Lessons from the Election of 1968

180108_r31238_rdLouis Menand at The New Yorker:

Robert Kennedy is one of the great what-ifs of American political history. In 1968, he was just forty-three years old. He had the most glamorous name in politics; he wore the mantle of martyrdom; and he had transformed himself from a calculating infighter—he had managed his brother’s Presidential campaign, in 1960, and served as his Attorney General after the election—into a kind of existentialist messiah. At the 1964 Democratic National Convention, in Atlantic City, he had received a twenty-two-minute standing ovation just by appearing at the lectern.

There was a rawness in Kennedy’s face and voice that seemed to match the national mood. He was the personification of the country’s pain over its fallen leader. And he had the ability to reflect back whatever voters projected onto him. He seemed to combine youth with experience, intellect with heart, street sense with vision. He was a hero to Chicano grape pickers, to inner-city African-Americans, to union workers. He was a man of the times when the times they were a-changin’. Kennedy had haters. Having haters is part of the job of being a messiah. But he was salvific. He could rouse audiences to a frenzy and he could make hardened politicos weep. People thought that he could go to the Convention and steal the nomination from Johnson. People thought that he could beat Nixon.

more here.

Thursday Poem

.
Harry'sHouse at night-2

Primordial Alliance

Home alone (J. on the road)
living small in our little house
tucked in the woods
A frozen stream ribbon
out back

…………… Midnight Zero
Taken during near full moon
while on the way down
from dragging garbage cans
up the hill

Dogs on the dark flanks sniffing,
fulfilling a primordial alliance
A touching the earth

Buddha
guards the door

Next
an armful of firewood
.

Harry Walsh
January 2018

Wednesday, January 3, 2018

A biography of Stevie Nicks does little to dispel the magic

Cover00 (5)Emily Gould at Bookforum:

Early in Stephen Davis’s workmanlike unauthorized biography of Stevie Nicks, we witness the circumstances of her most enduring creation’s birth. Twenty-six-year-old Nicks—sick and tired of waitressing; struggling with the controlling behavior of her boyfriend, Lindsey Buckingham; fighting to keep their flailing band, Buckingham Nicks, alive—was holed up in sound engineer Keith Olsen’s house. High on LSD—“the only time I ever did it,” Nicks says—she spent three straight days listening to Joni Mitchell’s just-released album Court and Spark on Olsen’s giant speakers. The record inspired her on both a technical and a thematic level. What Mitchell was describing, with unusual candor, were the perks and pitfalls of being a female rock star. When she heard it, Nicks had a premonition, or received a warning. After she came down, she composed the song that would make the prophecy of megafame real and that she would perform in various versions for decades to come. She left the demo cassette of “Rhiannon” for Buckingham with a note: “Here is a new song. You can produce it, but don’t change it.”

This story, like many of the tales people tell about Nicks and that Nicks tells about herself, is goofy and vague but still suffused with genuine magic. The Stevie Nicks legend is full of prophecies: She has always had dreams that literally come true.

more here.

MANSON BLOGGERS AND THE WORLD OF MURDER FANDOM

19034210_charles-manson-dead-at-83_tdbc68255Rachel Monroe at The Believer:

On the second day I spent with the Manson Bloggers, we found a tongue hanging from a tree. This was in the northwestern fringes of Los Angeles County, the half-wild, half-suburban part of the city that the Manson Family once called home. These days, most of the land is owned by the state and nearby there is a church; on top of a hill, a ten-foot cross looms in right-angled judgment. The Manson Bloggers did not seem to notice the cross, because they had another mission in mind: finding the Manson Tree, a gnarled oak that’s notable because Charles Manson used to perch in its crook and strum the guitar.

