Category: Recommended Reading
“No Pakistanis”: The racial satire the Beatles don’t want you to hear
Alex Sayf Cummings in Salon:
Imagine that a popular American rock band – say, the Black Keys – wrote a song about immigrants. There are too many of them, the lyrics suggest, and they take jobs away from native-born workers. The chorus recommends that they go back to their countries of origin, where they really belong. Though the song was meant to satirize xenophobia, “No Mexicans” could be easily interpreted as an anthem of racism.
This was the situation that the Beatles faced in 1969, when they first concocted the song that would become “Get Back.” Better known as a playful take on counterculture, starring the gender-bending Sweet Loretta Martin and the grass-smoking Jo-Jo, the song originally dealt with South Asian immigration to the United Kingdom. The strange story of “Get Back,” its politics, and its bootlegs tells us much about the limits of what musicians, even hugely popular and politically engaged ones, can say in popular music — and what’s at stake in the battle over file-sharing and free culture today.
An early version of the song, known to bootleggers as “No Pakistanis,” began with Paul McCartney muttering, “Don’t dig no Pakistanis taking all the people’s jobs.” Many Americans have heard similar complaints, having listened to the anti-immigrant invective of Joe Arpaio and Tom Tancredo for years. Brits are also familiar with such rhetoric, seeing the British Nationalist Party ride their slogan of “British jobs for British workers” to prominence in the last decade.
Many who hear the song today are startled to hear this sort of cranky posturing from the Beatles, the lovable moptops who told us that “All You Need Is Love.” Bootleg versions of “No Pakistanis” have even won the hearts of neo-Nazi groups like Stormfront, who believe that the Beatles were really on the side of the white man’s cause all along. (The white supremacist band Battlecry even recorded its own clueless version of the tune.) If released today, a similar song would likely ignite controversy, regardless of the songwriter’s intentions.
Sunday Poem
Pigeons
.
Like every kingdom,
the kingdom of birds
has its multitude of the poor,
the urban, public poor
whose droppings whiten
shingles and sidewalks,
who pick and pick
(but rarely choose)
whatever meets their beaks:
the daily litter
in priceless Italian cities,
and here, around City Hall—
always underfoot,
offending fastidious people
with places to go.
No one remembers how it happened,
their decline, the near-
abandonment of flight,
the querulous murmurs,
the garbage-filled crops.
Once they were elegant, carefree;
they called to each other in rich, deep voices,
and we called them doves
and welcomed them to our gardens.
.
by Lisel Mueller
from Alive Together
Louisiana State University Press
Life Science
Eran Gilat in lensculture:
I am a neuroscientist and an avid art photographer. In recent years I found myself directing most of my attention and energy to still life photography of biological specimens, highly inspired by my long-lasting confrontation with biological tissues in my clinical research. It takes a while for a young clinician or a researcher to accommodate to the laboratory or hospital scenes. Even after extensive training, some cannot adjust to the visuals. I feel my photographic activity carries me to these sometimes emotionally disturbing regions too.
My photographic activity deals with the aesthetics of the scene, improvising various contexts; the tools and paraphernalia shown are not just the typical ones used in the operating place. My “Life Science” project situates biological tissue into relatively pleasant, sometimes artificial scenarios, contemplating issues of materialism, erotica and mortality, corresponding with the complicated and intriguing category of “Animal Reminder” in the visual arts. I feel my work also challenges various ideas about violence. We tend to describe violent humankind behavior as an animal-like beastly revolting one, associated with violent animal behavior. However, I believe in many aspects we are inferior to the moral conduct of the animal world, while being superior in our “creative violent behavior”.
More here.
The Lives of Erich Fromm: Love’s Prophet
From Boston Review:
The book, however, that accounted most fully for the ’50s’ near-morbid desire for security at any price, had been written a decade earlier by the émigré psychoanalyst Erich Fromm. Escape from Freedom (1941), rooted in a European intellectual thought that had been heavily influenced by the work of both Karl Marx and Sigmund Freud, brought social psychology to the United States where, in the years ahead, it flourished wildly. The book launched its author on one of the most celebrated careers that any public intellectual, anywhere, has ever achieved.
