Thursday Poem

The Owl and the Lightning

— Brooklyn, NY

No pets in the projects,
the lease said,
and the contraband salamanders
shriveled on my pillow overnight.
I remember a Siamese cat, surefooted
I was told, who slipped from a window ledge
and became a red bundle
bulging in the arms of a janitor.

This was the law on the night
the owl was arrested.
He landed on the top floor,
through the open window
of apartment 14-E across the hall,
a solemn white bird bending the curtain rod.
In the cackling glow of the television,
his head swiveled, his eye black.
The cops were called, and threw a horse blanket
over the owl, a bundle kicking.

Soon after, lightning jabbed the building,
hit apartment 14-E, scattering bricks from the roof
like beads from a broken necklace.
The sky blasted white, detonation of thunder.
Ten years old at the window, I knew then that God
was not the man in my mother’s holy magazines,
touching fingertips to dying foreheads
with the half-smile of an athlete signing autographs.
God must be an owl, electricity
coursing through the hollow bones,
a white wing brushing the building.

by Martin Espada
from
Touching the Fire
Anchor Books 1998

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Wednesday, January 15, 2025

Another Look Into ‘The Shop Around The Corner’

Gustavo Pérez Firmat at Bennington Review:

Lubitsch scholars have often remarked on the simplicity of The Shop Around the Corner. This is true in a technical sense. There are no trick angles, long shots, travelings, flashbacks, elaborate sets. The story was filmed sequentially in less than a month. In an interview in the New York Sun, Lubitsch called it “a quiet little story that seemed to have some charm.” His remark alludes to the comical, error-ridden romance between two shop employees. But there is a second storyline, less discussed, whose protagonist is Matuschek (Frank Morgan), the owner of the shop. If one watches through his eyes, one sees a different movie than the romantic comedy that it’s universally taken to be. From this perspective, there is nothing funny or romantic about the film. Pauline Kael distinguished between the plays and the screenplays of Samson Raphaelson, who wrote the script, by noting that the former are not lighthearted: “They aspired to be more than comedies; there was always a serious kernel.” His screenplay for The Shop Around the Corner is an exception to Kael’s rule, for the Matuschek material contains a kernel of seriousness buried inside a comedy.

more here.

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Ethel Cain’s American Gothic

Emily Bootle at The New Statesman:

If you want to make it big as a musician today, there are several criteria you might try to meet. A clearly defined aesthetic. A readiness to become an “icon”. And songs easily truncated for social media posts, preferably with references to the zeitgeist or memorable lyrics that can themselves help to shape it.

Ethel Cain certainly meets the first two. The 26-year-old American singer-songwriter, whose real name is Hayden Anhedönia, broke through in 2022 with her debut album, Preacher’s Daughter, a concept record centred on a fictional woman – the character of Ethel, who Anhedönia says “possessed” her – who is making sense of her past as the abused daughter of a small-town pastor and navigating a love affair with the evil Isaiah. With flowing dark hair and sharp features, her vibe is heavy on the Southern Gothic: laced corsets, Bible references and exorcisms evoking an expansive, dusty and totally absorbing Americana. The songs blend 1990s grunge with doom metal, bedroom pop and sad-girl poetry; thick with nostalgia and intrigue, they speak directly to an online generation while showing a deft songwriting ability worthy of old-school critical respect. Cain grew up online, and was already gaining a fandom there by the time she released the album, which followed three self-released EPs. When she released Preacher’s Daughter, it became an instant cult classic.

more here.

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The Weight of a Stone

Megan Craig in The American Scholar:

Philosophers have not been particularly attentive to stones. This might be surprising given the myth of the philosopher’s stone—a magical rock that, when ground into a powder or made into an elixir, was said to grant immortality or turn things to gold. Alchemy was at the heart of the ancients’ infatuation with stones. In our modern era of chemistry, physics, and the scientific method, such ideas are considered outlandish. We’ve grown too rational for alchemy. Stones are simply stones. Stony. Not magic. Not babies.

I agree, and yet there is something about the idea of transmutation that I can’t quite give up. It’s not that I think a stone will actually come to life. It’s not even that I believe in the legend of wishing stones, the smooth gray rocks ringed with wavering white lines that I collected as a child. I certainly don’t expect to find a lifesaving ruby that grants immortality or turns things to gold, neither of which I would even want. What interests me are the feelings of hesitation and unknowing that I sense when I examine a stone.

More here.