We had to scramble over a highway railing to reach the old oak. As we got close, I saw that some previous visitor had thrown a white rope over one of the tree’s branches. Something was dangling from the rope—a sweet potato, I thought. Or some sort of lumpy, orangish doll. The Manson Bloggers knew better. “It’s a cow’s tongue,” Deb said. She was right. Up close, it was unmistakable, a length of moist muscle, obscene and obscurely violent.

more here.

rehabilitating ulysses s. grant

20120214100106ulysses_julia_and_jesse_grant-webRichard Carwardine at Literary Review:

Ron Chernow’s Grant brings an eloquent voice to the ongoing work of rehabilitation. Only last year Ronald C White’s American Ulyssesextolled Grant’s deep faith, sense of honour, commitment to racial justice and essential decency. But in Chernow’s hands Grant becomes an even more heroic figure. A prizewinning biographer with a gift for placing his American subjects in grand but intimate narratives (his Alexander Hamilton inspired Lin-Manuel Miranda’s stonkingly successful musical), Chernow takes as an emblematic starting point the final challenge of Grant’s life. Financially ruined by fraud in 1884, determined not to leave his family destitute and suffering from the onset of throat and tongue cancer (the legacy of lifelong cigar smoking), Grant agreed to write his memoirs. Racked with pain, the taciturn commander managed to complete, just days before his death in July 1885, a stunning literary masterpiece that has remained in print to this day. The talent it illuminated would have remained hidden but for this adversity. Chernow finds in this last great triumph of Grant’s life a metaphor for the ‘surprising comebacks and stunning reversals’ of his career as a whole. Sophisticates too easily underrated a plain, unassuming man with a rich but unobtrusive set of qualities: ‘a shrewd mind, a wry wit, a rich fund of anecdotes, wide knowledge, and penetrating insights’.

more here.

Wednesday Poem

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When I consider how my light is spent,
…. Ere half my days in this dark world and wide,
…. And that one talent which is death to hide
…. Lodged with me useless, though my soul more bent
To serve therewith my Maker, and present
…. My true account, lest He returning chide;
…. “Doth God exact day-labor, light denied?”
…. I fondly ask. But Patience, to prevent
That murmur, soon replies, “God doth not need
…. Either man’s work or His own gifts. Who best
…. Bear His mild yoke, they serve Him best. His state
Is kingly: thousands at His bidding speed,
…. And post o’er land and ocean without rest;
…. They also serve who only stand and wait.”

John Milton; 1608-1674

Fiber Is Good for You. Now Scientists May Know Why

Carl Zimmer in The New York Times:

ZimmerA diet of fiber-rich foods, such as fruits and vegetables, reduces the risk of developing diabetes, heart disease and arthritis. Indeed, the evidence for fiber’s benefits extends beyond any particular ailment: Eating more fiber seems to lower people’s mortality rate, whatever the cause. That’s why experts are always saying how good dietary fiber is for us. But while the benefits are clear, it’s not so clear why fiber is so great. “It’s an easy question to ask and a hard one to really answer,” said Fredrik Bäckhed, a biologist at the University of Gothenburg in Sweden. He and other scientists are running experiments that are yielding some important new clues about fiber’s role in human health. Their research indicates that fiber doesn’t deliver many of its benefits directly to our bodies. Instead, the fiber we eat feeds billions of bacteria in our guts. Keeping them happy means our intestines and immune systems remain in good working order. In order to digest food, we need to bathe it in enzymes that break down its molecules. Those molecular fragments then pass through the gut wall and are absorbed in our intestines.

But our bodies make a limited range of enzymes, so that we cannot break down many of the tough compounds in plants. The term “dietary fiber” refers to those indigestible molecules. But they are indigestible only to us. The gut is coated with a layer of mucus, atop which sits a carpet of hundreds of species of bacteria, part of the human microbiome. Some of these microbes carry the enzymes needed to break down various kinds of dietary fiber. The ability of these bacteria to survive on fiber we can’t digest ourselves has led many experts to wonder if the microbes are somehow involved in the benefits of the fruits-and-vegetables diet. Two detailed studies published recently in the journal Cell Host and Microbe provide compelling evidence that the answer is yes.

More here.

