New Proof Shows Infinite Curves Come in Two Types

Kevin Hartnett in Quanta:

Elliptic curves seem to admit infinite variety, but they really only come in two flavors. That is the upshot of a new proof from a graduate student at Harvard University.

Elliptic curves may sound exotic, but they’re unspectacular geometric objects, as ordinary as lines, parabolas or ellipses. In a paper first posted online last yearAlexander Smith proved a four-decade-old conjecture that concerns a fundamental trait of elliptic curves called “rank.” Smith proved that, within a specific family of curves, and with one qualification, half of all curves have rank 0 and half have rank 1.

The result establishes baseline characteristics of objects that have intrigued mathematicians for centuries, and that have increased in importance in recent decades.

“We’ve been thinking about this for over 1,000 years, and now we have some probabilistic sense about [elliptic curves]. That’s super important,” said Shou-Wu Zhang, a mathematician at Princeton University who advised Smith at the outset of the work, when Smith was an undergraduate at Princeton.

More here.

Electronic monitoring can reduce the incarcerated population and keep the public safe

Barry Latzer in the National Review:

New York’s governor, Andrew Cuomo, just announced a bail-reform program. Details were not yet available at press time, but it’s clear that Cuomo intends to release thousands of arrested persons, even suspected felons, without bail.

Meanwhile, across the Hudson, New Jersey has already launched its bail-reform plan. It replaces money bail with an algorithm that scores recently arrested defendants on dangerousness plus the likelihood of their appearance at court hearings. In the first three months of operation, three-quarters of the state’s defendants were released. After six months, New Jersey’s non-sentenced jail population declined 20 percent and was 35 percent lower than it had been two years earlier.

That’s good for the defendants, who don’t have to spend time in jail in the event that they’re unable to make bail. But is it safe for the public? As with virtually every other criminal-justice reform, these experiments increase public risk. Any reform that keeps parolees, probationers, or pretrial defendants out of jail or prison, either by making their sentences shorter or by replacing incarceration with release to the community, is risky.

More here.

Tuesday Poem

The Cutting Reason

I go back to the island,
see the house, no longer home,
breathe the sea, to breathe the sea.

Walking the streets, Belfast on Orange
Eve. The two of you, sipping tea. Bewley’s.
Pane of glass, the glass between –

and when my skinned heart finally stops
beating and beating, a lambeg drum,

I know, having walked away,
the cutting reason why I came.

by Catherine Graham
from  Pupa
Insomniac Press, Toronto 2003

Why Space Colonization Will Disappoint You

Micah Meadowcroft at The New Atlantis:

Hannah Arendt reflected on the significance of humanity’s desire for the stars in her 1963 essay “The Conquest of Space and the Stature of Man.” Man, she said, has not found a new place for himself after his self-displacement in modernity’s rejection of old orders. We stand alienated from ourselves and nature. And as we see deeper into the firmament, and account for more of nature, we only better know the scale of our disorientation, the smallness of our vision. Science cannot bound the cosmos into a comfortable domain, for “this observed universe, the infinitely small no less than the infinitely large, escapes not only the coarseness of human sense perception but even the enormously ingenious instruments that have been built for its refinement.” But neither does modern science really wish to find a place for man in all this space, for the questions that would require would produce answers for man that act “as definitions and hence as limitations of his efforts.”

This alienation calls for some kind of transcendence — a need to find ourselves and discover where we are.

more here.

Widows Rewrites The Heist Movie

Philippa Snow at The Baffler:

It occurred to me, when thinking about Ronnie’s bathroom scene, that this is not McQueen’s first time depicting the repressed, deep-seated trauma of a wealthy but unhappy individual on film: that Shame, whose central character appeared to have developed sex-addiction in the wake of some unspecified, formative trauma—maybe psychic, maybe physical—addressed a similar, if not entirely symmetrical, ache. The sex addict, Brandon, as played in the key of Patrick Bateman by the Irish actor Michael Fassbender, also contained his introspection and his self-injurious anger within the confines of the bathroom. Often, his releases there were masturbatory. So, on some level, was the movie; lacking detailed and elucidating background information, Brandon’s tragedy became the tragedy of a successful, very handsome white man tortured by the need to regularly have sex with one or more women who resemble fashion models. (Brandon’s kookily sad sister, Sissy, is so white that she is played by Carey Mulligan, and is called Sissy. His apartment, in what might be seen as a reflection of his inner turmoil, is white and expensive, but lit so that above all else, it looks blue.)

more here.

