The Current State of Global Faith

Rupert Shortt at the TLS:

Despite the spread of secularism in the West, rising levels of religious belief in the world as a whole have become incontrovertible. Three-quarters of humanity profess a faith; the figure is projected to reach 80 per cent by 2050 – not just because believers tend to have more children, but also through the spread of democracy. Significant, too, is the growing prominence of post-secular thinking in several disciplines. Things looked very different as recently as the 1980s. Influential commentators assumed that mainstream religion would fade away within a few generations; anglophone theologians, to name only one group, were often intellectually insecure. The turning of the tide is a significant chapter in the history of ideas meriting a full-length study of its own. Its main conclusions are worth outlining. The scales of debate on whether religion does more harm than good will tilt a bit if the theistic picture looks more coherent on closer inspection than many had previously thought, and naturalism – the thesis that everything is ultimately explicable in the language of natural science – less plausible as a consequence.

more here.

Bach’s Birthday, Bruno Maderna

Sudip Bose at The American Scholar:

No composer exerted a greater influence on the music that came after him than Johann Sebastian Bach, who was born on this date in 1685. As we celebrate his birthday, let us consider one distinctive way in which composers have paid homage to the master: by using Bach’s name itself as a musical motif. In German nomenclature, the note (and key of) B flat is represented by the letter B; B natural is represented by the letter H. A and C are just as they are, so to spell out Bach’s surname in musical form yields a four-note motif consisting of B flat, A, C, and B. Bach himself used the motif (a kind of autograph stamp, sometimes surreptitious, sometimes not), and many others followed his lead: Robert Schumann, Franz Liszt, Max Reger, Arnold Schoenberg, Francis Poulenc, Anton Webern, Arvo Pärt, Krzysztof Penderecki, and Alfred Schnittke among them. One of the most imaginative uses of the motif came from a composer who is too often overlooked by music critics but who happened to be one of the most innovative and arresting voices in 20th-century music, Bruno Maderna.

more here.

Okwui Enwezor (1963 – 2019)

Adam Shatz at the LRB:

Okwui’s art world looked more like the world itself. But this was no occasion for self-congratulation, much less for exercises in the sterile American rhetoric of ‘inclusion’, which he disdained. His project was to decolonise the art world: not to make it more ‘diverse’ but to redistribute power inside it.

Art, he believed, like other human activities, took place in a field of argument and struggle over limited resources. He did not shy away from conflict, or from jousting with other curators, such as Robert Storr, with whom he engaged in furious argument over contemporary African art in the pages of Artforum. At the Venice Biennale, he staged a marathon reading of Marx’s Capital. For Okwui, decolonising the art world meant more than having more shows for artists from the Global South: it meant reappraising the entire history of Western modernism from a non-Western perspective. His last published essay was on Andy Warhol’s ‘disaster’ series, including his images of the 1963 civil rights demonstrations in Birmingham, written for the Warhol retrospective at the Whitney.

more here.

Thursday Poem

Ways In, Ways Out

Hemingway’s looking down the
twin-barrel of the shotgun
into a blue metallic void.

Hart Crane has one foot on deck,
the other over the rail,
his eye on the ship’s boiling wake below.

Sylvia Plath’s on her knees in the kitchen
with her head in the oven,
wondering if she paid the gas bill or not.

Richard Brautigan’s up in Bolinas
with a Saturday-night-special
nudged snugly in his graying temple.

Paul Celan looks down and sees
one last despondent metaphor
in the swirling waters of the Seine.

Lew Welch loads his 30-30 rifle,
heads up into the California hills,
unsure about when he’ll be coming back.

The ways in merge with the ways out,
life’s complexity compounds daily,
and no one’s getting any writing done today.

by Mark Terril
from Rattle #16, Winter 2001

Listen

How to Improve Political Forecasts

Aubrey Clayton in Nautilus:

Every election we complain about horse-race coverage and every election we stay glued to it all the same. The problem with this kind of coverage is not that it’s unimportant. Who’s leading a particular race and by how much can matter a great deal to someone trying to decide which candidate to volunteer time or money to, or even whether it’s worth learning the policy positions of a fringe candidate with no chance of winning. The problem is the well-documented incentive for the media to make every race seem closer than it is, what Erika Fry in the Columbia Journalism Review called “rooting for the race.”

