Coronavirus Won’t Kill Globalization But It Will Look Different After the Pandemic

Arjun Appadurai in Time:

Even in the heady early years of globalization back in the 1990s, scholars of the new trend were worried about its viral qualities: its speed, its ability to penetrate borders and regulations, its capacity to transform and even colonize the countries to which it came. I was one of these analysts. Though most of us thought globalization would likely be a largely positive force, we did not anticipate then that globalization could gradually become dangerous, infectious and hard to control.

Then came a spate of viruses that themselves seemed to be global travelers: HIV, the swine flu, mad cow disease, SARS, various brands of influenza, and now COVID-19. This last scourge is the most globalized in our history. Its speed of movement is matched only by the scale of its global reach. And it has unleashed an assault against globalization, with critics using the current pandemic as an example of how it can go wrong.

All of a sudden, many in media, academia and politics seem ready to hit the pause button on globalization. “Globalization is headed to the ICU,”Foreign Policy column argued on March 9, while The Economist’s May 14 issue asked whether COVID-19 had killed globalization.

More here.



Keith Jarrett and Digital Culture

Chase Kuesel at Music and Literature:

On July 7, 2013, Keith Jarrett bracingly took to the stage at the Umbria Jazz Festival in Perugia, Italy. The momentousness of the occasion was not lost on anyone: just six years earlier, Jarrett had become the first artist to ever be banned from the festival by director Carlo Pagnotta, for delivering a profanity-ridden condemnation of photographers in the audience. Seeking to avoid a similar incident this time around, Pagnotta issued a preemptive plea to the crowd to put their cameras away and to greet Jarrett with a standing ovation.

As the audience stood and complied, Jarrett finally appeared, flanked once again by his longtime trio-mates Gary Peacock on bass and Jack DeJohnette on drums. The atmosphere of camaraderie did not last long, as Jarrett examined the audience for just a few seconds before hastily declaring, “See you later” and walking offstage. There was momentary confusion: surely this could not be a repeat of the 2007 performance, where Jarrett issued his diatribe against the audience before even playing a note. But there was Stephen Cloud, Jarrett’s manager, walking on stage to beg for appropriate behavior once again: apparently Jarrett had seen some people in the audience flashing their cameras.

more here.

The Politics of Humiliation: A Modern History

Thomas W Laqeur at Literary Review:

No emotion stands nearer to the foundational myths of the human social order than shame. In the beginning, Adam and Eve stood together ‘both naked, the man and his wife, and were not ashamed’. And then they ate of the tree of knowledge; their eyes opened; they knew they were naked; they covered themselves with fig leaves. Their shame was what told God they had fallen and become humans of our sort. Protagoras tells Socrates that after Prometheus had distinguished humans from other animals by giving them fire, Zeus gave them both shame and justice so that they could live together in harmony.

Shame is the emotion that signals to us that we have done something wrong or dishonourable; it is also what leaves us vulnerable to being made to feel dishonoured, degraded, disgraced or ashamed by the actions of others – that is, to be humiliated.

more here.

Gatsbys of Our Time

Matt Hanson in The Baffler:

IN A TELEGRAM SENT from the South of France in March of 1925 to the Scribner office in New York, F. Scott Fitzgerald shouted the new inspiration for his third novel from across the Atlantic: “CRAZY ABOUT TITLE UNDER THE RED WHITE AND BLUE STOP WHART WOULD DELAY BE.” Luckily, his publisher was either too busy printing The Great Gatsby to make any changes or was too tactful to tell the excitable author he had a dumb idea. The phrase works better as the title for a new study of the novel’s legacy by renowned cultural critic Greil Marcus. The Great Gatsby lives on almost a century after its anticlimactic publication, Marcus argues, because it works as both a symbol of and a critique of different aspects of the American Dream—patriotism, wealth, disenchantment, the pursuit of happiness.

