by Emrys Westacott
On July 5 The Nation published a 14 line poem by Anders Carlson-Wee entitled “How-To.” The speaker in the poem is giving advice on how to beg. The poem begins:
If you got hiv, say aids. If you a girl,
say you’re pregnant–nobody gonna lower
themselves to listen for the kick.
The speaker exhibits a fairly sophisticated understanding of how the sensibilities of potential givers can be manipulated:
If you’re crippled don’t
flaunt it. Let ‘em think they’re good enough
Christians to notice.
The outlook of the speaker can reasonably be described as cynical, both regarding acceptable strategies to use when begging, and regarding the motives of the people targeted, who are taken to be moved not so much by compassion as by a desire to uphold a certain self-image. The poem concludes:
Don’t say you pray,
say you sin. It’s about who they believe
they is. You hardly even there.
The poem provoked fierce criticism on social media. People objected to Carlson-Wee using black vernacular speech patterns, to his making the speaker black, and to his inclusion of the word “crippled,” which some viewed as “ableist. The criticism prompted the editors at The Nation to issue an apology in which they wrote:
We are sorry for the pain we have caused to many communities affected by this poem….When we read the poem we took it as a profane, over-the-top attack on the ways in which members of many groups are asked, or required, to perform the work of marginalization. We can no longer read it that way.
Anders Carlson-Wee also offered an apology on Twitter, writing:
I am sorry for the pain I have caused, and I take responsibility for that. I intended the poem to address the invisibility of homelessness, and clearly it doesn’t work. Treading anywhere close to blackface is horrifying to me and I am profoundly regretful.
One of the downsides to social media is that controversies can easily reduce to a few verbal missiles–brief assertions, sharp put-downs, expressions of incredulity or outrage–tossed back and forth. For example, essayist Roxanne Gay, condemning Carlson-Wee (who is white) for using black vernacular locutions, offered all writers this advice: “Know your lane.” Katha Pollitt, who writes regularly for the nation, opined that the magazine’s apology “looks like a letter from a re-education camp.” What is needed, though, is a more careful reflection on the theoretical issues involved. Read more »