Those who simply want to know how the candidates stack up and who seek a more objective, quantitatively rigorous alternative to punditry have in recent years turned to such data journalism sources as Nate Silver’s FiveThirtyEight. But even they are feeling burned by 2016. Silver, who scored on both Obama victories, had Trump as a distant longshot in the primary and Clinton as a 71 percent favorite to make the winner’s circle in the general. Data-centered political coverage, as a whole, took a serious blow. Silver issued a partial mea culpa for the primary forecasts. But he has steadfastly defended the general election forecast with the arguments that (1) his model had given Trump better chances than nearly anyone else had, and (2) something having a 29 percent chance of happening doesn’t mean it’s impossible. Maybe the underdog got lucky. The latter defense, though, revealed a destabilizing truth about the nature of such forecasts that took many readers by surprise: Since all the forecasts are probabilistic, meaning they’re not strictly wrong in the event of an upset victory, then in what sense had they ever been right?

More here.

Wednesday, March 20, 2019

The fate of the book review in the age of the algorithm

Christian Lorentzen in Harper’s:

It is a commonplace that we live in a time of political polarization and culture war, but if culture is considered not in terms of left and right but as a set of attitudes toward the arts, then, at least among people who pay attention to the arts, we live in an era that cherishes consensus. The first consensus is that ours is an age of plenty. There is so much to watch, to hear, to see, to read, that we should count ourselves lucky. We are cursed only by too many options and too little time to consume all the wonderful things on offer. The cultural consumer (Alex or Wendy) is therefore best served by entities that point them to the right products. Find the right products, and you can undergo an experience you can share with your friends, even the thousands of them you’ve never met. Of course, individual people have preferences and interests, so filters, digital or human, will be required. Everyone will have favorites. What’s superfluous is the negative opinion. The negative opinion wastes Alex and Wendy’s time.

No doubt a consumerist mode of engagement with the arts has always been with us. Its current manifestation mimics the grammar of social media: the likable, the shareable, the trending, the quantifiable, the bite-size. It is no surprise that this set of gestures has become dominant. What jars is the self-satisfaction expressed by people who should know better.

More here.

Sean Carroll’s Mindscape Podcast: Alan Lightman on Transcendence, Science, and a Naturalist’s Sense of Meaning

Sean Carroll in Preposterous Universe:

Let’s say, for sake of argument, that you don’t believe in God or the supernatural. Is there still a place for talking about transcendence, the sacred, and meaning in life? Some of the above, but not all? Today’s guest, Alan Lightman, brings a unique perspective to these questions, as someone who has worked within both the sciences and the humanities at the highest level. In his most recent book, Searching for Stars on an Island in Maine, he makes the case that naturalists should take transcendence seriously. We talk about the assumptions underlying scientific practice, and the implications that the finitude of our lives has for our search for meaning.

More here.

Opportunity costs: can carbon taxing become a positive-sum game?

John Quiggin in Aeon:

Decades ago, economists developed solutions – or variants on the same solution – to the problem of pollution, the key being the imposition of a price on the generation of pollutants such as carbon dioxide (CO2). The idea was to make visible, and accountable, the true environmental costs of any production process.

Carbon pricing could stabilise the global climate, and cap unwanted warming, at a fraction of the cost that we are likely to end up paying in other ways. And as emissions were rapidly reduced, we could save enough to compensate most of the ‘losers’, such as displaced coal miners; a positive-sum solution. Yet, carbon pricing has been mostly spurned in favour of regulatory solutions that are significantly more costly. Why?

More here.

On the Poetic Legacy of W.S. Merwin

John Freeman at Literary Hub:

Poet Laureate and environmental activist W.S. Merwin.

This inward movement of Merwin’s poetry happened simultaneously with a radical stylistic shift. In the introduction to The Second Four Books of Poems, Merwin describes how, beginning in the early 1960s, he began to shed punctuation, until he had given up on it entirely. “I had come to feel that it stapled the poems to the page,” he wrote. “Whereas I wanted the poems to evoke the spoken language, and wanted the hearing of them to be essential to taking them in.” In The Moving Target, the first of these four books, one feels the heat and pressure of this change keenly. “To My Brother Hanson,” addressed to a sibling who died in childbirth, Merwin’s lines hint at the scale of his project to come. “Yes, now the roads themselves are shattered / As though they had fallen from a height, and the sky / It is cracked like varnish.” In this period, Merwin began living part of each year in a rundown farmhouse in south- west France that he bought on the cheap with a small inheritance. It was part of a very old world, whose history and animal life humbled him while it also provided a doorway to a new kind of writing. The Vietnam War was raging, and although few poems in The Lice address it directly, the grim vision they evince of life’s evanescence, its violence, even, have the barbed edge of anger. At times it reads as if the poet is trading his citizenship for a larger tribal sense of belonging. “If there is a place where this is the language,” he writes in “The Cold Before the Moonrise,” a poem about the turning of the night, “may / It be my country.”

more here.