In Under the Red White and Blue, Marcus dusts off a collection of cultural products and finds Gatsby’s fingerprints all over them. He finds traces of Gatsby (sometimes more convincingly than others) in songs by Lana Del Rey and Jelly Roll Morton; in novels by Chandler, Roth, and Ross Macdonald; in an epic stage play that features a live reading of the entire text; in one of Andy Kaufman’s standup routines; and, of course, in the book’s various film adaptations. Marcus gets more out of director Baz Luhrmann’s flashy 2013 version than it probably deserves—that one was the fourth attempt, not counting the 1926 silent movie version, and like the others it fell short of its potential. Gatsby is also invoked in the nicknames of Korean pop stars and in advertisements for swanky New York luxury hotels that offer “the full Gatsby experience,” blood-stained swimming pools not included.

More here.

What do our dreams mean?

Cath Pound in BBC:

Dreams have fascinated philosophers and artists for centuries. They have been seen as divine messages, a way of unleashing creativity and, since the advent of psychoanalysis in the 19th Century, the key to understanding our unconscious. As so many of us have been experiencing unusually vivid dreams in recent weeks, it seems an opportune moment to explore the way in which they have been understood and depicted throughout the centuries. In doing so we may even find some intriguing parallels with our own experiences. But why are we dreaming so vividly now? “We’re in a new situation so there’s new emotions to process,” says psychotherapist Philippa Perry, who was inundated with replies when she recently asked her followers to send her their dreams on Twitter. We make up narratives to make sense of those feelings that in dream manifest themselves “not straightforwardly but in metaphors”, she explains.

Albrecht Dürer’s Dream Vision (1525) is the first known depiction in Western art of an artist’s personal dream. The watercolour, seemingly hastily produced on waking, shows a deluge of water descending from the sky to engulf him. “I awoke trembling in every limb and it took a long time for me to recover,” he noted. Perry says that although her training taught her there was no such thing as a dream dictionary, decades of practice have shown her that “certain objects usually stand for a certain thing”, and “if somebody dreams about water that is usually about feelings”.  To her, it sounds as if Dürer was “drowning in feelings”, and although of course she cannot be sure what those feelings were, “most of us, whether we admit it or not, or are ignorant of it when awake, fear annihilation and oblivion”, she says. Perhaps it is unsurprising that many of the dreams Perry was sent on Twitter also involved people being engulfed with water, although the woman who dreamt she was surfing on a tsunami was clearly dealing with her emotions better than Dürer.

More here.

Tuesday Poem

Sherbet

The problem here is that
This isn’t pretty, the
Sort of thing that

Can easily be dealt with
With words. After
All it’s

A horror story to sit,
A black man with
A white wife in

The middle of a hot
Sunday afternoon in
The Jefferson Hotel in

Richmond, Va., and wait
Like a criminal for service
From a young white waitress

Who has decided that
This looks like something
She doesn’t want

To be a part of. What poetry
Could describe the
Perfect angle of

This woman’s back as
She walks, just so,
Mapping the room off

Read more »

Monday, May 18, 2020

On War and Sports Metaphors for Argument

by Scott F. Aikin and Robert B. Talisse

The vocabularies of sports and war feel natural for describing arguments and their performances. From battle, we describe arguments as swords, as they may have a thrust, may cut both ways, and may be parried. A case, further, can be a full-frontal assault, and we may rush once more unto the breach. There are defensive positions and rear-guard actions. One’s best arguments are one’s heavy artillery, and one may lay siege to viewpoints. And one may, on the sports model, score points or score own goals with successful or unsuccessful arguments, respectively. One may play soft- or hardball. Powerful arguments are slam dunks or home runs, and good rebuttals are counterattacks. Or one may change the subject with a punt. There’s no doubt that our vocabulary for describing what happens when we argue is thick with this metaphorical idiom. The question is whether it is a good thing or not – does the vocabulary of adversarial contest distort our relationship with argument? We hold it need not, but there are some concerns that must be addressed.

