Alan Kitchen at The Quarterly Conversation:

Consider Oliver Munday’s striking cover for These Possible Lives, one of the slim, sharp, dark works of Swiss/Italian author Fleur Jaeggy. The tile motif, bearing eight gray, equal segments from historical portraits of the book’s subjects, is immediately captivating; one glimpses mouths and eyes, poignant gazes into a mercurial unknown, or unsettling direct eye contact that seems to say, there are truths within this small book, but whose truth may they be? This obfuscation is furthered by Munday’s decision to create a ninth tile without image, choosing instead a tilted red box containing that imprecise, strange word, “Essays.” I pick up the book, read the title, These Possible Lives, and think to myself, what is possible about historically recorded lives. A simple red backslash wants to point me down, to the broken mosaic of possibility below, however, I realize red warns, and the indirect backslash conveys hesitation. This cover does a wonderful job trying to dissuade one from any clear preconceptions of the text within, while equally stoking my intense curiosity.

more here.

Sian Cain in The Guardian:

The manuscript for My Life With John Steinbeck, by the author’s second wife and mother of his two children, has been in Montgomery, My Life With John Steinbeck recalls a troubled marriage that spanned 1943 to 1948, a period in which he would write classics including Cannery Row and The Pearl. During their marriage, Conger Steinbeck described a husband who was emotionally distant and demanding. “Like so many writers, he had several lives, and in each he was spoilt, and in each he felt he was king,” she wrote. “From the time John awoke to the time he went to bed, I had to be his slave.”

Conger Steinbeck first met the author as a nightclub singer in 1938, when he was married to his first wife, Carol Henning. In 1941, Conger Steinbeck alleges that the author sat her down with Henning and told them both: “Whichever of you ladies needs me the most and wants me the most, then that’s the woman I’m going to have.” Describing their wedding night, Conger Steinbeck recalls one “Lady M” ringing their bedroom and speaking to the author for more than an hour on the phone. Conger Steinbeck alludes to Lady M being his mistress, writing that the pair had a “matinee about three times a week”. By her account, Steinbeck rarely showed affection to her or their two sons, Thomas and John Jr, and had never wanted any children. When she was experiencing problems during her pregnancy with John Jr, Steinbeck told her that she had “complicated” his life during a busy period of writing. When John Jr arrived prematurely in 1946, she recalls Steinbeck telling her: “I wish to Christ he’d die, he’s taking up too much of your fucking time.” She identifies the conversation as “the moment when love died”.

More here.

Andrew Sullivan in The New York Times:

It isn’t until you start reading it that you realize how much we need a book like this one at this particular moment. “These Truths,” by Jill Lepore — a professor at Harvard and a staff writer at The New Yorker — is a one-volume history of the United States, constructed around a traditional narrative, that takes you from the 16th to the 21st century. It tries to take in almost everything, an impossible task, but I’d be hard-pressed to think she could have crammed more into these 932 highly readable pages. It covers the history of political thought, the fabric of American social life over the centuries, classic “great man” accounts of contingencies, surprises, decisions, ironies and character, and the vivid experiences of those previously marginalized: women, African-Americans, Native Americans, homosexuals. It encompasses interesting takes on democracy and technology, shifts in demographics, revolutions in economics and the very nature of modernity. It’s a big sweeping book, a way for us to take stock at this point in the journey, to look back, to remind us who we are and to point to where we’re headed.

This is not an account of relentless progress. It’s much subtler and darker than that. It reminds us of some simple facts so much in the foreground that we must revisit them: “Between 1500 and 1800, roughly two and a half million Europeans moved to the Americas; they carried 12 million Africans there by force; and as many as 50 million Native Americans died, chiefly of disease. … Taking possession of the Americas gave Europeans a surplus of land; it ended famine and led to four centuries of economic growth.” Nothing like this had ever happened in world history; and nothing like it is possible again. The land was instantly a refuge for religious dissenters, a new adventure in what we now understand as liberalism and a brutal exercise in slave labor and tyranny. It was a vast, exhilarating frontier and a giant, torturing gulag at the same time. Over the centuries, in Lepore’s insightful telling, it represented a giant leap in productivity for humankind: “Slavery was one kind of experiment, designed to save the cost of labor by turning human beings into machines. Another kind of experiment was the invention of machines powered by steam.” It was an experiment in the pursuit of happiness, but it was in effect the pursuit of previously unimaginable affluence.