Erich Fromm was born in 1900 in Frankfurt, Germany, into a lower-middle-class Jewish family that was nominally Orthodox. While Fromm never became religious, very early he fell in love with Judaism’s great book of wisdom, and for years wished only to become a student of the Talmud. At the same time, on the verge of teenaged life, he came under the influence of an employee of his father, who introduced him to the work of Karl Marx. Then came the First World War, which, in later years, Fromm labeled “the most crucial experience of my life.” His newest biographer, historian Lawrence J. Friedman, tells us in The Lives of Erich Fromm: Love’s Prophet that when the war was over the eighteen-year-old Fromm remained “obsessed by . . . the wish to understand the irrationality of human mass behavior.” By Fromm’s own accounting, these three strands of influence—Talmudic ethics, Marxist socialism, and the psychological power of unreason—shaped his intellectual life.
More here.
Uniting the Radical Left and the Radical Right: Pragmatic Centrism Is Crony Capitalism
Ashwin Parameswaran in Macroeconomic Resilience (image from Wikimedia Commons):
Most critics of neoliberalism on the left point to the dramatic reduction in the scale of government activities since the 80s – the privatisation of state-run enterprises, the increased dependence upon private contractors for delivering public services etc. Most right-wing critics lament the increasing regulatory burden faced by businesses and individuals and the preferential treatment and bailouts doled out to the politically well-connected. Neither the left nor the right is wrong. But both of them only see one side of what is the core strategy of neoliberal crony capitalism – increase the scope and reduce the scale of government intervention. Where the government was the sole operator, such as prisons and healthcare, “pragmatic” privatisation leaves us with a mix of heavily regulated oligopolies and risk-free private contracting relationships. On the other hand, where the private sector was allowed to operate without much oversight the “pragmatic” reform involves the subordination of free enterprise to a “sensible” regulatory regime and public-private partnerships to direct capital to social causes. In other words, expand the scope of government to permeate as many economic activities as possible and contract the scale of government within its core activities.
Some of the worst manifestations of crony capitalism can be traced to this perverse pragmatism. The increased scope and reduced scale are the main reasons for the cosy revolving door between incumbent crony capitalists and the government. The left predictably blames it all on the market, the right blames government corruption, while the revolving door of “pragmatic” politicians and crony capitalists rob us blind.
An Interview with Mark Blyth on Austerity
Saturday, April 13, 2013
The Truth Behind Calorie Labels
le Carré looks back
I wrote The Spy Who Came in from the Cold at the age of 30 under intense, unshared, personal stress, and in extreme privacy. As an intelligence officer in the guise of a junior diplomat at the British Embassy in Bonn, I was a secret to my colleagues, and much of the time to myself. I had written a couple of earlier novels, necessarily under a pseudonym, and my employing service had approved them before publication. After lengthy soul-searching, they had also approved The Spy Who Came in from the Cold. To this day, I don’t know what I would have done if they hadn’t. As it was, they seem to have concluded, rightly if reluctantly, that the book was sheer fiction from start to finish, uninformed by personal experience, and that accordingly it constituted no breach of security. This was not, however, the view taken by the world’s press, which with one voice decided that the book was not merely authentic but some kind of revelatory Message From The Other Side, leaving me with nothing to do but sit tight and watch, in a kind of frozen awe, as it climbed the bestseller list and stuck there, while pundit after pundit heralded it as the real thing.
more from John le Carré at The Guardian here.
Atheists Richard Dawkins, Christopher Hitchens and Sam Harris face Islamophobia backlash
From The Independent:
They are often described as “The Unholy Trinity” – a trio of ferociously bright and pugilistic academics who use science to decimate what they believe to be the world’s greatest folly: religion. But now Richard Dawkins, Christopher Hitchens and Sam Harris are on the receiving end of stinging criticism from fellow liberal non-believers who say their particular brand of atheism has swung from being a scientifically rigorous attack on all religions to a populist and crude hatred of Islam. In the last fortnight a series of columns have been written denouncing the so-called New Atheist movement for, in one writer’s words, lending a “veneer of scientific respectability to today's politically-useful bigotry.” The opening broadside began earlier this month with a polemic from Nathan Lean on the Salon.com website. Lean, a Washington DC native and Middle East specialist who has recently written a book about the Islamophobia industry, was prompted to pen his attack following a series of tweets last month by Professor Dawkins attacking Islam in snappy 140 character sound bites. “Haven’t read Koran so couldn’t quote chapter & verse like I can for Bible. But often say Islam [is the] greatest force for evil today,” the Cambridge evolutionary biologist wrote on 1 March.