Debussy: A Painter in Sound

Matthew Aucoin at the NYRB:

Claude Debussy, circa 1910

For modern listeners, Debussy practically defines French music, by which I mean that the essential qualities of his music—not only his sensuous delicacy but also his aversion to the harmonic behavior characteristic of late-nineteenth-century German music, a dense chromatic motion that tends to constantly, restlessly build to orgiastic climaxes, as in Wagner and Strauss—have come to be seen as also essentially “French” qualities. Walsh makes clear, however, that Debussy, far from simply amplifying or exemplifying the dominant tendencies of his musical milieu, consciously and stubbornly swam against the current, especially when it came to the heavy influence of German music on French composers. Wagner was the unavoidable presence in late-nineteenth-century Paris, but Debussy traced the blame for that influence further back, to Gluck. Debussy was quietly radical in his preference for Rameau’s “delicate and charming tenderness” over what he perceived as the Germanic “affectation of profundity or the need to double underline everything.”

more here.

The Freedom to Be Free at Work

Nicholas Smith in IAI:

If we were to stop and ask ourselves how our lives might be improved, one likely answer that might occur to us is that we should spend less time at work. At least that is what the statistics suggest.

…In her book The Human Condition (1958), Arendt argued that most of what we now do when we say we ‘work’ has the essential character of what she calls ‘labour’. Labour resembles the artisanal work of previous times in that it is a means to an end, but unlike work in its true sense, which leaves some enduring useful object behind, it produces something to be consumed, and is done for the sake of empowering one’s consumption. Labour is our ‘metabolism with nature’, a phrase Arendt borrows from Marx, which ties us to the eternally recurring cycle of life. Labouring activity, no less than the behaviour of any other living organism, inherently lends itself to scientific measurement and enhancement. For this reason, well-meaning efforts to humanise labour were, in her view, futile and ill-conceived. But labour, however highly valued it is in the modern world, represents only one aspect of the human condition. Human beings are also capable of what Arendt calls ‘speech and action’, in which they deliberate over matters of common concern and act together. It is only through action in this true sense, Arendt believed, that human beings show themselves to be more than members of a species, or cogs in a machine, and appear to themselves in their uniqueness and plurality. When we act, in this sense, we break out of the cycle of endless repetition and bring about something genuinely new, something unpredictable. In the making and retelling of history, Arendt thought, we attain a kind of immortality, or at least some redemption of our earth-bound, life-bound condition, our condition qua labouring animal. 

More here

How Can We Unleash the Immune System?

Denise Grady in The New York Times:

Cancer has an insidious talent for evading the natural defenses that should destroy it. What if we could find ways to help the immune system fight back? It has begun to happen. The growing field of immunotherapy is profoundly changing cancer treatment and has rescued many people with advanced malignancies that not long ago would have been a death sentence. “Patients with advanced cancer are increasingly living for years not months,” a recent editorial in the journal JAMA said. It added that longer survival means that health workers in just about every specialty — not just oncologists — will be taking care of people who are living with cancer or recovered from it. Immunotherapy accounts for much of the progress. Still, it does not help everyone, side effects can be ferocious, and so can the expense. Overall, immunotherapy works in fewer than half of patients — but it can bring remissions that last years. Is this as good as it gets? Probably not. The field is still young, hundreds of clinical trials are underway and basic researchers are trying to find ways to fine-tune the treatments they have already developed, as well as find new ones.

So far, the two main forms of immunotherapy approved by the Food and Drug Administration for cancer are drugs called checkpoint inhibitors and CAR-T cells. Both involve a workhorse of the immune system — T-cells, a type of white blood cell whose job is to kill cells that have turned malignant or become infected with viruses.

More here.

 

Monday, November 19, 2018

Performing Jewish Memory in Germany

by Abigail Akavia

Stolpersteine for murdered schoolboys in Thessaloniki.