More here.

Justin E. H. Smith in Art in America:

There are images on the walls of caves, whether we put them there or not. Or, more precisely, we create images on the walls of caves, whether with charcoal and manganese or simply with our imaginations. Michelangelo’s well-known claim that he simply released from stone what was already there is straightforwardly true of Paleolithic artists. They placed their lines where the contours already suggested animal motion.

When I had occasion to remark early in my cave-art education that the pair of clay bison sculptures (ca. 15,500 years before the present) located in France’s Tuc d’Audoubert cave are relative rarities, since most cave art is painted on the walls, a veteran of the field corrected me. “It’s all sculpture,” she said. It is all “sculpture,” though most of it was done for us by the same natural forces that brought forth the underground spaces hosting the works. The caverns’ many undulations, outcroppings, fissures, and declivities were then enhanced by human hands, and sometimes saliva: as in the common crachis technique of spitting on a surface and then rubbing on the pigments. Other techniques include using water or plant oils as mediums and applying colors by means of pads, brushes, hands, or blowing—either through a tube or directly from the mouth.

More here.

Ed Yong in The Atlantic:

In the 1940s, the Wyoming Game and Fish Department began trying to move bighorns back into their historic habitats. Those relocations continue today, and they’ve been increasingly successful at restoring the extirpated herds. But the lost animals aren’t just lost bodies. Their knowledge also died with them—and that is not easily replaced.

Bighorn sheep, for example, migrate. They’ll climb for dozens of miles over mountainous terrain in the spring, “surfing” the green waves of newly emerged plants. They learn the best routes from one another, over decades and generations. And for that reason, a bighorn sheep that’s released into unfamiliar terrain is an ecological noob. It’s not the same as an individual that lived in that place its whole life and was led through it by a knowledgeable mother.

More here.

John Naughton in The Guardian:

One of the biggest puzzles about our current predicament with fake news and the weaponisation of social media is why the folks who built this technology are so taken aback by what has happened. Exhibit A is the founder of Facebook, Mark Zuckerberg, whose political education I recently chronicled. But he’s not alone. In fact I’d say he is quite representative of many of the biggest movers and shakers in the tech world. We have a burgeoning genre of “OMG, what have we done?” angst coming from former Facebook and Google employees who have begun to realise that the cool stuff they worked on might have had, well, antisocial consequences.

Put simply, what Google and Facebook have built is a pair of amazingly sophisticated, computer-driven engines for extracting users’ personal information and data trails, refining them for sale to advertisers in high-speed data-trading auctions that are entirely unregulated and opaque to everyoneexcept the companies themselves.

The purpose of this infrastructure was to enable companies to target people with carefully customised commercial messages and, as far as we know, they are pretty good at that. (Though some advertisers are beginning to wonder if these systems are quite as good as Google and Facebook claim.) And in doing this, Zuckerberg, Google co-founders Larry Page and Sergey Brin and co wrote themselves licences to print money and build insanely profitable companies.

It never seems to have occurred to them that their advertising engines could also be used to deliver precisely targeted ideological and political messages to voters.

More here.

Adam Tooze at the LRB:

‘If we don’t do this, we may not have an economy on Monday,’ the chairman of the US Federal Reserve, Ben Bernanke, said on 18 September 2008 when he demanded action from Congress to assist the banking system. Ten years later we do still have an economy. But it is worth asking whether the panic back then foreclosed other ways forward. In that terrible autumn a decade ago, the first priority was survival. To sit back and let nature take its course was to court disaster, as the collapse of Lehman Brothers proved. The bailouts were ugly, but it would have required a particular kind of fanaticism to dissociate oneself from the rescue effort and accept the risk of catastrophe. Yet in Trump, Brexit and the rise of nationalism across much of Western Europe, are we not seeing the political consequences? Was the crisis an opportunity missed? If there was a single figure whose ideas seemed pertinent in that deeply ambiguous moment, it was John Maynard Keynes. The implosion of the financial system vindicated him against his critics, who had declared markets self-stabilising and government intervention counterproductive. With trade, investment and consumption collapsing and millions cast into unemployment, the world was desperate for fiscal stimulus, and there were calls on all sides for greater controls on banking and financial markets. Keynes is the godfather of policy activism, but, as Geoff Mann argues in his brilliant book In the Long Run We Are All Dead, he is also the best hope of those who want to keep the show on the road by whatever means necessary. He promised both the avoidance of disaster and the preservation of the status quo.