Tuesday, January 2, 2018

THE KING IS ALWAYS ABOVE THE PEOPLE

Laila Lalami in the New York Times:

07Lalami-superJumboIn 1978, a year before the Iranian revolution overthrew the shah and an Islamic republic was declared, the artist Ardeshir Mohassess drew a cartoon showing a king in a turban and sash hanging from the gallows, as a crowd beneath him presents itself to the viewer’s eye. “The king is always above the people,” the caption read. Even in death, the artist seemed to say, the rulers are different from you and me — we may survive them, but all of us remain an indistinguishable mass while their authority guarantees they will be remembered, and later recorded in our history books.

This cartoon so resonated with Daniel Alarcón that he used its caption as a title for a short story, which also gives its name to his new collection, “The King Is Always Above the People.” Nearly all the stories in this slim, affecting book are set in “the capital” or the “old city” of an unnamed country, at a time when power has shifted from dictatorship to fragile democracy. The protagonists are young men, suddenly forced to face a separation or a divorce, an abusive father or the unpleasant task of settling an estate left behind by a distant uncle. But whatever happens to them, it will involve a displacement. Only through the experience of displacement, whether voluntary or involuntary, do they come to truly know their intimate selves.

More here.

30 years after Prozac arrived, we still buy the lie that chemical imbalances cause depression

Olivia Goldhill in Quartz:

ScreenHunter_2920 Jan. 02 20.57Some 2,000 years ago, the Ancient Greek scholar Hippocrates argued that all ailments, including mental illnesses such as melancholia, could be explained by imbalances in the four bodily fluids, or “humors.” Today, most of us like to think we know better: Depression—our term for melancholia—is caused by an imbalance, sure, but a chemical imbalance, in the brain.

This explanation, widely cited as empirical truth, is false. It was once a tentatively-posed hypothesis in the sciences, but no evidence for it has been found, and so it has been discarded by physicians and researchers. Yet the idea of chemical imbalances has remained stubbornly embedded in the public understanding of depression.

Prozac, approved by the US Food and Drug Administration 30 years ago today, on Dec. 29, 1987, marked the first in a wave of widely prescribed antidepressants that built on and capitalized off this theory. No wonder: Taking a drug to tweak the biological chemical imbalances in the brain makes intuitive sense. But depression isn’t caused by a chemical imbalance, we don’t know how Prozac works, and we don’t even know for sure if it’s an effective treatment for the majority of people with depression.

More here. [Thanks to Yohan J. John.]

The Western Elite from a Chinese Perspective

Puzhong Yao in American Affairs:

ScreenHunter_2919 Jan. 02 20.10The Evangelical Christians I have met in the United States often talk about how reading the Bible changed their lives. They talk about being born again.

I am not an Evangelical Christian. I am a Chinese atheist who came to the West to study at the world’s best universities and, later, to work at one of capitalism’s greatest companies, Goldman Sachs.

But, like the Evangelical Christians, my life was changed by a book. Specifically, Robert Rubin’s autobiography In an Uncertain World (Random House, 2003). Robert Rubin was Goldman Sachs’s senior partner and subsequently secretary of the Treasury. Only later did I learn that certain people in the United States revere him as something of a god.

I first bought the book because I was puzzled by the title, especially coming from a man who had achieved so much. I had always thought that things happen for reasons. My parents taught me that good people get rewarded while evil gets punished. My teachers at school taught me that if you work hard, you will succeed, and if you never try, you will surely fail. When I picked up the book, I was studying math at Cambridge University and, as I looked back at the standardized tests and intense study that had defined my life until then, I could see no uncertainty.

But since reading Rubin’s book, I have come to see the world differently. Robert Rubin never intended to become the senior partner of Goldman Sachs: a few years into his career, he even handed in his resignation. Just as in Rubin’s career, I find that maybe randomness is not merely the noise but the dominant factor. And those reasons we assign to historical events are often just ex post rationalizations. As rising generations are taught the rationalizations, they conclude that things always happen for a reason.