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New Research Shows AI Strategically Lying

Billy Perrigo in Time:

The paper adds to a small but growing body of evidence that today’s most advanced AI models are becoming capable of strategic deception. Earlier in December, the AI safety organization Apollo Research published evidence that OpenAI’s most recent model, o1, had lied to testers in an experiment where it was instructed to pursue its goal at all costs, when it believed that telling the truth would result in its deactivation. That finding, the researchers said, came from a contrived scenario unlikely to occur in real life. Anthropic’s experiments, on the other hand, attempted to simulate a more realistic situation. Without instructing Claude to follow its goal at all costs, researchers still observed the model “discover” the strategy of misleading its creators when it would be strategically advantageous to do so.

“There has been this long-hypothesized failure mode, which is that you’ll run your training process, and all the outputs will look good to you, but the model is plotting against you,” says Ryan Greenblatt, a member of technical staff at Redwood Research and the lead author on the paper. The paper, Greenblatt says, “makes a pretty big step towards demonstrating what that failure mode could look like and how it could emerge naturally.”

More here.

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The Worlds of Noam Chomsky

Daniel Bessner in The Nation:

Noam Chomsky is the most famous critic of US empire in the world. No single living intellectual comes close. Even John Mearsheimer, the international relations theorist well-known for his critiques of US foreign relations, can’t hold a candle to Chomsky: A Google Ngram search quickly reveals how many more times Chomsky’s name appears in English-language texts than Mearsheimer’s.

And Chomsky is not just one of the most cited writers on the subject of US foreign relations; he’s that rare scholar who has made the leap from academia to popular culture. His name appears in songs by the punk band NOFX (“And now I can’t sleep from years of apathy / All because I read a little Noam Chomsky”) and the comedian Bo Burnham (“My show is a little bit silly / And a little bit pretentious / Like Shakespeare’s willy / Or Noam Chomsky wearing a strap-on”). Robin Williams’s psychologist character in Good Will Hunting brings up Chomsky to demonstrate his intellectual bona fides to Will himself. And in my favorite reference, on the TV show Community, the character Britta—an annoying lefty poseur whose claim to fame is that she “lived in New York”—has a cat named Chomsky. If ordinary Americans know one critic of the American Empire, it’s almost certainly Chomsky.

Though he was trained as a linguist, it’s not especially surprising that Chomsky has become best known for his political opinions.

More here.

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Three Shakespearean Sonnets

Sonnet 18: Shall I compare thee to a summer’s day?

Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate:

Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date;

Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm’d;

And every fair from fair sometime declines,
By chance or nature’s changing course untrimm’d;

But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow’st;

Nor shall death brag thou wander’st in his shade,
When in eternal lines to time thou grow’st:

So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee.

Let me not to the marriage of true minds (Sonnet 116)

Let me not to the marriage of true minds
Admit impediments. Love is not love

Which alters when it alteration finds,
Or bends with the remover to remove:

O, no! it is an ever-fixed mark,
That looks on tempests and is never shaken;

It is the star to every wandering bark,
Whose worth’s unknown, although his height be taken.

Love’s not Time’s fool, though rosy lips and cheeks
Within his bending sickle’s compass come;

Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.

If this be error, and upon me prov’d,
I never writ, nor no man ever lov’d.

Sonnet 130: My mistress’ eyes are nothing like the sun

My mistress’ eyes are nothing like the sun;
Coral is far more red than her lips’ red;

If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.

I have seen roses damasked, red and white,
But no such roses see I in her cheeks;

And in some perfumes is there more delight
Than in the breath that from my mistress reeks.

I love to hear her speak, yet well I know
That music hath a far more pleasing sound;

I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground.

And yet, by heaven, I think my love as rare
As any she belied with false compare.

Wednesday Poem

January

i

The jays are commissars in uniform that rule
By evolutions ordinance. Its lesser birds
Survive haphazardly: the wrens are refugees,
And robins following the railroad south have veered
Toward destitution’s camp, where fields are deeply scrolled
And hushed by January’s harsh regime, and skies
Consolidate to cobalt under tungsten clouds.
A stenciling of dendrites drawn in photogravure
Has marred thee gray horizon. Now consumptive twigs
Display disease and poverty across its screen.
In drifts, the muffled trees like soldiers shake their coats,
Elbowed in bark as in gabardine, and the curse wind,
Rabbits fraying their cuffs, trailing threads away.
The valley shadows dust the snow with powder blue.
A crow concealed in arborvitae give the charge,
And thorns like firing pins repeat it, lifted limbs
Defy both weather and the order to submit—
A stand of minutemen, bareheaded, stamping for dawn.