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Jacob Silverman at The Baffler:

THE RELATIONSHIP BETWEEN FACEBOOK and news publishers is a bizarre charade, peopled by unreliable characters, dotted with contradictions, suffused with dependency and resentment. Over ten long years, Facebook kneecapped the newspaper industry by devouring its main revenue stream. Together, Facebook and Google now take in more than 65 percent of digital advertising dollars—an extraordinary haul given that these sites grew fat in part by indexing and sharing the content produced by news organizations.

Just don’t call Facebook a publisher, please. By its own conception, it’s a platform, aspiring toward neutrality, that needs publishers to provide it with high-quality content that users can like, share, and comment upon. In this bland spirit of connection, both sides need each other.

more here.

Claudia L. Johnson at The Paris Review:

When the British philosopher Gilbert Ryle was asked whether he read novels, he famously replied, without missing a beat, “Oh, yes—all six, every year.” And without missing a beat we get the joke, of course, not because we believe that Jane Austen’s novels throw all others into the shadows (though we do), and not because they bear annual rereading (though they do), but rather because we all know—or think we know—that she wrote six of them.

But Austen wrote more than six novels. Along with Love and Freindship and Lady Susan, which enjoy modest fame, Austen proudly subtitled several shorter works as “A Novel”—such as Jack and Alice: a Novel and Henry and Eliza: a Novel. But these, though enjoyed by a handful of avid enthusiasts, are mostly unknown to the general public. Written for the amusement of her family, these works belong to the collection of early writing referred to sometimes as the “juvenilia” or “minor works,” both terms being rather disparaging, and most recently as “Teenage Writings.” Variously described—by Austen herself—as novels, tales, odes, plays, fragments, memoirs, and scraps, the juvenilia consist of twenty-seven pieces written from 1787 to 1793, when Austen was between the ages of eleven and eighteen.

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Heidi Ledford in Nature:

A massive study of nearly 4,000 variants in a gene associated with cancer could help to pinpoint people at risk for breast or ovarian tumours. The information is sorely needed: millions of people have had their BRCA1 gene sequenced. Some variations in the DNA sequence of BRCA1are linked to breast and ovarian cancer; others are thought to be safe. But the effects of most variants are unknown, leaving patients and physicians alike at a loss to interpret the results. The study, published on 12 September in Nature¹, examined the effects of thousands of such variants on the survival of cells grown in the laboratory. The findings could help physicians to interpret the mutations’ significance. For example, a variant that hampers a cell’s ability to repair DNA in the lab might also be linked to cancer in the clinic.

…The American College of Medical Genetics and Genomics recognizes about 60 genes for which screening might suggest a medical plan to preventor reduce the effects of a disease. Yet often when people find out that their genes include unusual DNA sequences , they are at a loss to interpret that finding. “These variants are nightmarish,” says Alvaro Monteiro, a geneticist at the Moffitt Cancer Center in Tampa, Florida. “The result becomes: ‘Well, you have something, but we just don’t know exactly what it is.’” Assays for genetic causes of hearing loss are a prime example: about half of the people who undergo such testing find out that they carry variants whose significance is unknown, says Heidi Rehm, a geneticist at the Broad Institute of MIT and Harvard in Cambridge, Massachusetts. “It’s a definite challenge in all genetic testing areas,” she says.

More here.