Writing on Al Jazeera’s website a few days later, Murtaza Hussain, a Toronto based Middle East analyst, penned an even more scathing critique. What the New Atheists were doing, he argued, was similar to the kind of scientific racism that was dominant within western cultures in the eighteenth and nineteenth centuries as they tried to use eugenics to classify – and consequently legitimise – the subjugation of certain races. Hussain reserved particular ire for Sam Harris, a neuroscientist by trade whose atheist tracts “The End of Faith” and “Letter to a Christian Nation” have made him one of the leading anti-religious polemicists of his age. Harris is an accomplished writer and public speaker with a solid background in academic rigour. But there are no shortages of statements from his over the years lumping all Muslims into one box. “The idea that Islam is a ‘peaceful religion hijacked by extremists’ is a fantasy, and is now a particularly dangerous fantasy for Muslims to indulge,” is just one he wrote in “Letter to a Christian Nation.” Wearing a palpable disdain for Islam on his sleeve he has also written in favour of torture, pre-emptive nuclear strikes and the profiling not just of Muslims but “anyone who looks like he or she could conceivably be a Muslim.” In response, Hussain wrote: “[Harris’] sweeping generalisations about a constructed civilisation encompassing over a billion people are coupled with fevered warnings – parallel with the most noxious race propaganda of the past – about the purported demographic threat posed by immigrant Muslim birthrates to Western civilisation.”
More here.
larry summers on blyth
Mark Blyth’s important polemic Austerity: The History of a Dangerous Idea seeks to put much of this in perspective. Blyth, a professor at Brown University, is no two-handed economist. He pulls no punches in making the case against austerity. His idiom is not that of modern macroeconomics – no theoretical equations, econometrics, stylised models, or even data tables. Rather, Blyth writes in the tradition of Keynes, slashing away at orthodoxy and the orthodox, emphasising the power of ideas as well as interests in shaping outcomes, ranging widely over the history of economic and political thought, expressing deep scepticism about financial actors, and rejecting the curtailment of spending as the solution to a period of excess. Much of what he says is valid and compelling. On many previous occasions – notably efforts to return to the gold standard during the interwar period – austerity has proven to be a disastrous policy. Contrary to widespread belief, the historical record suggests it is more plausible to blame the rise of Hitler on the depression under way as he rose to power than on the previous hyperinflation.
more from Lawrence Summers at the FT here.
Saturday Poem
The Sea Question
.
The sea asks “How is your life now?”
It does so obliquely, changing colour.
It is never the same on any two visits.
Only in generalities: tide and such matters
Wave height and suction, pebbles that rattle.
But it questions you like a psychologist
As you walk beside it on its long couch.
.
by Elizabeth Smither
from The Sea Question
Be Fruitful and Simplify!
Michiko Kakutani in The New York Times:
Less is more. The bare essentials. Back to basics. User-friendly. No fine print. Clutter-free. Transparent. Clean. Easy. Back in the mid-19th century Henry David Thoreau exhorted us to “simplify, simplify,” and his appeal to distill things down to “the necessary and the real” has only gained more resonance, as our Internet-driven, A.D.D. culture has grown ever more complex and frenetic. The re-embrace of simplicity is not exactly new. In the 1990s some neo-hippies and fed-up yuppies took up the idea of Voluntary Simplicity, Downshifting or Simple Living. In 2000 the commercial possibilities of this trend were ratified with Time Inc.’s introduction of the magazine “Real Simple,” and in 2005 Staples started promoting itself with an “Easy Button.”
…“Simple,” by two business consultants, Alan Siegel and Irene Etzkorn, is a straightforward brief on simplicity, providing the reader with interesting examples of companies that have successfully embraced it as a business strategy while only occasionally slipping into overly simplistic advice. (“Simplification requires a thorough and pervasive commitment by an organization to empathize, distill and clarify.”) “Simpler,” by Cass R. Sunstein — who as the administrator of the White House Office of Information and Regulatory Affairs from 2009 to 2012 helped “oversee the issuance of nearly 2,000 rules from federal agencies” — is a more detailed, more nuanced look at how rules and regulations can be made simpler, and how the social environment in which we make decisions can be “nudged” in ways that help us to make more rational, sensible choices. Many of the more original and illuminating ideas in this book, however, were previously mapped out by Mr. Sunstein and Richard H. Thaler in their fascinating 2008 best seller “Nudge: Improving Decisions About Health, Wealth and Happiness,” or build upon the groundbreaking ideas laid out by Daniel Kahneman in his compelling 2011 book “Thinking, Fast and Slow.”