Philosophers as The Emotion Police

Agnes Callard at The Point:

If you tell me to calm down, I probably won’t. The same goes for: “be reasonable,” “get over it already,” “you’re overreacting,” “it was just a joke,” “it’s not such a big deal.” When someone minimizes my feelings, my self-protective reflexes kick in. My body, my mind, my job, my interests, my talents—these are all “mine”—but nothing has quite the power to declare itself as “mine” as a passionate emotion does. When waves of anger or love or grief wash over me, that emotion feels like life itself. It wells up from an innermost core, like my voice, which it usually inflects. And so if you move to tamp it down, I parry by shutting you out: I erect walls around my sanctum sanctorum, to shield the flame of my passion—my life—from your soul-quenching intrusions. Who are you to tell me what I can and cannot feel?!

Now imagine a much more ambitious intervention—someone who doesn’t just want to quench some particular bout of anger or grief, but to put an end to anger or grief, simpliciter. Who could possibly have the gall to tell the entire human race what it should and should not feel? Philosophers, that’s who!

more here.

Hilma af Klint: Painting the Beyond

Susan Tallman at the NYRB:

Hilma af Klint: Group IV, The Ten Largest, No. 2, Childhood, 1907

Born in 1862 to a prominent Swedish family (her great-grandfather had been ennobled for services as a naval officer), Hilma af Klint was a skilled painter of portraits and landscapes who in the first decades of the twentieth century began making hundreds of strange pictures articulating the fluid relations between spirit and matter. Many have no basis in the visible world, and their early dates—in some cases years before such benchmark abstract paintings as Wassily Kandinsky’s Composition VII (1913) or Kazimir Malevich’s Black Square (1915)—have led to excited claims for af Klint as the unknown woman who pipped all the famous men to the post. This is the seductive pitch behind the Guggenheim’s much-lauded exhibition “Hilma af Klint: Paintings for the Future,” the first comprehensive American overview of the artist now hailed, some seven decades after her death, as the female progenitor of modernist abstraction. Even if this were true—and it really isn’t—it would be the least material or interesting thing about this ecstatic and perplexing body of work.

Af Klint was one of many artists (including Kandinsky and Malevich) drawn to the esoteric philosophies that flourished in the late nineteenth and early twentieth centuries—Spiritualism, Theosophy, Anthroposophy, and the like. But af Klint’s engagement went deeper than most, and she was tenacious in her pursuit of personal spiritual contact.

more here.

The science of the con

Melanie McFarland in AlterNet:

Look at me, the con artist says. Watch closely so you can see everything I’m doing. We can’t, of course, because we’re not meant to. Yet we fall for frauds because we so want what they promise to be true: easy money, better solutions, painlessness and efficiency. Elizabeth Holmes, the woman at the center of the Theranos scandal and the central subject of “The Inventor: Out for Blood in Silicon Valley,” dangled all of these offers in front of the world using showy language, a moving personal story and the appearance of expertise and vision. She parlayed her youth, her intellect, her unwavering commitment to success and her connections to raise hundreds of millions of dollars in venture capital out of air. By the time she had scammed powerful politicians, wealthy media magnates and an entire drug store chain, she’d amassed enough money to become, for a short time, the world’s youngest self-made billionaire. As in truly self-made, not Kylie Jenner self-made. Holmes did not benefit from the cushion of fame or industry wealth. What she had was a story.

Holmes dropped out of Stanford at 19 and as she charged into the field of biotech, she styled her approach after other great visionaries, such as Steve Jobs and Thomas Edison. She said all the right things and projected the right image. At the height of her company’s fortune, it was valued at $9 billion. If only that estimated worth was based on a product that actually worked. “The Inventor,” debuting Monday at 9 p.m. on HBO, is but the latest examination of massive fraud to draw the public’s attention and fascination. We’re still reeling over the college bribery scandal currently dominating the headlines, which broke only a few months after Hulu’s and Netflix’s separate looks at the Fyre Fest long con became top gossip at the water cooler.

More here.

The Creativity of ADHD

Holly White in Scientific American:

Attention-deficit/hyperactivity disorder (ADHD) is typically described by the problems it presents. It is known as a neurological disorder, marked by distractibility, impulsivity and hyperactivity, which begins in childhood and persists in adults. And, indeed, ADHD may have negative consequences for academic achievement, employment performance and social relationships.

But ADHD may also bring with it an advantage: the ability to think more creatively. Three aspects of creative cognition are divergent thinkingconceptual expansion and overcoming knowledge constraints. Divergent thinking, or the ability to think of many ideas from a single starting point, is a critical part of creative thinking. Previous research has established that individuals with ADHD are exceptionally good at divergent thinking tasks, such as inventing creative new uses for everyday objects, and brainstorming new features for an innovative cell phone device. In a new study, college students with ADHD scored higher than non-ADHD peers on two tasks that tapped conceptual expansion and the ability to overcome knowledge constraints. Together with previous research, these new findings link ADHD to all three elements of the creative cognition trio.