ii

My father solemnly believed a God could live
Articulate in sumac and arbutus leaves;
That daily-witnessed death could be outrun
If once observed and written down. In sun, in rain,
I learned that duty and devotion are the same
When love and terror walk together. As the stream
Diverged, we stood on separate banks. He tried to show
Me where a red-eyed vireo might nest, the shy
Elusive whippoorwill might hide, but I could not
Distinguish anything except the wildest note
Of pity in their singing.

by Mellisa Green
from
The Squanicook Eclogues
The Pen & Anvil Press, Boston, 2010

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How Trump Got Away With It, According to Jack Smith

Eric Cortellessa in Time Magazine:

Days before Donald Trump will return to the White House, Special Counsel Jack Smith relayed an unsettling message to the American people: He had unearthed enough evidence to potentially send the incoming President to prison.

The Justice Department released on Tuesday its final report on Smith’s charges alleging that Trump illegally conspired to overturn the 2020 election, saying that prosecutors secured the goods to convict Trump had his November victory not prevented the case from proceeding. “But for Mr. Trump’s election and imminent return to the presidency, the office assessed that the admissible evidence was sufficient to obtain and sustain a conviction at trial,” the document says. The report amounts to a remarkable rebuke of someone soon to assume the powers of the presidency. While few of the findings were new—Trump’s schemes to remain in office after losing the 2020 election have been extensively chronicled through news reports, documentaries, and landmark congressional hearings—it’s yet another detailed account of how the President-elect waged an assault on American democracy and the U.S. government he will soon lead once again.

Smith’s team interviewed more than 250 people, obtained grand jury testimony from more than 55 witnesses, and said the findings of the House committee that probed the attack constituted “a small part of the office’s investigative record.” In the sprawling 137-page report, Smith unspools Trump’s efforts to block the peaceful transfer of power, from pressuring state and federal officials to nullify the election outcome to inciting a mob to ransack the U.S. Capitol on Jan. 6, 2021. Smith accuses Trump of trying to obstruct the certification of Biden’s election “through fraud and deceit,” including by encouraging “violence against his perceived opponents” in the days and weeks leading up to the insurrectionist riot.

More here.

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Metabolism on the Menu: A New Target for Body Weight Regulation

Laura Tran in The Scientist:

Diet, weight, and metabolism are intricately linked, so studying their relationship is no easy task. People’s eating habits encompass a wide variety of foods, many of which are shared between different types of diets; this complexity makes it difficult to establish cause and effect. “What should you eat? What should you not eat?” mused Jonathan Long, a biochemist at Stanford University. To tackle this challenge, Long focuses on isolating single, chemically well-defined components of diets to better understand their impact on the body.

Taurine, an amino acid commonly found in meats, shellfish, and energy drinks, is a regular part of many diets. While humans naturally produce taurine, dietary taurine can support the immune system and improve cardiovascular health. It is often used as a supplement for weight loss or to enhance exercise performance. Given taurine’s involvement in various physiological functions, researchers have been keen to understand how it is metabolized in the body, as it is converted into different taurine-containing molecules. This prompted Long to explore its metabolic pathways and he homed in on an understudied taurine metabolite called N-acetyltaurine.1

More here.

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Tuesday, January 14, 2025

Bad Beef

Austin McCoy at Public Books:

For a weekend in May, rap artists Drake and Kendrick Lamar ignited a fierce battle that engulfed popular culture. Lamar struck first. On Future and Metro Boomin’s “Like That,” Lamar set the stage for a relentless exchange of songs and disses between Drake, Kendrick Lamar, J-Cole, and Rick Ross. Drake responded with “Push Ups” and the controversial “Taylor Made Freestyle,” where the rapper utilized verses from AI renditions of Tupac Shakur and Snoop Dogg. Nearly two weeks later, Lamar responded to Drake with “Euphoria” and “6:16 in LA.” From there, the two rappers exchanged disses—Lamar dropped “Meet the Grahams” minutes after Drake’s response to “Euphoria” and “6:16 in LA,” “Family Matters.” Lamar punctuated the beef with the scathing and catchy viral track “Not Like Us.”

The battle became a rare moment of monocultural spectacle. Suddenly, everyone seemed to weigh in on television, podcasts, and social media, whether through commenting, appropriating, explaining, or chastising. Pop singer Dua Lipa appeared on the May 4 episode of Saturday Night Live, just hours after Drake and Lamar exchanged disses, to explain the beef. Ubiquitous sports journalist Stephen A. Smith took to his podcast to register his disapproval of the two artists taking the conflict too far and urged them to cease the battle. The Biden-Harris social media team even used Lamar’s lyrics from “Euphoria” to mock former President Donald Trump.