More here.
The Second Cooing: Raising Passenger Pigeons from the Dead
Philip Bethge in Spiegel Online:
The eye sockets of the slender pigeon are filled with light-colored cotton. Its neck feathers shimmer in iridescent colors, and it has a russet chest and a slate-blue head. The yellowed paper tag attached to its left leg reads: “Coll. by Capt. Frank Goss, Neosho Falls, Kansas, July 4, 1875.”
Ben Novak lifts up the stuffed bird to study the tag more closely. Then he returns the pigeon to a group of 11 other specimens of the same species, which are resting on their backs in a wooden drawer. “It's easy to see just dead birds,” he says. “But imagine them alive, billions of birds. What would they look like in the sky?”
Novak has an audacious plan. He wants to resurrect the passenger pigeon. Vast numbers of the birds once filled the skies over North America. But in 1914 Martha, the last of her species, died in a zoo in Cincinnati, Ohio.
Novak, a researcher with the Long Now Foundation, a California think tank, wants to give the species a second chance. At the Museum of Vertebrate Zoology in Berkeley, Novak used a scalpel to slice small tissue samples from the red-painted toes of the passenger pigeons kept there. He hopes to isolate tiny bits of DNA from the samples and use them to assemble an entire genotype. His ultimate goal is the resurrection of the passenger pigeon.
“It should be possible to reconstruct the entire genome of the passenger pigeon,” says Novak. “The species is one of the most promising candidates for reintroducing an extinct species.”
The art of breathing new life into long-extinct species is in vogue among biologists. The Tasmanian devil, the wooly rhinoceros, the mammoth, the dodo and the gastric-breeding frog are all on the list of candidates for revival. To recover the genetic makeup of species, experts cut pieces of tissue from stuffed zoological rarities, pulverize pieces of bone or search in the freezers of their institutions for samples of extinct animals.
When Dickens met Dostoevsky
Eric Naiman in TLS:
Late in 2011, Michiko Kakutani opened her New York Times review of Claire Tomalin’s biography of Charles Dickens with “a remarkable account” she had found in its pages. In London for a few days in 1862, Fyodor Dostoevsky had dropped in on Dickens’s editorial offices and found the writer in an expansive mood. In a letter written by Dostoevsky to an old friend sixteen years later, the writer of so many great confession scenes depicted Dickens baring his creative soul:
“All the good simple people in his novels, Little Nell, even the holy simpletons like Barnaby Rudge, are what he wanted to have been, and his villains were what he was (or rather, what he found in himself), his cruelty, his attacks of causeless enmity toward those who were helpless and looked to him for comfort, his shrinking from those whom he ought to love, being used up in what he wrote. There were two people in him, he told me: one who feels as he ought to feel and one who feels the opposite. From the one who feels the opposite I make my evil characters, from the one who feels as a man ought to feel I try to live my life. ‘Only two people?’ I asked.”
I have been teaching courses on Dostoevsky for over two decades, but I had never come across any mention of this encounter. Although Dostoevsky is known to have visited London for a week in 1862, neither his published letters nor any of the numerous biographies contain any hint of such a meeting. Dostoevsky would have been a virtual unknown to Dickens. It isn’t clear why Dickens would have opened up to his Russian colleague in this manner, and even if he had wanted to, in what language would the two men have conversed? (It could only have been French, which should lead one to wonder about the eloquence of a remembered remark filtered through two foreign tongues.) Moreover, Dostoevsky was a prickly, often rude interlocutor. He and Turgenev hated each other. He never even met Tolstoy. Would he have sought Dickens out? Would he then have been silent about the encounter for so many years, when it would have provided such wonderful fodder for his polemical journalism?
Asia: ‘The Explosive Transformation’
Pankaj Mishra reviews Mohsin Hamid's How to Get Filthy Rich in Rising Asia, Tash Aw's Five Star Billionaire, and Randy Boyagoda's Beggar’s Feast in the NYRB (photo by Jillian Edelstein):
“Let some people get rich first,” the Chinese leader Deng Xiaoping proclaimed a generation ago, inaugurating a strange new phase in his country’s—and the world’s—history. It now seems clear that nowhere has capitalism’s promise to create wealth been affirmed more forcefully than in post–World War II Asia. By now we have all heard about the rise of China and India as economic powers. But as early as the late 1960s, the rates of economic growth in South Korea, Hong Kong, Taiwan, Singapore, and even Thailand, Indonesia, and Malaysia were double the rate in European and American countries.