More here. [Thanks to Omar Ali.]

A Britain of common values was always a myth. By arguing, we shape ourselves

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Kenan Malik in The Guardian:

Nations today seem divided down the middle on critical issues – whether Catalonia over independence, Britain over Brexit or America over Donald Trump. This is not just a western phenomenon. A week ago, Cyril Ramaphosa won the election for the ANC leadership by the narrowest of margins – 2,440 votes to his opponent Nkosazana Dlamini-Zuma’s 2,261. Earlier this year, the referendum called by the Turkish president, Recep Tayyip Erdoğan, to extend his powers approved the measures by 51% to 49%. Every electorate seems divided and uncertain.

Many see in such polarised nations societies that no longer possess a sense of common values and so have little material with which to bind themselves together. The consequences, many fear, are more unstable societies with governments that lack authority among large sections of the electorate and a political system open to exploitation by extremists, especially far-right extremists.

From a historical perspective, though, contemporary polarisation does not seem particularly acute. Go back a generation. Is Britain more polarised now than it was in 1984, at the height of the miners’ strike? Today, newspapers might describe judges, of whose decisions they disapprove, as “enemies of the people”. Then, it was government ministers who called striking miners “the enemy within”. The full force of the state – from the police to propaganda – was mobilised to crush the strike, leading to mass invasions of mining communities, bloody confrontations, as at Orgreave, tens of thousands arrested and a Britain far more divided and embittered than it is today.

More here.

Populism Is a Problem. Elitist Technocrats Aren’t the Solution.

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Sheri Berman in Foreign Policy:

Democracy today seems to be in constant crisis. Democratic backsliding has occurred in countries from Venezuela to Poland, and autocratic leaders, including Hungary’s Viktor Orban, Turkey’s Recep Tayyip Erdogan, and Russia’s Vladimir Putin, proudly proclaim that the era of liberal democracy is over. Perhaps most worrying, even in the West where it has long been taken for granted, liberal democracy is under attack from populists, and, according to some scholars, it is no longer highly valued by many citizens.

In seeking to explain these troubling trends, most observers focus on the challenges currently facing democracy. They argue that globalization and rising automation have made life more insecure for the working and middle classes, privileged highly educated city dwellers over the less educated who live in rural areas, and made capitalism more of a zero-sum game. Alongside economic challenges, changing social norms and rising immigration — the percentage of foreign-born citizens is at an all-time high in many European countries and at levels last seen during the early 20th century in the United States — have left many citizens feeling uncomfortable and out of touch in their own neighborhoods.

But analyses that focus on only these challenges cannot explain the woes of an entire political system. Just as a healthy body fights off myriad viruses, so too do healthy political systems identify and respond to the challenges they face.

More here.

EIGHT WAYS OF LOOKING AT SAMUEL BECKETT

Screen-Shot-2017-12-31-at-12.01.42-AMJ.M. Coetzee at Literary Hub:

As Hugh Kenner explained to us long ago in his essay “The Cartesian Centaur,” Samuel Beckett is a philosophical dualist. Specifically, Beckett writes as if he believes that we are made up of, that we are, a body plus a mind. Even more specifically, he writes as if he believes that the connection between mind and body is mysterious, or at least unexplained. At the same time Beckett—that is to say, Beckett’s mind—finds the dualistic account of the self ludicrous. This split attitude is the source of much of his comedy.

According to this standard account, Beckett believes that our constitution is dual, and that our dual constitution is the fons et origo of our unease in the world. He also believes there is nothing we can do to change our constitution, least of all by philosophical introspection. This plight renders us absurd.

But what is it exactly that is absurd: the fact that we are two different kinds of entity, body and mind, linked together; or the belief that we are two different kinds of entity linked together?

more here.

