’s a riff on the now recognisable Anderson-Pynchonian idea of counterculture and counter-revolution, absorbing the paranoid style of American politics into a screwball farcical resistance, with a jolting, jangling, nerve-shredding score by Jonny Greenwood. It’s partly a freaky-Freudian diagnosis of father-daughter dysfunction – juxtaposed with the separation of migrant children and parents at the US-Mexico border – and a very serious, relevant response to the US’s secretive ruling class and its insidiously normalised Immigration and Customs Enforcement (Ice) roundups: the toxic new Vichyite Trump enthusiasm.

More here.

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The Bible says little about Jesus’ childhood – but that didn’t stop medieval Christians from enjoying tales of him as holy ‘rascal’

Mary Dzon in The Conversation:

‘Christ Discovered in the Temple,’ by Simone Martini (1342). Google Cultural Institute/Walker Art Gallery via Wikimedia Commons

After its account of Jesus’ birth, the Bible is almost entirely silent on his childhood. Yet legends about Jesus’ early years circulated widely in the Middle Ages – the focus of my 2017 book. While the detail of the ox and ass is quite familiar to many Christians today, few are aware of the other striking tales transmitted by the apocrypha.

The Bible does include one famous scene from Jesus’ youth: the incident when 12-year-old Jesus stayed behind at the Jewish temple in Jerusalem, unbeknownst to his parents. Searching for him with great anxiety, they find him conversing with religious teachers, both asking questions and astounding them with his answers. Fourteenth-century painter Simone Martini’s “Christ Discovered in the Temple” portrays him standing before his parents with crossed arms – a stubborn youth, apparently unapologetic about making them worry for days.

More here.

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Waymo hits 2,000 vehicles while human drivers lose 6.9% pay

Daniel Abreu Marques at The AV Market Strategist:

Waymo’s co-CEO Tekedra Mawakana made a striking prediction this week:

You’re going to start seeing our cars in a lot of cities. If you think about our business in terms of scale, we’re currently giving hundreds of thousands of rides every week and, in all likelihood, by the end of next year, we will be offering around one million rides per week.

If Waymo hits anything close to that run-rate, the U.S. ridehail map changes.

The SF Examiner reports that Waymo now operates over 2,000 commercial vehicles across the U.S., with ~800 deployed in the Bay Area alone, another ~500 in Los Angeles and ~400 in Phoenix.

We already know Washington DC, Miami, and New York City are in the pipeline, with data collection underway in Houston, Orlando, San Antonio, Las Vegas, and San Diego. The company has even extended its reach internationally to Japan, indicating global ambitions that stretch well beyond American cities.

More here.

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As British as Fish and Chips

Dan Gardner at PastPresentFuture:

This has been a year in which terrible ideas buried and forgotten rose from the dead and ate many brains.

Tariffs-on-everything. Vaccines are poison. Fascism. Anti-Semitism. Hitler’s not so bad. And of course, ethnic nationalism, the idea that only people who share a common ancestry and culture can create a strong country. That particular zombie is even spreading across the United States, a country that never had a shared common ancestry and culture in its entire long, successful history.

Inevitably, I’ve found myself arguing with ethnic nationalists on social media, which is invariably a depressing experience. But the British zombies are the worst. “A thousand years of ethnic stability now destroyed by immigration,” is how one summed up British history to me.

More here.

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Wednesday Poem

Christmas Mail

Cards in each mailbox,
angel, manger, star and lamb,
as the rural carrier,
driving the snowy roads,
hears from her bundles
the plaintive bleating of sheep,
the shuffle of sandals,
the clopping of camels.
At stop after stop,
she opens the little tin door
and places deep in the shadows
the shepherds and wise men,
the donkeys lank and weary,
the cow who chews and muses.
And from her Styrofoam cup,
white as a star and perched
on the dashboard, leading her
ever into the distance,
there is a hint of hazelnut,
and then a touch of myrrh.