In most of these nations, collaborations between the military or authoritarian-minded governments and businessmen ensured the rise of big, often monopoly, conglomerates, such as the South Korean chaebols. Most ordinary people suffered from a long denial of democracy and then, following free elections, the subversion of democratic institutions; after decades of uneven economic growth they now try to cope with the irreversible contamination of air, soil, and water. Long working hours, low wages, limited mobility, and perennial job insecurity are the lot of most toilers in Asian economies, especially women. Nevertheless, some people have gotten extremely rich in Asia’s own Gilded Age: for instance, in “rising” India, the number of malnourished children, nearly 50 percent, has barely altered while a handful of Indian billionaires increased their share of national income from less than 1 percent in 1996 to 22 percent in 2008.
Such concentrations of private wealth are now common across Asia, which accordingly has produced several Horatio Alger–type legends of its own. Born in 1928, Hong Kong’s Li Ka-shing, today Asia’s richest man with an estimated wealth of $31 billion, started out as a poor immigrant from China hawking plastic combs. Another kind of morality tale is illuminated by the career of the Indonesian Mochtar Riady, who worked in a bicycle shop before he turned his modest enterprise, with the help of the Indonesian strongman Suharto and the “bamboo network” of overseas Chinese businessmen—the greatest Asian economic power outside of Japan—into a family business empire drawing on global resources.
On Fernando Pessoa’s Philosophical Essays
Michael Colson over at Truth Tableaux (via the NYT's The Stone):
Fernando Pessoa (1888-1935) is considered to be a great European intellectual and a preeminent Portuguese modernist. Born in Lisbon, he grew up in South Africa and had an English education at St. Joseph’s, a Dominican convent school, in Durban. In 1901, he passed the Cape School Higher Examination with distinction, and in 1903, he won Queen Victoria’s Memorial Prize for the best essay in English. After returning to Portugal in 1906-1907, Pessoa enrolled in philosophy classes at the University of Lisbon. He wrote poetry, fiction, and essays on topics ranging from politics and economics to mysticism and astrology. Importantly, Pessoa wrote several essays in English on philosophy.
For the first time Pessoa’s philosophical writings in English have been published. His Philosophical Essays: Critical Edition (First Contra Mundum Press, 2012), edited by Nuno Ribeiro, collects hitherto unpublished philosophical essays and fragments transcribed from material in the Fernando Pessoa Archive at the Biblioteca Nacional de Portugal. The archive holds more than 27,000 manuscript sheets in labeled envelopes, and 14 envelopes contain 1,428 sheets on philosophy.
If writing is a form of autobiography, as composition teacher Donald Murray says, then much of the paradox surrounding Pessoa’s writings involve the ambiguity of his “factless autobiography” and the many personalities that are attributed to him. Pessoa created complicated sets and subsets of authorial voices: heteronyms, semi-heteronyms, pre-heteronyms, and sub-heteronyms. The heteronym is a personality that allows a writer to explore ideas and feelings outside his own person—it’s like a public mask. Pessoa’s heteronyms—Alberto Caeiro, Ricardo Reis, and Alvaro de Campo—offer different ideas, feelings, and writing styles than his own.
In 1915, Pessoa employed the first heteronym Alvaro de Campos in a modernist Portuguese review Orpheu. Some scholars believe that the plurality of heteronyms demonstrates a conception of self based on the multiplicity of Nietzsche’s ‘decentered self.’
Friday, April 12, 2013
Liam Heneghan on The Sunflower Forest
Liam Heneghan in the Los Angeles Review of Books:
When I first brought a group of my undergraduate students to meet William Jordan III at Cafe Mozart in Evanston, Illinois, he told them that each year we should ritualistically destroy a small plot of virgin prairie, of which there is virtually none left in this state, in order to dramatize its importance to us. I assured them that he did not mean this sacrifice literally; he assured them that he did.