The first concern is that sport and war metaphors are misplaced because they presuppose (and seem to endorse) hostility between arguers, and this hostility has objectionable consequences. One’s objective in a game and in a war is to win, to defeat the adversary. As the saying goes, all is fair in love and war, so (leaving love aside) when we turn to the context of argumentation, the metaphors make it difficult to see what would be wrong with using all available means to win in argument. However, unlike in a war, successful argument depends upon arguers following the rules. Further, when one loses an argument, one nevertheless learns something about one’s views. And one may change one’s mind for the better. Losing an argument can be beneficial to the loser. The war and sport metaphors, so the objection goes, fail to recognize this complex of features of argument; for that reason, they are inapt. Read more »

On the Passing of John Conway

by Jonathan Kujawa

According to Johns Hopkins University, as of this writing, 315,023 people worldwide have died from Covid-19. One of those 315,023 was the incomparable John H. Conway.

John Conway

At the age of 82 and with health issues, Conway was well within what the CDC euphemistically describes as “people who are at higher risk”. It was perhaps not unexpected that someday soon he would no longer be with us, but it was a shock to the mathematical world, nonetheless. Conway’s mathematical powers, irreverent style, and forceful personality made him a well-known and seemingly permanent feature of the mathematical community for more than sixty years.

When I was a graduate student twenty or so years ago, John Conway came to my university to give a series of lectures. Like many math departments, we had an endowed fund to bring in eminent visitors who were well regarded as both researchers and speakers. In our case, the standard format was for two talks: one for undergraduates and one for the faculty. In truth, this more often ended up being one for graduate students and faculty, and one for specialists. Not surprisingly, many mathematicians aren’t the greatest at making their talks accessible.

As the OG mathemagician, Conway had no trouble being accessible, interesting, and entertaining. That said, I must confess that I have only the dimmest recollection of the talks themselves. But I do remember the talks for a quintessentially Conway reason.

At the time the department had an honorary T-shirt which was given to speakers as part of the introductory activities. Nearly every speaker made the same joke. Without fail they would chuckle and ask if they were to put the T-shirt on immediately. We would politely laugh as if we hadn’t heard the same joke told by the previous week’s speaker.

Conway being Conway, he skipped right to the punchline and beyond. Conway stripped off his shirt, strode barechested across the stage in front the entire math department, pulled the T-shirt on, and dove straight into the beginning of his first lecture. Read more »

How to Avoid Paradoxes While Traveling Thru Time

by Tim Sommers

Stuck inside? Unable to travel? Have you considered traveling through time instead of space? Time travel is impossible, you say? Wrong. We are, each and every one of us, time travelers, traveling forward second by second, hour by hour, day by day into the future.

Why not consider traveling in the other direction? If you are afraid of traveling to the past because you fear paradoxes – killing your own grandfather, stepping on a butterfly while fleeing from a dinosaur, etc. – I have great news for you. My new theory of time travel will allow you to travel into the past without creating any paradoxes – guaranteed! (Time machine not included.)

Let’s not go straight to the big payoff. Let’s work our way up to it. Hannibal Buress has pointed out that when people go through something rough in life, they sometimes say, “I’m taking it one day at a time.” Hannibal says, “Yeah. So is everybody. That’s not a philosophy. That’s how time works. If there’s a way to go faster, let me know?”

I am here to help. You can move through time more quickly than your friends and family (that is, travel to the future faster than they do). Here’s how. Either go very fast or stand close to something really massive.

You might say, Tim, I know that it follows from Einstein’s general theory of relativity that there is no universal “now”, that simultaneity is an illusion, and that we all travel through time at different rates depending on our speed and proximity to extremely massive objects, but do you have any empirical evidence that this actually, really happens in the real world?

I’m glad you asked. Read more »

Sighs and whispers

by Brooks Riley

Something has happened in the last forty days. The planet has gone quiet, a vast, reverberating, gesticulating global chorus suddenly muted by something wee and invisible which is borne across continents, streets and rooms by friends and strangers. Mass extinction, once the whispered woe of a distant future, suddenly sounds louder and doable in the here and now. The world is compelled to gaze at its own mortality.

