Stephen Smith at The Guardian:
What do TS Eliot, the Coen brothers, Dorothy Parker, Mel Brooks, Clive James and Woody Allen have in common? The answer is that they all admired SJ Perelman, the droll New York prose stylist and Oscar-winning screenwriter. There’s a crowded field in the sweepstakes for the best writer you’ve never heard of, but the form book suggests that Perelman would place, at the very least. He wrote for Hollywood and the New Yorker in the middle of the 20th century, when smart, wisecracking American humour was the laughter heard across the globe. He collaborated with the Marx Brothers on Monkey Business and Horse Feathers and received his Academy Award for Around the World in 80 Days. There was an SJP bossing Manhattan when Sex and the City was just a bubble in a cosmopolitan.
Now some of Perelman’s work has been republished. Cloudland Revisited: A Misspent Youth in Books and Film brings together essays in which the mature Perelman returns to the dime store novels and schlocky movies that he enjoyed in his teens.
more here.
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The man who may very well become the vice-president of the US 
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My desire to write a cultural history of the Faust legend goes back a few years earlier than my pilgrimage to the Deptford churchyard, around the time that I attended an adaptation of the play entitled faustUS staged by the theater collective 404 Strand in my hometown of Pittsburgh. Basing the script on the shorter, so-called “Text A” of Marlowe’s play, a tauter and more cryptic work that cuts the slapstick that mars more traditional productions of Doctor Faustus, the performance was hallucinatory, ritualistic, psychedelic, incantatory. A work of conjuration. With the audience invited to sit in an ad hoc theater-in-the-round constructed on the stage of the Kelly Strayhorn Theater, we all faced a rusted iron-cage in which the action of the play would be set. I was in the front row.
If you ask Bette Midler how she got her part in the new film The Fabulous Four, it wouldn’t have anything to do with her legendary status as a performer, or that she’s an Oscar-nominated actor. “I think they needed a ham, a big ole ham. So, I got that part.” Midler plays Marilyn, a widow getting remarried who rekindles a friendship with her three college girlfriends, played by Susan Sarandon, Sheryl Lee Ralph and Megan Mullally. “No actor doesn’t like to chew the scenery, even if they don’t admit it. So, to have the permission to pull out all the stops is always great.” What was also great was working with her three costars. “Working with these these girls…girls, girls, oh my God, we’re 100! These women! Working with these women was really an eye-opener because everybody’s process is different.”
A climate scientist who was demoted for speaking out by the administration of former US president Donald Trump is seeking an investigation into her case and demanding changes to personnel policies to prevent similar retaliation against others in future. Her supporters say the proposed reforms could help her agency, the US Geological Survey (USGS), as well as others safeguard science in the event of a second Trump administration, which many fear will be even more efficient than the first at 
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Sixty-five years ago, on July 17, 1959, Billie Holiday died at Metropolitan Hospital in New York. The 44-year-old singer arrived after being turned away from a nearby charity hospital on evidence of drug use, then lay for hours on a stretcher in the hallway, 
Perhaps the greatest quest in particle physics, for perhaps half a century now, has been to find a discrepancy between theory and experiment when it comes to the Standard Model. One fascinating place to look is at the magnetic moment of the muon: a heavy, unstable relative of the electron. A Fermilab experiment known as 
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