At that time, around the turn of the new millennium, William (Bill) Jordan was working on The Sunflower Forest: Ecological Restoration and the New Communion with Nature, which came out in 2003 (reissued in paperback 2012). More than any other writer I know, Bill rehearses his arguments in countless conversations and prepared talks before commuting them to the written word. I can trace remarks he made at a Christmas gathering years ago through several iterations until they became the fully formed ideas that made up his most recent book Making Nature Whole: A History of Ecological Restoration, written with George M. Lubick (2011). So, when Bill assured us he was serious about the ritualistic sacrifice of prairie a decade ago, it anticipated a theme that would emerge sometime later in The Sunflower Forest.
Several ecological restorationists with whom I have spoken over the years confess bewilderment with The Sunflower Forest; they read it hoping to get insights into the “how” of restoration, whereas the book focuses primarily on its performance, ritual and the creation of meaning. However, The Sunflower Forest and its companion Making Nature Whole were not written to appeal to the most immediate pragmatic needs of restoration. They were written to address questions about our troubling relationship with nature.
More here.
Will We Ever Communicate Telepathically?
Ed Yong over at National Geographic's Not Exactly Rocket Science:
In a lab at Harvard Medical School, a man is using his mind to wag a rat’s tail. To send his command, he merely glances at a strobe light flickering on a computer screen, and a set of electrodes stuck to his scalp detects the activity triggered in his brain. A computer processes and relays the electrodes’ signal to an ultrasound machine poised over the rat’s head. The machine delivers a train of low-energy ultrasound pulses into the rat’s brain, stimulating its motor cortex – the area that governs its movements. The pulses are aimed purposely at a rice-grain-sized area that controls the rat’s tail. It starts to wag.
This link-up is the brainchild of Seung-Schik Yoo, and it works more than 94% of the time. Whenever a human looks at the flickering lights, the rat’s tail almost always starts to wag just over a second later. The connection between them is undeniably simple. The volunteer is basically flicking a switch in the rat’s brain between two positions – move tail, and don’t move tail. But it is still an impressive early example of something we will see more of in coming years – a way to connect between two living brains.
Science-fiction is full of similar (if more flamboyant) brain-to-brain links. From the Jedi knights of Star Wars to various characters in the X-Men comics, popular culture abounds with telepathic characters that can read minds and transmit their thoughts without any direct physical contact or the use of their senses. There’s no evidence that any of us mere mortals share the same ability, but as Yoo’s study shows, technology is edging us closer in that direction. The question is: how far can we recreate telepathy using electronics? A human wagging a rat’s tail is one thing. Will we ever get to the point where we can share speech or emotions or memories?
Who the F@#$ is Jacques Ranciere?
Eugene over at Critical Theory:
While other philosophers deconstruct the metaphysical tradition and replace it with their own project, Ranciere’s philosophy can be summed up by “meh, people will figure it out.” And thus we present: the thought of Jacques Ranciere.
#1 “Fuck the Police” is Pretty Much his Definition of Politics
In his “Ten Theses on Politics”, Ranciere makes a simple claim. There are two kinds of politics in the status quo, fake poser bullshit masquerading as politics and the real thing. Ranciere calls the poser politics the “politics of the police”. Ranciere calls “real” politics “dissensus.”
What the Fuck is Dissensus?
Dissensus is the process by which actors disrupt the politics of the police.
You see, the police are all about telling you what to do and where to do it. Remember that time that cop got all up in your grill for skateboarding in front of 7-11? Or, if you’re a person of color, remember that time a cop arrested you and planted drugs on you for skateboarding in front of 7-11? That’s the police order; the partitions that the police put in place for what can be seen, said and done, and where they can be done. When that cop drove away and you kept skateboarding, you totally disrupted the police partitioning of that space (sort of).
The police says that there is nothing to see on a road, that there is nothing to do but move along. It asserts that the space of circulating is nothing other than the space of circulation. Politics, in contrast, consists in transforming this space of ‘moving-along’ into a space for the appearance of a subject: i.e., the people, the workers, the citizens: It consists in refiguring the space, of what there is to do there, what is to be seen or named therein. It is the established litigation of the perceptible. – Ten Theses on Politics
We can see how these police partitions work in the events of Occupy Wall Street.
You see, some bankers made this park on stolen native land for them to eat lunch in while they rested from robbing the world of millions of dollars with complicated derivatives and other bullshit nobody understands. When some hipsters decided they wanted to camp out on Wall Street, the police were like “GTFO bro”.