Report from Committee to Protect Journalists:

When CPJ traveled to Karachi, Islamabad, Peshawar, Lahore, and Okara earlier this year, journalists, including freelancers and those from established media companies, painted a picture of a media under siege. Many traced the changes to two events in 2014: a shooting that injured Geo TV anchor Hamid Mir and led to a fallout among media groups and with the military, and the aftermath of a terrorist attack in Peshawar that left over 130 students dead. The military garnered widespread praise for its crackdown on militancy after the school attack, which resulted in a sharp decline of terrorist incidents—and in turn, violence against journalists. Yet the stepped-up activity put the military in position to exert even greater control. The military already wields influence and power in Pakistan, where it is deeply embedded in society, as well as the country’s economic and political systems.

The armed forces are seen widely as an effective institution that holds the nation together, and offers protection. To the east, Pakistan faces India, a far larger and powerful neighbor that is considered hostile, and with whom it has a territorial dispute over Kashmir. To the west is Afghanistan, unstable and with a porous, mountainous border that creates obstacles to security. Internationally, the U.S. has used Pakistan as a staging area for operations in Afghanistan, even as it launches drone strikes against militants on Pakistani territory—an issue of nationalist ire. While the military submits to the formalities of civilian rule, it sees itself as a bulwark against what some view as the chaos of democratic politics. But it remains sensitive to criticism or allegations, such as its apparent support for terrorist groups in neighboring countries, including the Afghan Taliban and Lashkar-e-Taiba, which is accused of staging the 2008 Mumbai terrorist attack.

More here.

The Latin Deli

Presiding over a formica counter,
plastic Mother and Child magnetized
to the top of an ancient register,
the heady mix of smells from the open bins
of dried codfish, the green plantains
hanging in stalks like votive offerings,
she is the Patroness of Exiles,
a woman of no-age who was never pretty,
who spends her days selling canned memories
while listening to the Puerto Ricans complain
that it would be cheaper to fly to San Juan
than to buy a pound of Bustelo coffee here,
and to Cubans perfecting their speech
of a “glorious return” to Havana–where no one
has been allowed to die and nothing to change until then;
to Mexicans who pass through, talking lyrically
of dólares to be made in El Norte–
……………………………………………….. all wanting the comfort
of spoken Spanish, to gaze upon the family portrait
of her plain wide face, her ample bosom
resting on her plump arms, her look of maternal interest
as they speak to her and each other
of their dreams and their disillusions–
how she smiles understanding,
when they walk down the narrow aisles of her store
reading the labels of packages aloud, as if
they were the names of lost lovers; Suspiros,
Merengues, the stale candy of everyone’s childhood.
……………………………………………….. She spends her days
slicing jamón y queso and wrapping it in wax paper
tied with string: plain ham and cheese
that would cost less at the A&P, but it would not satisfy
the hunger of the fragile old man lost in the folds
of his winter coat, who brings her lists of items
that he reads to her like poetry, or the others,
whose needs she must divine, conjuring up products
from places that now exist only in their hearts–
closed ports she must trade with.

by Judith Ortiz Cofer
from After Atzlan
David R. Godine, publisher, 1992

László Győri at Eurozine:

Film and theatre are not the only cultural sectors to have come into Fidesz’s crosshairs – the offensive was indeed ‘total’. For example, shortly after Orbán assumed power, the National Cultural Fund was restructured. Originally an independent body, it was responsible for distributing subsidies across all cultural sectors. A great advantage of the cultural fund was that it was independent of government. But Orbán subordinated it to a minister and a secretary of state, who henceforth had the power to revise the decisions of the committees responsible for the various cultural sectors. In summer 2010, members of the Cultural Fund’s councils responsible for publishing were replaced with Fidesz sympathizers. The procedure appeared paradoxical. The state created a fund which was charged not only with distributing money, but also with ensuring that decisions be made by qualified representatives. However, the government then intervened to ensure that these qualified, elected experts could not make democratic decisions about the money.

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JPat Brown, B. C. D. Lipton, and Michael Morisy at Literary Hub:

The Bureau had received credible evidence regarding Sontag’s trip to Hanoi—a feature in Esquire describing her experiences talking to leading figures of the North Vietnamese government, including Prime Minister Pham Van Dong, that would later be adapted into the book Trip to Hanoi.

Though the New York office did produce a comprehensive report on the origins of the article and all of Sontag’s previous antiwar activity (citing a total of nine informants, whose names remain redacted) within the two week deadline, the investigation into Sontag stretched on for another two years. A 1971 memo from the Department of State confirmed that Sontag hadn’t sought or received permission for her travel to North Vietnam, and another memo from what appears to be French intelligence was passed on from the CIA.