The Drake–Kendrick battle also became a stage for analyzing the politics of hip-hop beefs and litigating their cultural work in our contemporary moment.

More here.

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Waymo Drivers Are Way Safer (10x) Than Humans

Gale Pooley at Human Progress:

Swiss Re, one of the world’s leading reinsurers, analyzed liability claims related to collisions from 25.3 million fully autonomous miles driven by Waymo. They found that the Waymo driver demonstrated better safety performance than human-driven vehicles, with an 88 percent reduction in property damage claims and a 92 percent reduction in bodily injury claims.

The growth in autonomous driving safety can be measured as the inverse of the decrease in the number of claims. From this perspective, Waymo drivers are 10.4 times safer – 8.33 times safer in terms of property damage, and 12.5 times safer in terms of bodily injury. Since 2009, their safety factor has grown at a compound annual rate of 16.9 percent. At this rate, safety doubles roughly every five years.

More here.

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Living With Parakeets and Other Migrants

Gideon Lasco in Sapiens:

When I came to Amsterdam as a graduate student in 2012, I was surprised to find the city’s parks teeming with vibrant green feathers, red beaks, and bluish tails. The birds, which looked to me like parrots, were hard to miss. They congregated in Vondelpark, close to the city’s famed museums and canals, and also in Oosterpark, where I jogged daily. Even without seeing their verdant plumage, I could hear their distinctive squeaking noises in the air.

Parrots, as far as I knew, were tropical birds—and often elusive. Even in my home country, the Philippines, where there are a number of endemic parrots, they’re a rarity, visible only to birdwatchers and hikers who go deep into the forests. Indeed, only when I took up birdwatching myself did I see some of them in the wild, making it even more astonishing to see so many in Western Europe.

Soon I learned the birds were rose-ringed parakeets (Psittacula krameri), a type of parrot. The species is native to Africa and the Indian subcontinent, but the birds have made a home in Amsterdam for decades. In the dozen years I’ve been coming and going in the Netherlands, I’ve heard and read various urban legends about how the birds got established in the city.

More here.

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How should we test AI for human-level intelligence? OpenAI’s o3 electrifies quest

Nicola Jones in Nature:

The technology firm OpenAI made headlines last month when its latest experimental chatbot model, o3, achieved a high score on a test that marks progress towards artificial general intelligence (AGI). OpenAI’s o3 scored 87.5%, trouncing the previous best score for an artificial intelligence (AI) system of 55.5%.

This is “a genuine breakthrough”, says AI researcher François Chollet, who created the test, called Abstraction and Reasoning Corpus for Artificial General Intelligence (ARC-AGI)1, in 2019 while working at Google, based in Mountain View, California. A high score on the test doesn’t mean that AGI — broadly defined as a computing system that can reason, plan and learn skills as well as humans can — has been achieved, Chollet says, but o3 is “absolutely” capable of reasoning and “has quite substantial generalization power”.

More here.

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Tuesday Poem

Horse Latitudes

When they found them,
a cast hook pulling from the depths
an apparently endless iron chain,
it was just another mystery
to marvel at in an ocean
filled with more than enough.
But still the story spread
from ear to ear,
until finally, an old man
in a dockside bar
with a face more wood than skin
heard the tale
and laughted at the fools
who now call themselves sailors.

How could they understand
what they had found
without knowing why it was
they called that part of the Atlantic
by that old, almost forgotten name?

You see, long ago
Spanish Galleons,
filled with soldiers
greedy for the plunder
of the New World,
often found instead
the sickly winds
and Sargasso weeds
of a mariner’s oubliette
a part of the sea that loved
their ships so much it would not let them go.

Finally, near dying of thirst,
they would cast their own stallions
by the hundreds into the sea…

But sometimes, the leather harnesses
and the salt of the sea
might mix in some silent,
unknown alchemy
and the corpses would rise,
some even centuries afterwards,
still chained in great lines,
floating right near the edge
of the sun-dappled surface…

Imagine that, being some fisherman
or deckhand, and looking into the water
for one single instant to see
the bones of Spanish stallions,
somehow in the currents, moving
for an instant in stunning grace,
as if racing in a last charge,
chained to your brethren,
great manes flying,
hooves thundering as if to turn
the very ocean to earth,
in a race with no finish,
for it circles the very world.

by Brandon Whitehead
fromThieves, Pharaohs & Mexican Daredevils
Spartan Press

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