By Ted Kooser

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Tuesday, December 23, 2025

The Harder Truths of True Crime

Phil Christman at The Hedgehog Review:

John J. Lennon is, at the moment, probably this country’s foremost imprisoned journalist. This title won’t be taken from him any time soon, not because there aren’t many talented and inquisitive people in prison but because the barriers to entry are so nearly impassible. A journalist’s life is a daunting prospect these days even to a person with freedom of movement, a real computer, the ability to make phone calls in private. Lennon’s new book, The Tragedy of True Crime, concludes with an author’s note that describes the makeshifts that he and his supporters have had to adopt so he can fulfill the most basic parts of an author’s job:

Receiving a 100,000-word work-in-progress manuscript in prison is harder than you may think, especially when that prison system is dealing with a K2 crisis. The drug looks like a regular piece of paper to the unknowing eye, but one sheet sprayed with K2 chemicals is worth about $1000 in prison.…

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The Chinese finance whizz whose DeepSeek AI model stunned the world

Elizabeth Gibney in Nature:

In January this year, an announcement from China rocked the world of artificial intelligence. The firm DeepSeek released its powerful but cheap R1 model out of the blue — instantly demonstrating that the United States was not as far ahead in AI as many experts had thought.

Behind the bombshell announcement is Liang Wenfeng, a 40-year-old former financial analyst who is thought to have made millions of dollars applying AI algorithms to the stock market before using the cash in 2023 to establish DeepSeek, based in Hangzhou. Liang avoids the limelight and has given only a handful of interviews to the Chinese press (he declined a request to speak to Nature).

Liang’s models are as open as he is secretive. R1 is a ‘reasoning’ large language model (LLM) that excels at solving complex tasks — such as in mathematics and coding — by breaking them down into steps. It was the first of its kind to be released as open weight, meaning that the model can be downloaded and built on for free, so has been a boon for researchers who want to adapt algorithms to their own field. DeepSeek’s success seems to have prompted other companies in China and the United States to follow suit by releasing their own open models.

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The Untold Story of How Jeffrey Epstein Got Rich

David Enrich, Steve Eder, Jessica Silver-Greenberg, and Matthew Goldstein in the New York Times:

One evening in early 1976, a bushy-haired Jeffrey Epstein showed up for an event at an art gallery in Midtown Manhattan. Epstein was a math and physics teacher at the city’s prestigious Dalton School, and the father of one of his students had invited him. Epstein initially demurred, saying he didn’t go out much, but eventually relented. It would turn out to be one of the best decisions he ever made.

At the gallery, Epstein bumped into another Dalton parent, who had heard tales of the 23-year-old’s wondrous math skills. The parent asked if he’d ever thought about a job on Wall Street, according to an unreleased recording of Epstein and a document prepared by his lawyers. Epstein was game. The parent dialed a friend: Ace Greenberg, a top executive at Bear Stearns. Epstein, the friend told Greenberg, was “wasting his time at Dalton.”

Greenberg invited Epstein to the investment firm’s offices at 55 Water Street at the southern tip of Manhattan.

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Terrence Malick’s Disciples: Why the auteur is the most influential director in Hollywood

Bilge Ebiri in The Yale Review:

In the winter of 2024, the photographer and filmmaker RaMell Ross released Nickel Boys, a masterful adaptation of a novel by Colson Whitehead. In a fragmentary, impressionistic style, the film portrays the friendship of two African American teens at a brutal Florida reform academy during the Jim Crow era. Acclaimed as a visionary movie, it ended up on many critics’ best-of-the-year lists and earned an Oscar nomination for Best Picture.

Ross is a fiercely independent artist. His first film, the lyrical 2018 documentary Hale County This Morning, This Evening, was also nominated for an Oscar. Afterward, he refused Hollywood’s overtures for years. So why did he take a meeting with the producers who reached out to him about making a studio-financed, big-budget adaptation of Nickel Boys? Ross’s explanation was simple: because one of them had produced Terrence Malick’s 2011 film, The Tree of Life. Ross’s reverence for Malick is plain in his films, which, like Malick’s, rely on extended montages of the everyday and do away with the conventional rules of cinematic storytelling, hovering instead between distant, melancholy reverie and hyperfocused, lived-in specificity. And he is not the only recent filmmaker who has fallen under Malick’s spell. Indeed, Malick’s sensibility, visual style, and working methods have had a profound influence on some of today’s best and most interesting directors.

Take Chloé Zhao, the director of the Oscar-winning Nomadland (2020). Her early films, all set in the American heartland, were regularly compared to Malick’s, and she herself pointed to The Tree of Life and Malick’s 2005 film, The New World, as influences on her 2021 Marvel superhero movie, Eternals. Those overtones persist in her latest, Hamnet, a film about the death of William Shakespeare’s only son and his subsequent creation of Hamlet. The movie may take place in Elizabethan England, but it is replete with lyrical passages and visions of nature that recall Malick’s work.

More here.

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