What the Stoics did for us

Massimo Pigliucci in New Humanist:

Piggliucci-webLet me then introduce you to three fundamental ideas of Stoicism – one theoretical, the other two practical – to explain why I’ve become what I call a secular Stoic. To begin with, the Stoics – a school of philosophers who flourished in the Greek and Roman worlds for several hundred years from the third century BCE – thought that, in order to figure out how to live our lives (what they called ethics), we need to study two other topics: physics and logic. “Physics” meant an understanding of the world, as best as human beings can grasp it, which is done by way of all the natural sciences as well as by metaphysics. The reason that physics is considered so important is that attempting to live while adopting grossly incorrect notions about how the world works is a recipe for disaster. “Logic” meant not only formal reasoning, but also what we would today call cognitive science: if we don’t know how to use our mind correctly, including an awareness of its pitfalls, then we are not going to be in a position to live a good life.

The ancient Stoics explained the idea by way of a metaphor introduced by Chrysippus of Soli, the second head of the Stoa, as the Stoic school was known. It was named after the stoa poikile, the painted porch in Athens, a public place where Stoics would gather to discuss philosophy with whoever was interested. According to the metaphor, a life worth living is like a fenced garden: the fence itself is logic, as it guards the inside from weeds and other noxious things; the nurturing soil is the physics, since it informs us on how to navigate the world to the best of our ­abilities; and the fruits are the ethics, resulting in a eudaimonic (happy or flourishing) life, the sort of life that one looks back to on her death bed and thinks, “Yup, that was pretty well done.” This means that Stoic theory embraces the humanist emphasis on an ethical life, but also directly justifies our interests in both metaphysics and natural sciences (“physics”) as well as philosophy and social science (“logic”). They all come together in a satisfyingly coherent package.

The first practical notion I’m going to discuss is that of the three disciplines and their related four virtues. Epictetus, a slave who became one of the most influential teachers of antiquity, thought that there are three areas of ­application of Stoic philosophy – what are now known as the three disciplines: desire, action and assent.

18 Years Into the New Millennium, Finding My Younger Self

Robert Goldfarb in The New York Times:

Merlin_131047685_43d6f6d2-ca41-48dc-8bfa-1fa6910fb278-master768That I have lived as many years in the new millennium — 18 — as I did in the time from birth to finishing high school seems inconceivable to me. I’m 88, and between 1930 and 1948 went from newborn to adult, from toddler to leader of an infantry squad. Those first 18 years were a journey into manhood, while the millennium seems merely its epilogue.

I’m certainly not the same man at 88 I was when the millennium began. But changes in me — stiffness, skin that invites angry bruises, occasional memory lapses — are insignificant compared to the growth spurt at 17 that shot me from 5-foot-8 to 6-foot-2. I hope I’ve gained additional wisdom during the millennium, but feel I’m essentially the same man I was 18 years ago. That contrast came into sharp focus recently when I renewed my driver’s license. A motor vehicle clerk, glancing from me to the photograph taken seven years earlier, said I hadn’t changed enough to require a new picture. So little physical change in seven years! Only my mother would have recognized me in photographs taken seven years apart during my first 18 years of life. Aging has put me on a conveyor propelling me through days as though there were only two in a month, the first and the last. Daily rituals like shaving, brushing my teeth, dressing have me puzzling, didn’t I just do this? I sometimes think of time as slices of a pie. Summers were endless when I was 6, just as one-sixth of a pie is a generous portion. Even with a scalpel and hands steadier than mine, cutting a pie into 88 slices is beyond most of us. That thought alone reminds me that the slice of life remaining to me is very small.

More here.