When the coronavirus forced us to retreat from daily life, the blanket of silence that fell was like the muffled air after a fresh snowfall—eerie, familiar, cozy even, and not entirely unwelcome. We are not the only beneficiaries of the newfound hush. Birds who have had to compete with our noise to sing to mates are suddenly alone on stage, ready for their seldom solos.

As a species, we are a noisy bunch, our decibels swelling with our need to grab attention where only the most aggressive bring home the prizes. We attach ourselves to machines that make even more noise than we do—cars, buses, trucks, trains, airplanes, bulldozers, amplifiers. And we fill the spaces in between with idle chatter, raised voices, music turned up high, leaf blowers, and hair dryers. Most are idle now, even cries behind closed doors are muffled. The soundtracks of our lives have moved into the adagio phase—softer, interim, slower. Read more »

Ramadan in Lockdown

by Shadab Zeest Hashmi

The month of Ramadan is at once a time of respite from the external— when one’s focus shifts from worldly affairs to the spiritual— and a time to deepen one’s sense of compassion and fellow-feeling via the rigors of daily fasting, prayer, reflection and generous giving. It is a time to break free from day to day concerns and to pay attention to one’s lifelong inner journey, whether it is through revitalizing the connection with the Divine or investing in human relations: personal, communal, and global.

In the face of unprecedented grief, anxiety and uncertainty brought on by the COVID-19 pandemic, this Ramadan has been a rare opportunity for reflection. Where social distancing has taken away the comfort of breaking the fast in communal settings and sharing the challenge and peace of the sacred season with family and friends, it has shown a hitherto unknown way to experience this sacred time.

On a typical Ramadan day, I would wake up to make the pre-dawn meal, and get the family ready for the usual morning routine— school and work, balancing the day between Ramadan demands and the family’s routine demands such as work deadlines, tests, after-school activities and work-related social commitments that required us to participate in a state of fasting, feeling exhausted and isolated. Being able to share with others, often only on weekends, the singular sense of contentment that comes from Ramadan-fasting always makes the challenges feel worthwhile.

This Ramadan, we are cut off from loved ones and friends; we cannot invite anyone or visit the mosque for special prayers and have festive Iftar meals together. While the daylong hunger and thirst of every Ramadan is a bodily reminder of those among us who struggle with basic needs, this year I’m also reminded of those who live under lockdowns imposed by military occupations. The idea of a lockdown suddenly feels much more immediate, more oppressive. How does one bear curfews that go on for months and months— the uncertainty, the impossibility of accessing ordinary necessities such as food and medicine, of gathering for prayers, weddings and funerals? Read more »

Value, Merit and Desert

by Christopher Horner

Its only when the tide goes out that you learn who has been swimming nakedWarren Buffett

Buffett’s famous remark has usually been applied to the shock of the 2008 financial crisis: the over-leveraged, the under-financed, the chancers and the over-exposed in general were embarrassed when the tide went out and left them shivering on the seashore. But we can apply that image to our present troubles. The tide that has been COVID-19 has exposed those very highly paid professions that do not count as essential, by most people’s standards. How many hedge fund managers, for example, do we need out there, working for us right now? We seem to be getting on just fine without them. Contrast a ‘job’ like that with the much lower paid nurses, care home workers, security guards, service and delivery personnel of all kinds who face the real prospect of illness and even death, often in contexts in which there is insufficient personal protection equipment and where social distancing isn’t observed, either because it would be impracticable, or because their employer doesn’t care enough to ensure it it happens. And beyond what we are learning to stop calling ‘unskilled’ and are now calling ‘key’ workers are a larger group that either keep society going or who help make it something we would want to keep going. Crudely put, we need bricks and mortar but we also want art, entertainment and education. 