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Rozalind Dineen at the TLS:

It would be uncool, priggish, unthinking to care too much about the artist’s intoxication. Torments require relief and expression: numbing and utterance; alcohol and art. You can’t unpick the work from the circumstances of its creation, nor should you want to. In 1975, the critic Lewis Hyde tried caring about Berryman. A few years after the poet’s death, Hyde published an essay, an angry blast against the romanticization of the inebriated artist. When Hyde read The Dream Songs he didn’t hear the genius so much as “the booze talking”. “Its tone is a moan that doesn’t revolve.” Hyde seemed to believe – unfashionably – that Berryman’s work would have been better had he been sober.

In The Recovering, Leslie Jamison returns to this myth of whiskey and ink, as a writer, an academic and an alcoholic. When, a few years sober herself, Jamison read Hyde on Berryman, she “whispered a secret ‘Amen’”. She wanted “to believe that giving up booze didn’t mean giving up electricity, and Hyde was suggesting that the fruits of alcoholic composition weren’t glorious but deeply compromised”.

more here.

Jennifer Szalai in the New York Times:

Merve Emre’s new book begins like a true-crime thriller, with the tantalizing suggestion that a number of unsettling revelations are in store. Early in “The Personality Brokers: The Strange History of Myers-Briggs and the Birth of Personality Testing,” she recalls the “low-level paranoia” she started to feel as she researched her subject: “Files disappear. Tapes are erased. People begin to watch you.” Archival gatekeepers were by turns controlling and evasive, acting like furtive trustees of terrible secrets. What, she wanted to know, were they trying to hide?

It takes a while to realize that Emre has gotten you hooked under arguably false pretenses, but what she finally pulls off is so inventive and beguiling you can hardly begrudge her for it. The revelations she uncovers are less scandalous than they are affecting and occasionally (and delightfully) bizarre. Emre, a professor of English at Oxford, wrote a previous book on the surge of readers in postwar America, and she knows that a story is inextricable from how it’s told. “The Personality Brokers” is history that reads like biography that reads like a novel — a fluid narrative that defies expectations and plays against type.

More here.

Nir Shafir in Aeon:

As I prepared to teach my class ‘Science and Islam’ last spring, I noticed something peculiar about the book I was about to assign to my students. It wasn’t the text – a wonderful translation of a medieval Arabic encyclopaedia – but the cover. Its illustration showed scholars in turbans and medieval Middle Eastern dress, examining the starry sky through telescopes. The miniature purported to be from the premodern Middle East, but something was off.

Besides the colours being a bit too vivid, and the brushstrokes a little too clean, what perturbed me were the telescopes. The telescope was known in the Middle East after Galileo developed it in the 17th century, but almost no illustrations or miniatures ever depicted such an object. When I tracked down the full image, two more figures emerged: one also looking through a telescope, while the other jotted down notes while his hand spun a globe – another instrument that was rarely drawn. The starkest contradiction, however, was the quill in the fourth figure’s hand. Middle Eastern scholars had always used reed pens to write. By now there was no denying it: the cover illustration was a modern-day forgery, masquerading as a medieval illustration.

More here.

Rajan Menon in The Nation:

So effectively has the Beltway establishment captured the concept of national security that, for most of us, it automatically conjures up images of terrorist groups, cyber warriors, or “rogue states.” To ward off such foes, the United States maintains a historically unprecedented constellation of military bases abroad and, since 9/11, has waged wars in Afghanistan, Iraq, Syria, Libya, and elsewhere that have gobbled up nearly $4.8 trillion. The 2018 Pentagon budget already totals $647 billion—four times what China, second in global military spending, shells out and more than the next 12 countriescombined, seven of them American allies. For good measure, Donald Trump has added an additional $200 billion to projected defense expenditures through 2019.

Yet to hear the hawks tell it, the United States has never been less secure. So much for bang for the buck.

For millions of Americans, however, the greatest threat to their day-to-day security isn’t terrorism or North Korea, Iran, Russia, or China. It’s internal—and economic.

More here.