Prior knowledge can be an obstacle to creativity. When we look to a prior model or example for inspiration, we may actually become stuck: designers refer to this as “fixation.” In creative generation research, when participants are given examples before a task that requires them to invent something new, such as a new toy, their inventions tend to incorporate aspects of the examples—and thus are less novel. The ability to overcome recently presented information is therefore essential to creative thinking.

More here.

Wednesday Poem

From “understory”

…… (to my wife, nālani
…… and our 7-month old daughter, kai)

kai cries
from teething–

how do
new parents

comfort a
child in

pain, bullied
in school,

shot by
a drunk

APEC agent?
#justicefor

-kollinelderts–
nālani gently

massages kai’s
gums with

her fingers-
how do

we wipe
away tear–

gas and
blood? Provide

shelter from
snipers? Disarm

occupying armies?
#freepalestine–

Read more »

The Immortals and Time

Christopher G. Moore in CulturMag:

The word “immortals” is entwined in my mind with the Jorge Luis Borges’ story titled The Immortals. The story is an exploration of immortal beings imprisoned in the infinite and seeking to understand their condition. This passage in particular speaks a truth about our ideas of immortality.

“Indoctrinated by a practice of centuries the republic of immortal men had attained the perfection of tolerance and almost that of indifference. They knew that in an infinite period of time, all things happened to all men. Because of his past or future virtues, every man is worthy of all goodness, but also of all perversity because of his infamy in the past or future.”

Over the years I’ve gone back and reread the story. Each reading demonstrated that a different “I” was reading the story than the person who years before had processed the same words. The words had not changed. However, my perception and processing of the words had changed in ways that revealed the separation of that prior self from the current one reading the story. Having again reread The Immortals recently, I’ve collected the thoughts of the contemporary “I” on the subject of immortality.

More here.

Tuesday, March 19, 2019

Flawed analysis, failed oversight: How Boeing, FAA certified the suspect 737 MAX flight control system

Dominic Gates in The Seattle Times:

As Boeing hustled in 2015 to catch up to Airbus and certify its new 737 MAX, Federal Aviation Administration (FAA) managers pushed the agency’s safety engineers to delegate safety assessments to Boeing itself, and to speedily approve the resulting analysis.

But the original safety analysis that Boeing delivered to the FAA for a new flight control system on the MAX — a report used to certify the plane as safe to fly — had several crucial flaws.

That flight control system, called MCAS (Maneuvering Characteristics Augmentation System), is now under scrutiny after two crashes of the jet in less than five months resulted in Wednesday’s FAA order to ground the plane.

Current and former engineers directly involved with the evaluations or familiar with the document shared details of Boeing’s “System Safety Analysis” of MCAS, which The Seattle Times confirmed.

More here.

Science Denial Won’t End Sexism

Debra Soh in Quillette:

Last week, Nature, one of the top scientific journals in the world, ran a review written by Lise Eliot of Gina Rippon’s new book, The Gendered Brain: The New Neuroscience that Shatters the Myth of the Female Brain. Both Eliot and Rippon, neuroscientists affiliated with Rosalind Franklin University and Aston University, respectively, are vocal supporters of the view that gender, and the corresponding differences we see between men and women, are socially constructed.

Not a week goes by without yet another research study, popular science book, or mainstream news article promoting the idea that (a) any differences between men and women in the brain are purely socially constructed and (b) these differences have been exaggerated beyond any meaningful relevance. More recently, this argument has evolved to contend that (c) there are, in fact, no brain differences between the sexes at all. Eliot’s article appears to subscribe to a hodgepodge of all three perspectives, which not only contradict one another but are also factually incorrect.

More here.

Needed: A U.S. Policy on Saudi Arabia

Jonathan Guyer in American Prospect:

Until the 1970s, Saudi Arabia was simply a docile U.S. ally and source of cheap oil. That began to change with the OPEC-engineered price hikes, masterminded by the Saudi government. The Saudi government then subsidized the spread of radically fundamentalist Islam through the Muslim world. The stakes increased with the attacks of 9/11 (the majority of the skyjackers were Saudi). But throughout this era, Washington continued to indulge Riyadh, either because of the politics of oil, plain conflicts of interest, the fact that the Saudi policy toward Israel was covertly not as hostile as it might have been, or all three. With the ascension of MBS, a newly bellicose kingdom has emerged. Saudi has reached out to allies in Asia who neglect human rights and are happy to displace U.S. influence. It has engaged in monstrous violations of diplomatic norms, of which the Khashoggi hit was only the most extreme case. The U.S.-Saudi relationship has at last reached the inescapable crisis that Washington has been dreading since 9/11.

But that said, what should our Saudi policy be, even assuming a competent government in the White House after 2020?

More here.