Marx’s distinction between use value and exchange value is helpful here. The former, for my purposes, is the rough and ready criterion of adding personal and social value – the things we need and want. The latter is the production of commodities or services to be exchanged for money, with the aim of making a profit. In a capitalist system like ours, the two sides of value are always in an uneasy relationship, to say the least – commodities need to be of some use to the buyer and must produce profit. However, in our current crisis they have split asunder. Not completely, of course: this pandemic is almost perfect for online companies like Amazon, whose profits will surely rocket beyond the already stratospheric up into outer space. But there is now a stark distinction staring us in the face between the two kinds of value and the people who create it. Read more »

‘Systemic relevance’ and the value of philosophy

by Michael Klenk

The COVID-19 pandemic has instigated talk of the systemic- or societal relevance of institutions and professions. Quickly, attributions of systemic relevance have become a matter of distribution of resources. In Germany, for example, a union recently demanded extra financial support for systematically relevant professions. Whether your profession is deemed systemically relevant may thus be of material consequences for you, and eventually for the constitution of our societies.

But in my previous post, I raised a question about the societal relevance of academic philosophy. Academic philosophers do not predict the virus’s spread like epidemiologists. They don’t take care of patients in hospitals like nurses, and they do not stack the much-desired toilet paper into supermarket shelves. What, then, is their societal relevance?

As we will see, there is little hope for providing an a priori argument for the societal relevance of academic philosophy. But, in an interesting twist, the way of thinking that leads to that conclusion is paved by philosophy. At the end of this post, I’ll briefly consider what this means for questions about societal relevance in general and how it reflects back on the value of philosophy. Read more »

What Oedipus can teach us about the COVID crisis

by Cynthia Haven

What is worse – coronavirus itself, or the social and economic catastrophe that comes with it?

René Girard, one of the leading thinkers of our era, argued that the biological and social aspects of a plague are interwoven: he points out that historians still debate whether the Black Death was a cause or a consequence of the social upheavals in the 14th century.

The Stanford professor, who died in 2015 at age 91, has been called “the new Darwin of the human sciences,” but he began as a literary theorist. His work, beginning in the 1960s, offered a new concept of human desire: our desires are not our own, he said, but are “mimetic.” As social creatures, we learn what to want from each other. Imitation leads to competition, which leads to conflict, which then spreads contagiously throughout a community. Eventually, the community targets one person or group to blame for the disorder, someone like Oedipus. The targeted scapegoats are punished, expelled, or in the past, often killed. Girard began in literature, but quickly took on anthropology, sociology, religions, and more. And while he initially wrote mostly about myths in archaic societies, he eventually became an observer of contemporary culture, focusing on rivalry, violence, and warfare today.

Towards the end of his life, he wrote about the social ramifications of natural disasters, and plagues are no exception. Certainly our desires and hostilities have proven as contagious as COVID-19, which has in many ways fueled and exacerbated them, and variously targeting presidents, governments, protestors, and the Chinese for blame.

In 2005, Girard met with Robert Pogue Harrison, author of Juvenescence: A Cultural History of Our Age; Forests: The Shadow of Civilization, and The Dominion of the Dead, for a two-part interview on Harrison’s celebrated “Entitled Opinions” radio and podcast series, available on iTunes.

The full transcript is among the interviews included in the Conversations with René Girard: Prophet of Envy, edited by Cynthia L. Haven, published this month by Bloomsbury. Read more »

Sunday, May 17, 2020

10-4: How to Reopen the Economy by Exploiting the Coronavirus’s Weak Spot

Uri Alon, Ron Milo and Eran Yashiv in the New York Times:

If we cannot resume economic activity without causing a resurgence of Covid-19 infections, we face a grim, unpredictable future of opening and closing schools and businesses.

We can find a way out of this dilemma by exploiting a key property of the virus: its latent period — the three-day delay on average between the time a person is infected and the time he or she can infect others.

People can work in two-week cycles, on the job for four days then, by the time they might become infectious, 10 days at home in lockdown. The strategy works even better when the population is split into two groups of households working alternating weeks.

Austrian school officials will adopt a simple version — with two groups of students attending school for five days every two weeks — starting May 18.

Models we created at the Weizmann Institute in Israel predict that this two-week cycle can reduce the virus’s reproduction number — the average number of people infected by each infected person — below one. So a 10-4 cycle could suppress the epidemic while allowing sustainable economic activity.

More here.