November 9th was the 80th anniversary of Kristallnacht. In Leipzig, where I live, as all over Germany, a series of events took place to commemorate the victims of that night of Nazi-led pogroms.

The western part of Leipzig is a former industrial wasteland. Now rapidly gentrifying, it is still home to those who wear their counter-culture cred on their sleeve, sometimes literally—punks, students, artists, and dreadlocked parents walking the streets barefoot with toddlers strapped on their backs. Here, on the trendy Karl-Heine boulevard, on the night of November 9th, “Stolpersteine” became little ground-level shrines. Stolpersteine are small square brass plates inscribed with the names and life-dates of victims of Nazi extermination or prosecution, installed on the sidewalk where these victims last lived or worked. To raise public awareness of Kristallnacht, flowers and candles were placed on the Stolpersteine, drawing attention to their presence as memorials, their normally subdued existence. A private initiative led by German artist Gunter Demnig since 1992, Stolpersteine can be found in towns throughout Germany and Europe.

Some in the Jewish community have objected to this form of commemoration, viewing as disrespectful the notion that remembrance plaques are placed where they can be treaded on—indeed, the reality and explicit purpose of Stolpersteine. The long grid in Thessaloniki shown above seems the exception rather than the rule, for in most cases, Stolpersteine are not aesthetically prominent. On regular days here in Leipzig, Stolpersteine do not command much attention. This kind of incessant yet unobtrusive, subliminal reminder of the horrors of the Nazi regime seems like an apt counterpoint to the way many Israelis (such as myself) view their relationship with Germany. In the last two decades or so, more and more Israeli Jews have moved to Germany, to work or permanently live here, including those whose ancestors were direct victims of the Nazis. Our relationship with the past seems reflected in the kind of commemoration the Stolpersteine enact: the Holocaust is a fact. It happened right here. Sometimes, we pause, the mere thought of it knocking the wind out of us. But most of the time, we move on. Read more »

Beware of literature!

by Emrys Westacott

“Beware of literature!” This warning occurs in Jean-Paul Sartre’s 1938 novel Nausea as an entry in the diary of the narrator, Antoine Roquentin. In context, it concerns the way that literary narratives falsify our experience of events by investing them with an organization and structure that our experiences in themselves, as we live them, do not have. When Bilbo Baggins finds the ring in The Hobbit, Tolkein tells us that although Bilbo didn’t realize it at the time, this would turn out to be a turning point in his life. When married couples recall their first meeting, their account inevitably packages the event as a “beginning,” even though they may have had no inkling of this at the time.

There is, of course, some self-conscious irony in the fact that the warning to “beware of literature” appears in the middle of a literary work. Shades of the liar paradox, in fact. If we should be suspicious of literature, then we must be suspicious of the work that tells us to beware of literature: in which case we should perhaps trust literature, including works that advise us not to…..and so on.

The warning goes against an idea often touted that literature is a vehicle for expressing and revealing Truth. Perhaps not truth of the scientific variety, but some sort of insight, wisdom, or moral lesson concerning human nature, human relationships, and the human condition, that is best communicated through art rather than by means of discursive argument, and which resists reduction to a simple formula. This idea is naturally appealing to the literati, especially at a time when the onus seems to be on anyone not working in STEM fields to justify their existence, or at least their salary.

Recently, though, I have been struck by a particular problem with such claims, at least insofar as they pertain to fiction. Read more »

Monday Poem

Coincidence

last night as I went in to bed
I threw the switch to kill the light
and as if I’d thrown
the breaker of the universe,
every light was doused,
every light below behind  above  … beyond
was dead except the light inside my head

the window did not show
the steadfast street-lamp’s
amber glow

the tiny stars strewn below
of town, always lit at night
as I looked out and down,
were gone

the range clock light
did not blink

the red dot toaster
LED was fully bled

so there we were
myself and me
power out
in deepest night
instead

unmoored

still seeing still being
by the light inside
my head
.

Jim Culleny
11/11/18

The Case for Mediocracy

by Thomas R. Wells

Suppose a company wants to fill a job. They would advertise it together with the requirements for any successful candidate. HR would screen out all the applicants not good enough to do the job and everyone else’s name would go into a lottery.