Tuesday Poem

The Heart of Herakles

Lying under the stars,
In the summer night,
Late, while the autumn
Constellations climb the sky,
As the Cluster of Hercules
Falls down the west
I put the telescope by
And watch Deneb
My body is asleep. Only
My eyes and brain are awake.
The stars stand around me
Like gold eyes. I can no longer
Tell where I begin and leave off.
The faint breeze in the dark pines,
And the invisible grass,
The tipping earth, the swarming stars
Have an eye that sees itself.

by Kenneth Rexroth

Monday, January 1, 2018

Gender Trouble 2017, Comedy Edition

by Katrin Trüstedt

"Next time Feminism will not be a tragedy, but a comedy"

—Carla Lonzi

IMG_7031Kottbusser Tor, Berlin. On the second floor of one of the large buildings surrounding this place you can currently find yourself in an exhibition by Ariane Müller and Verena Kathrein on comedy and feminism, entitled "Then I would like to make a happy end for once." This seems like an apt title for the end of this year. It has been a particularly intense year in many respects. Among other things, it has been particularly intense in terms of gender relations. There has been wide-spread outing of sexual harassment and sexual violence of all kinds and degrees. There have been various forms of criticism of this outing. There has been backlash. And there have been discussions about the nature and the future of gender relations.

The danger at this point, it seems to me, is that of reaffirming and hypostatizing the very gender categories that have been at the heart of the problem in the first place. The suggestion, for instance, that men, per se, are predators, that it is the very nature of male behavior to be sexually transgressive and aggressive; and that woman are, per se, victims, and dependent – such suggestions are in danger of reproducing the very problem they are addressing.

Acts of sexual harassment including many of those that have been outed in the past couple of months seem to show, on the contrary, that something like masculinity is not a given, but in need of constant performative reestablishment. To come back to something like a "primal scene" of the current developments – the Weinstein case, and in particular one piece of "evidence" that is out there, namely the audio from a wire tap – it seems like the masculinity in question here is in rather desperate need of violent performance with elaborate arrangements. Trying to bully Ambra Battilana Gutierrez into joining him in his hotel room by repeating what a powerful man he is, appears on tape as a pathetic attempt to performatively produce manliness as power. Not only does the repeated claim suggest the lack of what this performance is intent to prove ("I am a powerful man"). It also exposes the very need of this position to be performed, enacted, and reaffirmed by its other. Needing the woman to feed back to him what a powerful, powerful man he really is, he also needs to emphasize how powerless she is by contrast in this situation ("you don't want to ruin your friendship with me for five minutes").

Read more »

Review of Sue Hubbard’s New Novel RAINSONGS

by Maniza Naqvi

71g8LGHvB2LSue Hubbard's lovingly mapped novel Rainsongs is a gentle gem of quietly shimmering intellect. I read it twice to savor its sense of place. It is rooted in the abstractions of land and memory, the magical thinking of a bereaved woman.

Hubbard's expressive talent is in full display through her descriptions of the south western Irish landscape of Kerry, so that the reader feels a sense of belonging and a resonance with its emotional and social fabric. I read this book the week before the year changed, curled up in bed, tucked in against the winters bone-chilling cold outside, deeply aware that I was savoring a rarity, seeing through words a remote land. Seeing it through the eyes of the main character, Martha Cassidy who, herself not Irish, has returned after a period of decades of absence.

In the end of December 2007 Martha Cassidy is a woman in mourning who returns to her late husband's cottage in search of solace from grief. Rainsongs approaches the peril and remoteness of relief through the certitude of both storm and calm and its attendant pain on the journey towards consolation. Martha is a beautiful, mature-minded, self-assured woman in her fifties, focused on her own inner journey. Yet she is neither weak nor in need of comforting or saving. And perhaps because of her demeanor, is orbited by men who knew her husband and, as in the case of the young poet-musician, Colm Nolan, is the same age as her son.

Driving rain and wind are the song and silence of the inner drama where Rainsongs will take you. That place within yourself of sorrows, solitudes and solaces, the spaces you have been through, the ones you are passing through, the ones you surely will go through. That place is lit up momentarily like a revelation, then gone and, in the novel, searched out metaphorically through the beam of a lighthouse – beckoning, saving, warning – on Skellig island as it sweeps across the darkened sea and landscape on Bolus Head and shines into the room in the cottage where Martha sleeps. Periodically, as if a monitor for a heartbeat.

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