Western Culture is an Ideological Fiction, and so are the Rest
by Bill Benzon This essay argues that Western culture is an ideological fiction. There is no such thing as Western culture if by that you mean a coherent and internally unified cultural entity that started back in ancient Greece and the Jewish Levant, took hold in and flourished in Europe, from which it eventually set…
Free-Floating Anxiety, Teens, and Security Theatre
by Bill Benzon Talcott Parsons I am going to continue the psycho-cultural argument I introduced in my previous 3DQ post, American Craziness: Where it Came from and Why It Won’t Work Anymore. The core of my argument somes from an old article in which Talcott Parsons, one of the Grand Old Men of 20th century…
American Craziness: Where it Came from and Why It Won’t Work Anymore
by Bill Benzon During the course of my adult life I have witnessed the collapse of the political culture of my nation, the United States of America. To be sure, there have been some good things – the Civil Rights movement, for example – but the framework that served from the nation’s founding through the…
Evolving to the Future, the Web of Culture
by Bill Benzon “The interests of humanity may change, the present curiosities in science may cease, and entirely different things may occupy the human mind in the future.” One conversation centered on the ever accelerating progress of technology and changes in the mode of human life, which gives the appearance of approaching some essential singularity…
Macroanalysis and the Directional Evolution of Nineteenth Century English-Language Novels
by Bill Benzon In The Only Game in Town: Digital Criticism Comes of Age I argued that digital criticism was the most important development in contemporary literary studies because it is the only line of investigation that presents us with new objects of thought. I’m continuing that argument in this post, where I consider some…
It’s Time to Change the World, Again
Sing Me a Song of Hyperobjects: Starting over with Humans and Other Creatures in the 21st Century CE
by Bill Benzon Timothy Morton. Hyperobjects: Philosophy and Ecology after the End of the World. University of Minnesota Press 2013. 229 pp. This is a strange book, for it is three. There is the book that is easy to praise for its range of topics – quantum mechanics, La Monte Young, global warming, The Matrix,…
Graffiti is the most important art form of the last half-century…
Graffiti and the Spirit of the Place
by Bill Benzon Over the past few years I’ve spent a great deal of time photographing graffiti in Jersey City, which is on the West bank of the Hudson River across from lower Manhattan. Most of that time I’ve photographed a handful of sites, over and over again, week after week, month after month. What…
The Only Game in Town: Digital Criticism Comes of Age
by Bill Benzon Distant Reading and Embracing the Other As far as I can tell, digital criticism is the only game that's producing anything really new in literary criticism. We've got data mining studies that examine 1000s of texts at once. Charts and diagrams are necessary to present results and so have become central objects…
Bundling, Dream Space, Love, and the Farmer’s Daughter
by Bill Benzon The other day I was reading an old post an eBuddy of mine, Michael Cobb Bowen, had written about the possibly of a female viagra-type drug. Michael ended the post by observing: Sex is dirty, complicated and embarrassing. You have to get naked and vulnerable. In fully formed human beings, that takes…
Some Varieties of Musical Experience
by Bill Benzon My earliest memory is of a song about a fly that married a bumblebee. I've been told–I don't really remember this–that early one morning I played that record so often that it drove a visiting uncle to distraction. I don't know how many people count music as their earliest memory, but I…
An Astonishing Tale about the Origins of Golf: A True Story
by Bill Benzon Tiger Woods is only the most recent in a long line of fine black golfers. In saying that I refer to players other than the moderns such as Charles Sifford, Jim Thorpe, Jim Dent, Lee Elder, Calvin Peete, and Renee Powell. Truth be told, the tradition of sepia swing masters started in…
Charlie Keil: Groovologist
by Bill Benzon Tracing things back to the beginning is always a bit arbitrary. There is always something that came before, and even before that. For example, just how is it that Charlie Keil, winner of the 22nd Annual Koizumi Fumio Prize for ethnomusicology, ended up playing tuba in front of the Vermont Statehouse in…
Two Problems for the Human Sciences, and Two Metaphors
by Bill Benzon For as long as I can remember such things – back to my undergraduate years in the 1960s – humanists have been defending themselves and their work against all comers: politicians, scientists of all kinds, and disgruntled letter writers. And always the defense comes down to this: we provide a holistic and…