Do you find this prospect upsetting? Perhaps you think it is unfair for someone to get a job without a good reason for why they deserve it rather than anyone else. Perhaps you think such a system would decrease your chances of getting the job you want. If so then you may be under the influence of the cult of excellence.

Excellence is the false religion of our time. Like all cults it fosters unhealthy and delusional behaviour, and benefits only a handful of insiders. We need to throw it out, reconcile ourselves to the essential truth that none of us is particularly special, and build a society fit for that.

The first problem with excellence is that we use it in a purely relative sense, to rank ourselves against each other to decide for who gets what. This turns society into a race in which we are trained to see each other as competitors for scarce resources rather than as fellows in a community of equals. Over time the race to the top takes over more institutions and more of our lives. In education, for example, cramming schools appear to help kids get into the right preschools, while a whole industry of consultants exists to help rich high-schoolers write their Ivy League application essays. In such a toxic meritocracy no one has the time or compassion to help the less fortunate. Winners congratulate themselves on their wonderfulness, as proven by their salaries, but retain an existential anxiety about their position. Losers blame themselves for not running faster. Inequality rockets. Read more »

What do Stan Lee, the Nobel Prize, and epistemology have to do with each other?

by Joseph Shieber

If you listened closely to the songs of praise in honor of Stan Lee, the man who is taken to be largely responsible for the present superhero-mad moment in popular culture, you might have heard an undertone of discord.

As Vox’s Alex Abad-Santos noted, Lee’s notoriety in the popular imagination as the originator of many of the most beloved characters of the Marvel Comic Universe was matched within the narrower comic book community by his reputation for failing to give adequate credit to the artists and writers with whom he worked.

Abad-Santos points to a 2016 piece in Vulture by Abraham Riesman, in which Riesman painstakingly documents the ways that Lee maneuvered to divert credit from his comic hero co-creators – most notably perhaps Jack Kirby and Steve Ditko – to foster the legend that Lee was single-handedly responsible for Marvel Comics’ biggest successes. Read more »

Little Dipper

by Tamuira Reid

When the father of your child is in jail, pray even if you don’t believe in God. Pray even though in your head of heads you know it won’t do shit. Stop staring at the walls, at the clock, at the phone. At your baby, now eight, sleeping next to you, his sneakers, caked with mud, still tied to his feet. Pray because it will distract you from what’s coming, from a conversation millions of mothers have already had with their sons. You are not different, not an exception to some rule. Start praying instead of feeling sorry for yourself. Buck the fuck up because he will need you.

When the father of your child is in jail, think back to the beginning. When just being in the same room with him made you feel dizzy, made every cell in your body turnover. That crazy-ass, lightning speed chemistry, that undeniable force forever pushing then pulling you apart.

He wasn’t always the father of your child. Before that he was your friend then your boyfriend then someone neither here nor there. Now he’s the person you worry most about when you wake-up in the middle of the night.

When the father of your son is in jail, the details will haunt but not surprise you. How he got involved with the wrong person, a toxic relationship, an unhealthy situation. How he was blamed for things he couldn’t possibly have done. You’re scared for him in ways you’ve never been before. You’ve watched enough episodes of Orange is the New Black to think you’d know how to handle life on the inside. You could shank a bitch if you had to. But he never could. It’s just not in him. Read more »

Stars Above, Part 3

by Samia Altaf

Actors come to each role in a new film bearing the stamp of their old ones so they are richer and more interesting in the new incarnation—the whole more than the sum of the parts. Just last week one saw Nargis as the innocent and naive mountain girl pining away for the love of the ‘shehri babu’, and today she is the femme fatale, all hell and brimstone, plotting the downfall of her rival. Or, as Mother India, upholding principles of honesty and justice, shooting her favorite son dead for raping a village girl.

Most of the time the female protagonists in our local films were uneducated but good, pious women seemingly knowing little of the world’s evil. They existed in a limited space, physically and mentally circumscribed by a patriarchal society, sheltered and protected by ‘their’ men and dependent on them for validation. They could cook up a storm, look after the household, sweep and clean, tend to animals and sick husbands, all in a day, without getting tired or complaining.

But they remained submissive women who suffered silently and deferred endlessly to their husbands, fathers, brothers, sons, and society. What would people say? What would make the family lose face? The family ‘honor’ was always tied to a woman’s behavior, to her desires, and no one was allowed to forget that. Conforming to those norms secured women a place in the community, credibility and status, and the more they suffered and sacrificed themselves the more they were lauded as role models. Such lessons were not lost on young girls and boys and went a long way in shaping expectations for their futures and standards of acceptable behavior. Read more »

Sunday, November 18, 2018

Sunday Poem

Winter: Tonight: Sunset

through the woods, then out into the open fields
past a couple of trailers and some pickup trucks, I stop

and look at the sky. Suddenly: orange, red, pink, blue,
green, purple, yellow, gray, all at once and everywhere.

I pause in this moment at the beginning of my old age
and I say a prayer of gratitude for getting to this evening

a prayer for being here, today, now, alive
in this life, in this evening, under this sky.

by David Budbill
from Narrative Magazine

Jean-Paul Sartre’s existential Marxism offers a radical philosophical foundation for today’s revitalized critiques of capitalism

Ronald Aronson in the Boston Review:

Nearly forty years after his death in 1980, the French philosopher Jean-Paul Sartre is best remembered as the father of existentialism. We are most familiar with him as the theorist of freedom, authenticity, and bad faith in philosophical treatises such as Being and Nothingness (1943) and literary works such as Nausea (1938) and No Exit (1944). But eclipsed in this popular image is an appreciation of the staggering range of his dozens of volumes of published work, especially the fruit of his political activity from the end of World War II until his death—a period marked most notably by a rich and sustained engagement with Marxism.

Far from being consigned to the ash heap of history, the mid-century encounter between Marxism and existentialism remains vital today. As we seek political and philosophical bearings in this time of renewed calls for a socialist alternative to capitalism, postwar efforts to bring Marxism and existentialism together have much to teach us—not only because of the continuing importance of each mode of thought to political thinking and organizing, but also because their interaction in Sartre’s work deepens our understanding of how we exercise agency under conditions we do not control.

More here.

The Tyrant Inside Your Mind

Christopher G. Moore in CulturMag:

History records many examples of some person, tribe or nation taking an advantage based on better information than their rivals. Whether it is war, economic activity, love and romance or career the competitive edge leading to victory is enjoyed by those who possess the ability to extract and use information to increase the probability of their predicted outcomes. Use the word probability, forecasting, and prediction and thoughts start to wander, your mind has trouble gaining traction. Why is that?

It takes a good story to grab and hold our attention. And it takes a special, brilliant story for us to remember it tomorrow. Every day you hear and tell hundreds of stories. Those tiny assembled bundled vignettes we consume like Swiss chocolate, filled with a rich confection of character, situation, conflict, weirdness, turning point, and surprise. Stories are addictive. We feel slightly guilty when we read tracts of wisdom, knowledge, philosophy, and mathematics, which mainly lack a personal story. There’s the key. A great story is about me. It’s about you. It has an emotional kick like mule. Without the mule’s kick, the abstract story is marooned in a dark, empty pasture left pretty much on its own.

Information disparities are nothing new.

More here.

A Turning Point for Humanity: Redefining the World’s Measurement System

From the National Institute of Standards and Technology website:

In November 2018, the world’s measurement experts are expected to revise the SI, this time approving a system that does not depend on physical objects. Instead, it’ll be based entirely on the speed of light and other “constants” of physical science, resulting in a measurement system that might truly and finally be for all times and for all people.

These constants are central to a set of well-established scientific principles. They are the backbone of our ever-expanding knowledge of natural laws, such as Einstein’s well-known E = mc2 , which describes how mass and energy behave throughout the universe.

These scientific principles are the same ones we’ve already used to create a modern world where we watch flat panel TVs, navigate deep space and explore quantum computing. And this revised measurement system promises to help lead to technological innovations we cannot yet imagine.

More here.  The new standards were approved by unanimous vote and have now been adopted.